SONY IER-Z1R

General Information

We designed the drivers in the IER-Z1R headphones from the ground up, to work in total harmony together. The consistent sound signature carried out across each driver works as if they were a perfect single driver.

Hear everything with a frequency response to 100kHz
The super tweeter in the IER-Z1R was developed to deliver ultra-high frequency extension with a new aluminum-coated LCP diaphragm and external magnetic circuit. Its ultra-fast response faithfully follows the fast dynamic transience of music, which provides you with live concert hall atmosphere.

  • 0.20" Driver
  • 0.47" Driver
  • Balanced Armature Driver
  • Network

Features
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In pursuit of perfect sound
To deliver music with true emotional impact that takes your breath away; every element of the IER-Z1R headphones has been designed and developed for this one purpose. By paying attention to the smallest details, you can distinguish every nuance and subtle characteristics, in astonishingly faithful sound reproduction.

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Originally designed to make you feel
We designed the drivers in the IER-Z1R headphones from the ground up, to work in total harmony together. The consistent sound signature carried out across each driver works as if they were a perfect single driver.

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Hear everything with a frequency response to 100 kHz
The super tweeter in the IER-Z1R was developed to deliver ultra-high frequency extension with a new aluminum-coated LCP diaphragm and external magnetic circuit. Its ultra-fast response faithfully follows the fast dynamic transience of music, which provides you with live concert hall atmosphere.

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For deep bass and fine details
Inheriting MDR-Z1R's diaphragm structure, the 0.47" dynamic driver's diaphragm consists of magnesium dome and aluminum-coated LCP. This full-range driver offers deep bass and fine mid-high sound.

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Faithfully reproduce every note
The newly developed Balanced Armature driver is equipped with a magnesium diaphragm, silver-coated copper voice coil and gold-plated terminals. These realize high definition sound that reproduces even the smallest fading note.

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Audio grade capacitor without distortion
Developed from thousands of listening tests, the dedicated film capacitors on the network give much lower distortion. Audio grade solder is also used throughout to ensure maximum signal transparency.

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Naturally controlled acoustics
The vast experience and sense of our engineers is the key to acoustic design, which delivers the most natural sound. The finely tuned IER-Z1R acoustic structure steers audio from the trio of driver units as though they were a single, ideal driver.

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A perfectly straight sound path
The super tweeter is on a coaxial position against the nozzle. This layout directly delivers accurate super-high notes to your ears with an ultra-wide frequency response up to 100 kHz.

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Refined-phase structure for accurate acoustic blending
Time coherence of the sound from the three drivers is just as important as their wide frequency response. The refined-phase structure ensures sound waves are aligned, through precision adjustment of the width and length of each sound path. The magnesium-alloy construction also further eliminates vibration and unwanted resonance to deliver perfect clarity and liveliness across musical genres.

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Sound Space Control for wide sound space
For balanced sound, from low to high frequency, an acoustic tube connects to the cavity behind the driver unit. This technology presents a wide sound space with rich and natural notes.

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Quality cable for preserving signal purity
Engineers didn't overlook the quality of the supplied cable, which releases the full potential of the IER-Z1R. From sound quality to comfort and less touch-noise, the cable helps you immerse yourself in music on the go.

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Balanced connection available
The IER-Z1R in-ear headphones come with a 0.17" standard balanced connection cable which separates left and right signals completely. This minimizes cross-talk that results in sound deterioration.

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Silk insulator and non-magnetic plating
Silk braid in the supplied cable reduces touch noise and works as an insulator against vibration. Using twisted pair wiring and a non-magnetic undercoat for gold plating on the plugs ensures legato and clean signal transmission.

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Silver-coated, oxygen-free copper cable
The IER-Z1R uses silver-coated, oxygen-free copper wire, designed to minimize resistance and signal-transmission loss. The result is less sound degradation, finer detail, and smoother treble sounds.

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Expertly crafted in Japan
Sony products made in Japan are synonymous with absolute quality and performance, and the IER-Z1R headphones are no exception. They are lovingly crafted with only the finest components and manufacturing techniques, resulting in exceptional sound quality.



