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Originally Posted by plonter /img/forum/go_quote.gif
it's to everyone's opinion(and wallet) whatever cable to use, but i personally think that if you invested in "high-end" system you should go and get some nice cables to compliment it, and not ruin all the investment in low-grade cables and parts.
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Logic would suggest that higher quality, more expensive cables are going to perform better. It's this logic which has been played upon by the cable manufacturers and used to manipulate audiophiles. The simple fact is that low-grade cables, standard-grade or high-grade cables is all rubbish, there is no such thing. There is no property of so called higher grade cables which in any way make them perform better than so called low-grade cables, so in what way are they high-grade, high-grade compared to what, a dead fish? If you like them because they look pretty, that's all well and good but don't fool yourself into believing they are going to improve the sound quality.
Quote:
Originally Posted by plonter /img/forum/go_quote.gif
ok..maybe i was wrong about my assumptions a little, i guess i am one of the minority of audiophiles that this is important to them. by the way, i think that all the pro's are using the most high grade cables and equipment exist on the market.
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I'm afraid even that assumption is incorrect. This cable debate only exists in the audiophile world, not the professional audio world. I've been in so many recording studios over the last 25 years I couldn't even begin to count them all, including some of the top studios in the world. They all use decent quality cable, this means probably around $5.00 a metre (3ft). Mention $200+ cables to a studio professional and they are likely to laugh at you, honestly! The equipment in the top studios is incredibly expensive, it's not uncommon to spend $60,000+ on a set of stereo speakers for example, let alone the mixing equipment, ADCs, etc. Every aspect of sound quality is investigated and tweaked but this doesn't include cables because everyone knows they make no difference. Go and look online at audio magazines aimed at the professional audio market, you won't see any adverts for expensive audiophile cables. As I said before, this debate about cables does not exist in the professional audio world, it is only some audiophiles who seem to believe expensive cables magically affect sound quality.
For all the cable believers out there, while you're listening to your $500 cables bare in mind the cables used to create what you are listening to were probably 100 times cheaper!
G