An exploration of Chord DAVE, MScaler, Qutest, and Holo May, HQPlayer

Jul 6, 2021 at 1:06 AM Post #376 of 1,510
A friend has just bought a Holo May and I think it arrives today. We have tentative plans that he will bring it to my house next week to compare it to my DC4 Dave and also we will be playing some PGGB files through it in NOS.

No graphs, no techno babble, just two guys using their ears. . . . .
You better do it in detail and please mention clear verdict either holo or Dave. These days sadly most reviews are like " if you like this kind of sound then that dac and if you like that kind of sound then this dac " imo a source should be as close as possible to the original recorded music and should be able to convey it like a real life live performance.
 
Jul 6, 2021 at 1:25 AM Post #377 of 1,510
I get your point. I suppose if you’re listening to a concert and you were there in person than you might have an idea of what it sounded like but good luck remembering the nuance of the live performance. What happens if you’re listening to recorded music? It’s not necessarily a real life performance, so what does “real” mean in that case? For the dac to make it sound real, even if the engineers used filters to distort or added effects? At times I agree that ultimately it’s just what sounds good to you. The notion of real might apply to jazz, classical or acoustic performances but what happens if you listen to other genres?
 
Jul 6, 2021 at 1:34 AM Post #378 of 1,510
You better do it in detail and please mention clear verdict either holo or Dave. These days sadly most reviews are like " if you like this kind of sound then that dac and if you like that kind of sound then this dac " imo a source should be as close as possible to the original recorded music and should be able to convey it like a real life live performance.
Rtk, why does the tone of all your posts sound like you are making demands, giving orders or threats?

We're all interested in opinions and comparisons of other members but no one owes you anything - the members are sharing information because they love this hobby. They don't work for you so please be a little be a little more courteous in your asks. Your English seems perfectly fine's so I don't think its a language barrier. Just be nice.
 
Jul 6, 2021 at 2:05 AM Post #379 of 1,510
Rtk, why does the tone of all your posts sound like you are making demands, giving orders or threats?

We're all interested in opinions and comparisons of other members but no one owes you anything - the members are sharing information because they love this hobby. They don't work for you so please be a little be a little more courteous in your asks. Your English seems perfectly fine's so I don't think its a language barrier. Just be nice.
May be I am a purist and take hi fi literally. 😂 Over the years , specially in past few years some quarters are deliberately pushing there agenda (not blaming the thread starter at all here as he has posted reviews of all types of gadgets, not just a particular technology) of some outdated technology which has not much objective backing. It is all after asr the trend has started changing and many reviewers have started using atleast some graphs and measurements to show the shortcomings. Hi fi is not just soft warm romantic colored sound which may be good for most genres, it is how close you can get to real performances. If it is close to real life then you will enjoy music in real life. I am not boasting but I have assembled a systen over the years with lot of efforts which is extremely realistic sounding. I posted a zip file of the recording too which was deleted presumably by reporting by some member. If someone is having access to that I will request you to please listen to that recording. It is a 16bit 48khz recording of a cd quality Latin jazz piece playing. Recorded with a stereo mic.You can actually feel the depth, stage, placement of instruments and even the minutest of nuances like in real performance. It is not just a room reverb. If it was colored you won't be enjoying it like a live performance.☺️
 
Jul 6, 2021 at 2:23 AM Post #380 of 1,510
You better do it in detail and please mention clear verdict either holo or Dave. These days sadly most reviews are like " if you like this kind of sound then that dac and if you like that kind of sound then this dac " imo a source should be as close as possible to the original recorded music and should be able to convey it like a real life live performance.
What’s wrong in having preference?
I know you like Chord house sound or DS DAC that has better measurement but it may not be true for everyone. I had Qutest and Hugo 2 with Metrum DAC at home last year and I ended up enjoying Metrum DAC more. so there is no black and white in it.
 
Jul 6, 2021 at 2:43 AM Post #381 of 1,510
What’s wrong in having preference?
I know you like Chord house sound or DS DAC that has better measurement but it may not be true for everyone. I had Qutest and Hugo 2 with Metrum DAC at home last year and I ended up enjoying Metrum DAC more. so there is no black and white in it.
Exactly that's what I am saying. Hi fi is about what is high fidelity, not about type of sound.
 
