Simgot EM6-L

The SIMGOT EM6L Universal IEM
Redcarmoose Labs August 17, 2023

SIMGOT
SIMGOT has been on a roll recently with the EW200 and the previously loved EA500 (with red filters). And the truth is many normal people (who don’t spend all their time at Head-Fi) are just learning about the EA500. The China mainland actually received the SIMGOT EA500 two months prior, so the heat started there. Truth to be told, the EA500 was and is special……..but could it be improved upon? And that has always been the question, if adding more BAs couldn’t make a better IEM? You see, I view SIMGOT as incredibly responsive to the marketplace. Responsive because SIMGOT seems to be doing exactly what the people ask for? I mean what better way for your company to reach success than to make people happy? Right?



Graph:
Normally I don’t delve into graphs to this extent, except the graph here in many ways explains the development in tuning ideas for SIMGOT. And…..I will try and walk you through it as I see it? The EA500 was slightly hot. Yet we found a way around it. SIMGOT offered two filters with the black being the SIMGOT curve, reminiscent of the past SIMGOT EN1000 and EA2000. The red filter is a version of the 2016 Harman Target. Now I want to state that all these examples are still only approximations. Meaning the Harman target was the goal, but pretty much never ever are you going to totally reach that goal. Reason being is every IEM is an individual music maker, they have different resonance, and drivers that put out a certain frequency, so the aligning is simply a target direction only.

But SIMGOT got feed-back. The fact that some felt the EA500 lacked bass and was too hot upstairs. So what did they do? They adjusted their production to make people happy.


(dark blue line)
For starters I want you to focus on the dark blue line……3kHz to 4kHz. That is the EM6L pinna gain. Such ear-gain is actually at the very center of our hearing, meaning it was designed through creation or evolution to maximize hearing your Mother's voice. So the connection is both partially physical, and partially mental, that we are sensitive in this exact area. The other thing that needs to be taken into account is the fact that super small changes to this area of an IEM’s response change dramatically the outcome to our perception of the IEM’s character. Note the green line, the EW100P.



EW100 (green line)
The EW100P got a crummy 3 star review from me. It was slightly too hot. Now it wasn’t as bright as this above GIF, but the lack of bass and the brightness shelf from 2.5kHz all the way up to 5.5kHz created a form of drama here at Redcarmoose Labs.

https://www.head-fi.org/showcase/simgot-ew100p.26454/reviews#review-30887

In fact (as we speak) SIMGOT has also rectified the EW100P too! Yep, they came out with a new version of the EW100P which is powered by an on-board DSP, which alters the frequency curve to make a complete world of difference. Such qualities are difficult to fully test, meaning I’m not sure if the FR response is simply the DSP amplifier, or the IEM itself as the cables and not detachable. But it doesn't matter, the new EW100 DSP is a roaring success! Also it will get a great score from Redcarmoose Labs.



The EA500 Bass (light blue line):
To go back to the SIMGOT EA500 I don’t really hear the bass so attenuated? Meaning, sure it may be just like measured, except there are other things going on. You see, bass texture is a funny thing. If we add texture (which the EA500 has) a form of illusion starts to take place. This has been a well known phenomena at Head-Fi so don’t think I’m pulling this out of my backside. What happens is fully detailed bass actually can get mistaken for more bass. Yep, the smaller roundness, the texture, the delineation starts to perform a kind of personality where there seems like adequate bass, when in-fact it’s less bass, just as measured. And it’s perfectly fine to gain hold of this illusion, as we are music listeners, not measuring devices.



EM6L Treble (dark blue line)
From 5kHz upwards till the end of the high hearing spectrum there is a lot to talk about. I want to start off with the fact that there are a few things going on. One is the fact that more expensive IEMs will showcase this area more. This is a big part of where the money goes into providing an expensive sounding reality on display from top-end performers. As it seems, this section is truly showing where the money is spent, especially as of recent. Now I don’t want to sell the SIMGOT EM6L short or exaggerate what it is, I simply want to convey what we have here. The main thing to note is BAs like Sonion drivers cost more, probably more than the BAs they used. Yes, Sonion drivers can generate (at times) great harmonics, tone and technicalities. They are the most expensive BAs, still they also still generate a slightly metallic BA tone, like all BA drivers do. That’s the ultimate skill here to somehow fold in the frequencies and not have the IEM (in question) be too dark or uneventful, but show treble details for the sake of entertainment purposes. And regardless of the BA manufacturer here, SIMGOT has done a few magic tricks.

Same graph in full-view as earlier:

EM6L
Number ONE:
Do you see the 6kHz to 8kHz bump? This the presence region, can go ahead and help delineate details with-out being sibilant. This slight bump is a huge part of us feeling like we are getting all the information needed. In fact this 6kHz to 8Khz is kinda the new tuning thing. If I was to make a list of the new ideas in IEMs for 2023, this bump would be at the top of the list, offered now by a few manufacturers.

Number TWO:
Do you see the added range put forth in the 8.5kHz on up? Such a change is a huge step for SIMGOT, and in and of itself makes the EM6L unique from past SIMGOT efforts (that I've heard). Still though it should be noted this area holds very little force to perception and comes-off more of a style of performance…….the farther away we get from the pinna area.

SIMGOT EM6L
1DD + 4BA Hybrid Driver In-ear Monitor

• 1DD + 4BA Hybrid Drivers
• Tuned Towards the H-2019 Target Curve
• HiFi Earbuds for Gaming
• 3D-Printed Resin Housing&CNC Processed Faceplate
• High-Purity OFC Silver-Plated Cable

PRODUCT SPECIFICATIONS
Impedance 26Ω±15%(@1kHz)
Sensitivity 119dB/Vrms(@1kHz)
Frequency Response Range 8Hz-40kHz
Effective Frequency Response 20Hz-20kHz
Earphone connector 0.78mm 2-pin

$109.99
https://www.linsoul.com/products/simgot-em6l

Testing:
In my testing I actually found a few set-ups that worked well. Such finds are reminiscent of a well-rounded IEM. Yet I also had better luck with a few systems. Starting with the WM1A and WM1Z I found the 1A having a more forward stance into the mids, which seemed to work. Even using the new ISN CS02 cable with the EM6L and Sony WM1A was a treat, Yet much later, (days later) after days of burn-in, I found the ultimate set-up. Let me try and explain what I have going on. The TA-ZH1ES is one of the most laid-back units you could buy for headphone audio. It was borderline too dark with the EM6L, yet the low-end dexterity was fantastic, it just didn’t have the mids and highs.

https://www.sony-asia.com/electronics/audio-components/ta-zh1es

In comes a GRAPHENE CABLE:
My final testing set-up ended with the Sony WM1A DAP, and ISN G4 cable. While the included cable is really nice and probably fine for most uses, I’m accessing 4.4mm amplification, which is a completely separate amplifier in the WM1A. So later in my music tests, you can realize that this is the set-up I stayed with. And I truly will repeat this later in the review, the fact that the included cable was really fine. I used the ISN CS02 cable and the ISN G4 Graphene cable, finding the included SIMGOT cable to fall right in the middle tone wise. Still we are splitting hairs adding an aftermarket cable. Just realize the EM6L totally has the ability to show you the character of your amplification/DAC or the cable you in-the-end decide to use. Probably any improvement from the Graphene cable was in part the 4.4mm amplifier (which is different from the 3.5mm amplifier) and the Graphene adding midrange and treble separation and thickness……adding 8% of the change?



Packaging:
The first thing that separated this set-up is the fact that the EM6L and the EW100DSP came in custom boxes. At first this may not be noted as a big deal, but no one ships exactly this way…..no one. IEMs often just get thrown in a shipping bag, or if they do get boxed-up, but not in a form fitting box.

Some may think the included extras with the EM6L are minimal or limited? Though I felt they were adequate for $109.99, and even more elaborate when you see how the box with-in a box, form of interior packaging is done. Call me impressed?







Build:
At 5 grams each it has to be one of the most comfortable IEMs, simply due to weight. A 4 piece design shows a regular faceplate atop a 3D printed resin hull. Each IEM has printed EM6L and Phoenix with R or L printed on in gold letters. A chrome nozzle sits atop with no lip. There are two air-vents, with one a-top the faceplate and one right next to the qdc 2Pin.




Cable:
Really it’s the little things that float my boat here…….like the fact that the qdc plugs are angled outwards so you can tell they are right and left. The fact that the actual terminals (the pins) are slightly extend out on the 2Pin, as shown in the photo. Of cable testing the included cable falls directly into the center tone between the ISN CS02 (being darker) and the ISN Graphene G4 being brighter. And really that’s what you want from SIMGOT. It’s not like they are going to include a $99.50 Graphene cable with a $109.99 IEM. And that’s fine……..the included cable has low microphonics and feels wonderful. My choice of switching cables was to 1) access 4.4mm and 2) to try and up-convert the midrange and treble to a slight expansion.....to find clarity and improved entertainment. Truth to be told, the Graphene maybe did an 8% improvement overall. And such changes could still relate to alining the EM6L to my hearing. For your hearing the EM6L could absolutely end-up perfectly balanced and bright enough, as it was perfectly bright enough for me while in use. Still remember as talked about earlier, the tune is really walking that line of having enough playful treble and midrange action to sedate any emotions to grabbing other IEMs you may have. Different from some included cables I encounter, the daily ergonomics were somehow included here, finding the cable holding extra dextrally and maneuverability? It was simply nice……..the metal plug, and chin-cinch……the subtle ear-hooks?



The BLON x Z JOJO Cable:
The SIMGOT EM6L Cable:

Music:
This is the fun-part.


KMFDM
Paradise
Disturb the Peace
44.1 - 24 bit
So the first part of the show shows wicked fast bass here, I mean that’s my job, to organize a blast…..a sonic blast in music sounds……….I mean all of us are out for thrills.......are we not? I mean why else would we be here? Well, maybe to drown-out the outside world…….cars, trains an angry Wife? But here I could have chosen any song on this album, except here there is a specific bass tone going down…..one that is explanatory of what we have purchased. The Dope. The Stuff. It’s here, it really is. This is some form of antique Rolland bass/drum machine, or an emulator of some sort? Whatever it is, it's perfect here. Just fast, round, complete and better than expected. I mean that’s why we are here, to get more than we paid for……….why else would you be reading this? And of course, later I’l get to the mids and treble….because they are special too, but this bass, it’s crazy!

Part of this bass is because of the bass-fast Sony WM1A, part of it is of course the EM6L. This 8mm High Polymer driver kicks….it’s faster than you could imagine, really the bass is perfect once you do a few days of burn-in. Out-of-the-box, no way was this a reality. Though now fast and authoritative, but in place. Really the way the mids and treble are done, they make way for this bass to be heard. There is a large part of my bass experience here today that I can’t put into words……..but rest assured it’s all good. Just way, way different than what the graph shows, because if you totally go by the graph, you would think the bass is the same as EW200, and it’s different. I have never heard the predecessor, the EM5, but I can’t imagine, the bass would be the same? Where the tone follows the 2019 Harman, so nothing is ever too drastic, where other songs on the album don’t (quite) showcase this Roland bass action, they seem to fall into a more careful and calculated bass response? And just that difference is enchanting, and showing a character in and of itself. Where the bass can be poised and in the zone, yet provocative and a thrill?



Hans Zimmer & Benjamin Wallfisch
Blade Runner 2049 OST
Mesa
44.1 kHz - 16 bit
OK, OK I’m still on bass, but I will get to the rest. The reason this part is so important is I’ve now gone to a completely different style of recording. Here we are gifted with a large, super-large stage and in comparison........the last song was a direct to mixing board bass/drum machine. So we are moving now from a calculated firm clear style, to this open and diffuse style of bass…….minus the bass rhythm. Here what is important is bass soundscapes, holding a new and different attack and decay. Still the quality of the driver will be needed to actualize this event. Wonderful and really special. First off to the right, then left, then the drop at 00:08. Haha…..seriously if you took the EM6L to a show (and ear-placed-them into someone's ears) and put this song on, then asked how much the IEMs cost that were…..I guarantee that the price would not be $109.99 guessed. Of course I’m not saying it’s everything because it’s not, but very good for the money!

Ok, now we are going to shift gears….same song though rewinding to the start. At 00:00 the piano starts off the mood. It is one of these processed tones yet you can still identify timbre…..real piano timbre. And you know what, it’s perfect. This is a tone that back in 2019 almost every BA IEM stumbled with, and many still do. The metallic timbre and colder texture of BAs. It is one one the reasons why people boycott them and travel over to full-range single DDs. But me, well Hybrids are my favorite way to go. Of all the IEMs I’ve heard, Hybrids seem to open the stage and let each style of driver work its magic. The DD here, the 8mm bass driver does its stuff and inherently knows how to provide bass notes and fall-offs better than bass BAs. Next the 4 BAs in use, separated by the crossover and using three separate sound channels.

Probably the style of separation found is my favorite part? Being of course there are three items in the sound design, the bass, the mids and the highs, except they also sound even, complete......and connected here? This OST is a lot like a gaming soundtrack, which is another angle SIMGOT is using to merchandise the EM6L. I don’t play games anymore, but the spatial aspects and frequency range/demeanor seem like they would be good for games?





E-Mantra
Daydream (Dense Remix)
Ascending (Compiled by E-Mantra)
44.1 kHz - 24 bit
Finally this music section rounds off with another electronic piece. And there are specific reasons I have shown this song. The fact that yes, the EM6L is well rounded, but that also doesn’t mean it’s not better with certain music than others. Truly the way music is, I’m not sure why I like this song so much with the EM6L? Probably the itemization, maybe the evenness that takes place, where there are a few other IEMs that can make electronic music be too vibrant or too forward. While here once again it’s the separation that’s remarkable. The fact that each band of frequencies has their very own area in playback, but more than that, they are also connected unto themselves as a whole? But the stage here......the stage is one of my favorite aspects of this song. The BAs seem to have fall-off and note weight with this particular song, with most songs, but especially with this song. Of course it could be just the vibrancy of electronic music, that this was recorded straight into the mixing board. The throbbing bass hits at 01:25…….but before that there are all kinds of instruments going on. A Didgeridoo, heck I’ve never seen one in real-life, but they produce a special sound. The fact that this music holds sparkles prior to the bass drop at 01:26, and we can hear them, yet they don’t sound metallic, they simply sound correct? Really it is some kind of string instrument with effects in the beginning, though it almost makes you think it’s keyboards almost? It is exactly like waking-up from a daydream. There is a very specific way the effect is panned to the right and left, and it contains thickness with the EM6L. Now when the bass does come in at 01:26, I’ve heard it stronger and more vibrant, but that's not what the EM6L is about, it’s about being even and complete, at the expense of everything. Yet with a song like this.........that is the magic, as every section, every component has its place in today’s replay. Each instrument has its own identifiable texture. At 02:08 the drums make their entrance. The value here is they are the complete opposite of a thud, holding a firm yet authoritative personality. There is an evenness…….that it’s all you need…….it’s all I need right at the moment?

Really I found one of the best songs for the EM6L. When you start to forget about the IEM you are testing and become side-tracked by the music, isn’t that what this is all about?




