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You have to get returns to have b-stock/refurbs and we haven't had one in months that I know of...
this speaks volumes.
You have to get returns to have b-stock/refurbs and we haven't had one in months that I know of...
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How would you describe the mids on the Ether 2? I'm a fan of forward mids like the Atticus, 650, Elegia, etc. Currently the Elegia is my favorite can due to their forward mids and great smooth treble but their bass quantity leaves something to be desired. Any thoughts?
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The standard tone has a full, warm midrange. For those who like a more "audiophile" delivery the perforated pads serve really well, but if you're looking for a smooth tone with warmth and smooth treble, I'd suggest the suede pads. You can realize 3 different voicings with the headphone to suite content or taste by swapping the pads.
Hi Dan,
Thanks for the following up - are these the pads you're referring to? https://danclarkaudio.com/shop/suede-ether-2-ear-pad.html - Little confused because the description lists them as synthetic leather?
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Impedance mismatch does reduce the power delivered to the load. In this case, if the minimum target impedance is 32 ohms so at 14 ohms you're well below the optimal power transfer, I'd expect you'd loose at least 5 dB, maybe more. Generally with output transformers, unless the amp is VERY powerful you should pick an amp that has outputs matched to your headphone.
Once in a while a solid state amp will also have issues, usually when the outpute impedance is high. For some reason, once in a while someone will produce an amp with a 10 ohm, or I've seen as high as 150 ohm, output, these are just a bad match. Fortunately they are far and few between.
Hi Dan, I have a question relating to the impedance mismatch described above. On a hybrid headphone amp such as the old Musical Fidelity X-Can v3 (not able to find any information on output impedance) would this mismatch also occur, or is this issue strictly on 100% tube amps?
Thank you in advance.
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Hybrid amps have solid state outputs that have low output impedance like totally solid state designs therefore this is not an issue with MOST designs. The exception is the odd amplifier with high output impedance, something most new amps don't suffer from. Most new amps are typically below 1ohm, while some older amps had outputs of >100ohms. If the amp's output impedance is too high then power is just being wasted in the amp's output stage and not making it to the headphone, but if the output is <2ohms, most power gets to the headphone.
I had one "high end" amp show up a few years back and it could barely make the headphones squeak before clipping. I looked up the specs and the output was 150ohms! Turns out there is some old IEC standard for headphone amps that specified 150ohms as a "standard," which maybe made sense when 300 ohm headphones were more typical...
So in short, the amps you have to be most concerned with are tube amps that have output transformers. If they do, you'd ideally want a 32 ohm or lower headphone output, or perhaps to run directly off the speaker outputs which will usually be 8 ohms.
Hi Dan,
Really enjoying the Either 2's w/ a Schiit Lyr 3. I'd like to try balanced. In your opinion what balanced amps amps pair well. I'd like to keep it $1k or less.
Thanks
Richard
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Just a general opinion as I've seen different views.
What the run in time for the drivers?
I am in about 36 hours and they started opening up about the 20 mark more sparkle and definition .
Is it really 200+ before they settle?
Thanks for your thoughts
Dave
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