sanakaku
AKA Private Dancer
- Joined
- May 29, 2010
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BASS TIGHTNESS
always sound sooo delicious
"Synergy"
I dunno why, but I always cringe when I hear this used. Like they put this colored item with that colored item and "synergy" occurred.
SOUNDSTAGE.
No one understands that either.
Grr.
just because YOU don't...
just because YOU don't...
Indeed ; And don't reference "Head-stage" to 'em either![]()
/ Head-Fi Glossary FTW
http://www.head-fi.org/forum/thread/220770/describing-sound-a-glossary
// Of course, in the (IIRC) '08 Head-Fi poll some 70+% stated they weren't audiophiles ...
Speed - A fast system with good pace gives the impression of being right on the money in its timing.
I'm pretty aware of the meanings of both terms, and how they can be used. There is no set definition for these terms either. If you are interested, I use both soundstage and headstage as defined in Darth Nut's Stax Omega II review, which is, to me, the pinnacle of headphone reviews.
prat
sparkle
crunch
You're correct both in that a WIDE latitude is seemingly allowed by even the more professional reviewers as to exactly what they mean using these somewhat subjective terms enclosed , as well as Darth Nut's extensive definition of "Headstage" being a great resource for that terms usage .
I thought my post would be useful to some readers though obviously not pointedly yourself perhaps, now with further information , though the one word previous post had me wondering ...
I believe the root of the problem is the triangulation of the complexity of what is trying to be conveyed (specific instance of software & hardware components as a system compared to some reference and its sound as reproduced by one listeners experience ) , the inadequacy of these symbolic words where degrees of intensity are difficult to convey in contrast as well, then the readers understanding by definition , experience (reference) and imagination as to what otherwise should be a clear and precise words definition...
Always problematic painting an accurate image for a reader with language and moreso when the subject is what is being heard by the author ...
I remember when I had my Grado RS-2s , there was hardly any headstage to speak of for the separation of individual instruments upon the imaginary stage vs lets say , and in contrast to my K-701s with the same gear upstream as well as music / software , just for instance, etc ...
Happy listening !
You hit the nail on the head with this post. These symbolic words, as you say, are like creating imagery in a good novel. The idea that you can interpret data from your senses, write it in words, and expect others to understand precisely what was going on in your ears is treading difficult paths. Headphone (and any audio) reviewing is much like creative writing in its complexity and the difficulty that creating images can cause.
The breadth of definitions for single terms can be incredibly problematic. Writing reviews is tricky business, unless you do as Darth Nut did and describe what you are referring to by breaking down every detail. Unfortunately, that is a difficult (and time consuming) process.
The lesson to be had from all of this is, of course, to try things yourself and get experience and input from your own senses, not the rough double-translation of others. It's like the game "telephone" that children play, where the end result is not what the reviewer experienced or intended to convey.
"Foot tapping" treble. What the hell is that.
The word is dated though. the Office Space movie basically made it one of those words that makes it laughable. I used to hear it used at work often, but now it's never used since that movie came out.