bazelio
500+ Head-Fier
- Joined
- Oct 29, 2015
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12AT7 are the input tubes. Try 7062 in their place.
So, the 12AT7s boost the signal (like a pre-amp) for the 6SN7s, or the other way around?
If you are in Washington state you could see if you're free to come down to Portland Oregon on May 7th for the head fi meet. I'll have ZOTL and Omni there, and there are turning out to be tons of other vendors.
Crying for a dual mono microzotl now...is there any plan for xlr input on microzotl?
Crying for a dual mono microzotl now...is there any plan for xlr input on microzotl?
I think there's lower hanging fruit out there to improve the Zotl2 than going differential balanced. If I were to rank the sonic improvements to my Zotl2, I'd have to say, funds permitting, upgrade the psu, swap the fuse out to a Synergistic Black and then go to the tubes. I'm running some Sylvannia 6S7Nw's in mine. I'm in the minority on this one, but swapping out the input tubes to some 7062s didn't do it for me. My current Zotl2 is absolutely the best sound I've ever gotten out of a headphone rig. I'd put it up against pretty much anything out there. Stunning dynamics/prat, immediacy, resolution, and musicality.
I love the Eddie Current stuff and currently own one a custom phonostage he made for me (with Cinemag's best transformers) and used to own his Balancing Act. I still have his phonostage which bettered the one in my EAR 868 pre-amp. I've never been able to give the Zana Deux a serious listen. I have listened to it and it was great, but I never listened to it in my own rig with my own sources, so that a serious comparison was possible. That is, you change one and only one thing in the chain. I hope to a/b the Zotl2 against my friend's BA and another friend's Donald North stuff. Both guys have very nice speaker rigs and have listened to most of the best headphone amps out there with great sources (the $20k Rockna dac, Metrux Hex, Berkeley Reference, Bricasti and on and on). Fuses certainly make a difference. If you're dismissive of this, then we hear things differently. Much differently. I bought the Amperex 7062s (from Holland). I like the versatility of the 6SN7s. I think with this tube you have a much broader range of sonic habitats available.
I don't go for the expensive fuses but I do use ceramic fuses that are sand filled. They are for ultra fast fuse action and the material inside is so they can't arc over but a benefit for audio is that the material dampens the fuse material. This keeps the wire still and less prone to any micro vibrations, therefore it doesn't vibrate in a field, which can induce noise on the DC signal. I have used them for years and while more expensive compared to your standard glass fuse, they are worth it and a fraction of the cost of the silver fuses etc.