General Features
Headphone Type
Closed, Hybrid
Driver Unit
Hybrid
Impedance (Ohm)
40 ohms (1 kHz)
Frequency Response
3 Hz–100,000 Hz
Sensitivities (dB/mW)
103 dB / mW
Cord Type
Detachable Y-type
Cord Length
Approx. 48" (1.2 m), silver-coated OFC strands
Plug
L-shaped, non-magnetic, gold-plated stereo mini plug/L-shaped, non-magnetic, gold-plated balanced standard plug
What's In The Box
  • Clip
  • Carrying Case
  • Cleaning Cloth
  • Cable holder
  • Headphone cable (approx. 47 1/4" [1.2 m])/balanced-connection headphone cable (approx. 47 1/4" [1.2 m])
  • Hybrid earbuds (SS/S/MS/M/ML/L/LL), triple comfort earbuds (SS/S/MS/M/ML/L)
Price - $2,299.99

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Latest reviews

Jarlaxle

100+ Head-Fier
Still Great
Pros: One of the best textured and defined bass rendition
Lifelike timbre
Enveloping staging and sharp imaging
Cons: Size of the shells
Nozzles don’t accommodate wider aftermarket tips
Overshadowed vocals and electric guitars
Fatiguing
Sony needs no introduction. Being an electronics giant, they have some consumer level audio products, but also they are audio professionals with record labels, studios and such, they make some of the best pro and enthusiast level audio products. IER-Z1R is one such product in their line. When they were released in 2018, you had to dish out 1999 USD, but nowadays they can usually be found around 1699 USD or less depending on the time of the year.

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Disclaimers​


Sony IER-Z1R was loaned to me by a friend of mine along with a Kinera x Effect Audio Orlog Cable. As I always say, everyone is biased one way or another so take everything you read with a grain of salt. Also I will try to be more concise and to the point in my reviews from now on without worrying about the word count etc. If you have any questions, please ask me in the comments and I will try to answer them to the best of my abilities.

Build and Accessories of Sony IER-Z1R​


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IER-Z1R has huge round steel shells that are infamous for their uncomfortable fit. Surprisingly they fit my ears decently with a deep enough insertion. No, they are not comfortable and I get tired after an hour but I’ve inserted worse things in my ear. Especially pseudo custom shells usually touch unnecessary parts in my unusually shaped concha but Z1R doesn’t so I think I could live with them.

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Box is fitting for a Top of the Line IEM with magnetic drawers, two cables, 13 pairs of tips and a hard case. Cables are not bad but not braided and they tend to retain their shape.

Sound of Sony IER-Z1R​

Tonality​

Sony IER-Z1R has a mild V-shaped signature. Mids are somewhat recessed, especially upper mids, which keeps vocals from popping as much as I like and am used to.

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The bass on Z1R however, is probably the most well defined, textured and natural bass I’ve ever heard on an IEM so far. It has just the right attack and decay which reminds me of the days when we messed around in recording studios. It also has that old school vibe of the boom boxes which makes you believe that the sound field is deeper than it is. It’s an attribute that is really hard to achieve on an IEM. I actually got the similar vibe from 7Hz Legato but the quality of Legato’s bass was nowhere near that of Z1R's.

Z1R’s treble is very well extended, so much so that I had a hard time believing that it was achieved by just one balanced armature. However the overall treble is more prominent than neutral. It never got piercing or harsh but was somewhat fatiguing in longer listening sessions. I’m not sure if the size of the shells or the amount of treble was more fatiguing for me so it wasn’t too much of a problem however I felt its excessiveness especially when I raised the volume with vocal heavy tracks.

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Technicalities​


There is not much to say about Z1R when it comes to technicalities. Although probably there are many more detailed IEMs out there, Z1R’s resolving and staging capabilities and timbral qualities carves its place among other TOTL IEMs. Staging and imaging was especially very lifelike and believable.

Comparisons​


Sony IER-Z1R vs AKG N5005 (Bass Filter)​


AKG N5005 is still the flagship of AKG’s IEM line although they aren’t in production anymore. They cost 1000 USD when they were first released.

