SP Wild
Headphoneus Supremus
- Joined
- Dec 29, 2009
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Quote:
There is only three variables in bass reproduction, amplitude, agility and extension, I though "impact" relates to amplitude. Bass that is more "impacting" than the closed D7000 from an open can is unheard of - if it indeed "impacted" more than the D7000, I would have thought that would not be such a good thing. I always wanted the D7000 to be just a little less impactful - that was my idea of a perfect headphone.
To me, impact is not only amplitude, it is amplitude and quick raise time at the same time. "Impact" is perfect to listen to kick drum sound.
To me, D7000 might be punchy, but not impactful enough to enjoy a realistic sound from a kick drum, but good enough for pop or trance music.
If it's only amplitude, it could sound like a boom boom.
Btw, has anyone here compared LCD-2 to the legendary Fostex T50? in terms of smoothness, treble and bass extension, imaging, vocal airiness, instrument separation?
OK in that sense, the D7000 would not be no where near as impactful as the LCD2s. FWIW, I have never heard any can that, when EQ'd to expose its subbass by attenuating competing frequencies...did not sound like the D7000s in its "flabby" nature...not even the tightly controlled bass of the mighty HD800s. Only the LCD2s can maintain such a high amplitude without sounding flabby.
I have both the T50, which for its price is phenomenal and I have modded, and also the LCD2s back with me...There is no area that the LCD2 does not comprehensively beat the T50s, although price to performance ratio is a good match IMO.