Rearwing
100+ Head-Fier
- Joined
- May 9, 2012
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Very good with both iDSD and Hugo.
Well, I exchanged my first set of T40rp mk3 headphones for a second set.
The second performed very differently. So much so that I felt compelled to remove my initial impressions.
I guess the worst thing I can say about the T40rp mk3 - is that sample to sample variation appears to be extreme
Anyhow, I have not had more than 1/2 hour with the new set and have not tried them with an amp quite yet. My overall impression is that they are relatively neutral (maybe a bit mids-centric). PRaT does seem a bit slow, but I would now regard this as "relaxed" rather than a deficiency. A bit more "analytical" than "musical".
Comfort is still TBD. It seems slight adjustments to the extension can make a big difference in their comfort. But I have not worn them for long periods yet.
More to come once I spend a bit more time with them and sample them with an amp.
Just wanted to post up my "lasting" impressions of the T50rp MK3 from when I had them for a few weeks back in October (I wrote down some notes, thinking I was going to do a review, but that's obviously not going to pan out now).
First, I ended up returning them to Guitar Center because they were just too damn uncomfortable and I couldn't wear them longer than 10 minutes no matter what I tried. I did try stuffing the earpads with rolled-up fragments of toilet-paper but that did absolutely nothing.
Sonically they were amazing—and I mean, amazing! And for the price, they're a total steal and no-brainer! By far one of the biggest "bang for the buck" headphones I've ever heard, right up there with other giant-value killers like the KOSS KSC75, Yamaha MT220, and Audio-Technica MSR7. They were so sonically amazing that people really shouldn't be thinking about these especially when they're only $160—just buy them already! (And make sure to mod the earpads for comfort of course, which I didn't bother to do because I was just lazy & cheap.)
Between the two other closed headphones that I had at the same time, the MT220 and MSR7, the T50rp MK3 was way more similar to the MSR7—actually, it was definitely along the same sonic lines. Similarly very clean & clear, with a bass that managed to hit surprisingly hard & deep despite being clearly under-driven by my Gilmore Lite. And it sounded more "open" and spatial than the MSR7, which was expected from its semi-open design—larger soundstage, higher sense of the music being projected outwards more. The MSR7 was actually sort of closed-in and upfront-sounding in comparison. If I had to use an analogy, the MSR7 is definitely for those who like (or wouldn't mind) their music being served up somewhat-intimately and very directly, kinda like being close to the stage at a rock concert, while the MK3 is definitely for those who want more of a laid-back spatial "concert hall", if you will.
Another non-sonic reason I didn't warm up to the MK3 was because of its inefficiency—as I wrote before already, there was absolutely no way I could use it directly out of either of my computers, and I didn't really want to buy a new amp for my dedicated "Head-Fi" system either for music-listening purposes. I really thought it had potential as a computer headphone sonically too, but the inefficiency killed that for me, which was just too bad. I would've loved its sound for gaming as well—its inefficiency became one of the most soul-crushing disappointments I've ever had in my closed (or semi-closed) headphone journey.
Now if only Fostex could plant the MK3's sound into a headphone that's actually comfortable to wear and efficient enough to be driven directly out of a computer sound card, that would be fantastically amazing! (And that's definitely one of the reasons I got on board the TH-X00 hype train!)
Mids on mk3(default) are not so forward, probably a lot less than on x2 and less than on mk2. X2 have sure more bass extension than mk3 out of the box. X2 are probably less fatiguing out of the box because of better tonal balance, although mk3, with definitelly more hot highs are not so bad either, not in some well known fatigue Beyer's range, but after long sessions, mk3(out of the box) can become a bit fatigue on higher volumes for people with sensitive ears.
That's not what I want to hear. I find the X2 mids slightly recessed compared to the rest of the music, probably because of the warmness/bass boost. I'm looking for something with more balanced mids so that the vocals are more engaging.
That's not what I want to hear. I find the X2 mids slightly recessed compared to the rest of the music, probably because of the warmness/bass boost. I'm looking for something with more balanced mids so that the vocals are more engaging.