1. It appears that EvilKillaruna has
much more experience than me, based on his terminology as well as being a self-proclaimed AKG fan
List of AKG headphones I've had pleasure to review or personally own since establishing my blog (8-year perspective):
AKG GHS 1
AKG K70 TV
AKG K142 HD
AKG M220 PRO
AKG K240 DF
AKG K240 MKII
AKG K240 Monitor
AKG K260 Professional
AKG K270 Playback
AKG K271 MKII
AKG K272 HD
AKG K280 Parabolic
AKG K290 Surround
AKG K301
AKG K315
AKG K321
AKG K330
AKG K340 ES-D (BH)
AKG Q350
AKG K370
AKG K390 NC
AKG K400 LP
AKG K401
AKG K420
AKG K450
AKG K500 EP
AKG K500 LP
AKG K501
AKG K518 DJ
AKG K550 MKI
AKG K612 PRO
AKG Q701
AKG K7XX
AKG K1000 EP
AKG K1000 LP
Bold = still in my possession.
Of course K872 will be listed after I'll finish their review. If there is anything worth comparing with K872 from this list, just let me know.
About my Burson - it is a quite the solid foundation for soundstage testing, as it was proved with very intensive review of LCD-4, showing notable changes and progress more than other sources. Tonality wise, it is the most optimal for K872 because of very little output impedance, high power and natural, spacious signature without emphasizing anything too much. Previous versions were not that awesome from what I've heard.
My description of soundstage is developed mostly from years spent on headphones known from extraordinary performance in this aspect, such as K1000 (openess), HD800 (size) or STAX Lambdas (holography). Those three pairs all have three pieces of bigger picture and holding the respective titles as the best parts of one perfect soundstage.
My opinions of course are not absolute and not to be directly confrontational. They are just mine and sometimes mine alone, expressed independently and against all odds. Sometimes I can sense greater soundstage from one model described often as condensed, sometimes smaller from other which should have vast amout of airiness. With K872 there are such differences too. Typically we are hearing both pair (K872 and T5p v2) different due to mostly three things:
- real differences in our hearing,
- anatomical angle of our ears,
- angle created by the earpads (with all their physical differences between two independent pairs) or driver baffle.
As some time passed after my previous description, my pair smoothened a little and gained a little more space in soundstage. Not the night-day changes, but they are pushing them towards better score. Changes in soundstage are increasing as I am pressing the front side of AKGs to create more pressure on forward parts of earpads. More pressure = lower front profile = greater angle = changes in the way how K872 are creating soundstage field. I believe I am receiving T5p as more spacious because of their agressive angle of drivers and acoustic deflectors, which are more suitable for my also more-than-average angled ears. That is why K872 also performs better with increased angle and getting better with time in that department. And the reason why your demo pair performed better than new unit.
I believe everyone hold their own truths, know their own ears and can percieve or understand sound of various headphones in own, unique way. I am fully aware (and somehow kind of proud) of being in minority with my (still mixed in some areas) feelings about K872, but it doesn't nessessairly prove that anyone has to be wrong with his judgement. And above all - it shouldn't take away pleasure from listening K872 if this pair represents everything you were pursuing till now. At the moment lets just say my hopes for closed 1500$ master reference headphones were sky high due to the list from the beginning of my post and all former AKGs glory from back then.