As I said earlier in this thread, I was surprised to find the M4 closer to the Trio than the M3. I expected the opposite since the M3 and Trio are superficially similar.
My take is different than eldss'. I found the M4 bass to be elevated, in a good way, compared to the Trio. After having the HUGE bass of the M3 I wanted that back, but with better treble definition. I think the Trio extends just as deep, but, like my impression of the U12t, rumbles rather than hits. And, bass from the Trio is shelved down in level with respect to the mids and highs. It sounds natural if you expect your bass to be a supporting player, providing a foundation for the rest of the music, but the M4 brings the bass up to equal level with the rest of the instruments.
Treble through the Trio is beguiling in its delicacy and detail presentation. In contrast, highs from the M4 are energetic, dynamic and crystalline. Both are beautiful, but they are different. I Don't think Trio would ever be accused of "bright" or hot treble, maybe overly laid back. Conversely, perhaps some would find M4 treble analytical or aggressive.
I found the mids quite similar in my short time with the M4.
My take. I have some song references in the M4 review I posted here.