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Concerning the Edition 8. It doesn't fold, but they do sell them as portable since you get a 4ft cable with mini plug and a leather pullstring bag to store and carry them. As to their sound, they're definitely different from the HD800's. I never feel that I have to acclimatize the HD800's. I usually <sigh> with a 'home sweet home' sort of feeling when I put them on after a period of not listening to them. However, I have to 'tune in' so to speak, to the Ed8 sound. Though it's full of detail and clarity, the balance can be great fun and certainly breath's life into some recordings, like say The Beatles, but they're not lasting for me. However, I don't wish to part with them since I do take them out when I wish to take a vacation from home.![]()
Whoops, I was thinking of some of the other Ultrasones, the way they fold down into a ball; post edited

Your take on the SQ of the Edition 8 8 is interesting. I know they have a reputation for being somewhat colored sounding, I really need to give them a listen first but that is difficult for me. Good thing I have other great headphones, so I am in no hurry!
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Anyone who has heard dance and hip-hop music with the HD800s should know how terrible it sounded. The treble was so dominating and bright it literally hurt my ears after a minute or so of listening. Of course one can use an EQ or other methods to trim the highs but that would also alter the sound stage and a lot of the nice things about the HD800s, so I definitely wouldn't say they are good for all genres. One thing that is true about the HD800s is that they are one of the most revealing headphones around, maybe even more revealing than the LCD-2s, but whether it's a good thing or not really depends on the user, as they don't just show up the flaws in bad recordings, they also show you all the flaws in some good-recordings too. For instant, I noticed editing on Hayley Westernra's voice which I've never noticed before with other phones or monitors. Or the musicians breathing, tiny noise from the throat of vocalists, background noise that one would not be able to hear with other headphones or monitors. However, when the HD800s are good, they are really good; with concerto or live acoustic music, the LCD-2s will give you a listening position about 10 rows from the stage, whereas with the HD800s, you would be in the front or 2nd row. With piano music, you'd be listening from the position of the pianist or right next to the soundboard. I think the HD800s are also particularly good for listening to recordings made from analogue tapes, it somehow put back those little bit of highs that are sometimes lost with analogue tape compression.
I wouldn't say the LCD-2s are good, I'd say they are accurate and exactly what I was looking for in a pair of headphones. They present you with whatever you put through them, no enhancement and no detraction, they are more like a pair of reference monitors than a pair of headphones. If the recording was made in a small recording studio, it will not give you the sound stage of a concert hall, whereas the HD800s would sometimes exaggerate, but in a nice way. If I could only have one pair of headphone, I would definitely choose the LCD-2s, but that's just me, I'm a purist.
I guess I go the other way. I think the LCD-2 does some things extremely well, but I do not think they could be my only headphone. I sold mine to another Head-fier, but I think that another set of LCD-2s are in my future. Or perhaps the LCD-3

I think we are in agreement on some levels, as most dance and hip-hop music are not recorded, mixed, or mastered as well as other musical genres. Another issue could be amplification, what are you using to power the HD800? All this is my opinion of course, but I am convinced that you need to go with a full tube amp with the HD800, they really smooth out. Out of my hybrid EF5 they can sound too bright with some music for sure, with tubes you can change the sound to smooth out the highs, and add impact to the bass just by rolling different ones in. Way better than equalizing, which as you pointed out has its drawbacks.
The way you compared the soundstage on these two headphones is interesting. Some of the most enthusiastic LCD-2 supporters have posted impressions saying the exact opposite, that the LCD-2 is more front row, and the HD800 is more middle of the concert hall.
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As to hip hop and dance.... what a landscape of lousy, loudness war recordings!!! It's difficult to find a recent one that's genuinely good. So, if the recording is lousy, then you need cans that will not show this up. Righto.... When the recording is great, just about any can you throw at it will sound listenable at the minimum. I'm quite picky with the hip hop I listen to and enjoy them immensely with the HD800's.
I'd love to try the LCD-2's, but I can't seem to muster enough interest to get one.... My homely HD800's have killed the vibes to look further. Let's see how long that lasts. Maybe by then, there'll be another can that overshadows the LCD-2's. I remember when the HE-5's were the rage.. Now they're long forgotten.... utterly incredible to witness.
That is what the HD800 did for me as well, cured the "headphone jones" for awhile. If anything the HE-5 is also responsible for curing the jones, as it is my beautiful wooden ortho. I never lost enthusiasm for it, it was kind of like the LCD-2 where I couldn't get used to the sound signature at first but I managed to adjust and now I can't imagine parting with them (the HE-5 is more physically comfortable -- to me -- than the LCD-2, that was also a sticking point). I still enjoy my HE-5 as much as any other headphone in my collection, it has become my nightstand/iPad rig along with the EF5 and DAC WOW.