bryanbhu
Head-Fier
- Joined
- Oct 28, 2007
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In relation to my previous comment about catching details clearly with highly articulated genre and hardly any with the others, I've been doing some experiments. I just wanted to know if I can really appreciate modern genre as much. So I sat and actually made a concious decision to "listen" rather than "ride" them. A quick test became more serious as the pattern emerged and I ended up spending many hours, spread over half a day.
All I had to know was to make sure of whether or not I was hearing any difference in modern genre, beyond "Yes, it kind of sounds better" level which can just be a random effect or placebo. So there were few ways of doing this, but I just randomized a mixture of FLAC and 320kbps MP3 of the same tracks, at first 9 tracks of each (18 together) from various pop and rock genre, completely out of blue. I later doubled that number. I repeated it over a few dozen times, spread over afternoon to tonight. You might think that's stupid as it's somewhat irrelevant to the whole question surrounding genres, but I've always been more or less a non-believer beyond the "reasonable level" of scientific explanation (I fall into the "I remain open minded, but don't believe in the crazy end of audiophile spectrum" category if I say so myself), so it was a bit of a joke. I usually can't tell, or at least I believed I can't, between FLAC and 320kbps in modern (not-highly nuanced) genre. My thinking was, if I get consistent results to the affirmitive, I could perhaps test further to see if it's because of this system (the possibility of such I didn't even contemplate at first).
The result has been conclusive enough to raise questions for me. With a 30-second listening each before moving on to the next random track, I got about half right, so that's totally random as far as I'm concerned. But with 3-minute listening, I only got 2 wrong out of the whole time...!? That's out of perhaps 100 tracks total, maybe a bit less, but still a lot, relative to 2 incorrect guesses. This (prematurely, for my liking) indicates that I'm telling apart FLAC and 320kbps without a fluke. I'll repeat it again in a few days, I still don't believe this. Is lossless vs 320kbps meant to be this obvious with a modern genre? With classical it's usually easier as the aforementioned "rasp" quality is drastic enough with some instruments to be a give away; I just imagine the real instruments and contrast it to what I'm hearing through the headphone. With a modern instrumentation and arrangement I was never able to find any cue to pull off this outcome with any equipment I've owned in the past decade. I'm still not sure what I'm looking for with the likes of Pop, but I think I'm catching this with a smudge during a glissando and/or momental trills, and other times a vocal's legato over a busy accompaniment. That's my current reaction anyway. Again, a lot of uncertainties there so I'd dare not be sure at this stage.
I'm remaining calm, anyhow, if a little strained. It's disturbing, to be honest. I'll just give myself a good rest tonight and tomorrow I'll be fairly busy. I'll get to try it again in earnest next week, next time in a much more controlled manner.
What started as a jokey experiment yielded a result which I find hard to believe right now. It might just be a freak moment, but ... well I won't speculate at this point. I'm either having a freak day or, dare I say, a profound realization of a sort. This post has no real point, but I just wanted to throw this in here, in case any of you want to comment. Have any of you experienced this transition? What experiment did you do, or what cue did you use to differentiate? Or is it meant to be this clear, and I just didn't bother realizing this? Is this just normal and that I've just been too much of an "unbeliever" to notice? It might just be that I've never sat down with an amp that delivers enough detail to make this differentiation, but even then, this goes against my firm held belief that audiophilia has a strong cult-placebo element beyond a certain point. Sorry for all the questions and I intend no offense (if any taken), but I want some third person perspective here from various background, if possible. Maybe I'm just tired, I've had a lot of information overload this week perhaps (through my ears, that is).
All I had to know was to make sure of whether or not I was hearing any difference in modern genre, beyond "Yes, it kind of sounds better" level which can just be a random effect or placebo. So there were few ways of doing this, but I just randomized a mixture of FLAC and 320kbps MP3 of the same tracks, at first 9 tracks of each (18 together) from various pop and rock genre, completely out of blue. I later doubled that number. I repeated it over a few dozen times, spread over afternoon to tonight. You might think that's stupid as it's somewhat irrelevant to the whole question surrounding genres, but I've always been more or less a non-believer beyond the "reasonable level" of scientific explanation (I fall into the "I remain open minded, but don't believe in the crazy end of audiophile spectrum" category if I say so myself), so it was a bit of a joke. I usually can't tell, or at least I believed I can't, between FLAC and 320kbps in modern (not-highly nuanced) genre. My thinking was, if I get consistent results to the affirmitive, I could perhaps test further to see if it's because of this system (the possibility of such I didn't even contemplate at first).
The result has been conclusive enough to raise questions for me. With a 30-second listening each before moving on to the next random track, I got about half right, so that's totally random as far as I'm concerned. But with 3-minute listening, I only got 2 wrong out of the whole time...!? That's out of perhaps 100 tracks total, maybe a bit less, but still a lot, relative to 2 incorrect guesses. This (prematurely, for my liking) indicates that I'm telling apart FLAC and 320kbps without a fluke. I'll repeat it again in a few days, I still don't believe this. Is lossless vs 320kbps meant to be this obvious with a modern genre? With classical it's usually easier as the aforementioned "rasp" quality is drastic enough with some instruments to be a give away; I just imagine the real instruments and contrast it to what I'm hearing through the headphone. With a modern instrumentation and arrangement I was never able to find any cue to pull off this outcome with any equipment I've owned in the past decade. I'm still not sure what I'm looking for with the likes of Pop, but I think I'm catching this with a smudge during a glissando and/or momental trills, and other times a vocal's legato over a busy accompaniment. That's my current reaction anyway. Again, a lot of uncertainties there so I'd dare not be sure at this stage.
I'm remaining calm, anyhow, if a little strained. It's disturbing, to be honest. I'll just give myself a good rest tonight and tomorrow I'll be fairly busy. I'll get to try it again in earnest next week, next time in a much more controlled manner.
What started as a jokey experiment yielded a result which I find hard to believe right now. It might just be a freak moment, but ... well I won't speculate at this point. I'm either having a freak day or, dare I say, a profound realization of a sort. This post has no real point, but I just wanted to throw this in here, in case any of you want to comment. Have any of you experienced this transition? What experiment did you do, or what cue did you use to differentiate? Or is it meant to be this clear, and I just didn't bother realizing this? Is this just normal and that I've just been too much of an "unbeliever" to notice? It might just be that I've never sat down with an amp that delivers enough detail to make this differentiation, but even then, this goes against my firm held belief that audiophilia has a strong cult-placebo element beyond a certain point. Sorry for all the questions and I intend no offense (if any taken), but I want some third person perspective here from various background, if possible. Maybe I'm just tired, I've had a lot of information overload this week perhaps (through my ears, that is).