Jul 6, 2021 at 3:05 AM Post #382 of 1,510
Exactly that's what I am saying. Hi fi is about what is high fidelity, not about type of sound.
Well I can feel the depth, stage and sound to be quite realistic from Onyx and Morpheus, both NOS, as I was from Qutest or Hugo 2 so I’m not sure what you mean when you say that you only need OS DAC to get those sound trait.
 
Jul 6, 2021 at 6:30 AM Post #383 of 1,510
You better do it in detail and please mention clear verdict either holo or Dave. These days sadly most reviews are like " if you like this kind of sound then that dac and if you like that kind of sound then this dac " imo a source should be as close as possible to the original recorded music and should be able to convey it like a real life live performance.
They do that for a very clear reason

The dac is just changing it to analog. And in some cases the holo May outclasses the Dave in sound and in other cases the Dave sounds better. Reviewers pointing this out is a good thing.
 
Jul 7, 2021 at 5:29 AM Post #384 of 1,510
I currently have a number of fantastic products on my desk, and given this interesting opportunity to directly compare some products that are usually not something many will have heard, and if they have, will likely have heard on different systems, I wanted to do just that. Compare in a direct AB test.

20210122_003118.jpg

I had a few questions I wanted to answer:

- How much difference does MScaler make?
- Qutest + MScaler combo vs Dave (Can you get DAVE performance for half the price?)
- MScaler performance as DDC only (no upsampling)
- Difference MScaler makes on a chord vs non-chord dac
- HQPlayer vs MScaler
- Holo May vs Dave


(If you have any other questions you want answered, ask and i'll do my best to answer)
To test this, I used an XLR switch to quickly switch between DACs with 0 delay. All DACs were grouped together in Roon so that they were all playing the same thing at the same time. Volume matching was done with roon DSP to keep things even and fair. (Volume matched to 0.1dB using motu M2 ADC)
I try to avoid DSP volume control wherever possible, but as you'll see shortly, its clear that it didn't hold the bigger dacs back so it didn't interfere with the test. And was necessary for a fair test.

When using a DAC without MScaler it was connected via an SMS200 Ultra Neo with SPS500 PSU.
The MScaler was connected to my PC using an ifi Igalvanic 3.0.
All of these devices have galvanic isolation anyway, but hey, might as well just in case.
When connecting to the MScaler, Dual-BNC was used on the chord dacs with shawline digital BNC cables.

Equipment used:
- Roon
- 3-in 1-out XLR switchbox
- Goldpoint SA2X Attenuator
- Benchmark AHB2 Amplifier
- Hifiman Susvara headphones (Also used Arya and HD800S but for the most part susvara)

Video review of DAVE + Mscaler here:




---- How much difference does MScaler make? ----


20210121_164250.jpg
So, first thing I wanted to do was of course check that the MScaler wasn't intentionally or unintentionally harming quality without any upsampling (which the cynical side of me thought that this could potentially be done to give the illusion of improvement when actually the MScaler's "bypass" mode was simply worse).
To check that, I just connected dave by USB, and also Dual-BNC to the mscaler.
I played a few tracks and swapped between USB and MScaler input, and the first thing I noticed, the MScaler was quieter. By 3dB as it turns out.
This was unexpected, but also makes sense. Oversampling requires digital headroom to prevent clipping. Most DACs will have this as part of their internal oversampling. But the mscaler will need to attenuate before oversampling and then passing the signal to the DAC. I imagine the reason it does this even when NOT oversampling is exactly to prevent what I mentioned, having people accuse them of "faking" improvement by increasing volume when swapping modes.
I adjusted the volume, and carried on.
Absolutely identical. With perhaps a slight edge to the mscaler even. So, with that concern out of the way, how big of a difference is there between the MScaler vs native input?

Quite a big one....
The biggest difference is (and this will be a common theme in this post) staging.
I couldn't quite test going from 44.1khz to 768khz, because the DAVE takes a couple secs to recognise and swap to dual BNC, playing mono for a few secs, and making an 'instant' a/b impossible. But going from 768khz to 44.1khz is instant. No biggie, its easier to hear when something is missing rather than added anyway.

