Well, would you say then that 'audiofool' (
@Wiljen) is 'wrong' too, when he gives the sub-$50 BQEYZ K2 and KC2 a pretty similar rating in his reviews?
Kanas Pro: Bass 8, Mids 7.5, Treble 7, Soundstage 8, Imaging 7
K2/KC2: Bass 7, Mids 8, Treble 8, Soundstage 7, Imaging 7
... or that
@B9Scrambler aka 'The Contraptionist' is wrong when he says something like this in his review on the BQEYZ KC2:
"When I first put the KC2 in my ears and fired up a track, I was smacked across the face by a tidal wave of familiarity. “This thing sounds exactly like the ZS6,” I thought. Now that I’ve a/b’ed the two, I’ve reduced that to sounding almost identical, save for a few tweaks here and there deeper, more textured, and more impactful bass..." ...
Just two examples out of a good number of comparisons I ran across and I have no reason to believe that anyone is 'wrong' here. At the end of the day everything, including all the technical differences and those in price boil down to individual, subjective impressions ... no more, no less.
Anyway, I guess I got your point DE. I might have a chance to audition the MKP and some more hi-end TOTL IEMs next month ... I'll report back.