bigshot
Headphoneus Supremus
I'm curious, wouldn't it be better to use a mono EQ signal and balance the whole room at once? It seems to me two separate wouldn't behave the same as two together.
I'm curious, wouldn't it be better to use a mono EQ signal and balance the whole room at once? It seems to me two separate wouldn't behave the same as two together.
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Why do some custom IEMs have two of each type of driver in each ear? e.g. Two identical tweeters + two identical midrange + two identical lowrange.
My assumption has always been that as most things a balanced armature pushed to its limits will start to distort rather badly.
So if you have two armatures you can have double the sound pressure of a single armature, with the same amount of distortion.
Quote:
Why do some custom IEMs have two of each type of driver in each ear? e.g. Two identical tweeters + two identical midrange + two identical lowrange.
Some custom IEMs may not have identical pairs, but instead divide the midrange (or highs/lows) between two more narrowly tuned BAs, similar to how speakers can have multiple cones of similar size cover different frequency bands.
In the example of the ER4, THD plots always indicate a slight rise in distortion as the frequency lowers. Adding another driver would probably help limit the over excursion of any one BA.
If we look at some of the UM custom IEMs, one model has two TWFKs (total of 4 drivers) and another has two TWFKs and a pair of another BA. If they're the same, all it does is increase the SPL by 3 dB for the same level of distortion. If they covered different ranges, I'm sure they'd advertise them as the 4 or 6 drivers covering different ranges instead of pairing them off as lows, mids, highs.
I've been looking at the THD plots over on InnerFidelity, and there's no very obvious correlation between number of armatures and level of distortion....