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that's a convenient argument for believing in fanciful things that science hasn't got around to debunking yet
Not going to go there, if you believe that, fine!
that's a convenient argument for believing in fanciful things that science hasn't got around to debunking yet
was under the impression that sound stage is an illusion arising from our own perception. it can't be measured or quantified afaik. our brains can be tricked into making us perceive things that aren't really there aurally and visually. which is different from wanting to believe in things that aren't really there.
Not taken. Everybody is entitle to his/her own believes and opinions and I respect that.
wow what a totally non informed ears! Soundstage is one of the most interesting experience with 2 Ears not with a measure apparatus.....its impossible to discuss with scientist who are not also audiophile or musician... they reduced anything to number on a dial.....Music is not acoustic its consciousness with ears transforming the acousticGood luck in this thread
Good perspective.
I will note that I personally did not experience any drastic 'burn-in' effects with the HE-1k (though I also have never experienced a drastic burn-in effect with any other headphones either). I personally think that it is possible for headphones to sound different after some time, but I account that to my brain adjusting to the new sound signature (aka brain-burn-in hahah).
Regards to sound stage, I personally think it is most affected by the damping materials used, the size of the earcups, and finally the overall FR curve. I do find that I generally tend to perceive brighter or more airy headphones with more prominent areas in that region of the FR curve to have a larger sound stage when running direct comparisons, but not 100% correlation. Headphones with larger earcups also tend to have bigger sound stages, but also not 100% correlation. Hard to say about sound stage, but I do feel that you can definitely perceive the differences between certain headphones (though not always to the extent that it is described). I've also personally found perceived changes in soundstage & imaging of headphones via dampings/earpad mods as well.
The easiest test for people who are skeptical is to get a open pair of headphones with 'good sound stage' and place your hands over the open part of earcups. I have found that to generally give a change in perceived distance of sounds. Does not work with all open headphones though (the PM-1's sound stage for example does sound relatively similar either way - likely due to the way they are designed).
I don't think this is true whatsoever. To most questions, a scientist will give the most honest answer there is, "We don't know." And when it comes to all this kind of stuff, e.g. perception of sound, science has very little mapped out. My brother works in a lab testing visual perception in humans and I love to talk to him about what he is doing. And it can be very frustrating sometimes because his answer is too often "We don't know." And as a doctor of mathematics, I can tell you that mathematicians and scientist are not just reducing things to a number on a dial. I understand that audiophiles get frustrated when their experience is called into question, but this gross misrepresentation and mischaracterization of science is just as wrong what you feel is being done to you.
Sound stage is related to treble the most. HD800, bright and well extended treble and treble spike, very open sounding and a large sound stage. Lcd, dark and the treble is rolled, intimate sounding. This isn't rocket science. He1k is open and large soundstage but I find the notes a bit more rounded than hd800.
If it were just «an illusion arising from our own perception», it would still be a real phenomenon (like e.g. some optical illusions) good enough to enhance the listening pleasure and/or to simulate realism. But my theory is that a larger or more realistic soundstage – even with headphones and even IEMs – can also be the product of higher signal accuracy, in that spatial cues are more clearly perceivable, such as the difference between near sound sources (relatively dry) and far sound sound sources (relatively reverberative) or the time delay between left and right ear in AB stereophony.
That's what I mean with «accuracy» in the first place: The headphone should add as little reflections as possible, because they would mask the reflections on the recording responsible for the perception of spatial depth. In my speaker(-builder) area I have taken extreme care for minimizing reflections on the speaker cabinet (and within the drivers), e.g. with a layer of velvet around the tweeter dome and some thicker materials for the rest. The perception of sonic depth has benefitted enourmously from that, and I have always asked myself why no speaker manufacturer cares for it (the exception being B&W with its Nautilus line-up). Apparently many headphone manufacturers don't care much either, after all the damping mod in the HD 800 covers the same field. Now I hope the inevitable reflections on the HE1000's magnet bars don't do too much harm to accuracy.
Most important: We shouldn't mix up scientists with the Science Forum (and its unscientific biased stubbornness).
info is all here http://hifiman.com/he1000/
Before claiming it's inevitable, might read up on the tech first. Hifiman worked hard on a solution. They call it "window shade" or before that "blinds grill", it's their patented driver protection that cancels driver protection. I haven't seen anyone even attempting to introduce dampening material to cancel reflections in the HE-1000's drivers yet -- in the unlikelihood that there is any chance they would be audibly present or problematic -- so to it's a good sign. Haven't seen anyone mentioning weird soundstage issues or rattling (basically anything having to do with the negative effects of reflections). Don't know if jerg said anything about attempting mods on it either, whatever they might be for (or at least I haven't seen anything). I've seen people changing pads but that's light.
was under the impression that sound stage is an illusion arising from our own perception. it can't be measured or quantified afaik. our brains can be tricked into making us perceive things that aren't really there aurally and visually, which is different from wanting to believe in things that aren't really there.