The MScaler makes a massive improvement to size of stage, and layering within it. With every element much more clearly defined in terms of its position, all whilst having everything so clearly separate, and sounding all the more resolving.
There really were no drawbacks here, and as to all the good things it's doing, that's something i'll discuss in a proper review, as the improvements and theory behind it is too much for this post, but the simple answer to this question is yes, the MScaler makes a quite definitive and impressive improvement.


---- Qutest + MScaler vs Dave----
20210118_025752.jpg
The result for this was fairly clear. I compared this using both roon's headroom management, and the DAVE internal volume control for volume matching, and in either case, the DAVE pulled ahead of the Qutest by a generous amount.
The qutest is a slightly more laid back and warm presentation compared to the dave, though they both share the same "house sound", namely chord's signature separation and almost immunity to being fatiguing. And part of this is simply due to the DAVE's resolving power over the Qutest.
The qutest when enabling the mscaler's upsampling provided a considerable improvement to the stage. The qutest is not a dac that on its own stages particularly well, though the separation and imaging is excellent. With the MScaler though this changed and it became quite good.
Switching to listening on the DAVE though there was a noticeable improvement in air and upper treble transparency, and staging itself. Things no longer sounded in or near my head and were quite clearly staged outward.
The DAVE also beat the qutest in just about every other area. Macrodynamics and 'slam' particularly, though this is more due to the qutest being a little soft in that department, rather than the dave being better.
In fact lowend on DAVE was considerably better. The final part of Daft Punk's "Contact", the deep rumble on the DAVE was distinctly separate from the rest of the mix, whereas on Qutest it sounded a touch like it was overlaying with other stuff too much, and being a bit obstructive. The drums at 1:45 were also much less lifelike, with the kick drum timbre being much better on dave, and the snares a lot snappier.
Resolution wasn't a competition, DAVE won here hands down.

So no, unfortuantely Qutest + MScaler isn't "Dave lite", but the MScaler is 100% an improvement over stock. However, the issue is that it then becomes a ~$5k combo, and is competing with dacs like the M1SE, Holo May, Denafrips terminator and many others, none of which it does compete well with in my opinion, and so it is not a combination i'd recommend. MScaler is great, but you shouldn't be spending more on it than you are on your DAC.


---- MScaler vs SMS200 Ultra as DDC only (no upsampling) ----
20201105_025342.jpg
This was a bit tricky to test, because all three of these dacs feature galvanic isolation on the USB inputs, putting them on a more even playing field than most other dacs would be. However, the may features "full" isolation, whereas the dave and qutest it is power lines only.
Once the schiit modius a friend is sending me arrives, i'll test using that to get a better picture of how good the mscaler is as a DDC. (Didn't want to use ADI-2 as it has a good PLL that would make differences less apparent than on a dac without a PLL.)

The difference on the may between USB, USB to SMS200, and the MScaler (no upsampling) was so subtle that I'm honestly not confident enough to draw any definitive conclusions. The combination of the may's excellent USB implementation with FULL isolation, and the PLL system is clearly ensuring that regardless of what input you use, the result will be great.
On the Qutest, USB to the SMS200 Ultra vs PC was noticeable. There was a slight improvement to both staging and imaging when using the SMS200 Ultra.
I could hear no definitive difference between the SMS200 Ultra and the MScaler, so clearly there is a decent USB implementation, and the MScaler is doing a good job as a DDC too.
The same went for the dave. USB sources did show a difference, but USB vs MScaler was identical.
It stands to reason that without upsampling, the USB implementation in the MScaler and the DAVE are going to be similar, so I guess it makes sense that there would be no difference.

As mentioned, once I have a less "fully featured" dac in terms of the quality of the digital inputs i'll test again. But its clear that the MScaler is good as a DDC alone.


---- Difference MScaler makes on a chord vs non-chord dac ----
20210122_152128.jpg
This one is a bit tricky to test, as I would inherently be using a different DAC and therefore it is NOT a fair, direct comparison. Testing aspects like improvements in staging or timbre is difficult when they're starting from different points to begin with.
The other option I had was to simply use a chord dac, and swap between 192khz (the max SPDIF input rate for the vast majority of dacs) and the full 768khz, to compare the difference.
The simple answer here was that going to 192khz gets you about 80% of the 'full' improvement of the MScaler. There are no 'changes to the changes' if that makes sense. You simply get a little bit more of all the same improvements. There is definitely a difference, but definitely not as much as the initial 192khz upsampling. And the improvement at 192khz is more than enough that I'd say the MScaler is worth getting for non-chord dacs.

