So... I have been very curious to get a listen of the SP1000, you know, since everyone says there is no contender and especially DX200. Nothing like trying out for yourself
For the record, although there are disagreement over SS vs Cu having different signatures, I got to listen to SP1000 Cu.
Give credit where it's due, I must say it was a very interesting listen, there is something very organic, musical and engaging about the signature of the SP1000. Maybe it's because I have listened to too much AMP1 Ti lately but I'd say it's not a reference signature at least not in the sense that it's neutrally tuned. I think the DX200 is not more reference in the sense of neutral, even AMP8. You might say it's Cu, maybe.
You could say the SP1000 is more revealing for better... or for worst... because after the rather good first impressions I found that some lesser recording were not so agreeable especially treble wise it can get pretty unpleasant and that was even with the Phantom! I can't imagine with more revealing IEMs oh my... There is a sharpness to the tuning that sounds overdone, or maybe it's just more revealing and that's just the recording? I am just an amateur, I don't pretend to know but this is really interesting because that makes the DX200 "less revealing" (?) but more versatile option in terms of being able to enjoy great SQ on every recording. Sure, you might get more out of SP1000 or Hugo 2 on great recordings but depending on genres you listen to it might not be a better option. You could EQ this away, but still...
Last but not least, during that meetup the owner of that S1000Cu (and Hugo 2) I auditioned had the chance to audition DX200 Ti + AMP8 with his Flamenco and he suprisingly was very much impressed by it as well!