I’m deferring to your judgment on this, but -5.2dB sounds correct. I pulled them from Resolve v3 which used a -5.0dB preamp. If Equalizer APO is saying -5.2dB then I’d use that. I’m going to switch mine up in the morning and see if it makes a difference. I’m running mine through HQP which has -3.0dB preamp setting before any EQ is applied so that might explain why I’m not getting clipping if I’m only using a -3.0 dB preamp setting in the matrix (since I have -6.0dB headroom total)
So, I spent a few hours evaluating this and several variations last night and this afternoon. I'd say it's tough to adjust to something once your mind is set on near perfection for the past few weeks.
In comparison to my preset reference:
Low Shelf 3.3db 80Hz 0.75Q, High Shelf 10,000kHz .5db 1.41Q
(Edited low shelf Q just a tad few hours after posting)
After evaluating more as of 7.14.22: Low Shelf 3.2db 85 Hz .77Q, High Shelf 10500kHz .5db 2Q
After evaluating more as of 7.16.22: Low Shelf 3.3db 80 Hz .72Q, High Shelf 10000kHz .5db 1.4Q
After evaluating more as of 7.17.22: Low Shelf 3.4db 80 Hz .80Q, High Shelf 10000kHz .5db 1.4Q
(Interesting how this changes day to day, but very similar down to a db/q change.)
For most of the tracks the double shelf worked, sounded fine (or some variation of it) and I got to one and few others and remembered what I loved about the sound wasn't quite there and it became a quest to tweak.
The first difference is bass db level as I prefer a bit more and have grown accustomed to it. The second as I found previously messing with Oratory's double shelf approach is that it presents bass with less decay, which I perceived or would describe as less lower mids while still having good punch and slam. What I have been used to is a presentation that had a slight decay that felt more authoritative, thick, full bodied and blended better with the mids to me. In each variation with increasing db or Q value, I got close to what I had been used to, but not quite so ultimately kept going back to reference. Nothing wrong with this as this is all just preference. It could be the chain, where you have more bass inflected than I do with your gear or my preference is outside audiophile standards, whatever the case.
This leads me to appreciate more how great this filter is as a baseline to customize from. I've tried with and without the high shelf along with many variations and it is great as is but still not my bass level. What I was using just hits the spot, at least to my ears.
What's funny is I started this journey to hear some great all around bass for breakbeat, hip hop, some vocals. Now, I find myself just loving the lush vocals and midrange to the point of addiction with music I would never have listened to before. I also found that I love pop apparently, lol. Especially female vocals going from hearing to feeling. Absurd.
Example track was on Charli XCX - "What I Like" @ :20 and on.
The fullness and body of that riff led to a more engaging, flowing musicality with my tweaks while in comparison bass had slam but lacked the connection to the lower mids to give that extra body and authority that made it the musical, energetic listen I love feeling.
Some other test tracks I recently discovered and love:
Olivia Rodrigo - Deja Vu
Camila Cabello - Inside Out
Emili Sande - Super Human
Charli XCX - Every Rule
Carlie Hanson - Us
Lights - Jaws
Griff - Shade of Yello
Sigrid - Dancer
Maisie Peters - April Showers
Kehlani - Altar