When discussing the merits of the CRBN I always have to keep in mind the type of music listened to most often. To my ear, the timbre of string and other acoustic instruments is not quite right on the CRBNs. For electronically produced sounds I think it does quite well. I think they are good at a "wall of sound" style. What the x9000 does that the CRBN is not so good at is fine, layering between instruments and giving an airy delicacy to the overall sound. Here, the x9000 excels. Also, the overall sound of the CRBN is much more forward, especially the midrange, than I like. The first version of the CRBN I received was almost shouty in the mids, but the repaired version was better in this range. It's all a matter of your preferred style of music. Ultimately, the CRBNs didn't have the subtlety and finesse I was looking for for classical. I take them out of the case from time to time to see if I hear them differently, but no, they still remain not the right choice for my listening style. They sit mostly unused. The x9000s and the Shagri-La Sr I use daily.
I suppose I mostly agree with this.
I had a 3-way war going on for a while between the SRX9000, CRBN and my vintage Joseph Grado Hp-2i (hp-1000 improved).
The Hp-2i is easily the only one of the three that actually has 100% spot on timbre, and when you do an A/B between either e-stat you can see how they both lack something (srx9k in the lower end and mids, CRBN in the highs). Yet the Hp-2i is the least separated, smallest soundstage and least comfortable of the three.
The SRX9k is much better suited for classical, and about tied with the hp-2i for Jazz. It doesn't have the midrange to fully grasp solo work like the hp-2i does, but it does big band stuff with such incredible layer that it's a tier above. Hp-2i gets too mushed up in these spots and doesn't present the grandness needed for those. Rock, metal and other genres that have a lot of treble focused sound, also does very well on the SRX9k.
The Hp-2i wins anything acoustic or singer focused (like Opera or a soul singer like Adele). The tone of voices is perfect and if there aren't too many instruments, or if the tracks are very well recorded, this is easily the most real-life of the three.
The CRBN actually has a little bit less low-end than the hp-2i but the combination of e-stat strengths, smoothness and overall comfortable tone, makes them the best pick for EDM/Pop/Rap and many other modern albums. I find that they're relatively forgiving headphones and on the Mjolnir Carbon most stuff works well. Even in the genres that I found stronger in other headphones, as long as I was not a/b comparing, I still very much enjoyed them on the CRBN. The same could not be said about the SRX9k. Certain tracks on the SRX9k are too hot and unlistenable.
I think the only headphone I've found that was a better blend than these three was the Sr-Omega, which is closer to a hp-2i with the attributes of the SRX9k. I'm less certain Stax will ever return to this signature. I am a believer that Adueze's future estats will obtain the full-package with enough R&D.
For anyone that is on the fence about the CRBN - I do recommend, even with the farts