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- Jul 9, 2013
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Introduced myself to Iain today and will be by tomorrow to test out RHA's new gear!
Iain's really great and is a lot of fun to chat with!
Introduced myself to Iain today and will be by tomorrow to test out RHA's new gear!
Iain's really great and is a lot of fun to chat with!
I spent some time with Iain this evening at the RHA booth at RMAF. I listened to the CL1 for a little bit of time. I'll go back and listen to it more later tomorrow and Sunday (the show was closing down for the night, or I would have spent some more time there).
If you like the T20, you're going to love the CL1. Build quality is top notch, as to be expected, and the cable DOES NOT twist around in the MMCX-type port. Having removable cables will be very much appreciated.
I have only listened to them out of my DP-X1 on high gain. It's true what was said -- they're very inefficient IEMs. I had to bump up to high gain to get reasonable volume. But the good news is that they sound fantastic, and you don't NEED to by the Dacamp if you already have a capable source for powering them.
Now, how they sound. I'd best describe the CL1 as a more refined T20. The CL1 is to the T20 what the T20 was to the T10. It takes the basis of something great, refines it, and returns something that's a lot more polished than its predecessor.
Lows are still punchy, as to be expected, but they seem to have a little bit more depth to them. The highs, due to the ceramic driver, are forward and engaging. There's also a nice lift in the upper mids. I think that the switch to the higher impedance was well worth it. Seriously, I'm really looking forward to going back tomorrow and giving them an even better listen. Whereas the T20 treble can sometimes seem a tad uncontrolled, I didn't notice that at all in the CL1. These are going to make a lot of people very happy. I can't wait to hear them paired with the Dacamp.
Speaking of the Dacamp, it is really well built and quite substantial. It doesn't feel like a cheap product -- it feels sturdy and premium. If it sounds as good it looks and feels, I'll be very happy.
I'll post some more detailed impressions after I spend some more time with both products (and use them together).
I spent some time with Iain this evening at the RHA booth at RMAF. I listened to the CL1 for a little bit of time. I'll go back and listen to it more later tomorrow and Sunday (the show was closing down for the night, or I would have spent some more time there).
If you like the T20, you're going to love the CL1. Build quality is top notch, as to be expected, and the cable DOES NOT twist around in the MMCX-type port. Having removable cables will be very much appreciated.
I have only listened to them out of my DP-X1 on high gain. It's true what was said -- they're very inefficient IEMs. I had to bump up to high gain to get reasonable volume. But the good news is that they sound fantastic, and you don't NEED to by the Dacamp if you already have a capable source for powering them.
Now, how they sound. I'd best describe the CL1 as a more refined T20. The CL1 is to the T20 what the T20 was to the T10. It takes the basis of something great, refines it, and returns something that's a lot more polished than its predecessor.
Lows are still punchy, as to be expected, but they seem to have a little bit more depth to them. The highs, due to the ceramic driver, are forward and engaging. There's also a nice lift in the upper mids. I think that the switch to the higher impedance was well worth it. Seriously, I'm really looking forward to going back tomorrow and giving them an even better listen. Whereas the T20 treble can sometimes seem a tad uncontrolled, I didn't notice that at all in the CL1. These are going to make a lot of people very happy. I can't wait to hear them paired with the Dacamp.
Speaking of the Dacamp, it is really well built and quite substantial. It doesn't feel like a cheap product -- it feels sturdy and premium. If it sounds as good it looks and feels, I'll be very happy.
I'll post some more detailed impressions after I spend some more time with both products (and use them together).
Next up was CL1 with LPG. This threw me for a loop. The pair was quite fresh, without much burn-in, and coupled with LPG they were just to crispy up top for me. Reminded me of HD800 treble but with more bass response and body than most of the HD800 setups I've heard. Not a good pairing for me.
Too bad about the LPG...guess I will have to pair it with the Sony or the Mojo. Or I will have to get the DAC Amp, but I really don't need one (not that I need an extra iem either...)
I've had a change to listen to the CL1 + L1 with a older iPhone as a source at CanJam Europe and the treble was also a bit too much for me. Turning the Treble back 2 notches on the L1 made then tolerable for me. Very good extension from low to high. Noise issolation was also very good (sillicone tips)
Untill CanJam Europe I'd only know RHA by name, never heard one of their products before. Really glad I did pay them a visit. Solid products for sure.
HD800 heh, i was hoping for something a bit more musical. MA750 treble is already pushing it.
I think they are, RHA know how to build top notch headphone on top of that they have a 3 year warranty, am glad RHA is making headphone for people that use DAC/AMP, in the past every iem was make with a iPhone in mind.
I quite enjoyed CL1 + DACAMP. When you say DACAMP with -2 Treble made CL1 tolerable for you, it doesn't sound positive. Just seeking clarification: Did you enjoy that pairing or was it merely tolerable? And did you try the new 750? I'm quote keen on that one and like Mom said above, I don't really need another pair of iem but they're tempting for $130. If they were out already, I probably would have purchased a pair just for kicks. I'd need a little more time to evaluate CL1 + DACAMP before purchase, though given that it's a more significant investment.
has anyone tried the dragonfly red with the cl1 or 750 ?
@sq3rjick
is on it right now...