@erockg can expand on his own experiences since he has dabbled with EQ on them more than I have, but I enjoy the tuning right out of the box fwiw.Thank you for that clear answer. I had considered the Falcon Pro, the V shaped sound signature can be an issue... or not if the stage is close enough. I also will wait a bit to see if Sony release something interesting.
Noble's in-app EQ is a graphic, but they give you 10 bands which is hopefully enough for any upper midrange concerns. I do find it annoying that changes aren't applied until after you release the slider, so it's not a gradual effect.
Mids are definitely not distant to my ears, nor are they in your face. If the material is recorded to be shouty, though, it will feel shouty. You can curb this by dropping 8k by a few dB without completely collapsing the stage or taking life out of the vocals, though. Can also just turn the volume down as this only becomes an issue past 50%. They don't seem to be shy in upper midrange energy if the mastering requires it. None of this is required at lower listening volumes; it's just a byproduct of what V-shaped signatures do as you move up the loudness curve. Have to compensate for that extra energy somehow.
There's enough treble detail to make out variations on cymbal strikes without much effort. On Cornell's Songbook rendition of "Black Hole Sun," you can make out his lips smacking before certain lines of the song. I personally find the Technics to be a more live-friendly pair as they seem to scale staging with the venue really well.