Hello everyone!
I had promised that I would give a feedback after comparing the HEX V2 with the Ananda and my previous LCD-2 Classic.
I must say all three are very strong headphones for me. HEX V2 and Ananda don't differ as much as the two Hifiman models compared to the LCD-2 Classic. There are noticeable differences between the Hifiman and the Audeze both in the workmanship (the Audeze is a tank!) as well as in the wearing comfort and also in the sound tuning. I'll get to the sound right away - Hifiman is now on the right track with its workmanship - but Audeze is definitely still a long way ahead. The high-quality cable connections, the generally higher quality cable, the haptics overall, the bulky and super soft headphone pads, that many metal which is used - that's how Audeze is made! But also Hifiman did much better with the HEX V2 and Ananda than with the predecessors I still know (HE-560 e.g. -> plastic bracket).
The wearing comfort was never a problem for me with the Audeze, not even after a long time. The ear pads are extremely comfortable and I could hear for several hours without any problems. Nevertheless it is a relief to put on the Hifiman models. With the HEX V2 it was even so that one does not notice these any more after one has put on these. Due to the other headband of the Ananda this positive effect was unfortunately missing - but also this is nevertheless extremely comfortable.
The LCD-2 Classic is the clearly "darkest" (warmest) of the three tuned headphones. Well, I reckoned with that - however, during the intensive listening comparisons that I have been through for several days now, I perceived it as very positive that the two Hifiman models play so much more neutrally than the Audeze. Regarding the warmth I would classify them in the following order: LCD-2 Classic, HEX V2, Ananda.
With the bass the three candidates also differ noticeably. The LCD-2 Classic has a nice low bass, but doesn't make it as far into the basement as the HEX V2. The Ananda even manages a touch deeper than the HEX V2. Impressively good! HEX V2 and especially the LCD-2 Classic have noticeably more upper bass at the same time, whereas the Ananda is less present there. This is a matter of taste and also has advantages/disadvantages depending on the style of music.
So the HEX V2 can give you even more punch on "Devils Souls by Dirty Monster" - which also goes very well with the song.
As far as the qualitative representation in the high frequency segment is concerned, all three candidates are very good. The LCD-2 Classic also manages to reproduce many details clearly with its warm tuning. However, it lacks some lightness, openness and stage in comparison to the HEX V2 and the Ananda.
Over time I paid less and less attention to the LCD-2 Classic and it became clear that it would choose between HEX V2 and the Ananda.
By the way: None of the models mentioned shows problems with sibilant/ hissing sounds.
In the end, the decision was made in favour of the Ananda. But why?
If you first heard a song with the HEX V2, then quickly switched to the Ananda (same volume of course assumed) it took only a few milliseconds and you immediately thought "ok, all right - that's it". the little bit more openness, spaciousness and also the richer tuning in the low bass as well as the generally more neutral tuning were immediately more sympathetic to me.
What convinced me less about the Hifiman models compared to the Audeze were the enclosed cables. They simply don't make a good impression haptically and the way the cable is twisted regularly is also very unattractive. The cable of the Audeze LCD-2 Classic plays in a completely different league.
In the end it is of course also a matter of taste. For me the Ananda is definitely the winner when it comes to the overall package:
Very good wearing comfort, unbelievably open playing style, nice three-dimensionality, great separation, clean deep bass and creates a wonderful atmosphere - simply a great headphone and at the current retail price of 799€ (instead of 999€) currently a real challenge to the competition.
A few more examples/words about Ananda on various songs:
Listen to the song "Mado Kara Mieru" by "Christopher Tin, Kaori Amura, Lia, Aoi Tada (Album Calling All Dawns) on Ananda. And that from 0:00 - 1:24. The Ananda places the individual instruments at different positions in an unbelievably open and finely resolved way. In the further course the song unfortunately loses sound quality (tends to overdrive).
Another classic recommendation:
"Dragon Age Inquisition Theme" by Travor Morris. Incredibly strong atmosphere that this song builds on the Ananda. With rich and fat bass beats and a always dramatically built up sound scenery which is a lot of fun.
"Wicked Winds" by Mazde:
Already at 0:16 a glittering effect starts which is reproduced wonderfully clear with the Ananda. Further very high-frequency tones follow in the song - without annoying and at the same time clearly reproduced. The drop at 1:09 is followed by a series of ups and downs (deep rich bass and many effects). So the whole thing is fun!
"Seeker" by Hiromi, Simon Phillips, Anthony Jackson:
The first 60 seconds you get a great piano intro conjured up on your ears, followed by a crisp drum entry + simultaneous bass support. Especially the first two minutes should serve as an example - afterwards the song becomes a bit chaotic, but still good!
"Mount Everest" by Labrinth:
Whoa, what a crazy and brilliant song! It starts very chilly and then gets more and more crazy!
From 0:32 the low bass starts and accompanies the screeching voice. From 1:04 the clear and superficial voice of Labrinth sounds and blends perfectly into the sound of the song. From 1:51 the crazy takes its course - at first it sounds disturbing but in general also somehow brilliant at the same time!
The Ananda would be the "perfect" headphone for me (of course considering the price) if it got the headband from the V2 and the cable from the LCD-2 Classic.
But even without that this is a great headphone!
Many greetings - wish you a nice week!