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  • N5005 has more subbass. They have more grunt and also are more thumpy. Z1R on the other hand, is more impactful in the midbass and has probably the most natural and well textured bass rendition I’ve ever heard with true to life attack and decay.
  • Upper mids are recessed on Z1R so, vocals and electric guitars on N5005 are more lively and energetic.
  • Timbre on Sony Z1R is much better and lifelike.
  • High hats retain their natural metallicness on Z1R while on N5005, they can sound more plasticky or nasally compared to that.
  • Z1R is a little more edgy in the lower treble and more prone to get sibilant. With bass filters N5005 is easier to listen to but with any other filter it is sibilant and piercing for me.
  • Z1R has a more enveloping and lifelike stage. N5005 sounds wider but also flat. It can also be attributed to their fit, Z1R fits deeper in my ears. Both of their imaging and layering capabilities are on par.
  • Z1R is slightly more detailed but more than that, it renders these details effortlessly and naturally.
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Sony IER-Z1R vs Moondrop Variations​


Moondrop Variations is among the best IEMs I have on hand and still one of the best value products on the market.

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  • Bass on Z1R is more impactful, textured and detailed. Variation’s bass is still decent, it rumbles more in the subbass. Bass guitars however, Variations’ weakest point and Z1R’s well articulated bass is miles ahead in this area.
  • Variations is a vocal specialist. Although a little shouty and lean, they are also clean, crisp and engaging. Vocals are more recessed on Z1R and can be overshadowed by the other instruments like drums and hi-hats, but they slightly have a richer tone.
  • Treble on Variations has decent energy and pretty much on point for me, Z1R’s treble is elevated and has better extension however it can get spicy compared to Variations. I didn’t find the Z1R piercing or harsh no matter how much I turned up the volume but it has a bright tuning nevertheless. Still if you are looking for a little bite, Z1R’s treble might be more suitable for you.
  • Variations has a wider stage and feels more spacious. But Z1R has a slightly sharper imaging and instrument layering.
  • Z1R again has a more lifelike and believable timbre. While comparing them head to head I noticed Variations’ rare shortcomings for the first time.
  • Variations sounds more detailed thanks to its cleaner tuning but it also sounds a little more blunted and restrained compared to Z1R. I think Z1R is as resolving as Variations if not more. It goes without saying that how now 5-years-old Z1R’s lower driver count can keep up with others is quite an accomplishment.
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Conclusions​


I don’t think I have added anything new regarding the opinion of the community about these old pieces of gems. However, it was a great experience for me. Sony IER-Z1R was one of the best sounding things I’ve ever put in my ears. Sound signature wasn’t exactly my favorite but even then I still could enjoy them and appreciate their capability.

These are very expensive, yes, and probably they were even more out of reach when they were released. But nowadays, there are much more expensive IEMs coming out of China and other countries which makes me believe that IER-Z1R not only held its ground but also added to its value.
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Murphity

New Head-Fier
Great sound, meh fit
Pros: Technical performance
Bass quality and extension
Realistic Timbre
Soundstage (for an IEM)
Treble extension
Cons: Fit and size
Semi-proprietary MMCX
Slight mid recession
I've owned the IER-Z1R for a couple years now, since 2021. At the time, I was looking for the step up from the Blessing 2 and these seemed a perfect fit. Not that they were similar in tonality, but past me didn't pay enough attention to notice that before buying. With headphone shops few and far between, and often closed for pandemic restrictions, I bought them blind and eagerly waited.

This will by my first review as I go through and finally review my collection. The IER-Z1R is one of my favorites and seemed like a great place to get started.

No photos for now, since I don't have a good spot to take pictures. Might add them later.

Build and Accessories

If you ignore the fit (more on that later), the IER-Z1R is one of the best built IEMs or earphones I've ever used. The metal shell feels solid and sturdy - it's got the heft of something built to last. The semi-proprietary MMCX is both a positive and an issue here. It's slightly more recessed than usual, with a bit of a lip around the cable-side connector. This makes it (theoretically) more resistant to bending and more durable. In practice, it makes finding third party cables a bit of a struggle.

In the box are 2 superb cables, 4.4 mm balanced pentacon and a standard 3.5 mm unbalanced. As far as stock cables go, these are also some of the best I've seen. They're well-behaved, soft to the touch, and minimally microphonic. After 2 years, however, the silicone of the ear hooks on my 3.5 mm cable has started to degrade a little, becoming sticky. The rest of the cable is still fine, so paying Sony's $110 replacement price is little questionable. Maybe something from Hart Audio?

As for ear tips, the IER-Z1R comes with a good selection of foam and silicone. I personally found the silicone to be the more comfortable of the two, and to work best with the fit, even compared to some 3rd party tips I've tried. But if anyone has recommendations, I'd love to hear them.

