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Originally Posted by milkpowder /img/forum/go_quote.gif
Tried 5.5G iMod, Tomahawk and Hornet with the T2 today. Hornet sounded the best out of the two RSA amps. Better instrument separation and refinement out of the Hornet...
iMod improved the sound a lot. Bass became noticeably better controlled and the upper-midrange really shines. Me like!
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Glad you liked the setup. Referring to your second paragraph I however
believe the effect you refer to... bass and upper midrange... has more
to do with the Tomahawk/Hornet than the iMod.
IMHO what Tomahawk does... it adds a bit of control to the bass, the upper
midrange is also a tad brigther, it also adds some emphasis to the highs. I
think Tomahawk is rather fast amp, the accent is put on the peaks rather than attack/decays that are shorter than the real life. It extracts some
details from the mix, even some small nuances. Refferiing to the photography
I would call the effect of Tomahawk as sort of "sharpen image" effect from
Photoshop. Nice for the edges and extracting details.
I cannot get rid of thoughts that the Tomahawk was written/made to fix
the E500 playing out of stock headphone iPod out. All the effects (more
bass contro, bit brighter on the midrange, some accent and extension to
the highs will definately make E500 sound better with less treble rolloff.
The same things work for T2... give bass even better texture... neutralise
the midrange and adds even more extension to the highs.. up to the point
where you could hear some bits of "s" sibilance from female vocals... especially when you pair iMod+Tomahawk with silver interconnect as I do.
It makes the T2 even more detailed. I considered this combo iMod+TH+T2 just perfect for quite a long time.
The one thing to remember is that the way Tomahawk handles attack/decays
is bit far far from real life. It's just too short. I haven't realized that until I heard PRII MK2. One of the main differences between Tomahawk and PRII is how the both amps handle attack/decays. On Tomahawk they are shortened... on PRII the attack/decays seems just very 'real life'... you can hear the drum, cymbals etc. to really fade out. You can even feel the sort
of aftermath of decay... the vocalis closed its mouth but you do feel the vibrations in the room. For example the highs on PRII are even more extended
than on Tomahawk, but without any hint of being pushed forward and/or sibilance.
Just a point to remember when talking about Tomahawk and perhaps Hornet.
I must say I like T2 more with Tomahawk than the PRII... because of the details... with big cans I however prefer the PRII... because of that naturallenes and transparency.
And coming back to T2 I recently had and heard quite nice bunch of amps
here including some DYI ones... and I have the impression that the T2 seems
to be very very transparent. When comparing amps it was easier to note the differences between them on T2 than any other headphones. Because on some other headphones some effects were increased and some other masked by any particular amp. On T2 each changes semmed to be much more obivious.
And by the way, you are right, iMod does make a difference. The funny thing is that this was not that obvious in the time I got it, but it is now, after I listeden to it for a longer time, and had a chance to try a stock iPod after that time.
Kris
ps. Sorry for my crap english