Conclusion:
So in the end I put on the included ear-tips. I already had an idea that they would go with the nozzle design. Reason being is that the nozzles don’t have a lip on them, which is slightly different than I’m used to. The included tips are kind-of a medium wide bore, but the fit happens due to the tips grabbing-hold of the nozzle diameter. Such discoveries would have been good to try at the very start of this review. Except it really doesn’t matter, and reinforces a super important component in today's testing. That the EM6L is so well-rounded, you can’t hurt it. At only 5 grams each they weigh almost nothing. Just so you know 4 or 5 grams are about as low weight as IEMs get. So after spending a day listening to the EM6L I decided to do an experiment. I went and returned to the provided cable, put the provided ear-tips on and went and tried them with my desk-top once more. The cables are shaped so that you simply place them so the 2Pins are leaning outwards, no need for any red or blue markers, of course if you want to look they are marked with a R and L. And that’s the thing, the provided cable and ear-tips sound great. Then I grabbed my phone…….and what do you know, they sounded fine again! About 80-90% of all the attributes I already talked about straight from an old Samsung phone. Where am I going with this? Simply that I could have tried them with all the included stuff right at the start, and even used my phone to begin with……but as audiophools we do stuff a different way. What’s it all mean? It simply means that the EM6L doesn’t need to be catered to, nope, you can use it any which way, and still come out ahead. There is no overly bright treble or midrange that needs to be addressed, yet somehow the EM6L also goes along with whatever way you decide to use it. The SIMGOT EM6L provides the midrange and treble detail………..oh, and the bass............that bass! I could even hear a big part of the bass personality from a phone. Really all this Chinese gear is getting better and better. More well rounded, more easy-going at the same time, it's even getting vibrant and provocative. Sure I could spend an evening with the EM6L hooked to a DAP, or if I was out of the house, the EM6L plays nicely with a phone, or even a desktop……….it’s all good. It really is!

From 5 years ago..........I never heard the prior EM5, but it dawned on me why the EM6L is code named the Phoenix. It’s the raising from the ashes of the EM5, a rebirth into today's market.

$109.99
https://www.linsoul.com/products/simgot-em6l

Linsoul website: https://www.linsoul.com/
Linsoul Aliexpress Store: https://ddaudio.aliexpress.com/store/2894006
Linsoul USA Amazon Store link: https://www.amazon.com/s?i=merchant-items&me=A267P2DT104U3C

Disclaimer:
I want to thank Fia Lam from SIMGOT for the EM6L review sample.

Disclaimer:
These are one person's ideas and concepts, your results may vary.

Equipment Used:
Sony WM1Z Walkman DAP MrWalkman Firmware 3.5mm and 4.4mm
Sony WM1A Walkman DAP MrWalkman Firmware 3.5mm and 4.4mm
Sony TA-ZH1ES DAC/AMP Firmware 1.03
Electra Glide Audio Reference Glide-Reference Standard "Fatboy" Power Cord
Sony Walkman Cradle BCR-NWH10
AudioQuest Carbon USB
Shanling UA3 Dongle DAC/Amplifier 3.5mm and 4.4mm
Samsung phone 3.5mm

SIMGOT EW200 Universal IEM (10mm DD)

SIMGOT EA500 Universal IEM (DD x 1BA)

EW100P Universal IEM (10mm DD)

EW100 DSP Universal IEM (10mm DD)

The SIMGOT (new 2019 Harman) EW100 DSP and SIMGOT EM6L have much in common. Note graph sticker put over old graph.

Introduction!
Today in the review we will consider the long-awaited novelty from the company Simgot cost $109 !
The headphones come in a fairly small box with a pleasant and already familiar design and an image of such a flaming phoenix on the front, there is also a Simgot brand logo, the name of this model is EM6L and the hi-res audio logo is here in the corner.

Well, here there is a graph of the frequency response of this new hybrid model,Simgot tuned these headphones this time around at Harman Target 2019 and trust me they did it very well.
1 dynamic and 4 balanced armature drivers are responsible for the sound here, the sensitivity of the headphones is 119db and they received a 26 ohm impedance.
Let's take a look at what's included!
And the first thing that meets us here is the inscription phoenix with such a pattern with the outlines of this bird, and the headphones themselves are already neatly arranged here, they are black in color, and this time the case is made of resin and tactilely they are very smooth and pleasant and quite light, and on the front of the right earphone there is such a Phoenix pattern, and on the left is the company logo next to which you can see one small acoustic hole.

There is also a 2-pin connector on the earphone body for connecting a cable with a qdc connector,keep this in mind,and the name of the EM6L phoenix model is indicated on the inside of the case and there is a marking of the right and left headphones, respectively.

Ergonomics and convenience.
Well, their nozzle is quite elongated and wide, so there are no problems with the fit of these headphones at all, they sit quite tightly and the sound insulation remains at a good level.
Accessories.
In these two cardboard boxes there are accessories, in this larger one there is an instruction manual for the use and operation of headphones!

And in this pretty good case, there is such an updated copper cable that is actually quite comfortable, moderately flexible and very light, it has a 3.5mm jack connector and qdc connectors for connecting to headphones already, well, there are no questions about the ears, so everything is fine with landing when using it here,but of course you can change it to any other as long as the cable has a qdc connector.

And of course there is a set of ear pads exactly 1 bag with quite convenient attachments that you can use without problems.

How do these headphones sound?
Well, now friends, let's talk about the most important thing, namely the sound of this model!
Low Frequencies :
Yes, this is exactly what I wanted to get, this model has received a noticeable increase in this area compared to other models such as the ea500 / ew200, now the bass in these headphones slaps and hits as it should, it feels like such a concentrated and denser textured blow, with excellent transparency and accurate attenuation, the bass is very assembled, has an accentuated attack and is well controlled, that is, it does not prevent the middle range from opening at all, but on the contrary perfectly complements it with its weight and filling of space thanks to a better and grown-up mass and volume.
Mid Frequencies :
What also pleased me was how em6l did a very good job at revealing the mid-range, they have an insane airiness and transparency with an excellent and detailed space in which the tools are not lost at all, analytics in this area is really surprising, I can literally divide the entire composition into separate layers.
The vocals have excellent weight and space filling, and the drums have well-emphasized transients and leave behind quite long loops from reverberation, the presentation of this area is surprisingly well disclosed from the technical and at the same time quite musical and pleasant side, and in general they have such a transparent and controlled timbre. without unnecessary unpleasant hissing accents when listening to female vocals, and as a result, everything in general sounds pretty smooth and very legible.
High Frequencies :
Well, at high frequencies, the EM6L here has a very good and correct approach to tuning, they, like in the younger models, have excellent technicality that has not been lost anywhere, so the headphones reproduce heavy genres with a bunch of instruments without any problems, they do not lose any details in the overall mix, every cymbal, every percussion will be heard by you, you don't need to strain your ears somehow to make out the track.
I would say so with this set, you just float along such a smooth and pleasant current, there are also no sibilants in this area, if the ea500 could so well light up, then there is complete order.
The tone of the high frequencies is very smooth and slightly warm, therefore, this range does not tire at all when listening for a long time, and the transparency and resolution are at a fairly high level.
Stage and stereo panorama :
The scene and visualization of the Simgot Em6l headphones turned out to be well-designed and optimal and correct in width, and the immersion depth is at an excellent level.
I can easily divide different sounds of instruments, percussion or synthesizer into separate layers, which is not easy, that is, they do not sound in one place, but are noticeably so separated from each other, and you can hear that they are at different distances.
My conclusion on these headphones :
Simgot EM6L compared to other previous models of the company that I listened to turned out to be the most outstanding in my opinion and already more mature with an excellent and more balanced presentation, and this model is now definitely rightfully all genre, since bass lovers will definitely not pass by now, and all other listeners will now definitely be even more we are satisfied with the new more perfect sound.
Link where you can buy them!
https://www.linsoul.com/products/simgot-em6l
Icygenius was with you, I will be glad if you subscribe to my YouTube channel and watch this full review on Simgot EM6L Phoenix.
REVIEW:

In the world of IEMs, finding a blend of excellent sound quality and appealing design at an accessible price point can be a challenge. The Simgot EM6L rises to this challenge with grace and expertise, establishing itself not merely as a contender but as a standout performer in the audio landscape

Design Elegance

The Simgot EM6L represents a paradigm of modern headphone design—sleek, minimalistic, and elegantly understated. Crafted with a keen eye for detail, the housing is designed to be both visually appealing and comfortable for long listening sessions

The overall look is one of sophisticated restraint, making these headphones as much a fashion statement as they are a piece of audio equipment.
This minimalist approach does not detract from the device’s allure but rather enhances it

Acoustic Performance

Turning to the sound, the Simgot EM6L offers an auditory experience that is as rich as it is refined. The balance in the sound profile is masterfully achieved, with a slight V-shaped tuning that accentuates the highs and lows subtly while maintaining a full and present midrange. The high frequencies are a particular highlight, with a clarity and precision that surpass many models at higher price points. Each note in the upper registers sparkles with clarity, making classical compositions shimmer and pop tracks sizzle with energy

The mids, while not as forward, are no less impressive. They present a textured soundscape where each instrument and vocal line is rendered with distinct clarity and warmth. This quality makes the EM6L particularly adept at handling complex tracks where multiple instruments must be distinctly heard without blending into a muddy acoustic environment

The bass is tight and controlled, extending deep into the lower frequencies without ever overwhelming the other elements of the sound profile. This velvety bass response ensures that the foundation of the music is solid yet unobtrusive, providing a backbone that supports but doesn’t smother

Technical Characteristics

Driver Configuration: It uses a hybrid driver system that combines balanced armature drivers for an articulate response in the highs and mids, with dynamic drivers that provide a powerful yet controlled bass

Frequency Response: The headphones offer a broad frequency response, ensuring that from the deepest bass to the highest treble, every part of the audio spectrum is well-represented

Impedance and Sensitivity (32 Ohm): They are crafted to be highly efficient, suitable for use with a wide range of devices from mobile phones to dedicated high-resolution audio players

Purchase Recommendation

Priced under $120, the Simgot EM6L stands out as one of the best values in the hybrid IEM market. They are an excellent choice for both budding audiophiles and seasoned listeners. The high-level performance in processing high frequencies, combined with the exceptional handling of female vocals, makes the EM6L a competitive and compelling option, giving more expensive models a run for their money

Conclusion

Overall, the Simgot EM6L is more than just an attractive pair of headphones, it is a comprehensive audio solution that marries exceptional sound quality with impeccable style and solid construction. For those who are in the market for an affordable entry into high-quality audio, the EM6L represents a wise and rewarding investment, sure to enrich any musical experience. Whether your playlist includes symphonic movements, intricate jazz ensembles, or dynamic pop anthems, the EM6L is equipped to bring out the best in your music, making every listen a deep dive into the art of sound

#SimgotEM6L #Simgot

So i put the EM6L into my RS8 and this is what happened:
Right off the bat, I got them and started listening to one of those sounds that really when using GOOD IEMs (or HPs): chesky recordings. Put on "On Green Dolphin Street", first thing i noticed good positioning of instruments and a pleasant bass. The highs miiight be a little less than perfect, but that's when you compared them to waaaay more costly IEMs. Do these IEM magically overtake the kilobucks? No. Do these sound pleasant and gentle tuned? Yes! Very much so!
Highs are rendered a bit smoother than one who would want 100% definition, but this smoothing makes them quite pleasant to listen to for a long time. Bass is well defined and has good impact. It's the kind of IEM that i feel could go against the 300-500 bracket and come out trading blows and not being taken down outright. Simgot really made a shiny example of making a cost-effective IEM that has all the basics and packaged it so you don't have to sell a kidney to enjoy higher tiers of the HiFi passion we all share.
"Zombie" from chesky records was a quite nice example of a complex song, with lots of positioning, low end and highs. Listening to it, on the RS8, it felt like a very mature IEM with good tonality, detail and positioning.
The rumble's good the voice is intimate and the highs are all there. It feels like the tuning was nailed, so the frequency response is good. Could you ask more for something that retails for around 100 bucks? Since there's plenty of other IEMs who are priced higher and can't claim to have such good tuning, i say this pair of IEM has a very very good price/performance ratio.
Maybe the EW200 beat them in the cost/sound performance, this enters the "you gonna pay more to have more". And this 100 bucks i could see take on easily the 300-500 bracket.
I rate it 5/5, fite me. Price/quality is literally one of the best in all brackets, meaning it's a easy reccomend and you KNOW you will have a good pair of IEM that you can rely on to enjoy your music.

This was originally posted at avaliasom.com

Presentation


Hello, friends of AvaliaSom, I'm Marcelo Dosec, and this one I bring you is the Simgot EM6L Phoenix, a unit that I was kindly sent by Simgot. Xiè xiè, Simgot. As usual, I will only give my personal opinions about the IEM, without any obligation to say good or bad.

It's not new to anyone that Simgot is one of the brands that stood out the most in 2023. Considering the quality of the brand's IEMs that I've heard (EW100P, EW200, EA500 and now EM6L), at least for me it was the great sensation of this year, which by the way was a year of delight for audiophiles, given the almost weekly launches of new products .


“Salute to Art and Science”, is the phrase that Simgot uses in practically all of its IEMs, and in fact it is well suited to high definition pieces. After all, they bring art to their formats and the sound generated, as well as bringing a beautiful dose of science by transforming electrical impulses and air displacement into music for our ears.

According to Simgot, the EM6L is the successor to the EM5, an IEM launched in 2019 that also featured a hybrid 1 dynamic driver (DD) and 4 balanced armatures (BA), but which was nowhere near as publicized and accepted as the brand's most recent models.


The resale value of the EM6L makes it upset both headphones under 100 USD, such as the Truthear Hexa (80 USD) like earphones above this level, like the Truthear Nova (149 USD) or the Celest PhoenixCall (129 USD), some of my favorite earphones not only in this region, but also from the entire range of IEMs I've heard to date. How does the EM6L handle this pressure? Let's see.


In terms of unboxing, it is very reminiscent of the EA500, including the same size and box shape. It's a shiny black box, rigid, very well built. On the front there is a phoenix and the name of the phone, on one side there is an x-ray view of the EM6L's interior and, on the back, the graphic demonstrating adherence to the 2019 Harman curve and an explosion of the components of the IEM, as well as technical details about it.


The box opens on the side, and reveals another rigid box, with a stylized phoenix on the lid that covers the headphones in their foam cradle and a smaller box that says “Accessories ”. And by removing the headphone cradle, we have access to a smaller box marked “Eartips”, which holds a simple but competent kit of three pairs of silicone tips in small (S), medium (M) and large (L) sizes.


And back to the accessories box, inside we find a brief instruction manual, as well as the synthetic leather case, also identical to that of the EA500, with plenty of space inside and good rigidity, but at least the brand logo was missing somewhere in it.


Inside the case is the cable, a beautiful piece combining gold and black, completely covered in transparent plastic. Its material is silver-plated oxygen-free copper (OFC). It has a connector for the source, splitter and chin slider in metal. Its connections are 3.5 mm for the source and QDC 0.78 mm for the phone.


Moving on to the IEM, here we have a piece entirely in mirrored black, with a 3D printed resin body, which bears the name of the earphone and the indication of left (L) or right (R) side. Its faceplate is made of metal (processed by CNC), with the Simgot logo on one side and the stylized phoenix that we saw on the box on the other, as well as a small ventilation outlet. Its nozzle is made of metal, with a metal filter, which is very restrictive. The phone has a 0.78 mm jack jack. Overall, the construction is excellent.

The EM6L's sound comes from a hybrid set consisting of one 8 mm dynamic driver (DD) with a diaphragm made of material defined by Simgot as “high-polymer”, which takes care of the bass and mid-bass, and two pairs of balanced armatures (BA), whose manufacturer is not informed, which in turn take care of the mid and high frequencies. Everything is orchestrated by a 3-way crossover.

Comfort


The EM6L has an ergonomic body and no sharp corners, meaning it fits over the ears very comfortably. Its nozzle has a discreet diameter (0.6 mm) and allowed me to use M tips for the best compromise between sealing and comfort. The insertion is average, the seal is very good and there is no pressure generated in the ear canal. Finally, the cable hook does not bother you and is barely noticeable, even when wearing glasses.

