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Originally Posted by micmacmo /img/forum/go_quote.gif
Psiga, have the 900s opened up like you wanted? How would you describe its sound now that it's burned in? And what kind of music would you recommend it for?
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Hm. They're really interesting. On one hand they are considerably more detailed than I would expect to get for this price, and on the other hand they are not sensitive enough for me. Subtle details that I pick up from a place closer to the noise floor in the RP21 and KSC75 are lost on the RX900. They fade to a heavier black. I'm guessing, but not certain, that it could be fixed with a synergistic dedicated amp, since this is 64 Ohm, which is twice the impedance of the RP21 and KSC75. My TBAAM powers it plenty loud, but doesn't push the little details or big beats as well as it might on the 32 Ohm guys.
That said, they have a grander sound than the RP21, as the soundstage extends farther. They still sound collapsed in one way, though: there is a lot of up and down, left and right, but practically no forward and backward.
Physically, I find them comfortable at first, then they start getting uncomfortable after about 20 minutes. Different from but no worse than the RP21, in that regard.
As far as sound goes, the bass is okay; punchier but considerably lighter than the RP21, as we already have determined. Highs are pleasant enough, but not airy or anything fun like that. Mids sound veiled to me, and I'm not a big fan of them. Vocals and things like violins don't sound as pleasant as they do on the otherwise-inferior KSC75.
The big thing for me, that makes my case really abnormal, is that I run Winamp with
BBE Sonic Maximizer, and always tweak heavily to suit each particular set of headphones I'm using. These are the first headphones I've tweaked which benefitted from swinging the 'Process' slider nearly to maximum -- which I had a hard time believing at first, because it would sound awful on any other thing. It brings more sparkle to the highs, and makes the mids clear rather than veiled. I could blather on about it, but doing so probably wouldn't help anyone make a purchasing decision.
As for what music is good with them: It's hard for me to say, because almost all of my listening is done with the plugin, and that kind-of makes or breaks a lot of things. I can say that the lack of fore-and-aft headstage probably messes up symphonic stuff; the veiled mids kinda mess up female vocals and bowed instruments. The detail is nice, so things snap and pop and smack better than other cheap phones. I'm starting to hear fretwork, piano keys being pressed, drum membranes snapping, and metallic resonances that the RP21 would smear away completely.
I'm fine with using these as my general-use headphones for a while, and I listen to...anything that sounds good to me. Various tracks from artists all over the place: Zoe Keating, Ali Farka Toure, Yelle, Susumu Hirasawa, Astral Projection, Sa Dingding, and any number of other people whose names may or may not be recognizable.
In the end, I think they're nice enough for the price, and will probably stick with them until moving on to a very high end setup.