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*Photo Credit to Jude[/size]
My time with the beautiful Luxman P-1 is getting short.
I am grateful to Todd for the loan, and I did bring the amp to the recent small Marin meet so that some other locals could hear it. Indeed, Todd himself will be bringing the P-1 to ChiUnify 2 next Saturday in Chicago, and from there it will travel to Tampa for another meet, before auditions by several more Head-Fiers. Thanks for putting this high quality gear out for loan, Todd, especially the P-1 which is not well known here in the US since it was only recently released in 110 voltage.
I will try to get to more detailed impressions soon, but here are some listening details and some basic impressions. I have used the Luxman now with my EMM Labs gear, my VPI Aries 3 turntable, and my Onix Reference One CDP. I hope to try it with the Squeezebox 3/Lavry combo and with the SB3 and on its own just to see how that simple setup would work. I might even try a super simple Airport Express into Luxman rig using Remote on the iPhone. The cans I have tried include the following: Sony CD3000; ATH-AD2000; AKG K701; Sennheiser HD650; Grado HF-1; Grado PS-1; and Ultrasone Edition 9. I might throw the Headphiled AKG K340 and Sennheiser HD600 at it before my time is up.
The Luxman P-1 has impressed me over and over again. The initial listening was done with the Onix at home in the comfort of my listening chair where I was consumed and engaged and fell pretty hard for this amp. It has a very natural, warm but detailed sound, and I think it is one of the best pieces of solid state equipment I have heard in terms of allowing an emotional connection to the music. Since my initial listening, I have tried it with much better sources and I can gladly report that the P-1 scales up well and improved greatly with a better signal. Although the S/E and XLR inputs are both strong, the XLR input sounds better to my ears. It is louder, as is typical with a balanced signal, but even accounting for that and trying to drop the volume down when switching to XLR I found that the detail and presentation were improved with the balanced input. I don't know the technical details of the Class A amplification or what happens to the balanced signal given that the output is single ended, but I do know that it sounds fantastic with a wide range of cans:
*I first tried it with the CD3K and AD2K for open and closed single ended cans I had on hand. Both of these cans responded very well to the Luxman and sounded about as good as I have heard either of them. The high end is really nice and the bass, especially on the AD2K is great
. Very balanced and full sound, which is not at all easy with the CD3K.
*The stock K701s sound fantastic out of the Luxman, and really had more life than any solid state amp has instilled in them with the s/e stock cable to my memory. I also have a recabled pair of K701s with a Moon Audio Black Dragon balanced cable that sound incredible on my SinglePower SDS-XLR but the stock ones almost always sound pretty flat to me. This matchup is excellent and could really change some people's minds about the K701, which is exactly what tough critic JP11801 said was his experience. He normally dislikes the K701 and thought the Luxman made them sing. I have to try the Black Dragon model with an adapter and see how that is...
*I had my HD650 at the Marin Meet with a Moon Audio Blue Dragon cable on it. The Blue Dragon is not ideal for those cans, whereas it is great with the HD600, but I did not love that combination. It sounded ok but it did not grab me and I did not spend much time trying it out. I need to try the HD650 with the Equinox cable and the HD600 with the Blue Dragon to really see how these match up with the amp.
*Last night I spent some time with the Grados, HF-1 and PS-1, and really enjoyed the Luxman with both. OK, I enjoyed it A LOT MORE with the PS-1 but that is natural.
The bass on both Grados was great and the high end extension was there without the brightness or fatigue that people sometimes associate with Grados. The PS-1 had its distinctive wonderful mid-range in spades and the bass was never overwhelming to the overall sound. I wanted to listen to "Melissa" and "Mountain Jam" on the
Eat a Peach SACD about 10 times with the PS-1, but I relented and listened to them with the Edition 9 as well.
*These were maybe the most perfect match of all. The Edition 9 just seem to love the Luxman. Deep bass, clear and warm mids, with sparkle and extension on the top. My pair of Edition 9s do not suffer from some of the oddities that other pairs have shown on occasion (which JP reminded me of today), but they sound particularly good on my SDS and quite good on my Rockhopper Audio balanced 6-ch Beta22. I haven't A/B'd the Beta and P-1 but I have to believe from what I heard last night that it is an even better match with these cans. I noticed that Jude made a similar comment about the Edition 9 and the Luxman after hearing somebody else's cans on his own P-1. I would definitely recommend an audition to anyone who really likes the Edition 9 because it is a combo to die for.
I will post some pics from my home rig soon, but here is a lousy picture of the P-1 at the Marin Meet:
If you have questions about the Luxman I will do my best to answer them. I have to let go of it probably Monday at the latest, but am going to be hard pressed not to buy a P-1 from Todd one of these days...