Musical Sound

I tried the IEM on different sources, which are: iPhone SE (my “DAP”), Dell Laptop, Apple Dongle, Truthear Shio, iFi Uno, Cayin RU6 and Topping DX3 Pro+.

Note that I always listen to the earphones at low volume levels, around 55 to 65 dB according to the measurement made by the Apple AirPods Pro 2 in the “Health” App on the iPhone, so my impressions may differ from those who listen at higher volumes.

By the way, I invite you to check out my headphone test playlist on Spotify. This is a dynamic playlist, and the songs can change at any time, but they will always follow the purpose of presenting all the points I mention in my musical evaluation of the headphones.

Regarding sources, the Simgot EM6L plays easily on any source, and scales according to the particularities of each one. Just for reference, I used volume 31 on the Cayin RU6 (low gain) to hear the EM6L properly.

• Tone

To my ears and in an uncolored source, the tone of the EM6L has a neutral and slightly bright signature, very analytical, even though its curve, according to Simgot, is in line with the 2019 Harman. By the way, this is my preferred tonality, and it reminds me a lot of Truthear Hexa.

NOTE: The following notes serve as a comparison parameter only in the price range in which the phone falls.

• Bass: Level 3.5/5, Length 5/5, Depth 5/5, Speed 4.5/5, Texture 5/5

In terms of bass, the EM6L delivers what you expect from a balanced earphone: sufficient impact, beautiful depth, organic texture and a lot of coherence. One detail here is that the EM6L has more of its strength in the sub-bass, so the beats of a “What it Is” sound more visceral, even at low volumes.

Such viscerality comes in the voice of Geoff Castelluci, which the EM6L delivers in a decisive way, with a beautiful sense of depth of the tones in the spectrum. And another highlight is the bass line of a “Paranoid”, always very present and intense, with an excellent texture.

In terms of speed, the EM6L DD does not waver in the face of a “Intra Venus”, proving almost ideal for this type of music, without any perception of notes being run over.

• Midrange: Level 3/5, Presence 5/5, Clarity 5/5, Voices 5/5, Transparency 5/5

The EM6L's midrange is further back in the spectrum than the other frequencies, except the mid-highs, which stand out a lot, as per the Harman curve guide. And, at least at the volume I listen to, these mid-highs don't hurt, quite the opposite, as Amy Lee's voice is full of feeling in a “Hello”, and free from sibilance.

I say the same about Steven Tyler's voice in “This I Love”, including in the most intense vocal moments of the track (1:06 for example). The intensity and clarity that this headphone delivers in voices is remarkable, just like in instruments that use the midrange. Taking the same track as an example, the piano sounds beautiful, very organic, while the guitar comes tearing up at 2:10, and the weight of the notes in the solo is something to be applauded.

Perhaps male voices like Rodrigo Costa Félix may sound thin to some, but to me they sound perfect, and listening to Portuguese Fado with the EM6L it is a truly remarkable experience. From Portuguese guitars, to mandolins, to strumming an acoustic guitar, all of this sounds exceptional on this headphone, with a lot of presence and exemplary transparency.

• Treble: Level 5/5, Brightness 5/5, Airiness 5/5, Extension 5/5, Timbre 5/5

And when it comes to the treble, I only have one word to say: it is magnificent! To my ears, everything is in its place in the EM6L's treble. The shine is very evident, always within the tolerance limit. The airiness is superb, and the range of cymbals or higher violin notes is venerable. I'm definitely in love.

This means that listening to “September in Montreal” with the EM6L is the guarantee of having a cymbal extension that suits every treblehead. By the way, I really appreciate the treble tone here, but I understand that some more sensitive people may consider the treble to have a “BA tone” or sound too harsh. For me, it's ideal.

Listening to the violin entering “Nothing Else Matters” played by Golden Salt, it is inevitable not to go delirious with the escalation of notes, and during the chorus, the only thing to do is close your eyes and enjoy the contrast between the violin and the guitar. What a show!

• Technicalities: Sound Stage 5/5, Image 5/5, Layering 4/5, Separation 5/5, Details 4/5, Resolution 5/5

And before I talk about the technicalities, I should say that I wrote the draft of this review with Truthear Hexa and Nova on my desk, alternating them with the EM6L, and I can practically give the same compliments to the three headphones in the tone. However, it is the technicalities that separate the children from the adults. In other words, EM6L and Nova are one level above Hexa, whose soundstage is its biggest (and only) demerit.

And the EM6L's soundstage is deliciously holographic, more lateral than deep, but with a good sense of height. The image formed in a “Las Perlas de Tu Boca” is fascinating, with great perception of the location of each instrument in this imaginary spectrum. Only when it comes to layering, the EM6L doesn't get full marks, but it still provides a beautiful layered presentation.

Another area where the EM6L falls short of nirvana is in the level of detail, which even delivers some microdetails, but doesn't go much further than that. On the other hand, the instrument separation is worthy of awe, while the resolution is excellent, and owes nothing to any other headphone I've heard under 200 USD.

Sound in Games

In battle royale games, such as Warzone 2.0, the EM6L is extremely accurate in pinpointing the location of opponents on any axis of the spectrum. It even gives a good perception of the position of UAVs, including their distance. Rate 5/5.

In FPS games like CS2 (without changing the sound settings), the EM6L's tuning is excellent for delivering enemy movement across the map, even in more intense exchange situations. Rate 5/5.

In casual games, like Genshin Impact, it delivers excellent immersion, with the feeling of a living, three-dimensional world. However, some sounds (such as a very close waterfall) may exceed the limit in rare situations. Rate 4/5.

And finally, in simulation games, like F1 2023, the sound of the engines lacks a little more power, however the EM6L gave me an interesting immersive experience, both due to the good perception of the sound of other cars , as well as the notion that the engine sound is coming from behind the head. Rate 4/5.

Sound in Films, Series and Productivity

The sound of the EM6L for films and series is good, with a good reverberation from the subs in the intense scenes of a 1917, for example, but it goes better with films that feature a good amount of dialogue, like Donnie Darko.

The EM6L goes well with those looking for a good headphone for studying or listening to podcasts, as its voice sound is excellent, even when the recording is not the best. And it still proves to be a good headset for work, pairing well with a Kinera Gramr microphone for example.

Conclusion

If you take a look at My Recommendation List, the Truthear Hexa is my favorite under 100 USD, and the Nova is my favorite up to 200 USD. I thought about creating a category to fit the Simgot EM6L, maybe a “up to 125 USD” category, for example. But it would just be a way of masking the reality: at least for me, the EM6L is as good as the Truthear Nova, but costs much less.

And with that, the Simgot EM6L is the best buy under 200 USD for me. But does the fact that it's best for me mean that it's best for you? Well, if you're looking for an analytical earphone, with a passionate feel on the subs and a treble extension that deserves a medal, don't look away, the EM6L is your number.

I remember that when I tested the EA500, I put it on the same level as Hexa, but with coexistence I ended up leaving Simgot aside, while Hexa remained as my reset earphone. Well, retirement has arrived, because now this role will be fullfilled by the Simgot EM6L Phoenix.

Big hug!

NOTES:

The Simgot EM6L Phoenix is a recent release from this previously “under the radar” company who garnered well deserved interest with their EA500. The EA500 has a sound that defies its asking price of $79 USD. The EM6L though will lighten your pocket by $110 USD, so a step up in price.

The EM6L has a driver setup that includes a single 8mm custom-designed high-polymer diaphragm dual-cavity dynamic driver, partnered with four balanced armature drivers. One pair of BA’s handles the midrange and the last pair the treble, all tuned to the Harmon 2019 Curve according to Simgot. The drivers are managed via a 3-way crossover which on listening seems to be well implemented allowing each driver to operate in the frequency range where their design makes them most appropriate. Notable as well was the smooth transition between drivers.

The Simgot EM6L Phoenix is easy to drive yet due to its resolving capabilities should be paired with a capable source to extract all the performance it is capable of. Tip selection is also crucial and I went with a shallow wide bored tip with deep insertion resulting in a great seal and sound.

SPECS:

1dd+4ba Hybrid
Impedance: 26Ω±15%(@1kHz)
Sensitivity: 119dB/Vrms(@1kHz)
Frequency Response: 20Hz-20kHz
Cable: 2-pin 0.78mm QDC

BUILD, FIT & QUALITY:

The EM6L is a nicely finished IEM done in a very basic style. Not a flashy product by any means, with a simple presentation that has just the Simgot logo on the black faceplate and product marking on the inside shell surface. The quality resin shell is on the small side of medium in size and having a comfortable fit was not an issue.

Quality of manufacture is good with no glaring issues noted. I should point out that I am not a fan of QDC connectors, this is no way detracted from my overall views of the EM6L, just not my favorite thing to see.

The include accessories are sparse but of similar quality to the iem itself. We are here for the sound though so read on.







BASS:

The EM6L is more sub-bass focused than mid-bass. This is not a “basshead” earphone yet the low end had good power and ample drive when required by the source material.
Bass goes deep and is controlled not being muddy and with good speed. Detail is good as well with the bass texture on “Angel” by Massive Attack coming through with an added thickness, and while not being as detailed in this regard as some others earphones I have recently heard, it is a good showing here. “Circumstance” by Wayman Tisdale highlighted the bass control that was also heard on a number of other tracks regardless of genre. This is a standout characteristic of the EM6L not only in the bass but overall. It was at home with whatever genre of music it was asked to reproduce.

Bass on the EM6L is good. It has great control with enough detail and power to compliment any track in a positive way. Well done.




MIDRANGE:

The midrange of the Simgot EM6L Phoenix is slightly recessed while being detailed with an admirable balance of macro and micro details. The midrange has an open unrestrained sound, no doubt aided by the pleasing levels of layering and separation heard. Clarity here is notable paired with good note weight and timbre. There is an organic character in the delivery of the midrange that was found to be satisfying, and unusual at this price range.

“No Worries” By the Robert Glasper Trio made me sit up and take notice with how lively and detailed this track sounded on the EM6L. This busy track features some outstanding musicianship and on lesser IEMs can easily sound congested with each instrument becoming indistinct. The EM6L had none of these issues with this great track sounding open and immersive. Each instrument was easily discerned in its own space with a clarity of playback that was very pleasing.

Moving on to vocals, “Barley” by Lizz wright had here husky female vocals sounding great. There is a touch of added warmth to the lower midrange that is well done and tasteful. “Sweet Love” by Anita Baker had her soaring vocals sounding lush. The EM6L is able to relay the emotional delivery quite well and surprisingly so for a $110 iem.

Male vocals get the same treatment. “Tender-Hearted Lover” by John Stoddart had his emotional vocal delivery coming through with conviction. “I Keep Forgetting” by Michael McDonald likewise. “Here I Come” by the iconic Reggae Artist Dennis Brown was also a joy to listen to through the EM6L.

Transients are handled well. Every impact on “Chocolate Chip Trip” by Tool came through with natural impact and decay while maintaining control. The upper midrange is also free of sibilance and glare.

The midrange of the Simgot EM6L punches well above the asking price. It is an open and detailed presentation with splendid technicalities that has a lush element about it with good organics, timbre and a balanced delivery. No harshness or aggressiveness here at all. Very well done.




TREBLE:

Treble is well extended with a commendable level of detail retrieval and technicalities. Air and sparkle are present in good measure but not sounding overdone by any means.
The tuning here is organic and controlled. Nothing is missing and the listener is sure to hear everything going on in the upper registers. No fatigue nor grain heard here.
The airiness and clarity of the EM6L’s treble is very pleasing. Well done.

IMAGING & SOUNDSTAGE:

The Simgot EM6L Phoenix offers soundstage that is impressively immersive. Width and depth are impressive with height being enough to add the immersive quality.

“Stimela” by Hugh Masekela transported the listener to the venue with a sense of immersion not usually heard in earphones at even much higher cost. Instrument placement was also spot on.




VERSUS:

-Hisenior T2U-

The T2U is a personal favorite. With a driver compliment of just 2 balanced armature drivers, it is in my opinion the unsung hero of the $100 USD market segment.

Bass goes deeper and has more slam with the EM6L while being faster and slightly more detailed on the T2U.

The midrange of the EM6L is lusher with detail retrieval of the T2U being arguably slightly better. Both offer an organic midrange playback with the EM6L being just that bit livelier. As for note weight the EM6L gets the nod here. As for layering and instrument separation, a slight nod goes to the T2U, but not by much.

Treble is more extended with the EM6L although each offers a clean and organic sound. The added extension of the Simgot EM6L does lend itself to an airier presentation though and all else being equal, gets the nod here.

Soundstage differs on each with the T2U being more intimate while the EM6L is more expansive. Neither sounds restrained or congested.



-Simgot EA500-

The main question is if the EM6L is worth the cost increase over the EA500. I would have to say yes, it is. In a nutshell, the EM6L is a more refined EA500 with all the positives while improving upon and negatives.

In every aspect the EM6L sounds more refined than the already great EA500, even after mods.




CONCLUSION:

The Simgot EM6L is a wonderful iem. Rarely have I gotten lost in the music with an iem & this was one of those times.

The EM6L does not favour one genre over the other. In this regard it is eminently versatile without the need to play with switches or nozzle filters to accomplish good sound. Can we go back to those times please?

I found the Simgot EM6L Phoenix to often be an immersive experience, enjoying music for the sake of itself and forgetting to be critical. This in my book is high praise indeed. It also offered a better music experience than some much more expensive earphones I’ve had in my ears in the last year plus.

The Simgot EM6L is a must hear if you are shopping in this price range and even above. It has now joined the Hisenior T2U in my ratings as the unsung heroes of the $100 price bracket challenging and often embarrassing other iems that cost much more.

The Simgot EM6L gets a firm recommendation.

How I review: (See Previous Reviews)
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Model: Simgot EM6L
Price: $109.99 - Linsoul
Review Reference: RC106

Manufacturer Specification:

• Brand: Simgot
• Model: EM6L Phoenix
• Driver: 1DD & 4BA Hybrid Driver
• IEM Weight: 5g
• IEM Dimensions: 21.4mm (height) x 17.4mm (width) x 22.5mm (max depth)
• Shell: High-precision 3D-printed resin
• Resistance: 26Ω±15%(@1kHz)
• Sensitivity: 119dB/Vrms(@1kHz)
• Frequency Response Range: 8Hz-40kHz
• Effective Frequency Response: 20Hz-20kHz
• Connector: 0.78mm 2Pin QDC style

Includes:

1 x Pair IEM
1 x Detachable OFC Silver Cable (no mic)
1 x User Manual
1 x Carry Case

YouTube Review:



Introduction



Having been on a wireless frenzy the last few months, it's been a little while since I tried out an IEM, and even longer since I reviewed one. Simgot hit the IEM market in 2015, developing products from their base in Shenzhen, China. The name stands for 'simple and elegant', and whilst the appearance of the EM6L is certainly both of those things, the arrangement of this IEM is slightly more ambitious - there's an 8mm high polymer diaphragm dual cavity dynamic driver dealing with the bass, and two pairs of balanced armatures handling mids and trebles, brought together in a hybrid configuration by a 3-way crossover. This isn't their first stab at this kind of IEM - they've given the EM6L the moniker 'Phoenix', because it represents the rebirth from the EM5, it's predecessor developed 5 years ago, but this time they've focused the tuning towards the Harman 2019 curve. So for me, a rather mouth-watering prospect from one of the new kids on the block that has taken the IEM market by storm during 2023 so far.

Priced at $110, they're competitive, but sit at the top end of Simgot's price list and are nothing if not ambitious. So how did they fare? Well, the initial positive reviews I'd read on this product weren't wrong - read on for my thoughts on a contender for IEM of the year in its price bracket.....

