Sine purportedly has much less sensitivity to impedance mismatch reflections than a square-wave too (not sure if this is what Martin might have meant in part).crap I didn't know that!
thanks
Last edited:
Sine purportedly has much less sensitivity to impedance mismatch reflections than a square-wave too (not sure if this is what Martin might have meant in part).crap I didn't know that!
thanks
When a sine clock signal reaches your device, your device needs to convert the sine wave signal into square wave, this conversion will increase jitter, depends on what component or circuit to convert sine wave, so both sine and square have their advantage and disadvantage.I was being a bit simplistic: within the limits of 50Ī© and 75Ī© cables, a squarewave signal requires precisely the correct impedance at both ends and in the cable if it is to arrive as a well-preserved squarewave. A badly formed squarewave (I'm thinking of the squarewave output of a BG7TBL, for instance) will cause more imprecision at the triggering point on arrival.
On the other hand, a 50Ī© or 75Ī© mismatch for a sinewave results in a sinewave. From this point of view, impedance doesn't matter and the trigger point is more consistent. What a sinewave clock is very susceptible to, though, is noise. A sinewave clock cable needs to be very well shielded and short. This is why the HT DC III and Neotech NEVD-2001 are so successful and sound so good, as they are triple-shielded.
This is the case sometimes, with say a Schmitt trigger, other times the threshold circuit will work directly on the sinewave.your device needs to convert the sine wave signal into square wave
-You are so beyond rescuing from the HiFi - quicksand pond. LOL. But seriously, I think You have the right mindset for this. You have a natural curiousity and want to build up Your own stock of knowledge regarding functions, different materials, solutions and the combinations with these. Welcome into "the deep"OT:
I love this frogging hobby, its an endless journey with endless pairing possibilities and options. Even though Im soo thankful for other peoples opinions here on headfi, I like to make my own mistake/findings/experience. That said I would never have found the OCK-2 by myself.
Agree, the M&P is great stuff. I went Hyperflex 5. After having compared 4 other cables, I can say with confidence its not the weak link in chain relative to the other components in the chain.And as it is sometimes difficult to evaluate the quality of the square wave produced, the other option is to use a sine wave and add a low-pass filter to limit the noise above 10mhz (recommended by Swenson).
But with a M&P Hyperflex 10 cable, I went back to square and it is very good.
You are right, hifitidis, headfitidis and upgratidis-You are so beyond rescuing from the HiFi - quicksand pond. LOL. But seriously, I think You have the right mindset for this. You have a natural curiousity and want to build up Your own stock of knowledge regarding functions, different materials, solutions and the combinations with these. Welcome into "the deep"
/Jan
Ok cool. Im just gonna prepare the cable for when the Afterdark X1 is ready for installation. Im actually pretty satisfied with supra, I also might try another cable if the availability is good in europeI'm running two different clocks and clock cables at the moment. Balance it according to your system needs, it doesn't have to be the same.
Always go with the correct impedance. The HT 50 Ohm Digital Copper III is a very good cable.I'm unsure whether to try the 50 ohm ht digital copper iii or 75 ohm neotech nevd 2001 next, I'm using a 50 ohm sine wave clock.