Sorry for the sequenced posts, but I think I can now share a couple notes about the new EA release.
The first thing that came to mind when I saw this cable was "Wow...This cable is wonderfull, completely exceeded my expectations.". Then I heard a couple Opeth songs on my LX+SP3K as it was playing at the time and my mind was "intrigued" and it took my attention completely out of all other cables around.
As the other guys have being saying, this cable is bright and warm, but not in a bad way. For example, it didn't blew my ears with Supermoon (known as a bright IEM), also didn't bloated anything with my LX. it's a signature that I am digging a lot, over all other cables I have here. Well, Cleo II octa is still my Queen (maybe, for now).
A bit of resemblance history to follow my thoughts on this cable. It's like a Lighthouse: a tall structure (soundstage), with a strong base (upper bass) and a bright light at the top that is bright or not when needed (clarity and extension). Positioned at a dangerous location or near a port entrance to guide mariners to the best route. Like EA is guiding us to what is becoming their signature.
I personally think this cable will go well with U/V shaped IEMs, but would not cut it out for other signatures as well. Being the intention to bring the best of the signature (e.g LX and other EE's, MSE, GM (guessing based on MSE)) or tune a bit the lower/upper frequencies up/down (e.g Gaea would go well as it would bring forward the "humph" some wants) this cable can be a good investment for someone looking for versatility on this price range.
Can't wait to get this one through other IEMs soon when back in Australia. I will keep sharing here as I go.
As a wonderfull cable it deserves a world wonder relative with shared qualities.
Pharos of Alexandria:
This ancient lighthouse, considered a technical masterpiece that served as the model for all lighthouses that followed, was constructed on Pharos, an island in the harbor of Alexandria in Egypt, known as Kemet by its ancient citizens. It was completed between 285 and 247 B.C.E. (source: National Geographic
(source: Britannica)
Hello history and mythology lovers.

Reporting back on Fusion after about 100h+ burn in. Actually a forced burn in, as I didn't have time to enjoy audio lately due to personal commitments, so I left it burning in while I was rushing around.
So… I'm not a really fuzz about burn in, but in this case I can vote for a "must do". The before and after is quite noticeable and well worth the hours invested. Feels like a chained beast wanting to run around and when you release it can run free on the vast open field.
It opened up the soundstage with a better separation and imaging compared to out of the box. Cleaned up the lower end making it more controlled and detailed, not about quantity increase/decrease, but quality. Even the upper end got notes more rounded and extended. Musical. But…don't get too excited, it's still that V shaped signature we've talked before, just more mature.
After this burn in, Fusion 1 settled down on my A12t. This IEM is a well known classic, which many will say it's so well tuned that it's a matter of fine points of improvement needed. Well, I personally got those points with my beloved queen Cleopatra Octa. With Fusion I'm getting similar feeling, but fine tuning to an slight different way. It's slightly shifting the focus from sub bass to upper bass, so improving the punch and "humph" on metal songs. At the same time it is giving a bit more clarity on upper notes of the guitar and details on high hats and cymbals of the drums.
For now A12t companion will be Fusion 1 and the Queen will stay devoted to the Supermoon.
This thing is definitely beautiful, resolves most of the issues people had with Code 23 and stiffness. I have being using it on the go with no problem.

Now that the Lore is around…I have another comparison/reference to mention. This time we have:
Temple of Artemis
Artemis, for the Greeks. Daughter of Zeus (lightning god, treble presence) and Leto (a Titan, Earth and Heaven decedents). She is also known by the romans by Diana and other names by other people. She doesn't have a clear origin, but in all cults she is known as the Goddess of the wild and the animals… Nature, like the sound of Fusion which is so natural and organic. Always pictured with a hunter bow, precision… like the higher frequencies on Fusion. Poets also pictured her by the dance and music. Like you get yourself grooving with the music.
Her original statue was made of Gold, ebony, Silver, and black stone. All premium materials, which some are also found on the Fusion in an artful combination. Like the Temple of Artemis was known by the arts that adorned it. You can see this on the Gold pilar shaped hardware.
The Temple of Artemis is known by its grandiosity and details, another reference to Fusion's soundstage.

The future: NASA Artemis Missions.
As a modern reference to the mythological Goddess, we have NASA calling the next Moon mission as Artemis, which will land the first woman on the Moon and stablish a long presence there.

So we see the reference from our Mythology roots to the explanation of the outer world. But all referring to a woman the central piece as the sound of the Fusion 1 bringing vocals texture and details forward.
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