Unboxing & Accessories



The Phoenix theme that Simgot have attached to this release hits you immediately from the moment you encounter the enclosure. The box oozes class and is commensurate with the price tag, with a glossy black theme and a striking image on the front, with a frequency response curve and visual representation of the driver arrangement accompanying the key parameters on the back. When you slide out the inner box, you get a first glimpse of the Phoenix logo, which is also printed on the right earphone.



This symbolism continues - it's also represented on the manual, which lays out the very simple instructions and warranty details. Interestingly, Simgot have an anti-theft scheme where you scratch off a section on the box to reveal a 12-digit code which you then add on their website to be given any aftersales support you may require. In terms of accessories, you get a bag of three sets of tips, a small, unbranded carry case and a 'high purity OFC silver plated' 0.78mm 2-pin cable, which has a 3.5mm jack at one end and QDC connectors on the other. The carry case is a bit of a letdown - I'd have liked to have seen the Phoenix logo on here, but it's perfectly fine from a usability perspective. The cable is a bit better - it's lightweight but well made, looks and wears really well. I'd have liked to have seen more tip options here, too.

Build Quality & Design



The EM6L shells, according to Simgot, boast a 3D-printed high-precision resin shell and mirror-finished CNC processed faceplate. It's a simple and elegant design that sees the L/R printed on the inside in gold. Both the shell and plate are of reasonable build quality, albeit lightweight, and whilst this is arguably more comfortable in the ears, I always like to see a bit more craftsmanship here - a full CNC shell like the EA500 is more my scene, but nevertheless the EM6L seem well-made.

Each earphone weighs exactly 5g, and measures 21.4mm (height) x 17.4mm (width) x 22.5mm (max depth).



The aluminium alloy plates have a slight bevel to the edge, and the Phoenix logo on one earphone and the Simgot logo on the other. There's a small tuning hole just underneath, and at the top you've got QDC connectors with a vent alongside them. The plugs on the cable are angled outwards, which allows you to tell which is the Left and which is the Right. QDC connectors are not ideal for a number of reasons, but it's certainly not a deal breaker. The plates are fingerprint magnets - I had to give them more than a few cleans before snapping them.



The depth of the earphone is around average, and the nozzle is around 5mm in length and 6mm in diameter. There is a lip around the edge of it, but this doesn't detract from the comfort in any way.



Despite the flat inner side of the earphone, they still sit very snug against your ears without protruding outwards too much or feeling overly invasive. It's one of my most comfortable IEM's for prolonged listening sessions.

Sound Signature & Audio



The EM6L are a very smooth, well-balanced v-shaped IEM with a warmer tone and thick, natural timbre. Tuned to the Harman 2019 target, they use a 3-way crossover to bring together the drivers. Often, this is easier said than done, but in the case of the EM6L there is a smooth and natural cohesion that seems to get the best out of each set of drivers. They aren't especially technical, but they are a hugely enjoyable listen with great longevity thanks to the boosted bass, lush mids and smooth, understated trebles.

The bass has a fun, boomy nature to it that translates well into all music genres, particularly house and techno. Lower frequencies are dense and layered - kick drums are rich and punchy, if lacking a bit of texture. There's not quite the subwoofer feel I particularly enjoy, but the subbass still has a satisfying rumble. I found the midbass a little muddy until I switched the eartips out for the FiiO HS18, which have a slightly wider bore. From then, everything sounded a little more controlled whilst still fast and chunky.

The midrange is recessed, but not overly so. The EM6L are a seriously smooth, lush sounding experience and the warmer tone benefits male vocals - soprano in particular. Both male and female vocals are forward, female vocals more than male, and whilst both have good texture there's more body to male vocals. Some female vocals can be a little gaspy, but in almost all instances it is a clean and engaging vocal delivery that will have you coming back to the EM6L more often than not.

The trebles are very natural sounding with good control that makes them ideal for long listening sessions. There's absolutely no hint of fatigue or sibilance here, but the subtle peak between 6 to 8k brings enough vibrancy and definition to instruments to satisfy the average user, particularly those who prefer a slightly more laidback, rolled off sound.

Imaging is good for a $100 set. There's reasonable accuracy here, and placement outside the lower frequencies is very straightforward. Staging is quite wide and expansive with very good depth. Driving the EM6L was surprisingly easy enough too - both using my cheapy Ikkolot and plugging directly into my Sony Xperia 1 IV offered similarly enjoyable results with more than adequate volume.

From the perspective of a hybrid, the crossovers are really well done. It is a thoroughly smooth, engaging listening experience with the EM6L.

Summary

The Simgot EM6L is a pleasant surprise, and a release that really signals Simgot's intent to the market.

Other than a few minor quibbles, like the use of QDC connectors and lack of branded case, it is quite difficult to find fault with this release. They're super comfy and the shell is fairly well-made - although I prefer full CNC and more custom-feel fit, the lightweight footprint and straightforward driveability go hand-in-hand with the smooth, lush sound to make the EM6L ideal for marathon listening sessions.

The expansive soundstage, good imaging, fine vocal representation and bouncy bass will particularly satisfy those who like a subbass-centric, more natural v-shape sound. Don't expect a super-analytical experience, but do expect to be entertained - the EM6L are one of the most enjoyable IEM's in 2023 to date.

Disclaimer:​

The Simgot EM6L was sent to me as a review sample from Betty from Simgot, for which I thank her!


This is my first IEM from this brand; I must admit that I had my eye on this brand for some time. I wanted to buy the EW200 and EA500 but Simgot contacted me about their EM6L and they offered me to review them. I am very happy with this set because it particularly reflects my taste in musicality.

In this review, I will try to compare them with other hybrid IEMs like the Kinera Phoenixcall, Hidizs MS3/MS5, and GeekWold GK20.

However, the review will still be 100% honest and, in no way, biased.

I’m not an audiophile; I’m just a guy that likes to test out different IEMs and DACs and spends a lot of time listening to music.

So I’m not going to use super-technical words to review it, but I will do my best to describe it.

Tech Specs:​

• 1DD + 4BA Hybrid Drivers
• Tuned Towards the H-2019 Target Curve
• HiFi Earbuds for Gaming
• 3D-Printed Resin Housing and CNC-Processed Faceplate
• High-Purity OFC Silver-Plated Cable
• Impedance 26Ω±15%(@1kHz)
• Sensitivity 119dB/Vrms(@1kHz)
• Frequency Response Range: 8Hz–40kHz
• Effective Frequency Response: 20Hz-20kHz
• Earphone connector: 0.78mm QDC

Packaging:​

Finally, a fairly compact but neat package. The Simgot EM6L arrives in a small box with attention to detail, with a sort of phoenix in the middle. It opens laterally, and we find protective cardboard with even padding in the IEM area. The faceplates are protected by films and I must say that attention to detail is not lacking. The package is divided into two secondary boxes with accessories and tips. Inside the package, we find:

• 3 pairs of tips
• 3.5mm cable with QDC terminals
• Hard case (unbranded)
• manual and warranty

The tips are of excellent quality; the only thing that can be said is that they could have been more. The case is anonymous and simple but it fulfills its protective function. The cable is a little thin, but I must say that it is of good quality and in perfect harmony with the lightness of the IEMs. I think this set is one of the lightest ever.


I’m trying different tips out of curiosity but the included ones are more than fine for me. I’ll also try them on balanced output.

Design/Build quality:​

The Simgot EM6L is aesthetically a bit anonymous; perhaps the design is very simple. Personally, looking at it, the latest models produced by KZ come to mind. Fortunately, however, the build quality is on a completely different level. Dark resin shell (transparent would have been even more beautiful) and mirrored metal faceplate that retains quite a few fingerprints. The Simgot EM6L is as light as a phoenix feather (cable included), essentially a super light set that sounds decidedly majestic. I was surprised that there is only one ventilation hole in the faceplate of the shell.


The included tips are excellent—just a little few—and the cable is of excellent quality but some might find it too thin. Personally, a thicker cable would have added unnecessary weight to the set.


“EM6L combines an 8mm custom-designed high-polymer diaphragm dual-cavity dynamic driver to handle the mesmerizing mid-to-low frequencies. Alongside, two sets of balanced armature drivers take charge of the mid-to-high and high frequencies. With meticulously set crossover points and precise tuning techniques, we not only achieve seamless frequency response and phase coherence but also a harmonious blending of tones.”


As you can see, the nozzle is a little different than usual; it has no shape that usually holds the tips, but I didn’t have any problems.


The resin has a purple color in the sun but being very dark, it is very difficult to see the components. However, I managed to photograph some BA near the nozzle and you can glimpse the tubing; the DD also has its own dedicated one. The BA filters are inside the tubes under the nozzle.

Comfort/Fit:​

The EM6L has a very simple design; the shape is classic and the dimensions are normal so you will hardly have any problems. The nozzle is the right length. Their lightness and thin cable make them almost imperceptible even after several hours of listening.


I didn’t feel the need to try other tips as the standard ones are already excellent but if I had to recommend an upgrade, I would use some good spare tips.

In the photos above, you can see how they fit with the DUNU S&S in size L. I apologize for the lower quality of the 2 photos but lately, where I live, there is very little natural light and the limitations of a smartphone camera are immediately visible.

Initial sound impression:​

Holy crap! It was the first exclamation after listening to them. After the Kinera Celest Phoenixcall and the GeekWold GK20, the difference is notable. They are immediately more energetic and lively. They literally give life and enrich the song with nuances without distorting it. It is a set that is significantly more daring than the previous ones.


I had high expectations from Simgot given the other excellent sets they produced and appreciated by several enthusiasts.

Tips rolling:​

As mentioned before, I don’t really feel the need to change the tips, but I still did some quick tests.


During the 11/11 period, I took advantage of the opportunity to get several discounted tips on both Aliexpress and Hifigo. I chose both “expensive” and “cheap” models.


Among the cheapest tips, I have not found results that deserved mention, while among those a little more expensive, you can get significant results.




Dunu S&S: If you want to transform them into soundstage monsters, then the Dunu S&S are the absolutely correct choice. The depth reached is embarrassing! The soundstage seems to have no more limits; the limit requires the recording of the track. Despite everything, I have not lost low frequencies so the result is excellent. Let’s be clear: there is no need to make any upgrades to the original tips.


Divinus Velvet: The Velvet have such absolute comfort that you don’t even hear them. We are at the same level of soundstage as the originals but seem to help the definition and low frequencies lightly. They are not exaggerated changes compared to the originals but the comfort in my case is better.

Final sound impression:​

Equipment used for testing above​

Device:​

• iMac
• Redmi Note 7 Snapdragon

Software:​

• Foobar2000 24bit 192kHz (iMac)
• Amazon music UHD 24bit 96kHz (Both)

DAC:​

• Moondrop Dawn Pro ( Great pairing)
• Hidizs S9 Pro Plus (ESS)
• Hidizs S9 pro (ESS)
• Hidizs S3 pro (Just 55 mW at 32 ohm, and it’s all you need for EM6L)
• Muse Hifi M4 (Most Versatility)
• Ibasso Dc04Pro (Dual Cirrus) (Best pairing)
• EPZ TP20 (Dual Cirrus)
• EPZ TP30 (Dual ESS)

After waiting about 50 hours for burn-in, I didn’t hear any major changes; they sounded good right out of the box.


If I was surprised by the GK20, with the Simgot EM6L, I was literally left speechless. They give life to the tracks and if combined with the right DAC, they give spatiality to the sound. The details are surprising; macro and micro details literally explode. The voices are sinuous and the musical instruments have the right depth. The bass is present in a natural way; it doesn’t cover or overdo it but overall, the mix is perfect. They may be slightly brighter than the other hybrid sets I have reviewed so if you are particularly sensitive, they may not be suitable.




The care and definition of the sound are excellent, and each track is significantly more immersive than I remembered. The presence of a lot of air positively favors the soundstage, which is very close to some planar IEMs. The balanced armatures and DD work together harmoniously and the result is clearly audible.

Treble​

It might be too much for you if you are sensitive because the high frequencies are not relaxed. But they are just so incredibly vibrant, defined, and rich! Every musical instrument is incredibly colorful and brilliant, and when the track calls for it, the macro and micro details literally burst into life. They literally have a fireworks effect with how musical it is.


They are so resolute that all the imperfections of the tracks or recordings come to the surface.

Mids​

Even in mids, the representation is at the highest level. Everything is perfectly clear and in the foreground. The female voices are like a precious fabric. Rich, thick, and vibrant like never before, the musical instruments seem to literally come to life. I don’t know how to tell you exactly because I am so enthusiastic but in a certain sense, they vaguely remind me of the Tanchjim Zero, but they are very improved. Despite everything, it keeps an impressive naturalness in sound that can be hardly reached on planar. The overall experience is something absolutely unique and immersive.

Bass​

The low frequencies are equally consistent with the rest of the tuning. Natural and defined representation with audible sub-bass. All this develops in considerable depth in the Inn reproduction tracks. I think there is a perfect separation of the frequencies. Obviously, if you are a basshead, it is not for you.

Separation/Imaging/Soundstage:​

The Simgot EM6L is probably the IEM with the most crystalline image currently in my possession! The separation of frequencies by crossover undoubtedly benefits but the internal structure must have been studied in an excellent way. Such a definition and musicality are not obtained by chance.


The soundstage is very large, and the EM6L puts you at the center of your favorite songs without effort. If you choose the right DAC, it will release all its potential.


The iBasso DC04Pro brings a considerable benefit to the whole stage and sound yield; this combination squeezes every kind of detail from the traces… Even the impurities are all afloat.

Comparison:​

vs Hidizs MS3​

The Hidizs MS3 has fewer drivers, a slightly higher price and a higher overall build quality. The high range is much more pushed and further suitable for treble-heads. The Hidizs MS3 wins in the low-range region that is thicker. However, the highs are quite spicy and are absolutely not suitable for everyone. In terms of general performers, the Simgot, in my opinion, came out victorious. Mind you, they are “excellent sets but the representation of the EM6L is much more pleasant.

vs GeekWold GK20​

The Geek Wold GK20 are equally good but the Em6L are more vivid and lively in their general representation. The Treble region is quieter for the most sensitive; both have a very high value for money. Soundstage and separation are better on the SIMGOT. The GK20 is slightly warmer and has a more present bass region.

vs Kinera Celest Phoenixcall​

Ouch! The two Phoenicians absolutely disagree with each other! Two sets that recall the same bird but are currently totally different in the soul. Phoenixcalls are undoubtedly beautiful aesthetically and as long as their graph is not optimal, the result is not bad at all. They are particularly relaxed and have a less natural but, at the same time, different and pleasant representation. The Simgot Em6L loses points aesthetically but in terms of performance, it is undeniable that they recover on the final result.

Conclusion:​

After having the opportunity to try an IEM of Simgot, I think I understand why so many talk about this brand. Their EW200 and EA500 models have always been among my favorites but I’ve never ended up buying them (unfortunately, I can’t buy everything I like; otherwise, I would live under a bridge).


Receiving the Simgot Em6L in review was a great surprise. I don’t want to exaggerate in saying that they are excellent but the Hidizs MP145 and the EPZ Q5 are the only ones to have left me immediately in the face. Their quality is also audible to the most inexperienced. A correct choice of drivers, crossover design, and internal structure led to a result for audiophiles. The Hires sticker in this set is not just a brand printed on the box without meaning.


I didn’t mention the Hidizs MS5 in the comparisons, as those looking in the price range around 100 USD would discard them, but I have to admit that the EM6L is better.


To see if more power would result in even greater improvements, I conducted a test using a balanced cable, but to be honest, I heard no difference. In my experience, the 3.5SE output is more than sufficient, but they could use a little more volume. They work well if your phone is new and has a decent internal DAC.


