Possibly my best post is
this one.
As to whether my WTA is better than other algorithms I leave to others to decide, and of course there is no accounting for taste. But I will say that in my opinion the only subjectively important function of an interpolation filter is to reconstruct the timing of transients accurately; this is absolutely vital and accounts for all of the sound quality and musicality of a properly designed interpolation filter. No other designer recognises the importance of transient reconstruction at all in that nobody talks about it - I have been a sole voice on this issue for the past 23 years.
Transient timing reconstruction is a huge (and in reality extremely complex) problem with interpolation filters - and if all other designers do not even accept that this issue is a problem, what are the chances of an optimum solution? Secondly, thousands of listening tests went into fine tuning the WTA algorithm - I am not aware of any other design process for algorithms being so intense.