I did of course test the MScaler with the Holo May, and there was a big difference vs running it stock OS or NOS. I should mention though that this isn't a particularly fair comparison. NOS (with or without analog reconstruction) is going to be quite different from OS, and for a NOS capable R2R dac, I personally treat it as simply different, not better/worse. The holo may's NOS also sounds different to most other NOS dacs due to how it handles analog reconstruction. I'll update once i've tried the MScaler with a different delta-sigma dac however.
I could not decide on if I preferred running it NOS or with MScaler. It was track dependant. And i've found the same when using HQPlayer.

I have to say though, it is a shame that chord dacs do not have I2S input, and the MScaler at its pricepoint does not include either I2S output, or USB output, so that the sample rate limit for non-chord dacs wouldn't be an issue. Having only SPDIF outputs on a product of this price is a shame. I'm sure plenty of people would pay an extra £500 or so for an I2S or USB output capable version to take advantage of the full sample rate on a dac of their choosing.


---- HQPlayer vs MScaler ----
1611329117563.png
This I tested first on a chord dac. I wanted to give the MScaler the absolute best possible chance, with both MScaler and HQPlayer running to the DAVE.
I set HQPlayer to output to the USB of the DAVE, and the MScaler running into the Dual-BNC (fed by roon @ native sample rate).
For the filter, this is an immediate advantage to HQPlayer, the ability to choose. HQPlayer has a variety of filters, whereas the MScaler you have only one. And in fact HQPlayer offers filters with even higher tap counts, Sinc-L has up to 2 million taps, and there is even a 16 million tap closed-form filter.
After playing about a bit though, I went with the Sinc-M million-tap filter, as it was closest to the sound of the MScaler filter. In fact, it was very close....REALLY close....so close I'd be fairly happy to call them identical. Its almost like that "M" in the filter name was hinting at something.........
Its worth noting though that there is still an inherent benefit to using the mscaler in that as mentioned, it is a fantastic DDC.
So MScaler vs HQP over direct USB may be a different story to using an HQP network streamer like the SMS200 Ultra or a pi2aes. The MScaler will likely be better in most cases than connecting your DAC directly.

EDIT: Just wanted to update this post as after some further testing, I no longer feel that the above statement is true. (Am leaving it up for transparency, but please do read this edit).
At 192khz, which is what I was initially comparing to (because of the DAVE's delay when switching to dual-BNC making AB'ig difficult), sinc-M sounded near identical to the MScaler. However, since then i've been playing about at 768khz, and also to put another dac into the mix, testing 192khz from MScaler vs 768khz from HQP. And at this point things do NOT sound identical. In fact sinc-L then sounds closer.
As to which filter sounded 'best' it depended on the music, but I almost always found myself picking HQP over the MScaler.

Jussi Laako described the filters as follows:

This somewhat explains what I heard.
I'm guessing that the fixed 1m taps at 192khz was causing the faster cutoff and therefore making it sound closer to the MScaler, whereas sinc-L is a faster rolloff filter by design, so at higher rates it will sound more similar rather than sinc-M.
Also interesting to note how far the filters go in terms of bit-accuracy to the ideal sinc function. WTA filter in the MScaler by comparison is accurate to 18 bits according to RW in an interview with 'passion for sound'.


This was perhaps the most interesting result of everything I tried throughout this 'exploration'. As HQPlayer is something that you can use with ANY dac and with no 192khz limit. (And at <10% the cost of an MScaler)
And in fact, on the holo may, you can even go to 1.536mhz. Twice the sample rate that the MScaler outputs to a chord dac on dual BNC.
HQPlayer also has the interesting advantage of being able to do full delta sigma modulation in software, bypassing the DS modulator in your dac entirely if it is capable of handling DSD/PDM natively. Which can bring some impressive results. (not so much on high end FPGA dacs like the DAVE, especially if you're paying specifically for a "house sound", more something that can bring improvements to midrange and off-the-shelf stuff).