With a price that oscillates around 110 USD, I think there is very little to criticize. Personally, I consider them a decisive upgrade from the Epz Q5!


I forgot that they are also recommended for gaming and I feel like confirming this definition even if they give their best with high-resolution songs.
I thank Betty by Simgot for giving me the opportunity to try their own product!

Where to buy:​

• Simgot Official
• Amazon.it
• Linsoul Official Website
• Linsoul Aliexpress

SIMGOT EM6L (1DD+4BA)
$110


Thank you Linsoul for sending the IEM as always don't worry, this review is 100% my own personal opinion.
you can get the SIMGOT EM6L here : https://www.linsoul.com/products/simgot-em6l

Unboxing
Inside the Box You Get :

• IEM
• Pouch
• Cable
• Eartips
• Manual

Build Quality
The faceplate is made from CNC machined metal, that has mirror like finish, it is a finger print magnet and might be susceptible for a scratch on the long term, but it do look beautiful out of the box.


While the body of EM6L is made from resin.

Cable quality is OK, nothing to comment about it really.

Fitting
The EM6L is a very comfortable and light IEM to wear, I have no problem at all with the fitting.

Sound
Tested using iFi ZEN DAC V2, Moondrop Moonriver 2 Ti, FiiO BTR7, Stock Cable, Stock Eartips
Music is mostly from Apple Music (J-POP, J-Rock, Anisong, EDM, RAP, Jazz, Metal)

Tonality in General : Mid-bass Boosted Harman Neutral

Bass : Deep, speedy bass, not the most punchiest one but it has great texture to it.
The bass presentation is very safe for all kinds of genre including metal.

Midrange : it has very good clarity without sounding shouty and sibilant, overall note weight is normal (not thin yet not thick either).
Instrument such as sax, trumpet and violin is presented with good timbre and is very lovely sounding on this set.

Treble : smooth but super extended, and very satisfying decay that lingers naturally.
It has decent layering for its price, the treble presentation is also very safe for people who is sensitive to treble and it never sounds tiring for long listening session.


Technicalities

Stage : Very good, this is one of IEM that has large soundstage and exact wall placement, the shape is also symmetrical between width and depth.

Separation & Positioning : Also very good, it presents sound in a super separated manner without sounding non cohesive and you can clearly hear the direction of the sound without any problem, and is very good for gaming purposes.

Detail Retrieval : Above average, this IEM presents decent amount of micro details and is better than the single driver IEMs on the competition.

Imaging : Average for the price, it almost sound holographic but not there yet, though it is certainly better than 2D and 2.5D sounding that myself usually likes to describe Imaging with.


Comparation

Moondrop Starfield 2 : Same price, the SF2 is only 1DD IEM. SF2 has brighter and more forward sound presentation compared to the EM6L, vocal on the SF2 is sounding rather shouty and bit too forward for my liking, technicality wise,EM6L has superior overall technicality.

The SF2 has better accessories, build quality and cable in my opinion.

Hidizs MP145 :Same price if you get it on the super early bird, the MP145 is a single planar unit, tonality wise, the MP145 has a more generous bass boost, thicker midrange and same smooth treble, technicality wise, the stage of EM6L is larger, and separation is superior on the EM6L, but MP145 has better imaging and detail retrieval compared to theEM6L.


Conclusion

Do I recommend the SIMGOT EM6L, the answer is YES, it is very easy to recommend the EM6L if you love mid-bass boosted Harman type of tuning, it has a clean sounding bass, good clarity and lovely airy treble with proper decay.

I can also recommend the EM6L if you want an IEM that has a large stage with a very good separation like in case for gaming.

But as always, do make your decision with your own judgement, myself as a reviewer only helping you guys to have more data to process on the Internet.

Just in case you're Indonesian or understand Bahasa Indonesia, you can watch my video review of the EM6L here


Thanks for reading this far,

-littlenezt.

Simgot EM6L Review: HYBRID LOVE!​

WATCH FULL REVIEW HERE:

PRICE: $109 (PHP. 6,500.00)

PROS:

• Sleek, minimalist design
• Lightweight
• Versatile tuning
• One of the smoothest U-Shaped IEMs I’ve tried
• Good overall tonal balance
• Fun and Energetic

CONS:

• A little cheap feeling
• QDC connector (bias)
• Not the most technical-sounding set
• Lacks low-end authority
• Might be a little shouty

WHO THIS SET IS FOR:

• People who want a fun but still tasetful sound signature
• People who want a lowkey, minimalist aesthetic and lightweight fit
• People who like a very smooth frequency response graph
• People who want an all-rounder sound

WHO THIS SET ISN’T FOR

• People who want a technical-sounding set
• Shout-sensitive people
• People who want a deep, tactile, and dynamic set
• People who don’t like QDC connectors

RECOMMENDED GENRES:

• Pop
• Jazz
• Classical/Instrumental

SHORT REVIEW:
With Simgot’s reputation for making the most out of its drivers, the EM6L provides an extremely refined sound profile for a hybrid at a very low cost. This comes at the tradeoff of an almost $20 level of build and a QDC connector which I’m not fond of at the price. Some may also find its upper mids to treble presentation too forward, but you can’t find a hybrid this smooth and versatile at this price. RECOMMENDED


Thank you so much for taking the time to read my review. If you would like to see more of my content, please consider following my Facebook page and my other social media accounts:

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Thank you to Simgot for sending over the EM6L in exchange for my honest thoughts. If you would like to avail the product reviewed today, check the non-affiliate link below!
https://www.linsoul.com/products/simgot-em6l?_pos=1&_psq=em6l&_ss=e&_v=1.0

If you have any comments or concerns, you may contact me by email at obodioreviews@gmail.com

Have a nice day, and enjoy music!

Simgot EM6L Phoenix

£104 1 DD 4 BA 3D Resin Printed 2 Pin IEM ​

In a rush?​

What better companion to share the stress with than an IEM? Pop em in your ears, plug em into your phone. Voíla! Instant music, great distraction. Now, where was I? Thanking Simgot Audio for their kindly review model of just such a thingey; the Simgot EM6L "Phoenix". It is a 1 DD 4 BA Hybrid IEM. To which I mean 1 dynamic driver, for the low end frequencies, and 4 Balanced Armature Drivers for the rest. This is per side, not in total. You get the 5 for £104, at the last time of looking. The driver shells are 3D resin printed, and in the olive shape that is ergonomically suited to the shape of our ears and is much my preference. The connectors are a recessed 78mm 2 pin affair. There has been strengthening protection applied, in decent amounts. The cable supplied is terminated with an unbalanced plug, so users of a balanced connection need to seek after market solutions. In Ear Monitors continue to be attractive; the cables are getting better value than ever, the designs push boundaries, the appetite for a wired connection refuses to be pushed aside by the advent of TWS. The vast array of £100 IEMs out there attests to the fact. I cannot be there in person with every one of them, however I know what good sound tastes like, and my pallete can give you some guidance as to what represents quality out there. Read on and we shall look at whether these are suitable in theory. Then we shall delve into the practical, and take a listen together.

The scientific stuff​

The EM6L will perform in a smartphone, provided you have the right connection, of course. It has 26 Ohms of resistance and 119 dB of sensitivity, the IEMs sit flush into the your inner earlobes and the eartips supplied are reasonably long. The combination of isolation and reach into the ear canal combine to ensure dangerous volumes can be reached with no need for further amping. Better amping or better sources will achieve better sound; that makes logical sense and hopefully shouldn't need further explanation. Having concluded it goes loud enough; will it sound good enough? Never fear, there's measuring here!


The H2019 Target has been lovingly, adoringly, stuck to. Depending on the scale we are looking at here, the updated Harman frequency response curve is closely aligned to the tuning of the EM6L. The wavelength looks pretty smooth, with no more than a measles sized bump or 2 towards the higher end of the FR spectrometer. Hoping that this will reassure the average portable audio thrillseeker, let us look and see what other seduction techniques Simgot has employed. There is a blown apart diagram showing you the numerous bits that have been somehow fitted into the design of the phoenix. There are separate cavities for each type of driver to ensure each frequency arrives at a realistic time, and there isn't too much of a mixed mess going on. The next part of the experience is in the unboxing ritual. For that, we turn to YouTube, and my video upload and general chitchat within.

The stuff inside, putting it together, testing it for size and for sound.​

The unboxing experience was a surprise. Nothing was particularly missing, but it wasn't as luxurious as I was expecting, having dealt with the King Wonder, Simgot's Flagship, not too long ago. The case and eartips supplied felt like an adequacy, rather than an ecstasy.


Gone is the lovely case with the embossed logo, shown here:


There is a case. But it doesn't have the Wonder feel to it. It is a generic black case with a zip. Here, have a look:


The Wonder was all about changing the earplug, to change the sound signature of the earphone, so I wasn't expecting lots of different ear plugs. What you get is the standard 3.5 mm unbalanced plug, on a cable that feels pretty good actually. All terminations have been thought about, and protected, and all potential weak spots have been carefully considered.


Notice the brass colured chin strap, the plastic collar around the Y split, the thicker plastic on the recessed 2 pin terminations and the clear plastic ear hooks.


The setting up is a doddle, thanks to some some useful Gold stencilling for L and R on the inside of the driver shells. The cable was applied snugly and without incident to the driver shells. The drivers were a great fit for me. The eartips applied and sat well into the ear canal entrance but I couldn't, and cannot now, feel them in my ears, as I bring this article to you. The resin material means there is no issue with temperature, the smoothness of the design results in a no pressure point issue. Anyone hwho has had time with IEMs can attest to having issues with getting a comfortable fot, especially over prolonged use. Why companies don't all employ Simgot's current design philosophy is beyond me. I would rather have a comfortable fit than an extra 10 drivers. What is the point of all the drivers if they fall out of your ears constantly?





Even with glasses on, move along please, no problems here


Having now put them in my ears it is time to take the plunge. The results started to emerge immediately, as I listened to this, on my Samsung Galaxy A52, using USB Audio Player Pro with no EQ applied.


It's a nice enough track, that was chosen entirely at random, but one which has never really gripped me before. I was at once noticing the linearity, transparency, or sheer elegance of this track as played through the Phoenix. It was an instantaneous reaction. I can honestly say; if I did not know the retail price of these IEMs, I'd have had no ide ahow much they retailed at, but I'd have been guessing way way higher than £100. Remember, this is not using any of the masses of gadgets that I have to further squeeze SQ; it was by plugging them into my smartphone. Context was needed. I plugged a pair of £60 KBear Quinlong IEMs in.


KBear are now slouches when it comes to a value v performance match up. If you have them, please don't take offence at what I say next. I'm sure I will enjoy using them in the future. I'll just make sure I don't have the Simgot Phoenix anywhere nearby....


The EM6L absolutely, unequivocally, kicked the proverbial stuffing out of the Quinlong. The TKO was achieved in 37 seconds. That is not an approximation. The Quinlog were taken off after I realised that the bass was not as deep and more bloated, the vocals were grainy and the micro detail was lost in a sea of muddiness, at least in comparison with the Phoenix.

In the end​

It comes down to what you want. This is a fantastic IEM for the money. You just need to make sure that an IEM fits your needs. An IEM has cables. Sometimes, cables can get in the way, they can be an annoyance. They get caught in things, they make the drivers fly out of your ears if you're not careful. When running , or working out, a flapping cable can be off putting. You can put it under your gym clothes, but be prepared for an equally uncomfortable experience as the cables attract the sweat that you are producing in copius amounts. I have run many 1000s of miles with wired earphones. Despite the fact that they sound slightly better than wireless equivalents, in almost every circumstance I now go for wireless. It simply means that I have one less thing to worry about. If sweat isn't a factor, I really think IEMs can still present an enticing alternative to a wireless earphone, or headphone. The Phoenix has no sound leakage, excellent isolation, the fit is warm and stays firmly in the sweet spot. The sound quality still has me looking for something to criticise. I have found nothing yet. This is a stunningly good IEM which can brush off the lack of accessories and one dimensional colur scheme with disdain. Because of the sound, the Phoenix rises. Because of the that alone, I'd be a fool not to recommend it.

=====================================================================================================
Disclaimer:

• I don’t read FR graphs. I only use my ears, as how earphones should be used.
• Simgot sent this unit to me in an exchange for an honest, unbiased review. Rest assured that this review will do its best to devoid from any bias/es as much as possible.
• The following remarks and observations shall be made and owned only by me.
• No monetary compensation is/was involved before, during, and after the period of creation of this review.
• Your mileage may (and always, will) vary.

Burn-in time: 4-8 hours per day, 5 days.

Source/s used:

• - Non-HiFi smartphone (Infinix Note 12 G96), PC.
• - Fosi Audio DS1.
• - Sony Xperia X Compact
• -Local Files via Foobar, YouTube Music, Deezer, and Qobuz with UAPP.

IEM/Earbud/Setup configuration: stock medium eartips, any form of EQ or MSEB off, DSP/USB-C plug, 40-60% volume,
Sound signature:

• The Simgot EM6L, like its brighter-sounding siblings the EW200 and EA500, aimed for a mildly fun, versatile, mild-U/V shaped sound signature, but now added a reasonable amount of lows. What distinguishes this from other Harman sets I've dealt with and listened to is that it manages technical and tonal balance almost evenly.

Lows:

• Despite Simgot's addition of some lows on this set, it isn't as obtrusive or bass heavy as I expected. The bass in this set is very versatile, slightly elevated than I prefer, but quick and adaptable to whatever tracks you throw at it. The lows on the EM6L were never monotonous, overpowering, or overly lean/dry. However, bassheads at heart may find the bass of this IEM lacking in quantity, as it lacks the chunky, boomy, greatly elevated bass of the 7Hz Legato.But overall, I can confidently say that the bass will be enough for most people and hobbyists, and may be more enough for those people who are seeking neutrality.

Mids:

• The mids on the EM6L are open, detailed, and free of bloat and bleed, despite not being the IEM's highlight or focus. The lower mids are notably thick and textured. Male vocals and instruments in this region have excellent definition and thickness. Upper mids are mildly elevated and exhibit excellent clarity, air, and sparkle. There are no unnatural peaks or sibilance in this IEM, which is great news for those with sensitive ears who can't get enough of the "Simgot house sound" but are wary of the EW200 and EA500's prone to sibilance and peaks when the tracks demand it. Overall, despite me being a sucker for a forward mids, I enjoyed the mids on the Simgot EM6L a lot, just like its older siblings mainly because of its resolution and versatility.

Highs:

• The treble here is mildly elevated, but not as elevated as the bass, which means that there are no instances of sibilance or pierce in this region. Trebleheads may find the air on this set slightly lacking in comparison to the EW200 and EA500, but in terms of extension and air, they are nearly identical in my opinion. Microdetails are above average and will easily render subtle nuances.

Soundstage, Imaging, and separation:

• "Excellent and easy-going" were the first words that came to mind when I heard this set. To my ears, this IEM never sounded like it struggled to render the complexity of any tracks I threw at it. The soundstage is expansive and pseudo-immersive, with plenty of height and depth. Separation and layering are excellent for the price, in my opinion, and can compete with sub-200 USD IEMs in this context. Imaging is as precise as ever, slightly more so than on the EA500 and EW200, with good rendition of vocal and instrument positioning.

=====================================================================================================
Other IEM comparisons!

VS Simgot EA500 (Black Nozzles)

• The EA500 is a more analytical, brighter sounding set when compared. Bass is tighter on the EA500 but lacks quantity on some tracks.

VS Simgot EW200

• The Simgot EW200 is also a bit brighter when compared and also has lesser bass. Technicalities are better on the EM6L, but the EW200 isn’t that far. The EW200 is also easier to drive, interestingly.

VS Letshuoer DZ4

• The DZ4 is a safer, more neutral or linear sounding set. It definitely has lesser bass, and less clean separation and layering.

