sg2k
100+ Head-Fier
- Joined
- Dec 18, 2012
- Posts
- 128
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- 50
Can someone confirm thats Deezer on Android is not working with the Mojo? Or is there a solution?
OK, then you have an issue with your phone not sending the data to Mojo.Galaxy S9 (Android 8) via OTG Cable. UAPP works fine. Deezer only Silence.
I think it is a well known UAPP issue, in that it is set up in 'exclusive' mode, and will not let other apps transmit to Mojo, whilst UAPP is still open in the background.
So Mojo has 26000 taps? The same amount as Hugo? What is a tap? If most of the older dacs had 4 (4 units or 4 thousands?) of them, how much the newer ones have? F. E. Sony portable dacs, that some say play better then Mojo. Of corse I undertstand that Chord uses custom chips and scalable decoding algorithm that focuses on catching the timing of notes, but how exactly does tapping more times help the sound sound more natural? That it guesses more correctly timestamp of each note? Did the competition found their own way to sound as good without so much focus on timing or did they simply start to focus on timing as well without calling it "taps"?
A tap is the basic building block of an FIR filter; its a multiplier, and a coefficient, and this taps into the audio data that is stored into memory. So one tap is one multiply and accumulate; the more taps you have, the more accurate the reconstruction is; and by reconstruction we are trying to recover the original analogue signal before it is sampled. This is important, because all other DAC's do a poor job of reconstruction, and have big timing errors for transients - and transients are used by the brain to create the perception of pitch (particularly bass), timbre, soundstage and of course tempo and the starting and stopping of notes.
In the case of my WTA filter, as you double the number of taps, you double the accuracy of the reconstruction - for Mojo, it is better than 12 bit accurate in reconstruction under all circumstances - conventional filters have under certain circumstances peak errors that only make them 2 or 3 bit accurate.
This problem can only be solved by lots of processing - there are no short cuts, no easy way to do this, only by lots of taps and a filter algorithm that is close to the ideal sinc function (which recovers a bandwidth limited signal perfectly) like my WTA filter.
I spent 14 years of my career as a consultant designing audio devices for major silicon companies - and it's impossible to get the performance that Mojo manages, both in measured abilities, and musicality. If "some say play better than Mojo" then they either have another agenda, or actually like distorted poor resolution music...
Hi, I purchased an M0 at London Canjam and have been using it with the Mojo this week and to me it sounds great and is easy to use.I own a mojo and I am thinking about buying the new shanling M0 DAP.
Has anyone tried the mojo with the shanling M0 + Shanling L2 cable?
Does it work?
Thanks
I love the design, horses for courses of course!I really like your technical design and execution of the Mojo DAC - I just wish I liked the physical design...
Same here!I love the design, horses for courses of course!
A tap is the basic building block of an FIR filter; its a multiplier, and a coefficient, and this taps into the audio data that is stored into memory. So one tap is one multiply and accumulate; the more taps you have, the more accurate the reconstruction is; and by reconstruction we are trying to recover the original analogue signal before it is sampled. This is important, because all other DAC's do a poor job of reconstruction, and have big timing errors for transients - and transients are used by the brain to create the perception of pitch (particularly bass), timbre, soundstage and of course tempo and the starting and stopping of notes.
In the case of my WTA filter, as you double the number of taps, you double the accuracy of the reconstruction - for Mojo, it is better than 12 bit accurate in reconstruction under all circumstances - conventional filters have under certain circumstances peak errors that only make them 2 or 3 bit accurate.
This problem can only be solved by lots of processing - there are no short cuts, no easy way to do this, only by lots of taps and a filter algorithm that is close to the ideal sinc function (which recovers a bandwidth limited signal perfectly) like my WTA filter.
I spent 14 years of my career as a consultant designing audio devices for major silicon companies - and it's impossible to get the performance that Mojo manages, both in measured abilities, and musicality. If "some say play better than Mojo" then they either have another agenda, or actually like distorted poor resolution music...