It is worth saying however, that barring all questions of quality, with the MScaler you're also buying convenience, and a great DDC. Which are both things worth paying for.
HQPlayer's native interface is not great, though roon has integrated support for it that allows you to effectively use it as an output device, and use only the roon UI.
1611330336040.png

---- Holo May vs Dave ----
20210122_153049.jpg
So then, the battle of the titans! I've spent some time with some other high end dacs. And with delta sigma, my favourite dac is the dCS vivaldi, followed not too far behind by the Bricasti M1SE.
That changed today. And I can say that I prefer the Dave + Mscaler combo to the M1SE. Though the dCS i'd need to get a chance to A/B properly with it as its been a bit too long to make a conclusion from memory. (Dave alone however I'm not sure, and I think I might pick M1SE over a dave without mscaler).

I have not yet had a chance to try the Denafrips Terminator or MSB. But given as just about all comparative reviews between Terminator and May choose the may, and the fact that MSB is "remortgage your house" money, i'm in no immediate rush to try either, though would love to when the opportunity arises.

First, given the price difference, I thought it'd be fair to give the may a shot against Dave without the mscaler.
That didn't last long. The first three tracks I tried, May bested the Dave in several areas in a not particularly subtle manner. Resolution, speed and impact of the lowend, timbre of vocals and instruments, and most of all staging.
So, I gave the dave its clothing back and put it on the mscaler.
It was a lot closer now.....but not close enough.
The dave had a slightly warmer presentation, but much of this was due a slightly looser lowend. The May was still faster, with timbre that was addictingly real and convincing, and a spatial presentation so clear and present that it wasn't anymore a question of distance, space or imaging. You can literally HEAR how the violinist has their instrument oriented. Its a bit hard to put into words how good the sense of "presence" the may gives is. New Record Day on youtube put it quite well in his recent review.

Resolution was a close call at this point, and it was a bit tough to judge given how much more "convincing" the may sounded, leading me to lean towards picking it, but it really is close in raw resolution, and the differences in presentation elsewhere are going to be a much more important factor.

With the mscaler on both at 192khz though....it really wasn't all that much of a competition anymore.

Both of these are absolutely world-class dacs, there is no doubt about that, and either of them are going to be able to do a true summit-fi system absolute justice. But the may really is something quite incredible. And given as it costs half of what the DAVE does, its hard to find a reason not to go for it instead other than space (May is THICC)

I'm going to be doing a full video review of each of these products, which you'll be able to see on my youtube channel ( https://www.youtube.com/channel/UCJ0oW8D5z_IiFc7w46JJEuA ), as well as a written version here too.
But its been good fun trying all these and comparing all sorts of fun combinations.


If you have any specific questions about, or things you'd want me to test/compare between these products, let me know and i'll do my best to answer.

I’m telling you My Friend. You did such a great job with this research/comparison testing. You’ve given a lot of help and buying power to so many people. I think your work here will honestly stand the test of time. ;)
 
Jul 7, 2021 at 9:30 AM Post #385 of 1,510
So many times have I seen the same old objective vs. subjective argument. Seems the vast majority vote with their ear/brain capsules, and how can you argue with what one hears. Still, the objectivists object to this preference, they scold the ignorant masses, presume various data points they've measured lend them unmatched expertise.

While I'm not one to totally dismiss measurements and their association to sound quality, I presume the measurement regimes we presently have are relatively primitive in attempting to measure what we individually hear. The physiological and psychological modes of our ear/brain complex are both so unique and evolved such that they remain a mystery to so many measurement regimes. I suspect future evolution of measurement regimes will discover further correlations and even causation in regard to audio systems sound quality. To believe we are already to the point where various measurement regimes and data points are proof of sound quality is delusionary, and holding to this pedantic view simply hubris. The contemporary objectivists have yet to supply us with the necessary proof.
 
Jul 7, 2021 at 11:04 AM Post #386 of 1,510
So many times have I seen the same old objective vs. subjective argument. Seems the vast majority vote with their ear/brain capsules, and how can you argue with what one hears. Still, the objectivists object to this preference, they scold the ignorant masses, presume various data points they've measured lend them unmatched expertise.

