Hi, All!
I just received the MB Quart QP435s package today as I left for work.
I don't have the DT880-250/05, K701 or Senn HD600/650 with me, but I do have my iPod, ALO Jumbo Silk Dock, RSA Hornet, RSA Tomahawk & Portaphile PV2^2-LT1210 Maxxed and have just started a bit of listening. I'll just write brief really initial notes.
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These few notes are my reflections on how the QP435 presents these few recorded tracks and the character of the 3 amps (sourced by iPod).[/size]
I work in an open environment which has a lot of background noise and these phones are about as open as the 880s, so it's not ideal, except as a reference for typical portable audio venues.
The QP435s (prototype) is very light and has a fit and feel similar to the DT880 2005. It does not have a deluxe look and finish, but it seems well-constructed and feels very comfy (much like the 880s).
It has a 1/4 inch plug rather than the 880s 1/8 inch plug and came with an (inexpensive) adapter. If I have time tonight I'll compare it with my custom Zu Pivot adapter cable and Grado adapter cable. Unfortunately, I'm leaving in 2 days for HeadFest and may not have any home listening time tonight or tomorrow.
I will, of course, be carrying these phones to HeadFest for others to audition.
My portable source & amps can drive the QP435s easily, and the phones do react differently to each amp, and to different recordings.
These phones seem to Like the RSA Tomahawk, at high gain, very much (low gain works but sounds a tiny bit lifeless by comparison). The sound is rich, energetic with good attack & decay (as much as I can hear in this venue) and it seems easy to listen to without fatigue for long sessions.
At this point I personally do not hear HF deficiencies.
My Portaphile is also excellent for these (I have it set to low gain for my ES2 IEMS): tho' it lacks the lush warmth in the mids that makes the RSA amps so rich with voices, it has excellent highs, great dimension, a transparent window-into-the-music, complex layered imaging, great definition & inner detail, and sometimes a very live ("you are there") illusion that these phones reproduce well. [I've read some users' notes indicating that their Portaphiles "lack width, depth, highs …sterile, etc." — but to my ears, compared to many other amps I've heard, my Portaphile excels at the qualities I've noted, and more.]
Whereas the Tomahawk is wonderful with voices (clearly so with these phones), the Portaphile is still the king of strings, especially guitars, and was the more engaging with the Alison Krauss & Union Station CD "Lonely Runs Both Ways" — which is packed with richly-textured guitars and bass, as well as Alison's sweet voice.
I had a brief listen with Diana Krall's CD The Girl In The Other Room (The Girl In The Other Room and Almost Blue). Surprisingly, the Hornet had her voice kind of nasal compared to the other 2 amps, and the highs weren't quite right … a bit irritating! I'll try the Hornet later with different music. I had expected the Hornet to be the warmest & richest sounding of the three but that didn't happen with this recording.
The Tomahawk was richly satisfying in the mids with Diana Krall "Almost Blue". Her voice was full-bodied. The Portaphile missed some throat & chest resonance, but displayed the shape, volume, timbre of drums & cymbals more realistically. (Some headfiers have commented that most amps portray drums like toys (superficial strokes only), and the Portaphile lets you hear the inside of the drums…
The QP435 is good enough to present these subtleties.
Both Alison Krauss and Diana Krall have some breathiness which is perceived more on some of their tracks as sybillance. These phones do pass that through, but it may just be the phones' (and amps') HF extension and transmissiveness — and the information on the recordings — so I can't say that the phones are sybillant. More varied listening is needed to determine that, one way or the other.
I think the DT880-250/05 has more bass energy than the QP435, but I'll have to hear them side-by-side to know for sure. The 880 also maintains a more uniform sound signature with various recordings, while the K701 has the more recording-dependent character as the QP435 seems to have.
More Later (if I can find the time).