The black leather box however is largely useless. It's way too large to be practical, has no pockets to store accessories, and worst of all, only sticks closed magnetically. I guess it works as a display or storage box?


8/10

Fit and Comfort

This of course is the IER-Z1R's weakest point. As everyone knows, the size and shape of the IER-Z1R is simply not conducive to most people's ears' comfort. It's large, heavy, and not quite shaped right. If you have had comfort issues with IEMs before, it would be pretty important to demo these before plunking down $1700 on them.

Even with my Dumbo ears, the IER-Z1R becomes uncomfortable after a few hours of continued use. And of course, the sound quality depends greatly on your insertion depth. Deeper is better, but also less comfortable.

One trick I've found is to open your mouth when inserting/removing the IER-Z1R (and all IEMs). This will help you get a deeper insertion, better seal, and not leave the ear tips in your ears when removing.

4/10


Technicality and Tonality

The IER-Z1R has a mildly v-shaped sound, with a slight emphasis to both the bass and the upper mids and treble. This generally fits with my preferences, although the mids are a little more recessed than I'd like. However, they're a wonderfully detailed pair of earphones, with great separation and imaging. There is rarely, if ever, any sensation of congestion, bloating, or resonance in any part of the frequency response.

Bass
The bass on the Z1R is its standout quality. It digs deep into the subbass, hits hard, and attacks fast. On something like
Hilight Tribe's Free Tibet (Vini Vici), there's rumble yet clearly differentiated bass hits. The bass texture, as with timbre across the entire range, is realistic and natural. It never sounds bloated or overbearing, nor bleeds into the mids. Overall, some of the best bass in any IEM I've heard, even if it's not the most emphasized bass.

Mids
As mentioned above, the mids here are a little more recessed than I'd like. This is very slight however, but as a result male vocals and lower female vocals can sound a little distant at times, as if they were placed further back in the stage/mix.

On the technical side, the mids come across natural in both timbre and tone. As a whole, no parts seem unnaturally gritty or thin like they can with other headphones that have either too much / too little treble and mids.

Treble
The treble on the IER-Z1R just barely rides the line between 'clear and emphasized' and 'sibilant and piercing'. With a deep seal and the right tips, it shows off an incredible extension without being fatiguing. I could definitely see it being too much for some listeners, but I personally found it right where I'd like it.

Soundstage
At the end of the day the IER-Z1R is still an in-ear and will never have soundstage performance matching ToTL full size headphones or speakers. However, they've one of the best soundstages for IEMs. Rather than being a 3-blob imager, the Z1R does well in placing sounds and instruments at distinct places in space, with enough depth to separate them out. They also avoid that 'in your head' sensation that some IEMs can have.

9/10


Conclusion
The IER-Z1R is a pair of earphones that hardly lacks in any sound-based quality. It's wonderfully balanced, detailed, and natural. Yet that one glaring issue - its horrible ergonomics - means that unless you're very confident in your ears' size and worthiness, everyone should be demoing them before making a purchase.
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OneEyedHito
OneEyedHito
I am a fan of your direct style of review. Looking forward to reading a glowing review of an item you find at some point. That item will warrant a look from me based on your previous reviews here. Thanks!

Vamp898

Headphoneus Supremus
Excellent but hard to recommend
Pros: - Very authentic and realistic, impactfull bass
- Insanely fast and detailed mids
- Soft crossover > no timbre change from low to high
- No soundpipes
Cons: - Fit and comfort with silicone tips
- Tuning limits its accuracy, but its not advertised as an monitor
- Way to overpriced (compared to its competition it may look cheap, but its still overpriced)
This review is for the people who already watched every Z1R Review on YouTube, read every Review here on Head-Fi and just wants an additional opinion from an long-time owner about if he should really pull the trigger or not.

After i tested tons of tips to find the ones that have the best sound, i settled on the COMPLY Ts-200 (The sound quality optimized Version of the T-200), but i used them quite some time with the stock tips too and tested other tips.

The Ts-200 enabled me to use them for hours without comfort issues and are the tips that seem to make them sound most unmodified (if that makes sense).

I compare them to the IER-M9 as this is my reference for pretty much everything and the first thing you notice is the pushed treble. It is a very delicate and well done push that does not cause female vocals to hurt (thanks god non monitor earphone still exist that do not do that), but it causes one issue. If you listen at slightly louder volumes music starts to turn into noise. That is common for all non IEM and it even happens with an IEM at one point, if its too loud, its too loud, but it happens too early with the IER-Z1R imho.

