Firstly, like to thank Billy from Busisoft for organising the Westone UM PRO 10 for this review.
Westone needs no introduction, they are one of the industry leaders for professional monitors as well as consumer earphones. The UM PRO line is the newest member of a long line of IEM’s that have be very successful. This review is for the UM PRO 10, the entry model for this line.
Features
The UM PRO 10 comes packaged nicely in a bright orange hard case. With the earphones, you get a huge range of ear tips, 10 to be exact, 5 pairs of silicone and 5 pairs of foam tips, as well as a wax cleaning tool. All in all, a nice range to find the perfect fit. The UM Pro 10 comes with a detachable EPIC braided cable, which is made from low-resistance tensile wire. This provide durability for demanding live environments and also has little microphonics.
These IEM’s are one of the most comfortable I have used, with great isolation. I used them for multiple hours at a time, with little ear fatigue. External noise was reduced greatly, even without music playing. Using these on stage in a live band environment, which is what it was made or, was perfect, with great isolation, comfort and detail.
Sound
The UM PRO 10 is a single balanced armature IEM made for on-stage monitoring for musicians. This means that the emphasis would really be on the mids and highs and it’s geared for detail and clarity more than bass or power.
The sound is quite balanced and neutral overall. Sound is forward rather than being flat, everything is clear and vivid, without being overdone. The bass is clean and fast, but I would love to have more, it’s not an IEM I will consider bass oriented. Treble is airy and smooth with the overall tonality more aimed towards a lighter tone. Micro details is nice, although I will not name it as a detail monster or something like that, I admire how UM PRO 10 presented the treble here.
Midrange in my opinion is another strength of UM 10 PRO, it is quite forward and clear, not in your face type of forward but definitely is forward more than flat, vocal is nice and clean. I have listened to some audiophile vocal albums on UM PRO 10, I think it renders them nicely.
I just can’t stop to praise the transparency and treble of the Westone UM PRO 10, it is excellent, and something that is quite grain less. Sound stage is deep and wide, with great separation.
The UM Pro 10 is ideal for tracks from artists like Jason Mraz and Sting. It’s also a solid performer when it comes to live or acoustic songs.
For on-stage use, it is more suited to vocals, guitars or keys, rather than drummers or bass players, as the bottom end is not a major feature. Using the UM PRO 10 on my TD-30K Roland, the detailing and presentation of the cymbals was great. The snare was presented well, but the kick and larger toms were not that great. I found vocals from other band members was presented nicely and this is where the UM PRO 10 shines.
Conclusion
Overall, the UM PRO 10 is great entry level IEM for on stage use, as well as personal listening. The comfort and isolation is superb, coupled with clean mids and smooth highs, the UM PRO 10 delivers. For around $149 USD / $199 AUD, with 2 year warranty, this is a great priced monitor for musicians and everyday users.
Specs:
SENSITIVITY: 114 dB SPL @ 1mW
FREQUENCY RESPONSE: 20 Hz - 16 kHz
IMPEDANCE: 25 ohms @ 1 kHz
PASSIVE NOISE ATTENUATION: 25 dB
DRIVER: Balanced armature, full-range
WEIGHT: 0.445 ounces/12.7 grams
CABLE: EPIC Replaceable Cable
CABLE LENGTH: 50”/128cm
FEATURES: Premium comfort tips,
mini-monitor vault, cleaning tool, and
2-year warranty.