Quote:
Originally Posted by PiccoloNamek
I went from the 5 pro, then to the E4, and finally to the ER4, and I prefer the ER4's bass response out of the three. It is very deep, very tight, and melds in nicely with the rest of the audio spectrum, instead of overpowering it. But, because they have a flat frequency response, if a song is mixed bass-light or mid deficient, they will reflect it. After all, that is what they were designed for. So depending on what kind of music you listen to, they may not be the best choice for you. They work great for the classical music I listen to, but YMMV.
If you think the ER4s are not for you, then I would have to recommend the E4C/G. I would not recommend the super.fi 5 pro. I found it to be very mid-deficient and extremely uncomfortable.
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The guy said he listened to primarily classic rock, which do sound extremely well balanced on the 5 pros. I'm not quite sure why you would find them to be uncomfortable, especially since the UE website shows you a second way to wear them. I think they are quite comfortable with the silicone tips, but then again, everyones ears are different, and the problem with a site like this, as well as its benefit, is that everyone has different preferences for what they want or like their music to sound like. I happen to find the Shure's rubber tips extremely uncomfortable as they provide much more suction and tightness, and also extend further from the opening of the canal and narrow at the end, limiting the amount of certain frequencies to enter your ear canal at as wide of an angle as the silicone tips of the Super.Fi 5 pro, which place themselves right at the end of the canal opening as to not limit any of the sound from entering your ear.
Another problem is that while many dealers let you audition big can-style headphones, most dealers WILL NOT let you audition IEMs.... at least not around my neck of the woods, and I live in one of the biggest cities in the country -- Los Angeles, CA, USA... So I took a gamble on purchasing both the Shure e2c and the Super.Fi 5 pro having never listened to them. I lost out on the e2c, but won highly with the Super.Fi 5 pro.
I believe with the EQ presets turned on (and he said he probably doesn't need to use his amp) then the sounds can become overlayered at times, as described in the Triple.Fi review as well. But to say that the 5 pros do not have tight, controlled bass, I believe is a farse. All you have to do is listen to a lossless file of one of Victor Wooten's (rated best bass player in the world at least 3 years in a row, and among the ranks if not surpassing Jacco Pastorius) songs to hear how tight and controlled the bass really is on the Super.fi 5 pro.
The treble is also very nice and clean and defined, and with no iPod EQ setting is very noticable with no sense of overpowering high end. The cymbal crashes are clear and defined and do not blend into a cacophony of high-end chaos. To prove that, put on a Steely Dan track (also classic rock, which is the genre he likes) and listen to the natural sounds of the drums. I think the Super.Fi 5 pros EXCEL ESPECIALLY in music recorded originally in Analog, which is why I think Classic Rock is a perfect fit for those IEMs....
Before I figured out the little trick on how not to get the iPod to distort with EQ use, I often found myself ONLY listening to classic rock because they were some of the only genres that excelled on the Super.fi 5 pro.
So with all these recommendations, it's really hard to tell you what's best for your ears because everyone hears sound differently -- some like more mids over bass, some treble over mids, some like it all.... I can't speak for the ER4 that was recommended by jdimitri, but if you don't know, they are made by Etymotic I believe, and I have never listened to them, but again, they are also a highly recommended IEM.
You mention that they are mid-deficient, and while I will say they may not offer as much midrange as other IEMs, many people prefer less presence in the midrange as they find it to be too overbearing to the highs and low ends. I think they are a very well balanced musical IEM however, and ESPECIALLY for classic rock music that was initially recorded with analog equipment, which was one of the first things I noticed about the Super.Fi 5 pro.
Based on budget however, I arrived at the conclusion that the Super.Fi 5 pro would be best for you. Sometimes they take a little fidgeting to get to feel just right, but when you get it, all is just wonderful with the sound. And like someone mentioned, I sound like a salesman for UE
that is only because I know from tried and true experience how good they have been to my ears. If budget was no issue for the guy, I would say go with a set of Triple.Fi 10 pro or UE-10 customs.
P.S. Another thing, the Super.Fi 5 pro now come with thicker, more durable cables. A unique benefit over the product is its ability to replace its cables in the event the ear loop fit gets too bent out of shape from forming it to your ears one too many times (which you shouldn't need to, unless you're like me and like to try all different ways of making the sound stage sound different). I ordered a pair or grey cables which are very thin in comparison to the new clear ones that come with the black or clear Super.fi 5 pro. Sometimes I like that thinner feel of a cable around my ears, and sometimes the thicker one works well too. These are all advantages to consider as well, that none of the other headphones (to the best of my knowledge) offer.
PJ