VS Celest Phoenixcall

• The Celest Phoenixcall is a more fun-sounding set with a more “rounded” soundstage, if that makes sense. Bass is more pronounced and chunky on the Phoenixcall, but the EM6L has a more tight and clean rendition.

VS BQEYZ Autumn

• The BQEYZ Autumn sounds more “natural” and mature when compared, while the EM6L is “fun” yet versatile. Mids are more forward in the Autumn while the EM6L makes up for it by exhibiting the same-same thickness and smoothness. Technical performance of the EM6L is on par with the Autumn, mainly on the separation and layering.

Pros:

• Simgot’s most “well-thought” Harman-sounding IEM yet!
• All-rounder, mild U/V-shaped sounding IEM (subjective).
• Just like the EW200, this IEM managed to balance tonal and technical performance relatively evenly.
• Very cohesive sound for a multi-driver IEM.
• Elevated, versatile, well-balanced bass rendition in terms of punch and rumble.
• Open, lively, mildly smooth yet detailed mids.
• Well-extended yet non-fatiguing upper frequencies.
• Excellent, incisive technical performance that goes toe-to-toe with sub-200 USD IEMs.
• Very good fit, comfort, and isolation. Very lightweight yet sturdy!
• Visually-pleasing build quality and aesthetics! (highly subjective)
• Fairly easy to drive compared to the EW200 and scales/sounds better with an external DAC.

Cons:

• Technical performance is definitely excellent for its asking price, but it isn’t miles and leaps ahead compared to the Simgot EW200 and EA500.
• Faceplates are definitely scratch and smudge-prone.
• QDC-type connection may be a downside to some (highly subjective).
• A cleaning cloth and an extra set of eartips would be a good treat for everybody in this price point (definitely a nitpick)

=====================================================================================================
Simgot’s EM6L reminds me of a saying I’ve heard before somewhere: "If you're doing something common, make sure that you’re doing the best version of it”. Despite exhibiting a “common” sound signature, Simgot always pursues “mastering” and “perfecting” their sound target, which is true to their “Phoenix”. Most snobs may find this sound target common, but the sound the EM6L is the best version of “Harman sound” I have experienced and tested within the 150 USD and below, to my ears, at least. Again, well done Simgot!

Pairing recommendation/s:

• Eartips: The eartips are alright and enough for the most part. You may always use your preferred eartips.
• Source: This IEM is easy to drive and will sound good with a phone, but benefits well on a hifi dongle or USB DAC, mainly on its bass rendition.
• Cable: is already good as what it is, but you may use what you prefer. Normal 2-pin IEM cables will work just fine with this IEM, QDC cables will offer a bit more protection though.

Thank you for reading!

Non-affiliated product link here!: https://www.linsoul.com/products/simgot-em6l?_pos=1&_psq=em6l&_ss=e&_v=1.0

Additional Photos Here:

Review OF The Simgot EM6L​

Introduction​

I have personally known SIMGOT since their early days, when they released the En series, which I loved, but eventually they lost relevance in the audiophile market. However, they made a comeback in 2022 with the release of the EA2000 and EA500, which were warmly welcomed by us audiophiles and quickly rose to the top of the rankings. Later, they released even more reasonably priced sets, the EW100p and EW200, which are also well-liked by many. The EA1000, an economical variant of the EA2000, and the EM6L, their third multi-driver hybrid IEM, were just released. I had the good fortune to obtain EM6L for review; however, allow me to make a few clarifications first.

Disclaimer​

*Since this unit tour was organised by the generous people at SIMGOT, I am grateful to them. And as I've said in all of my evaluations, the same is true for this one: all of the concepts I've expressed below are entirely my own, original ideas that haven't been influenced by anyone else. If interested, go to this link.
*I am not associated with the connection, and I receive no financial assistance from anyone.
*For the remainder of the review, I will refer to these IEMs as “EM6L.”
*I am using different Ear-tips for convenience and better versatility.
*Finally, I will only evaluate the EM6L based on their performance, even though I will explain how it feels and seems physically and aesthetically.

Specification​

EM6L features with a multiple driver configuration consisting of 1 dynamic driver and 4 balanced armatures. Eight millimeter high polymer dual cavity dynamic drivers handle low to mid-frequency frequencies; two custom BAs handle mid-high frequencies; and the final two custom BAs handle high-ultra high frequencies. A three-way filter circuit multiple channel sound damping tuning system, housed in a three-dimensional printed shell, connects each driver. The faceplate that is used is made of metal, and the shells are made of resin. Although the shells are heavy, they fit perfectly and are comfortable to wear, even for extended periods of time. The high purity oxygen free copper silver plated cable that is included with the EM6L has a 3.5mm straight termination plug on one end and a two pin (QDC type) connection on the other. In addition to the IEMs and the cable, the following accessories are included: three pairs of eartips and a carrying case. Regarding the technical details, the sensitivity is 119dB and the impedance is 26 Ohms. The range of the frequency response is 20 Hz–20 kHz.

Sound​

Whether it was the EA500, EW200, or even the EW100P, the quality and tuning at the price they were offered at truly made them a steal, as the tuning typically leans toward a neutral sound with a sub bass boost response—my preferred listening style. Given that it lacks dynamics and has a flat response, I think this is the pinnacle of what a neutral with sub bass boost tuning actually is. It is more sophisticated, detailed, and enjoyable to listen to because of the conclusive and understandable response. It maintains a relatively open and airy presence while not favoring any one area over another. I mean, after listening to the Nova and the Chopin, I couldn't find any characteristics that were as well-resolved and clear. Yes, there are certain restrictions; these include the BA timbre and dynamics, but more about those later. Allow me to elaborate on the EM6L's sound.

Treble​

The treble, which surprisingly doesn't pierce your ears with any offensiveness, is the highlight of the entire response with its crisp, airy response full of precise, detailed notes. I was completely captivated by the treble response alone. Though I can understand that the treble is not as forward as it seems on the Nova and the Chopin, and that is better for a coherent and smooth response, I'm not sure why people find it lush or dark.The reason for this was my uncertainty following my examination of the EM6L frequency response graph, which revealed an unduly emphasized lower treble energy. This unnerved me because only balanced armatures with such intense energy could have resulted in piercing and metallic sound. And I was mistaken because, in actuality, the timbre control is superior to many BA configured IEMs that I have heard. I find that this IEM is far superior to any other in this price range because of the upper treble's zing and extension without using excessive energy to achieve such response. It also sounds very detailed and resolving given the price, thanks to its clarity and airy presence. The instruments sound clear and dispersed, and the vocals feel lighter and fuller without being particularly warm. With more emphasis on the vocals, the lower treble carries out the same energy. Here, the response results in notes that are more distinct and coherent by improving their clarity and sharpness. Although the subtle BA timbre is noticeable and may cause one to perceive the response as lean, the orientation of the vocals and instruments helps them to come forward without being aggressive and metallic in sound. Although it is thin and light, the notes' integrity is unassailable. Because of the treble region, the entire response really establishes a widespread and distant response. As a result, the treble response sounds clear, airy, and linear overall in its presentation.

Mid Range​

When we get to the mid range, the forward-sounding instruments and vocals are enjoyable to listen to. The response is clear and precise even though the notes don't feel warm, dense, or rounded. Even in the upper mids, where the Nova seemed more approachable, I thought there was a better sense of distinction between the notes because the notes on EM6L sound full and mature. While the vocals and instruments sound more substantial and organic, the upper mid range resonates with the lower treble and radiates the same energy. The response sounds warm and velvety, but it's actually more revealing. The vocal notes in particular exhibit an open, forward response that sounds lean but not in an offensive way; in fact, the lean quality smoothes out the balance between the sharpness and details of the notes. Conversely, the instruments have a better tonal quality and sound more prominent, but they still lack some weight. Due to the response's lack of density and warm flow, the lower mid range sounds clear and a little relaxed. It sounds better with note weight and density due to the muted qualities. Not because it lacks note density; rather, the upper mid range conveys a sense of refinement combined with a weight that is both authentic and genuine. Both the vocals and the instruments sound clear, with the instruments having a stronger sense of texture and note presence. As a result, the mid range sounds appealing, forward, and open overall in its presentation.

Bass​

I can't say that I'm a fan of the bass, but I find it interesting how it works with the whole mix. Nevertheless, the bass response sounds more textured and detailed than rich and dense, and it appears to be much leaner. Despite having a strong impact, the bass is not what you might feel. As previously mentioned, the bass resolves quickly, leaving no warm, organic response. This is because the resolvability is excellent. The warmth is diminished because the sub bass is emphasized. The deep sub bass extension produces a very faint rumbling sound in the ears, but its powerful punch response makes a big impression. But where the slams could have been thick and the thumps would have felt like they were pounding on eardrums, the mid bass lacks the weight and meatier approach. It's not dead, though, because bass-heavy tracks have a bass that just slams into you with all of its might,the bass delivers a tactile, strong, and pounding sound that is incredibly captivating. Compared to other IEMs in this price range, the bass quality is extremely good, with much better details and texture. Though the bass on the Chopin sounds more natural and in control, the note texture isn't any better than on the EM6L. Overall, the bass region is presented in a clean, controlled, and detailed manner.

Technical Performance​

At the price these are being offered at, I firmly believe that no IEM has greater technical capability than the EM6L. It sounds great, regardless of the resolution or the specifics. In actuality, I think the imaging and details are superior to the Chopin, and the stage and resolution are superior to the Nova. Let's go into more detail.

Soundstage, Sound Imaging & Separation​

Compared to a stereo response that is more generic, the soundstage has a more expansive and holographic feel. In particular, the stage isn't as large or far away as one might think, but excellent imaging and separation give the impression that it is a more upscale setting. The imagery is clear and crisp, but I would have thought it might have sounded offensive if there had been more contrast. I can tell exactly where the sound is coming from, but the distance between the notes is noticeable but not very great.

Speed & Resolution​

Given how quickly notes are delivered for a BA and a dd, the accuracy of the resolution and the details conveyed are impressive. I mean, all of the details—micro and macro—are sufficiently expressive, and the notes' attack and decay are timed to help resolve the issue quickly and provide a very clear strategy.

Sound Impressions​

Sources​

Sony WM1A -while using my WM1A to listen to EM6L That was such a lovely, melodic response that I was speechless. The notes had a more lively, realistic physical quality. While the notes' slender quality wasn't completely eradicated, it was sufficiently diminished to yield a more organic and natural response. The bass guitar plucking began to sound more meaty, and the bass felt bigger and more quantified. In the end, the higher frequencies seemed more subdued in the treble or mid range, with a better stage response, more relaxed and tonally superior vocals, and more rounded rather than sharp instrument notes.

Tempotec V6 - Rich with energy, the response felt largely the same as I had previously mentioned, with the exception that it was a little bit more cohesive and smoother, allowing for a less leaner sound. The response, in my opinion, felt a little too warm.

Tracks Used​

Luna Haruna - Glory days
Luna Haruna - Overfly
Rokudenashi - The Flame of Love
LMYK - 0 (zero)
ORESKABAND - Jitensya
Marina Horiuchi - Mizukagami no Sekai
RADWIMPS - Suzume
Indila - Love Story
Indila - Tourner dans le vide
Earth, Wind & Fire - September
Tom Petty - Free Fallin'
Fleetwood Mac - Everywhere
Nirvana - Smells Like Teen Spirit
Blue Oyester Cult - (Don't Fear) The Reaper
Guns 'N' Roses - Sweet Child O' Mine
The Police - Every Breath You Take
Gojira - Amazonia
TV on the radio - Wolf Like Me
Bring Me To The Horizon - Can You Feel My Heart
Bring Me To The Horizon - sTraNgeRs
Avril Lavigne - Dare To Love Me
Travis - Love Will Come Through
Gotye - Somebody That I Used To Know
DJ Shadows - Six Days (Remix) [feat. Mos Def]
Lady Gaga - Just Dance
Lil Wayne - Lollipop
Flo Rida - Low
Sebastian Lopez & Flug - Electronic Measures
Federico Mecozzi - Blue (Da Ba Dee)
Wayve - Not Enough
Kai Wachi & TeZATalks - Ghost
NGHTMRE, Zeds Dead & Tori Levett - Shady Intentions
Zeds Dead, DNMO & GG Magree - Save My Grave
Skrillex, Noisia, josh pan & Dylan Brady - Supersonic
Skrillex & Nai Barghouti - Xena
Skrillex, Missy Elliott & Mr. Oizo - RATATA
Kaifi Khalil, Eva B & Wahab Bugti - Kana Yaari
A.R. Rahman, Javed Ali & Mohit Chauhan - Kun Faya Kun

Conclusion​

In conclusion, I would like to say that I have a lot of appreciation for the EM6L because of its extremely refined and tactile response, which never permits any unpleasant noises and produces an impressively detailed and resolving response for an IEM in this price range. Of course, the response is not as dynamic as other IEMs, but the tuning it offers reveals better than any IEM I have heard, even above its price range. The quality that SIMGOT provides consistently leaves you feeling more than satisfied. Of course, those who prefer a neutral with sub bass boost response can get this; however, I strongly suggest the EA1000 by SIMGOT to those who lean more toward a musical IEM.

The package of the EM6L is both informative and good looking with its all black and metallic hue. Inside one finds the Simgot EM6L, very good quality tips in different sizes, a nice-looking cable, and a good size case. While the accessories are basic, they are more than enough to get started. The Shells of the phoenix are light and made from a resin with a shiny piano black look. The guitar pick shape is very ergonomic and provides a good seal. Isolation is very good as is comfort. There was zero sound leakage. The cable is OFC with silver plating, is both soft and holds its shape without tangling. The ear hooks are preformed and one of the softest I've used. The case is a very good size and fits the EM6L, and everything included with room for a dongle or small Bluetooth receiver.
Here is a visual representation of my equipment.

This may not be everything used in testing as it is a fraction of my equipment. For the purposes of simplification, the majority of testing is done on the ifi Hip-Dac3, Gryphon, and The Diablo 2, The Questyle M15 and M12, The TempoTec V6 and Hidizs S9 pro plus, AP80 PRO X, and XO. Bluetooth devices are omitted from testing and only used for personal enjoyment.

Songs are varied and from my eclectic playlist, they consist of Rock, Hip-Hop, Rap, Jazz, Lofi, Metal, Country, Classical, pop, K-pop, and OST from Anime and Video games.

Sound Impressions:

Bass?: Presents a unique tuning it is Sub-Bass focused but just north of Neutral, still Bass in general has decent texture and great speed, prefect for faster metal music and it goes well with just about every genre of music.
While Bass isn't overly punchy it still has a nice tight punch and details. When called upon the Sub-Bass has a nice rumble.
Mids:
The Midrange is perfectly centered with vocals just in front of instruments, Mids present clear and with a good medium weight and very well-done separation. Both male and female vocals are very natural sounding without shouty or recession.

Highs:
The Treble is smooth and organic sounding. There is good air and layering and a fair amount of energy and sparkle to the top end. The EM6L is perfect for treble sensitive as it doesn't over do the extension or have large spikes. You get a well extended treble with good details and a natural decay.

Soundstage ETC:
The Soundstage is huge with almost equal height and depth. The Simgot has excellent technicalities with imaging and a very accurate positioning. The EM6L could easily do well for gaming and media.



Afterthoughts:
The Simgot is a well-made and decent priced Hybrid, its tuning goes well with everything, and it has just enough energy to be fun while still being very technical and detailed. Out of a bunch of similar hybrids I think the EM6L is one of my favorites. Definitely a everyday all arounder.




