I’ve heard that claim but it appears to be a myth. Jason Stoddard of Schitt went into considerable detail on this matter (in this post), where he listed an entire battery of measurement equipment Schitt routinely use and stated: “Without measurements, it would essentially be impossible to develop our products…and without deep, high-quality measurement capability, the products wouldn’t be as good as they are.”From what I understood, the guys at Schiit never really cared much about measurements and put their stuff together based on hearing impressions.
I’m not sure what online blind tests you’re referring to or what exactly they’re recordings of.I'm not sure I like those blind tests that you can do online. While they clearly are recordings of the output from different DACs
It entirely depends on what “esoteric summit-fi DACs” you’re talking about. The highest fidelity DACs introduce artefacts at a lower level than typical DACs. For example jitter artefacts at say -150dB rather than at say -130dB, which is quite a big (20dB) difference. However, this difference cannot be realised/resolved into sound. Consider that with HPs the average listening level is around 63-65dBSPL and very loud would be 70–75dBSPL. This puts peak levels at around 72dBSPL or in the case of very loud AND highly dynamic, uncompressed recordings, peaks up to around 90dBSPL. Taking this worst case, then our moderate fidelity DAC (with jitter artefacts at -130dB), would produce jitter artefacts at -40dBSPL. However, no sound at all (other than ONLY the random collisions of air molecules) is -23dBSPL. Therefore, -40dBSPL cannot exist (in air) and obviously neither can -60dBSPL in the case of the high fidelity DAC. So as there cannot be a difference in the sound, there cannot be any question of hearing one, even if human hearing were infinite/perfect!wouldn't "one" assume that those esoteric summit-fi DACs could magically remove the distortions introduced by the cheap "bad" DAC and thus result in no perceivable difference?
Having said this, despite the name/implication/marketing, some “esoteric summit or high fidelity DACs” are not summit-fi or even high-fidelity, some are significantly lower fidelity than even very cheap mass market DACs. For example some NOS DACs (and some DACs with an optional filter that emulates them) and some “tube” DACs introduce relatively massive distortion/artefacts, say at -40dB that not only obviously can exist as sound but is within the threshold of human audibility.
G