Ok after some time of listening to my recently aquired esw11, I feel time for update.
With that, the issue of "pad rolling" finally arrives.
Here are some pics of the esw9 and original stock esw11.
I say "original stock" because I am told by member "ExpatinJapan" that there is yet another slight and "better sounding" update to the esw11 pads!
Ok back to the pads:
Looking at the differences in these two pads we can see there will be sonic differences.
Look at differences in:
Hole size,
Felt cover density,
Leather area covering driver,
Cushion,
Pad height,
Thickness
They all actually make a rather HUGE difference (!)
Esw9 hole size bigger on left:
And
Esw11 more leather covering hole on right:
And
Esw9 pad can see driver more clearly on right:
And
Esw9 more height in pad thickness on right:
And so what is the difference?
Most of the descriptions of the esw11 subdued treble and pronounced or elevated lower mid to bass, is actually attributed to, THE PADS(!)..
In actuality the esw11 drivers are even more balanced than we are led to believe!
Putting on the esw9 pads, I have been enjoying more clarity(!) and treble extension with a less prominent and more detailed lower mids & upperbass, but the major difference is how the mids just come even more alive!!
I have to say these are the most delicate, nuanced & beautiful mids to trebles I have ever herd on a portable yet!
It has an amazing way it conveys air and image and separation, like the same life you would get from a tube setup..superior layered/textured mids(!).
Not only subdued trebles gone but now more gradual extension and just more noticalble buttery smoothness & delicacy like a butterfly in motion. I notice cues and timbres and vocal harmonies with greater "euphoric" sense.
Although it had these qualities, yet subdued before the pad swap, it is much more noticeable now.
There is an inherent sweetness to the music.
So these are, hands down, the best sounding cans I have herd from a portable (yet)
I have tried to duplicate the majic of my w3000anv with my "Germania" modded esw9.. (Wich was really good & an improvent in every area over stock(!)...
but lacked image placement of bigger cans).
The cans proved to be a little too laid back for me in long run.
less involving for me compared to a top can like the w3000anv.
Amping certainly helped but I wanted to have that w3000anv musical enjoyment of it's mids in a portable solution..
And so I then tried again with my own modded esw700 (esw9 with es700drivers), wich have incredible image placement and huge space, my best portables at the time..
So fun but with slightly exaggerated details, wich made super impressive sound,
Yet it was still not feeling correct as it has an unnatural or spooky sound as 'you are there" too much, and so it detracted from musical enjoyment of actual song by keeping every song in same spooky studio-hall soundstage and always "being there" with the musicians.
But with the esw11 I feel it has, with just a pad swap to esw9, a perfection of presentation and musicality that is needs nothing else and nothing else can touch it (!).
You hear everything musically and with a sweetness presented large and not slightly too far (esw9) and not slightly too close (esw700 & es700).
It presents nuance & details as a whole over the whole spectrum, not just "certain aspects" of sound.
So it is just highly satisfyingly musically, and you forget the cans strength&weaknesses and just enjoy the the music..
What weaknesses you say?
Yes every can has & in this case it is not the most sound isolating but definitely better than previous esw9 Woodie.
Why the h*ll do they make limited production of their best sounds?
Like in the w3000anv & esw10, and now this ??
Hope to one day compare it to an ed8 & also Bill-p es10woodie mod.
But I am no longer restless in a search for a portable solution anymore