lee730
Headphoneus Supremus
- Joined
- Jan 9, 2011
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Did you fully burn your AHD2000's in before making your final judgment. I notice some people are making assumptions before fully burning their cans in.
I sold my D2000 shortly after I bought it. I really can't stand that "U" response that it has. Perhaps if I had it converted to an LA2000 I might've liked it more, but I think out of the box the D2000 is quite flawed, unless you like that sort of big bloated bass, hyped up treble, no mids sound. I preferred the DT880's more even response, but sold those due to their moderate comfort level and el-sucko build quality. It's embarrassing how cheap the DT880 headband design is, the Denon certainly walks all over the Beyer on that front. I will be buying the HD-650 soon, as I suspect that will match my tastes much better.
Quote:Quote:That's quite unfortunate, since the midrange is where most of the magic of music lies.
Heh. I find the magic in the bass, and also the treble.
Agreed. I rather feel the music, instead of listening to it. As long as the mids aren't non-existent, I seriously don't see why people are so far up the mid-range's ass. It's not like a decent pair of bass and treble emphasized headphone is gonna have inaudible mids. Case in point: DT990s. The mids are as detailed if not moreso than the 880s. but people want the mids to be LOUDER. That doesn't mean the mids are lacking. Jesus.
People like what they like. A good headphone will portray all ranges. Whatever is emphasized is just that, emphasized. That's why there are so many flavors of headphones out there. Not one is better than the other. There's a headphone out there for all types. Bassheads, mid-whores, trebleheads, neutralheads. There is no right way to listen to your music.
I hate the elitist mid-range, or neutral sound BULLSH*T on this forum. It's so damn stupid. One example for me, the ESW9. Very popular here. It has bass and mids. I absolutely HATED it's sound. Then there was the K701. Mids and treble. HATED it for music. Koss UR40, BAAAASS.... HATED it. But that doesn't mean they aren't good. We just have our own preferences.
I just happen to be a mild bass/decent mid/sparkly treblehead. I know there's a lot of people who don't like that here. Doesn't make their tastes better than mine or vice-versa.
I agree with a lot of your intent and even what you're saying overall. I think those are fine goals to strive for, but there are inherent limitations built in. For example, if you gave Brian Eno a set of Beatles tapes to master, he would set different EQ levels for instruments if he mastered the record when he was age 20 vs. age 40 vs. age 60. The same person would master things differently depending where he was in life.
Over the past 20 years or so, I think there has been a compete and absolute shift toward more bass, regardless of genre.
Quote:Originally Posted by pp312 /img/forum/go_quote.gif
I'm talking about the need to establish absolute standards in hi-fidelity so that we can at least maintain the definition: high faithfullness to the original sound.
Getting back to d2000 and 650 comparisons, and the fact that they are very different. It depends what music you are listening too, I'm always going to keep my 650's for when I want a more natural sounding headphone with certain types of music. I'm finding that the D2000's are working really well with orchestral music, big complex pieces where a big sound-stage and bottom end give you that "live" feel and excitement. But they don't work as well with more intimate music like solo piano, chamber and acoustic jazz. This where the 650's are amazing.
Opera sounds better with the D2000's but Schubert songs for piano accompaniment sound better with the 650's.
In regards to Rock music, a song like Kashmir sounds amazing with the denons, but as a whole the 650's sound better with guitar based music probably because of the mids.
I don't listen to dance music so cant judge. Can anyone add opinions in regards to this? I have a feeling that the denons high end may be a bit too much for synthesized electronic music, but the bass should be amazing. Most pop and dance music now is already mixed with a big bass sound and to emphasize it more may be irritating so would the 650's be the better hp for pop?
Quote:Getting back to d2000 and 650 comparisons, and the fact that they are very different. It depends what music you are listening too, I'm always going to keep my 650's for when I want a more natural sounding headphone with certain types of music. I'm finding that the D2000's are working really well with orchestral music, big complex pieces where a big sound-stage and bottom end give you that "live" feel and excitement. But they don't work as well with more intimate music like solo piano, chamber and acoustic jazz. This where the 650's are amazing.
Opera sounds better with the D2000's but Schubert songs for piano accompaniment sound better with the 650's.
In regards to Rock music, a song like Kashmir sounds amazing with the denons, but as a whole the 650's sound better with guitar based music probably because of the mids.
I don't listen to dance music so cant judge. Can anyone add opinions in regards to this? I have a feeling that the denons high end may be a bit too much for synthesized electronic music, but the bass should be amazing. Most pop and dance music now is already mixed with a big bass sound and to emphasize it more may be irritating so would the 650's be the better hp for pop?
I just got done listening to HD650 and D2000 side by side. I agree with everything you said.
I did test many electronic songs with both. Like you, I also think that both the d2000 and the hd650 are GREAT, but as far as which one to listen to when I had the choice?.. depended on the music.
D2000 did great with electronic. The bass was great and it was still in your face enough to just blow your mind. I listened to Feed Me, Deadmau5, Rusko, Afrojack and a few others.
Rap and hip hop sounded good w/ both the 650 and the D2000. Both had the bass, but I could actually FEEL the d2000 bass. I could feel it wiggle my ears. 650 has a lot of bass, but it doesnt give you the wiggle. I think its because they are open as opposed to the closed d2000.
Laid back music with the 650's is brilliant. They are just so chill but at the same time involving. I loved all the jazz and classical I put through them.
Basically I would have to keep both pairs. The 650s have the soundstage and midrange to die for. The d2000 have the beautiful highs that arent as fatiguing as my K701. People may not like this description but the D2000 is like a nice mix between the HD650 and the K701 (for me). I wish the D2000 were open so they could compete with the soundstage of K701/650, I wish the k701 was less fatiguing and had more bass, and I wish the 650 was a tiny bit more lively.
If I had HAD HAD to choose one, it would be based on my amp. If I had tubes, I'd keep the 650, otherwise, I'd keep the D2000.