With the IER-M9 this happens much later compared to the IER-Z1R and the reason is exactly this push in the treble. That is not an issue as nobody should listen at loud volumes (especially for longer times) anyway, but if you have songs with a lot of dynamic range, this can make you run into issues. Especially with Hans Zimmer i noticed that things just got too loud at peaks too early.

Over time, this also causes some listening fatigue, even at medium volumes.

The next thing is the typical recessed lower mids to make everything sound clear (i'm not a fan of this) and a bit cold but thats a slight change. Its still done very tastefull, especially in comparison with its direct competitors. Other than that, the mids are excellent. You can grasp even the slightest change and the tiniest details as they are just insanely fast.

The Bass is most likely what makes the show for most. Its as strong in terms of volume as the IER-M9, but the feeling of air, the impact, the physical sensation is much higher.

In combination with the pushed treble, they give you an unique impression of an speaker system in an perfect room which is a very fun tuning, i am absolutely admitting that, but it can get tiresome and it is not an accurate rendering of the song (again, not an IEM, so no issue). You should be aware of that. They are not objectively perfect. They may be subjectively perfect for some, but there exists songs who do not cope with this tuning well.

Would i recommend the IER-Z1R over something like the Vision Ears EST, UE LIVE, 64 Audio Fourté and similar? Absolutely yes. Its significantly better than these and this is what makes it look cheap but(!), and here comes the caveeat, its still insanely overpriced imho. If the price is no issue for you and you already have an good reference like an IER-M9, Mach 70, TG335 or even SE846, then grab these. There is nothing for a lower price that gives you what it is.

If you're still lacking a good reference earphone, i would recommend to get that first. Something that isolates much better and is better balanced overall + has better comfort so you have an daily driver that always does the job, no matter what. Plays every song well, every genre, from every source. Something that just performs and you can rely on to provide you the best possible sound quality like the above mentioned. And objectively perfect IEM.

The IER-Z1R is, like the A8000, an fun earphone for the person who already has everything and wants something unique and special in addition to that. If you are this person and the price is no issue, than get it! If not, wait for a good used A-Rank deal. you can easily get them 50% off, used in like new condition.

Don't get this thinking, this is all you need and you're done and your earphone journey is over. If you want such an product from Sony, that is the IER-M9.

Comments

JayF

100+ Head-Fier
Thanks for the great, detailed review. I'm anxiously awaiting mine.

Question for you about using the TA-ZH1ES with your wm1z DAP. I've been underwhelmed with the TA-ZH1ES but do not use the cradle with the DAP, I just use the supplied connector cable. Do you believe the dock provides a significant upgrade? I currently vastly prefer listening to my 1zr connected directly to my wm1z.
 

Redcarmoose

Headphoneus Supremus
Thanks for the great, detailed review. I'm anxiously awaiting mine.

Question for you about using the TA-ZH1ES with your wm1z DAP. I've been underwhelmed with the TA-ZH1ES but do not use the cradle with the DAP, I just use the supplied connector cable. Do you believe the dock provides a significant upgrade? I currently vastly prefer listening to my 1zr connected directly to my wm1z.
That subject is going to rest entirely on your sound preference. The cradle will not change the tone, only slight added detail of a very small percentage. The Carbon USB also seems to add treble detail, but a very small amount?

Crazy as it sounds you would probably like the 1A the best. People that are after a reference tone are going to be happy with the 1A. The IER-Z1R adds so much of the intrinsic qualities of the 1Z when used with the 1A, it’s not funny. I would actually suggest people get the IER-Z1R and 1A combo first, as it is the best value and most middle of the road.

Though the 1Z is great too, the TA is dark and not for everyone. I just like the imaging with the TA. But the TA is also dependent on which headphones you use. If the headphones are dark to start with it can make them too dark. You will most likely like the 1Z the best with your IER-Z1R; concerning what you own now! But you’ll love it. Also an amazing amount of bass response will go away after 100 hours of burn-in. So when you first plug in your IER-Z1R to the 1Z, it’s nothing like it will sound after burn in. I was able to hear 200 hours of burn in and new out of box side-by-side; way different!

This all comes down to taste. I’m probably at the extreme end of smooth/dark/warm.........liking the TA/IER-Z1R combo.
 
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