rgs9200m
Headphoneus Supremus
- Joined
- May 15, 2006
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I note Torq that you mentioned how much you liked DSD on the Spring DAC. My opinion from long experience with SACD (via an EMM xds1 cdp and others before this) is that is that SACD/DSD makes all the difference in the world.
Of course the big problem is the limited amount of music in DSD, but if there is music you like (for instance the entire Rolling Stones catalog), you are in total luck.
For me, DSD done right is insanely natural. It is the only digital method of very high resolution without going over the top in glare or any fatiguing sonic aspects.
I mean we are talking the real joy of listening here, no kidding.
And DSD has bass that is so transparent it sounds like a live bass event, like real thunder or an explosion. DSD bass is a musical item in itself, very pure, making non DSD sound opaque in comparison.
I have a hard time describing the nature of DSD bass sonics; you really have to hear it to understand. It's not just a foundation, it's a thing of beauty in itself.
I used to have vinyl long ago as the only cure for digital pain, but SACD/DSD convinced me that digital is the way to go, and I abandoned vinyl as inferior, not having the resolution I prefer.
I mainly listen to popular music of the last 50 years or so, and SACD/DSD is a godsend to this type of music, giving you an insight into classic performances I never would have believed possible.
(Just one more note though, for music not available in DSD, I am a fan of Japanese SHM CDs as having the best mastering jobs that target the digital glare monster. For instance, the Beatles on SHM is the best I have heard and well worth it. I need to try ripping my SHM CDs for my desktop system with a Hugo TT, but I have not gotten around to it.)
For the record, I use these headphones mainly: Stax SR007/mk2, Stax 009, Audeze LCD4, Grado PS1000e, Senn 650 w/Toxic silver widow cable.
When I listen to my headphones here, and normally there are issues to some degree of either some brightness, muddy bass, grain, or whatever, if I switch to the DSD version of a recording, suddenly things are magically cured. There are many recording that are unlistenable in standard mode that are at the other extreme of musicality with DSD.
(I actually do not use my Stax 009 at all without DSD, as it does highlight glare in regular digital.)
OK, thanks for reading, but that's been my experience over the last 15 years or so with DSD and SACD.
Of course the big problem is the limited amount of music in DSD, but if there is music you like (for instance the entire Rolling Stones catalog), you are in total luck.
For me, DSD done right is insanely natural. It is the only digital method of very high resolution without going over the top in glare or any fatiguing sonic aspects.
I mean we are talking the real joy of listening here, no kidding.
And DSD has bass that is so transparent it sounds like a live bass event, like real thunder or an explosion. DSD bass is a musical item in itself, very pure, making non DSD sound opaque in comparison.
I have a hard time describing the nature of DSD bass sonics; you really have to hear it to understand. It's not just a foundation, it's a thing of beauty in itself.
I used to have vinyl long ago as the only cure for digital pain, but SACD/DSD convinced me that digital is the way to go, and I abandoned vinyl as inferior, not having the resolution I prefer.
I mainly listen to popular music of the last 50 years or so, and SACD/DSD is a godsend to this type of music, giving you an insight into classic performances I never would have believed possible.
(Just one more note though, for music not available in DSD, I am a fan of Japanese SHM CDs as having the best mastering jobs that target the digital glare monster. For instance, the Beatles on SHM is the best I have heard and well worth it. I need to try ripping my SHM CDs for my desktop system with a Hugo TT, but I have not gotten around to it.)
For the record, I use these headphones mainly: Stax SR007/mk2, Stax 009, Audeze LCD4, Grado PS1000e, Senn 650 w/Toxic silver widow cable.
When I listen to my headphones here, and normally there are issues to some degree of either some brightness, muddy bass, grain, or whatever, if I switch to the DSD version of a recording, suddenly things are magically cured. There are many recording that are unlistenable in standard mode that are at the other extreme of musicality with DSD.
(I actually do not use my Stax 009 at all without DSD, as it does highlight glare in regular digital.)
OK, thanks for reading, but that's been my experience over the last 15 years or so with DSD and SACD.