Carbon and Jazz! (for potential jazz lovers)
I am thoroughly enjoying my Carbon from Birgir bought a couple of months back. I bought it to simply get the best off my SR 009 + Hifiman 901s and without going into whimsical details (which I am not capable of), I can say that it meets my enjoyment - very thoroughly.
Also, while I enjoyed briefly my 007m2 amp from Stax (came with the 009 from the dealer and thus my backup), and it is a perfectly decent amp at a decent price by and large, the Carbon is expansionist in all directions and of course is a beefier machine in sound and weight (and price); I think the 007 has slightly more functionality.
Across a range of jazz (and some classical) - mostly trios/quartets/some big band/vocals, the Carbon+my hardware gives me great soundstage (significantly better than I expected), great clarity and separation of instrumentation, good controlled bass (I hear Ray Brown's underlying bass beautifully), lots of detail but it is all within the overall sound picture. On some enjoyable quasi jazz (some of it being quite quasi given his early days) a la George Benson in his popular croons, the rich orchestral sound and voice is most pleasing and you can hear lots of synthesizer sound and other bits tinkling across the soundstage (indeed the twanging of the guitar is very realistic and revealingly edgy in places). On single instrumentals (eg Yo Yo Ma cellos in say the fabulous Silk Road ensembles, or say Anne Akiko Meyers' violin tracks), you get a very juicy string sound and a very realistic portrayal in those exotic Silk Road instruments - here the sound spectrum is arguably more diverse than standard music. The recording qualities do show up on the Carbon but few albums to me, if any, sound bad by any general standard; some sound superb. This is all in my opinion.
All in all, I am delighted and very content. I also love my HM 901s, a significant improvement on the already great 901. Even the old 801 sounds very fulsome. Most of my tracks are FLAC 96/24 or 44/16.
Niggles: occasionally George Coleman's sax comes across as slightly trebly "bright" on the eardrum (I turn down the volume then) but this may also have something to do with live recordings etc. or indeed my ears.
Regarding the discussion on the exterior looks of the BHSE, I would say I prefer that to Birgir's quite satin-like simplicity and nice orange LED button (I have the full case Carbon), but if that means less tube purchases, less maintenance, less price tag, bigger unit and definitely comparable sound, even if the last 50 yards of BHSE is better in some way, so be it for me. I bought it for the sound and it exceeds my expectation.
And last but not least, it was a pleasure for me to deal with Birgir through a fellow Head-fier; he was patient and explanatory and on who's advice I independently took a risk. Shipment etc. was spot on from Iceland to Austria. I had considered a couple of alternatives but I feel I made a great choice soundwise after near-daily playing for these last few months.
N.