While I'm not one to totally dismiss measurements and their association to sound quality, I presume the measurement regimes we presently have are relatively primitive in attempting to measure what we individually hear. The physiological and psychological modes of our ear/brain complex are both so unique and evolved such that they remain a mystery to so many measurement regimes. I suspect future evolution of measurement regimes will discover further correlations and even causation in regard to audio systems sound quality. To believe we are already to the point where various measurement regimes and data points are proof of sound quality is delusionary, and holding to this pedantic view simply hubris. The contemporary objectivists have yet to supply us with the necessary proof.
At the end of the day I think the problem is that audio has become so polarised.

On one side you have a lot of people saying that if something has 110dB sinad then it'll sound 100% identical to anything else with 110dB sinad, which simply isn't the case.
And on the other side you have a lot of people who effectively refuse to believe that placebo exists and so assert that putting a new power cable on their server in the other room made their system 10x better.

There is a middleground to be had.
Measurements can tell you a lot, and they can certainly help to identify bad/problematic products. Ignoring objective issues is foolish. But having good measurements isn't always a guarantee of good sound.

My personal view:

Poorly measuring products:
- I've never found a product that measured mediocre/bad that sounded what I would call 'accurate'. This doesn't mean they all sound BAD, far from it.
Stuff like the schiit bifrost 2 or SMSL VMV A1 as examples. These are not particularly great measuring products. But they sound really good. It's clear that they are coloured, and certainly not 'neutral'. But they do sound incredibly engaging and good in ways other than being 'accurate'. Same thing goes for many tube amps for example.

- There are however plenty of products that of course measure bad and sound bad. But a lot of the time it's not THD. In my experience high THD usually doesn't actually have a 'negative' impact on sound even if it colours it.
But stuff like poor Jitter and IMD just kill music.
Often if a product has poor THD it's because of poor design and so will be accompanied by poor performance in other areas. But if a product has good jitter, good crosstalk, good IMD, good PSU etc, but high THD, it can result in quite a deliciously flavoured sound without sacrificing actual 'quality'.

Well measuring products:
- All of the products I've tried that I consider to be subjectively the best happen to have great objective performance too. But are almost always achieved through proper design and engineering, not just "Insert ESS chip and opamp here for 122dB SINAD".

- There are plenty of well measuring products that either sound bad or not as good as poorer measuring alternatives.
A topping e30 for example to me sounds quite frankly etchy, flat and just not great. It measures better than a bifrost 2, but I'd take a bifrost 2 or ares 2 any day over an e30 without hesitation.



It's my hope that this polarisation can be fixed to some degree in future. And it's one of the reasons I'm making videos in the way that I am such as my DDC video, and have also recently purchased an APx555 analyzer.

Objective information is important, but context and a full picture is mandatory. SINAD alone tells you quite frankly almost nothing.
And also, what is objectively the best may not always sound the best.

Regardless of objective performance, preference will ALWAYS be a thing. And that's fine, it makes this hobby more interesting and exciting, else we'd all just get an X26 pro and some stax and be done with hifi forever.
But it's important to remember that bullying others for their subjective preferences is not OK. And that just because you prefer something, it does not mean it is objectively 'correct'.
 
Jul 9, 2021 at 2:40 AM Post #387 of 1,510
I pretty much agree with the above.

I consider measurements as being like putting a car on a dyno. You get a snapshot of how the car runs, but it isn't the same as taking it out on a road or track and actually driving it. If you drive a car fast around a corner, there are all sorts of things going on simultaneously that decide how that car will perform over the time period of its movement. This is extremely complex, far more so than the average person can consider at once. Audio is much the same, yet people, as they do with everything, want simple answers where a simple answer really doesn't suffice. But a picture doesn't tell you what the actual experience is like.
 
Jul 9, 2021 at 3:03 AM Post #388 of 1,510
A friend has just bought a Holo May and I think it arrives today. We have tentative plans that he will bring it to my house next week to compare it to my DC4 Dave and also we will be playing some PGGB files through it in NOS.

No graphs, no techno babble, just two guys using their ears. . . . .

There has been a change of plan. My friend is now bringing his Holo May to my house tomorrow . . . . . . we have set aside many hours for this and I am looking forward to it.
 
Jul 9, 2021 at 7:02 AM Post #389 of 1,510
There has been a change of plan. My friend is now bringing his Holo May to my house tomorrow . . . . . . we have set aside many hours for this and I am looking forward to it.
Looking forward to hearing your opinion. Should be fun ;)
 

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