richard51
Headphoneus Supremus
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- Jul 21, 2013
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how do you like the sound of the sr-x mkIII pro compared to the stax sr-5 ? i am curious of this vintage Stax now because of you Edstrelow ...

how do you like the sound of the sr-x mkIII pro compared to the stax sr-5 ? i am curious of this vintage Stax now because of you Edstrelow ...![]()
It is a bit hard to compare these because The SRX3 Pro will of course only run off my SRM 1Mk2 amp. The Sr5 will run off the same amp but performs better from its transformer. The two phones are about the same vintage and both seem to have a pretty flat frequency response. However the 3 seems a bit treblish. The 3 being a pro does have a bit more dynamics, but as I said the 5 is a great performer with no vices. One day I may see if I can mod it to be a high bias phone. Some say just put another spacer between the stators and the driver and a slight rewiring of the plug. Unfortunately I have more projects I would like to do than I have time.
For the near future I am laying in stocks a different types of sorbothane which I want to test on the 3, using an extra cap/cover which can be taken on and off quickly so as to compare different strategies and materials.
To return to your damping of equipment, I agree that this is often beneficial. For years I tried various sorbothane footers on amps and the like with modest improvements. However when after I realized that smaller pieces of self-stick worked well on headphones, I tried this on amps, cd players etc. and got notably better results.
Mostly we are damping vibrations from transformers and cd drives which presumably cause microphonics on other parts of the amp, cd player, etc. This seems to me to be notably different from damping headphones.
As you say, who would have thought of damping headphones? I had sheets of sorb around for about a decade and it never occured to me that it would be of any use there. I came upon the idea more by accident. There was just no discussion of the damping problem in this business although now we are starting to get some recognition from headphone makers.
Much of the other tweaks and effects, other than in this main thread, are being played with in the Orthodynamic Roundup thread, as well as a few behind the scenes not posted and working within the PM system...
There's likely a lot more to follow should they feel the urge to share.
Notice the picture here, this is a very clear and extremely obviously improved sounding damping scheme since I have done it in the exact same headphone.
http://www.head-fi.org/t/111193/orthodynamic-roundup/24330#post_12297726
Bucketinabucket applied a couple more bits than me, but effects are likely very close.
He snuck that picture in there, not sure that he posted about it.
http://www.head-fi.org/t/111193/orthodynamic-roundup/24360#post_12338868
Current impressions however brief, PLUS soon to have a direct comparison between two identical orthos. One Sorb modded, one unsorbed and stock.
I know of many other ongoing mods and results yet to be posted.
Eureka! The 007A comes alive with the right damping. While I first started to explore the use of sorbothane on Stax phones with the 007A, in the last few months my 2 damped Lambdas, LNS and 404, have been getting more listening, along with the damped SRXIII pro. So I removed all my previous damping efforts on the 7 and started over. One of the reasons I suspect that the damped Lambdas sounded so good was that the sorbothane was placed right on the baffles next to the drivers. I.e. you can't get it any closer to the drivers than that. Unfortunately the 7 defeats you on that score, I just couldn't see where to put sorb next to the drivers unless I was willing to put it one the dust covers. So instead I put 1/8 inch sorb on the plate that holds the phones together, still pretty close to the drivers.
Edit Feb 20/15 - now using 1/4 in 30 duro sorbothane which seems better.
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Edit April 27, 2015 Following a tip from a seller of sorb that smaller pieces were more effective than large pieces, I cut the ring of 1/4 inch duro into 4 sections,
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EDIT 5/28/2015 Cutting the ring into 8 segments was even better. Even better dynamics and less bass boominess. I think this is now the world's best headphone!
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Now the sound was much better balanced. However, still, it was arguably no better than the damped Lambda LNS .
I looked at the headband arcs again
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Each damper consists of two rigid plastic sections about 3 inches by 1 1/2 inches and each has 4 1/8 in sorb pads about 1 in square, 2 on the top and 2 on the bottom plastic sections. They are placed on the inside and outside of the arc band and screwed together with one screw and nut . Another advantage of this system is that you can tweak the sound to some degree by tightening and loosening the screws. Generally if these are fairly loose you will get more bass, as you tighten them, the bass decreases and the treble comes up. However I have not checked these effects over all ranges of tightness. If you tighten them too much I suspect they don't do much other than add some mass to the phones.
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The sound is now very, very nice. Great definition of all frequencies, individual voices and instruments tend to jump out at you and finally an 007 which sounds better than the damped Lambdas.
Thanks for figuring all these things out, putting a lot of effort into it, and sharing it for free.
As I am settled with my own 007 mods, I would like to give this one a try, eventually also including other damping materials (e.g. Deflex).
Trying to figure out what to do on the 007 Mk1, I have questions on post #20:
The questions:
1. Do you have 1/4" or 1/8" sorb (8 pieces) on the 007 driver protection plate?
2. What is the width of a piece? Is the width optimized?
3. Do the pieces touch each other? On the picture they seem not to touch each other, but are very close.
Based on my experience with the 007, I could explain some of the effects you noticed without taking resonances in mind:
- elevating the ear pads changes frequency and time domain response
- cutting the sorb into 4, then 8 pieces created ports that loosened the bass
- when you tighten the screws on the headband damping and therefore slightly modifed the shape of them.
What I noticed was that all these factors, especially small headband modifications can alter the sound considerably. Which is great for tuning, but also exposes a lot of variables.
So, to the last question:
4. I wonder if did you come across a methodology to make sure the mods alter the body vibrations, and not only the body itself? Do you have any heuristics for where to start from and which direction to move, how to change when you hear something? I mean, anything cues other than just experimentally EQ'ing the headphone (the way I started pad mods)?
Life is full of surprizes! It has been more than a week that i had not listen to my lambda nova basic, nor the he 400 and 2 days since i had open the speakers, because in sorbothanizing the amplifier , the dac , and the power strip, after the energizer, i had listen only to the stax SR-5 and the progress in clarity and imaging was very extraordinary... Guess what, this evening by curiosity i listen for the first time the Lambda nova basic and the he 400, and the speakers for the first time in days after all this use of sorb in the amp, the dac, and power strip... The surprize was total, now i can say that all my gear sound so good than i cannot choose with the same exclusive evidence ... In final i prefer the Sr-5 (because the musical timbre are the most natural on it ) but it is no more so evident, even the speakers are better....The morality of this adventure is simple: the Sorbothane act his magic ALL the WAY up, power strip, dac, amplifier, energizer, headphone, at the end it is a matter of preference which i will listen but if i must choose only one this will be the SR-5 for sure... The sorbothane is magic ... :atsmile:
Well my friend you have pointed me in another direction. I was sceptical that sorbothane would be of any use on a power strip since I couldn't see where the vibration would come from. Still, I tried it on one and after the glue dried there seemed to be a definite improvement in clarity, the bass in particular lost a certain bloom.or fuzziness.
I use pretty solid metal power strips, in fact some are 220 v hospital grade and showed definite sonic benefits over cheap plastc even before damping. The effects of damping power strips are less obvious than with damping phones and I had a hard time hearing any difference over my speakers. However listening over stat phones was more convincing. So I intend to.look into this some more.
I still find it hard to credit that ac in wires could cause enough mechanical vibration to justify damping. I have had plenty of noisy transformers overvthe years, but power strips?