In comparison:
The Simgot EM6L Phoenix is just one out of many 1DD 4BA hybrids I have listened to. The Yanyin Canon2, and Simgot EM6L hold the top spots for overall goodness, while the Truthear Nova, Hidizs MS5 and JoyodioVZ10 are super fun and Bass heavy in comparison. Last the Tanchjim Kara not bad by any means but less exciting than the others and very safe.

Simgot, I’ve tried their ea500 but wasn’t a huge fan. But I wanted to try their new version of the simgot em6l. It has an interesting 4 BA + 1 DD driver configuration and I wanted to check out what it is all about. Should you buy it, maybe… Let’s find out why!

First off, I bought this iem with my own money, and I paid full price from Linsoul. (non aff link) I only bought this iem as a fan of the hobby, not to promote anything. There has been a lot of hype around this iem. I’m going to walk you through this iem from front to back and let you know what I think of it.

I am going to share a larger list that I have of songs that I like in this review. 61+ songs Here
This list is my go to test songs for the first go.
Top 10 Tidal list here:
I listen to a wide variety of music. I pick the songs because of various reasons. But I picture myself locked away like Andy Dufresne from Shawshank blasting music and shut off from the world. It’s a blissful image, thus my first song choice.
The Marriage of Figaro -The opera song from Shawshank Redemption, terrible recording but fun and gets me in the mood to listen to music. Simgot nails this song, with female vocals sounding nice and well-rounded. Instruments sound right from a timbre sense as well.
O mio Babino caro -This is a modern less operatic version but a song with great female vocals. Vocals are right here as well, with timbre sounding really lush and strong. This reminds me of the EA500’s fantastic sense of timbre and space that I so like.
Video Rigoletto - “La donna e mobile” Sung by one of the three Tenors, great song for high-performing male vocals. Pavarotti is the greatest classic singer maybe ever. Fight me!
Iron man - The sound at the beginning is hard to make sound great, great drums, and cymbals, and if done right it feels like an old-school band. Simgot doesn’t disappoint, Iron man sound literally perfect. Space and stage is also really good. Male vocals still sound a bit off, but overall good.
I Will Survive (1981 recording), I like her voice, and the old vocals, the drums, and various natural instruments really make this a favorite for me. Drums hit good, this song is strong and nice sounding on the Simgot EM6L.
There is a light That never goes out - Smiths A classic, I just love it. It’s mellow, and I can tell a lot of the tuning if this song is done right. The lush timber on this song really pops and sounds great. I really like it.
Jump I like how the sound effects are in this! This song passes this song, as the initial song sounds buzzing and strong. It’s just great.
Star Child Someone recommended this song to me, and I like how funky it sounds and has nice vocals and a mix of music and things going on.
Dicke Titten Ramstein The beginning is amazing and the bass hits hard. Great song. I love rock and metal. The German language fascinates me. This strong sounds great on this set, everything is strong and the space still amazes me.
Master of Puppets: Very fast song. Helps me determine if the driver can keep up. Sounds a bit plasticky in the timber but overall good and fun.


Shell -
I like this black shell and it feels comfortable. It has the Right and Left clearly marked. They are clearly marked and it feels great in my ear. While not a fancy beautiful shell, it is sleek, and as dark as my soul.


Case- Nice little case. It’s cute and functional. It feels good in my hands and fits in my pocket. Better yet the iem actually fits in this case without fiddling with things. It’s a strong case for the package, and adds value, especially at this price point.



Cable- It has a chin slider, and a velcro strap on the bottom. Two great features. I personally hate QDC or Janky two pin as Hobbytalk calls it. But as far as QDC cables go, this is a nice cable and I love the look of it.



Tip Selection - Average tip selection, but my expectations are low at the price point. I find no fault here, as I used Divinus Velvet tips with mine. I like black and I feel they go with the iem well.



Quick-Fire Comparisons

In this section, I'll quickly compare the

SIMGOT EM6L VS. Hexa
Overall Tuning: SIMGOT EM6L
Details: SIMGOT EM6L

SIMGOT EM6L VS. Kiwi Ears Quintet
Overall Tuning: SIMGOT EM6L
Details: Kiwi Ears Quintet

SIMGOT EM6L VS. SeeAudio Yume II
Overall Tuning: SIMGOT EM6L
Details: SIMGOT EM6L


Graph: These graphs are brought to you by Paul Wassabbi, he’s a great reviewer and I highly recommend him.

I think this is a safe graph with no major issues. Note how close this is to the Aria. Now let’s look at it compared to the EA500.

Note a lot has been improved in the base and some other issues that I had with the ea500, but I find the overall magic of the ea500 is still there and to me this is just a much better set.

Sound - Final Impressions

Overall this is a strong listen, it is technically very nice and solid. At 109 dollars this is an easy recommendation for me, as everything sounds nice on it. With a little eq everything is better at least for me, and we’ll get into that soon. It’s an easy pair to enjoy straight out of the box.

Recommended EQ: I’ve been messing around with Peace APO as I further level up my audio game. I’ve been enjoying my time with it. This is my current eq for the red. The EM6L doesn’t really need eq, but it’s better with it.

Preamp: -7.5 dB
Filter 1: ON PK Fc 35 Hz Gain 0.5 dB Q 1.300
Filter 2: ON PK Fc 62 Hz Gain 0.5 dB Q 1.100
Filter 3: ON PK Fc 290 Hz Gain -0.9 dB Q 1.000
Filter 4: ON PK Fc 720 Hz Gain 2.8 dB Q 1.700
Filter 5: ON PK Fc 1200 Hz Gain -2.2 dB Q 2.000
Filter 6: ON PK Fc 2100 Hz Gain 3.5 dB Q 1.900
Filter 7: ON PK Fc 4000 Hz Gain -4.9 dB Q 1.700
Filter 8: ON PK Fc 6500 Hz Gain -2.1 dB Q 2.000
Filter 9: ON PK Fc 11000 Hz Gain 10.3 dB Q 2.000
Filter 10: ON PK Fc 14000 Hz Gain -8.6 dB Q 2.000




Gifting/who is it for: I think this is a nice hifi iem to gift to someone. It’s black but has some characteristics. The unboxing experience is mint, and is beyond exceptional. The cable is beautiful, the shells are amazing, and it is a strong all-in-one for the price. It dwarfs almost everything I’ve seen and I would highly recommend it as your go-to gifting set to others.

Pairing: I used a Quidelix 5k for mobile, my dongle dac iBasso DC04 for my laptop, and my JDS labs Element III MK2 Boosted for my Desktop PC.

Summary

I’m going to give this iem a strong easy recommendation for someone looking for a technical set with a neutral sound profile. It is just a great choice despite some minor issues that I could see other having a problem with like the QDC connection. This iem could in my opinion either be an end game for many, and an easy recommendation. I will definitely be selling my benchmark 100 dollar iem at this point, as I find this iem to be so strong and quality.

Thanks for reading. Any feedback is welcome.

Simgot’s single DD IEMs got countless praises but when they released a 1+4 hybrid, everyone was curious to see how they would perform, myself included. Not only that, with their 109 USD price, they would be one of the cheaper 1+4 hybrids out there. There is no need to raise the hype here since EM6L has been out for a while and some people already named it one of the best releases of 2023.

Disclaimers​

Simgot EM6L Phoenix was provided to me by Simgot for free and I only paid for the customs fee. As I always say, everyone is biased one way or another so take everything you read with a grain of salt. Also I will try to be more concise and to the point in my reviews from now on without worrying about the word count etc. If you have any questions, please ask me in the comments and I will try to answer them to the best of my abilities.

Build and Accessories of Simgot EM6L​

EM6L a.k.a Phoenix is kind of an experimental product from Simgot, at least that is the impression it gave me with some of its aspects. First of all, it is a hybrid, and a 1+4 one at that. It uses a 3-way crossover and has a 3D printed resin shell instead of a metal one Simgot usually uses. Apart from these, connectors used on EM6L are the ones known as QDC or C-pin type which we are familiar with from brands like KZ. They almost make EM6L look cheap but understated dark metal faceplates look gorgeous so I don’t really mind them.
The thing I loved about the build of EM6L is the shell size; they are not huge like other hybrids I used. Ear pieces are light and very comfortable which is a huge plus. Size and shape aren’t much different to usual single DD IEMs but nozzles aren’t angled like other Simgots. A minor gripe of mine here is that nozzles don’t have any contour or lip so some tips easily slips out of the nozzles.



Box and presentation is simple yet well thought out. I loved how Simgot placed an extra piece of felt on the cover where faceplates touch. Not that they needed because faceplates already had protective film on them. Unfortunately though, the box wasn’t abundant with accessories as usual. There was only an unbranded case, a cable and a decent set of tips.

Sound of Simgot EM6L​

Tonality​

EM6L, like most of the other Simgot IEMs, aims for the Harman 2019 Target and for the most part hugs the line very closely. There are, however, some quirks which may or may not be welcome depending on your tastes or what you think about Harman tuning style.

EM6L Phoenix is bright, there is no denying that, all the Simgot IEMs I have tried are bright. But the balance on EM6L is a little different. Bass on EM6L isn’t very prominent, some may even say they are light in note weight. For me they are just a smidge dry, that’s all. For those who love EA500’s richness, EM6L might not satisfy you, after all EW200 didn’t satisfy them either. Still bass quality is pretty good, that’s what we would expect from Simgot.

Mids are forward and have a fine presence, no surprises there. But again other Simgot IEMs do a little better here tonally. EM6L has a late peaking ear gain, which I’m not a big fan of. Piano, brass instruments and electric guitars have more energy than I’m used to.

Like I said earlier, EM6L is bright, especially the upper treble is very pronounced. This makes them very technical and Simgot somehow managed it without them being too harsh. They can get fatiguing in long listening sessions for some, but I wasn’t too bothered by them. Frequency response graphs don't show the usual 8k resonance peak because there is actually a dip there. While it negates the piercing effect that occurs with drivers of inferior quality, it also makes them lack a certain snap I got accustomed too. Still I prefer this over the piercing effect.

Technicalities​

It might have come as I had a lot of negative things to say about EM6L so far, but those were nitpicks at best. They are well tuned but a little quirky, that’s all and they more than make up for those with their technical capability.

First of all, they let me hear lots of nuances I haven’t heard at this price point. They are very detailed and resolving. Like I said earlier, this is mostly attributed to the tuning which is kind of common among the high end sets. Drivers might not be of the highest quality but Simgot managed to get the best out of them. Unfortunately the timbre is slightly off. In fact it was the first thing I noticed when I put them in my ears for the first time. It’s not off putting but noticeable if you come from a very natural sounding set. Staging capabilities are fine but imaging and layering is quite good.

Comparison​

Simgot EM6L vs. Truthear Hexa​

Hexa has been one of the benchmarks below 100 USD and also being a hybrid, it was the most sensible choice for me to do a comparison.

• Hexa is mostly bass light except subbass. EM6L has more body and bass impact. Bass guitars are also more prominent on EM6L. EM6L slightly extends better in the subbass.
• EM6L is significantly brighter, and also has more vocal presence but not particularly harsh. In fact, it could be said that Hexa’s tuning is too safe. Hi-hats have a more satisfying energy on EM6L; there is also an occasional glare. Also EM6L has a dip at 8k which makes it lack a certain snap which Hexa and most other IEMs have. EM6L might get fatiguing in longer listening sessions.
• While not perfect, timbre is better and more believable on Hexa. EM6L is slightly off and nasally. EM6L is technically more capable than Hexa. It is more resolving and detailed. Also EM6L has better staging and imaging, it feels wider and deeper.

Considering how Hexa is one of the top choices below 100 usd, EM6L trading blows with Hexa is a compliment on its own.

Conclusion​

EM6L was another IEM that I enjoyed reviewing. They are very technical, especially for their price but also have some quirks. While tonally there are better IEMs in its price range including Simgot’s own offerings, I think technically they outcompete others I have heard so far. So it really depends on what you value more.

Simgot EM6L: EW 200 on steroids?



Intro

Today's IEM bears the name of the Greek mythological bird Phoenix, and it makes me think that this is what Simgot has achieved this year: a rebirth from their ashes by offering excellent sonic capabilities in their latest releases. Today's EM6L (or Phoenix) is a $110 USD IEM (currently on sale for $100 USD) featuring a dynamic driver and four balanced armatures.


If you wish to read this review in Spanish, click here

Check out previous reviews here (or in spanish here)


Disclaimers:

• Thank you very much to everyone at Simgot, especially Fia Lam, for providing me with the EM6L for writing an honest review.
  • You can find the EM6L here: http://www.simgot.com/en/products/detail/30.html#!/detail (Simgot's Official Website) - https://www.linsoul.com/products/simgot-em6l?_pos=1&_sid=d36a6a458&_ss=r (Linsoul)
• Analysis over 4 days – Sessions of approximately 2 to 4 hours
• All music is lossless (Qobuz > 16bit – 44.1kHz)
• Gear Used: IFI Zen Air Can (AMP) + Fiio E10K (DAC)

Unboxing, Build & Comfort







Simgot EM6L: Standard construction with a CNC-machined metal faceplate (easily gets dirty) and a 3D-printed dark-tinted resin housing. Honestly, the construction didn't impress me, and the inclusion of QDC connections seems unusual for an IEM priced above $100 USD. The true value of the IEM lies within, as it features an 8mm dynamic driver and 4 balanced armatures (BA) with a three-way hybrid crossover. 5mm nozzle size.



Cable: High-purity copper, oxygen-free, and silver-plated. It comes with 2-pin connectors coated and compatible with QDC. I have no complaints about the cable itself, and it performs its function well, although interchangeable terminations would be appreciated since it only has a straight 3.5mm termination.

Eartips: 3 pairs of wide-bore silicone tips. Despite my preference for this style of tips, it's somewhat unusual to encounter only one variety of tips in a product of this caliber.



Case: A simple but appreciated inclusion. Well-executed semi-hard construction in both the base and lid to prevent crushing the contents inside.

Comfort: Excellent with minimal protrusion. Decent isolation, although it can be affected if the tips are not the right ones, requiring readjustment of the IEMs to regain an ideal seal.

Driveability: Moderately challenging to amplify. I had to increase the volume on my iFi Zen AIR CAN more than usual compared to many other IEMs I've tested (volume comparison: EW200 = 1/8 turn on the iFi Air ZEN CAN vs EM6L = 2/8 or 3/8 turn on the iFi Air ZEN CAN) – EM6L Specifications (Impedance: 26 ohms - Sensitivity: 119dB/Vrms (@1kHz)).



Sound Description


Credits: Paul Wasabii

Bass

The separation of the bass is correct but not astounding; in songs with simultaneous reproduction of bass and subbass (electronic), they tend to blend, confirmed by tracks like Tiesto's "All Nighter" and IMANU's "Buried". Subbass has a presence greater than the bass, causing bass guitars to prevail over the kick drum of drummers. The quality and reproduction of the subbass in songs like M|O|O|N's "Hydrogen" are above average and let their rumble be felt. However, the bass presents itself as somewhat softer than it should be (a slight lack of punch), making its execution less enjoyable in songs like Martin Garrix's "Follow".


Mids

Following the typical Harman curve signature, there is a bit of bleed into the mids, although it doesn't become too intrusive. It does, however, accentuate lows and deep notes to a greater extent than usual. This bleed is more noticeable with male singers with mid-to-low-range voices, while singers with mid and high registers can overcome it and become the main focus of the scene when they choose to.

Songs like "Vivo Per Lei" by Bocelli, where singers of both genders have similar vocal ranges, female voices manage to shine a bit more. In individual scenarios and with low or absent low-frequency presence, male voices perform well, with baritones standing out more than tenors. Singers ranging from Amy Winehouse (lower range vocals) to Adele (mid range vocals) bring a very clear and natural presentation to the table, thanks to the elevation of the upper midrange, showcasing their skills in songs that lean towards the high frequencies, such as "Someone Like You".

