I finally reached the 150h break in mark with my newly purchased N8ii and I would like to write some impressions from this impressive device...
For some context and background, I am mostly a speaker person: the soundstage, room reproduction and pressurization cannot be emulated with headphones. That being said, I am a music lover and above all things I appreciate any technology that reproduces with fidelity what the artist meant to express during the recording session. I have aways been interested in headphones as well because while they can’t emulate the physical aspects of a loudspeaker, they are able to eliminate all the imperfections caused by room reflections, bringing all the detail directly into your ear canal.
I am saying all of that because over my journey to find a satisfactory headphone or IEM setup, I was aways trying to bring the feeling of the speakers to the portable rig - it would be amazing if I could carry that feeling with me around the house or to my office.
After owning most of the so called TOTL IEMS (Tia Fourte, UM Mason FS, A18t, Legend, Bravo), HEADPHONES (Focal Utopia, Susvara, Abyss 1266 phi tc, Meze Empyrean) and DACs / Amps (Chord Hugo2, Dave, Hugo TT2 DCS Bartok, LPGT, several A&K models) I think I finally got very close to the feeling of carrying my speakers with me with the N8ii.
It will be almost impossible for me at this point to write a precise review of the Cayin N8ii because I was fortunate enough to buy 3 amazing components and start using them at the same time. I visited Andrew @ Musicteck a few weeks ago and demoed the N8ii. At that time, I tested the N8ii with my UM Mason FS and 2 things stroke me immediately: the detail retrieval and how effortless the N8ii drove the Mason FS. Before the N8ii, I was using the LPGT and the Chord 2 and the N8ii made my IEM more musical, a tad warmer, which a much bigger sense of reproduction realism.
I was so impressed by the N8ii that I decided to test 2 IEMs that were on my radar: the Trailli and the Jewel. Andrew again helped me with that, this time going to meet me in a coffee shop in NJ. That was an incredible busy week for me and Andrew drove to a place more convenient for e to demo the IEMs. I can’t recommend enough the service of Andrew and Musicteck, he is just incredible and a very important part of this journey for me.
I’ve spent one hour with these IEMs and while the Trailli is technically very natural with an impressive soundstage, IMHO the Jewel simply made the Bird sound a little sad… The way that Aroma turned the DD in the Jewel so pleasant that I am starting to consider it superior to the bass from the Abyss 1266 (which is of course bigger in volume but less controlled than the Jewel and also dependent on how you position the ear cups in your head.
As if the Jewel was not enough, I also ask Andrew to bring a demo of the PW Orpheus and the moment I hooked that cable into the Jewel and N8ii, I started to smile and though: “holy s&*$#, I need this.”
As I said, all 3 components of y new portable rig are new and equally jaw-dropping in terms of resolution, clarity, separation, dynamics, soundstage… It is very difficult for me to understand exactly who is doing what and which part is bringing the most to the chain. But in the end what matters is the synergy that the N8ii > Orpheus > Jewel have together. Listening to Agnes Obel’s Fuel to Fire just keep me in constant ecstasy and I noticed that I am not listening to the technicalities of my devices anymore. Instead I am connecting to the artist in a way I never did before and to me that is priceless.