Although the Harman curve doesn't quite align with classical music, the harmony among the different strings, winds, and percussion of the Oslo Philharmonic Orchestra interpreting "Sibelius: Complete Symphonies" is admirable. However, I often find myself yearning for more detailed violins in other songs, such as Fabio Biondi's rendition of Vivaldi's "Winter”. Overall, the correct cohesion achieved among instruments offers a satisfactory level of technicality, but in my opinion, it doesn't stray far enough from what a cheaper Simgot IEM like the EW200 achieves, as we will see later on.

One of the instruments best executed by the EM6L are wind instruments like saxophones and trumpets. Their reproduction leans slightly towards a laid-back presentation but retains a good amount of detail.


Treble

The tuning aims for trebles that I consider laid-back but not entirely detached from details, thanks to a correct extension but perhaps with a lack of brightness in this range. This relaxed presentation results in the cymbal splash losing some vitality (cymbals in Megadeth's "Life In Hell" and Iron Maiden's "Two Minutes To Midnight").

As a positive aspect, the sound from the balanced armatures (BA) is minimal or absent, ensuring good coherence between drivers.


Soundstage and Imaging

The EM6L boasts a soundstage of adequate width but not outstanding, and it's a bit compact in depth.

The imaging is precise, allowing for the distinction of each guitar on the sides of the singer, as evident in "Hallowed Be Thy Name". It also maintains proper separation between instruments of different types, such as winds and strings in Schubert's "Symphony No. 9 in C major, D. 944 'The Great': I. Andante - Allegro ma non troppo" performed by the Leipzig Gewandhaus Orchestra.



vs Simgot EW200



To be frank, Simgot's biggest competitor at the moment are themselves (obviously, this is a compliment). That's why my comparison is against the supposed younger sibling of the EM6L: the EW200, which costs around $40 USD.


Credits: Paul Wasabii

Observations:

-Subbass is more satisfying in the EM6L compared to the EW200, but the punch of the bass is quite similar. However, since the subbass is more elevated in the EM6L, it tends to make one undervalue the bass as the EW200 draws more attention to it. There is good separation between the two lower ranges of the spectrum in both IEMs, with a slightly better performance by the EW200.

-In the EW200, the wind instruments are a bit more aggressive (without any excess), attributed to a slightly more balanced signature that allows them to shine. On the other hand, the EM6L tends to temper the power of the instruments, giving them a touch of subtlety (this is noticeable in the instruments of Sinatra's "Come Rain Or Come Shine").

-EW200's mids provide better presence to voices and instruments, thanks to a signature less focused on the bass. Voices (and instruments) are more recessed in the presentation of the EM6L in comparison.

-The presentations of the highs are distinct, with the EW200 offering more brightness, allowing a more appropriate reproduction of cymbals, extending their sound during impact. The high frequencies in the EM6L tend to fall short in comparison, and I would say they are enjoyable for individuals who are sensitive to elevated treble. The level of detail, in contrast to the EW200, is extremely similar but with a darker tone.

-Soundstage between both (EW200 and EM6L) is virtually the same in terms of width, although the EM6L seems to have less breadth and be more compact due to its signature that retracts more of the mids. Depth is actually greater in the EW200; the difference in distance between the drum kit and the lead singer (positions behind and in front, respectively) is significantly larger.

Despite having similar signatures on paper, when listening, one could argue that the EW200 is superior for analytical listening, while the EM6L favors relaxation during sessions focused on contemporary music. That being said, I find the EW200 to be more versatile as it is not limited to a "serene" tuning, thus providing a pleasant reproduction across the broad spectrum where instruments and voices reside.



Conclusion



As a reviewer, my job is to identify and document the positive and negative aspects of the products I analyze. In this case, it may seem like the EM6L is overshadowed by the EW200, and if we strictly consider the value for money, that might be the case. However, the EM6L has its niche, being the "dark EW200" that many seek—an IEM with the ability to present treble as a gentle range, yet one where small technical nuances can still be found. It has room for improvement in its construction (QDC connection, housing and faceplate made from more robust materials), but sonically, it is on par with its price.

TONALITY: 8.2/10
TECHNICALITIES: 7.5/10
TIMBRE: 8.2/10
SPATIALITY-IMAGING: 7/10
CONSTRUCTION: 7/10
ACCESSORIES: 7/10
SOUND VALUE: 7.8/10

THE INTRO

Simgot has been around for a long time, their EN700 IEM has been launch in 2016, so this give you an idea how experienced this earphones company from China is.
After a hiatus because of the pandemy, Simgot come back with solid IEMs offering that surprise positively alot of audiophile including me.
Their EA500 single dynamic driver was and still is among best sub-100$ IEM money can get. Since then, it become own SImgot benchmark in term of high sound benefit return as well as excellent cratfmanship.

Today I will review their last offerin, the EM6L.

Priced 110$, the EM6L is an hybrid IEM using 1x8mm DD+ 4 custom BAs. Like their previous release, it's loosely inspire by Harman target 2019.

Let see in this review if more drivers translate into high technical performance, or if Simgot choose another tonal balance approach that worth the interest and hard earned money of consumers.

CONSTRUCTION & ACCESSORIES



The EM6L construction is a departure from the impressive craftmanship we were use too with IEM like EA500, EN1000, EW200 and EA2000. In that regard, it's quite a step down yet it's pricier.We have another surprising departure in term of standard 2pin connect, it goes QDC here and it's another big drawback.
These feel rather cheap, with a mix of plastic and light alloy alluminium back plate, but these are well made still, i'm biased by next level construction of their other IEMs models here and can't oversee this. But these will not impress anybody craftmanship wise.

The nozzle is long and thick, the IEM shape have slightly angled nozzle and it's ergonomic enough. It's light and comfortable, passive isolation is average but sound leakage is minimal.



While not plain bad, the cable isn't really impressive in term of quality. It's stated as ''high purity OFC silver plated'' cable. It have 2 strand and few cores it seem. Its very light and soft and look good. Alas it come in 3.5mm single ended only.



The packaging is super minimalist and come in a small box.
Accessories wise we have the cable, a basic (cheap) carrying case and 3 pairs of silicone eartips.
Nothing impressive here, more eartips and superior carrying case quality would have been appreciated.


THE SOUND IMPRESSIONS




There you go for another harman tuning inspired balance from Simgot but this time it go warmer and bassier. We can say it's near the opposite of EW200 and EA500 in that regard and share more in common with EW100P tonality.

Yes, the EM6L use 1DD+4BA but don't sound technical nor cold, and this time the mid range is thick, in fact, everything is dense in timbre and layer, even macro dynamic is thick with these.

For lush timbre lover, it will be very welcome, while treble head will be left on their hunger.

Personally, listening to those was a bit of rollercoaster in term of appreciation, I will try to explain why in this review.

The EM6L tonality is bassy and balanced, unlike cold harman tuning we are more into smooth V shape to L shape territory here where sub and mid bass have big boost, sub being dominant and mixing with mid bass boost in a chunky way.

This bass is quite addictive, guilty pleasure way. It offer a big thick slam, with very vibrant and dense rumble that benefit cello more than double bass because it's not a very clean and lean extension.
It's a opaque bass boom, with tactile roundness, it's not the fastest and do warm and boost lower mid range.
Separation isn't very good as a result, but you can perceive the layer and mids stick upon it, not under it due to hybrid configuration.
Kick drum are are warm and dark but round in body, with critical effort it'spossible to perceive it but it's not very textured nor edgy.
We have more boom and slam than well felt mid bass punch loudness, so the dynamic is mellow, not tighit or energic.
While deeply extended, i'm not sure it reach dow to 20hz since i can't hear pure sube bass tone well. It's because of rumble sustain which is compressed, this help extracting electric or synth bass line better than acoustic bass line that benefit high clarity and control.

The mid range doesn't lack lower mids and warmth, it's less thin sounding Simgot of them all but the darker too in term of sharp definition of instrument which feel a bit blurred in edge.
This fundamental can dominate higer harmonic, in the sens lower note of piano are more fowards than middle note which can feel recessed and lacking dynamism. Note can mix togheter in blurry sustain-release and while we have weight, it doesnt drop fast nor hard, it feel damped in attack release mostly.
So these do better with vocal, male vocal are foward and full bodied. Female vocal are a bit leaner, felted and breathy, thick and free of sibilance but they are centered too, not very wide in presence nor very transparent, they are quite colored with lower mids fundamental so not the most precise in articulation but quite lush, warm and musical.
These aren't open mids, nor clean, it come as a whole meaty package so we struggle to separation each sound layers that mix togheter warmly.

The treble is very understated, it's smooth and lean, full not think but it does lack air, openess, snap, brilliance and sparkly.
In other word: it feel rolled of in ultra highs after 10khz.
Cymbals crash are tamed in loudness release and don't extend naturally. Other percussions are softed in edge, velvety, no edgy and some of them can get lost in the mix.
This is a safe treble, darkened and damped in dynamic way.
Clavichord is lacking energy and dont release it's natural resonance and sparkle. Their near zero brilliance to it. Same for the harp.
Acoustic and electric guitar are bodied but lack attack lead bite and precision as well as sparkle and openess, it feel sticken on other instrument.
I mean, it's not plain dull or dark, we have some energy on top, but it's not clean nor refined, some percussions can pop up more than other, wood block hit for ex, as well as upper hard mettalitc cymbals hit.
Nonetheless, I expect way better treble with 4 balanced armature, so this is most likely very cheap BAs in there.

The soundstage is average wide and tall, and crually lack sens of depth and air. It's centered in front of you like a wall of sound with compressed holography.

The imaging is average at best, and when big bass occur it's plain bad. The sound layering can be separate with effort but instrument separation in X axis don't have clean space, nor sharp definition of instrument positionning.



THE COMPARISONS



VS Simgot EA500 (1DD-70$)

The EA500 is brighter, more W shape, crisper and less bassy.
It sound notably cleaner, airier and more open.
The bass is better separated but thinner, more resonant and less chunky, EM6L offer bigger warmer slam and heavier note weight. It's slower and less transparent than EA500.
Mids are thinner brighter and cleaner, more transparent and detailed, notably more open as well as edgier less blunted in definition. EM6L have notably more lower mids, so male vocal are more bodied and upfront, less just about presence definitio than EA500. Upper mids are a bit smoother, less shouty than EA500 and female vocal and violin are lusher but darker too, more mixed in the macro dynamic which is more opaque as a whole with EM6L.
Trebleis darker, thicker and creamier with EM6L, it's notably less sparkly, airy, snappy and extended than EA500. EA500 have more air and brilliance and acoustic guitar have natural resonance that EM6L lack.
Soundstage is notably more compressed, less wide and tall and notably less deep since there no depth with EM6L.
So imaging is inferior and darker, muddier in macro rendering with EM6L, the soundlayer are glued togheter which make me question alot the ''benefit'' of 4BAs here.

All in all, while the EM6L is logical upgrade of EW100, it's not an upgrade of EA500 in term of technical performance, but for tonality it's smoother, lusher and bassier for those that it can appeal.

VS TEMPOTEC IM05 (1DD+4bas-150$)

This time IM05 is notably brighter, more vivid and spiky. Again its more open, analytical and clean and transparent.
Bass is more boomy and resonant, thinner, just wrong compared to rounder fuller bass of EM6L which is more controlled in sub extension, more vibrant and dense in rumble, more boosted in mid bass too.
Mids are colder, thinner and harsher more prompt to timbral imbalance, both male and female vocal are thinner and more recessed than EM6L too.
Treble is sharper, more open and boosted, its more fowards and unbalanced that darker but leaner treble of EM6L.
Soundstage is about same wide, but taller and deeper with IM05, it's not realistic though.
Imaging is clearer but high pitch instrument are more dominant than EM6L.

All in all, I guess the technical performance is superior with IM05 but badly implemented and bass isn't superior....clarity and imaging and spatiality are superior but not the tonal balance which is way more messy than more sirupy macro dynamic of EM6L.

CONCLUSION

The EM6L are lush bassy and balanced laid back pleasure to listen too, their not technical but deliver an holographic musicality with tactile, natural and dense timbre.

It's the warmest Harman target IEM i've heard yet from Simgot, so treble head as well as precise imaging seeker will be perhaps underwelmed by the understated technicalities of these.

Yet, we have a cohesive sounding hybrid with very addictive chunky bass and dynamic mids and treble, smoothed way.

These are easy to love at first listen, then when you go into critical listening it's where you might or not be impress.

Recommended for it's smooth and lush tonality!





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PS: I want to thanks Simgot for sending me this review sample. As always, these are my independant minded audio impressions and nothing can interfert with it's integrity.


You can order the EM6L for 110$ directly from official Simgot website here: http://www.simgot.com/en/products/detail/30.html

Intro
Simgot has been on a winning streak and just might own this year with its recent releases. If you've been living under a rock and have yet to hear a Simgot set then it is well overdue. They seem to find their house sound, revolving around various Harman FR tunings and giving it their own flavor, in which have succeeded and garnered the majority of IEM enthusiasts as part of their rotation. With the majority of its lineup not offending audiophiles, the EM6L Phoenix though seem to came in to be the black sheep... or rather the blackbird of the family as it seem to be the contrast to their house sound. It's still based on the Harman tuning but overall providing Simgot's smooth take and warm tilt, setting it apart from their lineup. If you favor a somewhat non-offensive, no-peaks, somewhat balanced but with energetic, airy treble set then read on.


Packaging
The Phoenix comes in a squarish black box with the some signature Simgot detailing. Inside, you have the IEMs, a black oval zip case that seem to be similar to that of what comes with the EA500 and 3 pairs of eartips, which seem to emphasize and fit right accordingly with the intention of the target sound. The cable, somewhat feeling a little flimsy and thin, seem to be capable and functional, terminating into 3.5mm SE. Overall, barebones and minimalistic of what you need. It doesn't scream or gives a hint of its Phoenix namesake though on the product itself.


Formfactor, Tech, and Sound
The IEMs themselves look minimalistic yet classy with its glossy shells. Very lightweight but feels solid and seem to have a comfy fit. Its in a 4BA+1DD hybrid setup with the overall sound having coherency as a whole without apparent BA timbre. You would notice that it'll take a few more turns on the volume knob to get it loud compared to your other sets so it does need some bit more juice and a DAC/amp dongle really do help. Again, I'm no measurebator and will tell the sound as it is. To simplify, if you want a neutral set but still want that liveliness and energy at the top end then this is for you. Think of a Harman tuning that caters to the majority but with smoothness and warm tilt, then you have the Phoenix. It has just enough bass quantity (even more at times) but not as defined and not as fast as its siblings implementation, which favors neutral-warm lovers. The midrange are somewhat track dependent, at times being recessed but never too far in the back. Male vocals are a bit lean thoigh still lush but really shines with female vocals. This is Harman tuning done so well to be pleasing to our ears. None of that dryness and analytical flavor that would at times bore or tire you. It may have difficulty in handling busy tracks at times but otherwise it is still a capable set with most genres.


Comparisons & Conclusion
If you want the very technical, energetic, neutral-to-bright Simgot signature then you are definitely better off with the EA500 and EA1000, bringing every upbeat music genre to life and have you dancing to your toes but if you do prefer a more subtle, subdued but never boring take to even the most fun genres then the EM6L fits your bill. It's not as neutral as say the MagicOne but both of these sets cater to those who want it smooth yet will not make you snooze or fatigue to even with long listening sessions. It may not come in ablazing like a dragon breathing fire but is warm enough to naturally rise to the occassion with the grace of Phoenix as its namesake. At around $100, it does what it does differently enough to be part of your Simgot collection or the set you go if you want to feel warm and cozy.