NiceHCK DB1
- Added by cqtek
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Since I don't want to repeat the physical stuff already mentioned by others, I focus on sound only.
You find the whole story here: https://www.audioreviews.org/nicehck-db1-review/
The NiceHCK DB1 is a warm-neutral and surprisingly good sounding earphone without any major flaws – to my ears. Looking at the curve, these 4.5 and 9.5 kHz peaks do not appear to spoil the party (the latter is probably coupler resonance). Nothing is scratching or piercing.
Previously, super-low budget single dynamic driver models such as the legendary NiceHCK Bro or the more recent KZ EDX were typically tuned to a pronounced V-shape, with an overly boosted, boomy bass and an upper midrange that caused our eardrums to ring after a short while.
Not anymore. The DB1’s bass is clean, composed, and refined. It is tastefully boosted without a boom. There is a subtle rumble at the bottom, though sub-bass extension is mediocre. Slam is hard as a rock but only pf average quantity and some may wish for a bit more. All this results in a limited stage depth but a nice, subtle warmth.
The lower midrange is also slightly off neutral with a tastefully dosed tone colour resulting in organic vocals. Voices are well sculptured and well resolving, they are not recessed, not sharp, but yet a bit lean (which is the general issue with cheap dynamic drivers). There is good speech intelligibility and good midrange resolution and clarity. Note definition is better than expected but note weight could be more.
Upper midrange is not strident but also a bit lean. That 4.5 kHz peak is not as evident as the graph may suggest – and way below levels of comparable KZ iems. It can introduce brightness in some tracks. Nevertheless would I have kept it down a bit.
Treble is a rollercoaster. The lower treble is recessed resulting in a complete absence of sibilance and recessed cymbals and hi-hats. However, the boosted upper treble make these metal items sound tizzy. Treble resolution could be better and lags behind midrange resolution.
Soundstage is of average width but, as mentioned before, deserves a bit more depth. Spatial cues is good nevertheless. Separation and layering are astonishing considering the price tag. Transients are outstanding considering the low price: attack is just right: notes are neither harsh or soft. This results in a good timbre.
In comparison, the Whizzer BS1 got the driver speed completely wrong imo: it is way too fast so that it sounds almost robotic and is fatiguing. The DB1 is also superior over the aforementioned NiceHCK Bro and KZ EDX, as it is less bassy and way more balanced. And it beats the KZ ZSN Pro X imo, which is overly shouty and less organic sounding.
Disclaimer
The DB1 was provided unsolicited from NiceHCK and I thank them for that.Get it from NiceHCK Audio Store
NiceHCK DB1
NiceHCK needs no introduction. One of the premiere vendors on aliexpress has made some excellent sounding earphones in the past and today we see an earphone from the group that cost a staggering $16! The DB1 is a tried-and-true single dynamic design with a solid plastic medium sized shell in 2 pin configurations. Ergonomic in shape, size and comfort. The DB1 comes to the masses with a promising tuning, using a nicer dynamic driver and what the group says is a balanced sound signature.
How good can a $16 earphone be right? I mean $16? That doesn't amount to taxes for most mid fi IEMs or even for DHL shipping for most earphones. But I digress, I have seen NiceHCK do some surprising earphones in the past for peanuts so I wouldn't put it past them to come up with a surprising earphone. And surprisingly it is.
The DB1 comes to you in their newly designed waifu infused box which has some basic accessories. A sets of silicone tips, and a very basic OFC cable. You can’t expect a world class unboxing experience for your $16, heck even with the very minor duty and or taxes on the item they will ship it to you for roughly that price plus a dollar when bought from NiceHCK site. Please do expect snail mail as free shipping for a $16 item means you will not get it for at least 4 weeks to a month. However, snail mail means you buy it and forget about it and it will be like finding a $20 bill inside your jeans pocket a month later.
Standardly disclaimers: the NiceHCK DB1 was sent via snail mail to my house halfway around the world almost free of charge for the purpose of a review. It has been burned in for a weeks' time and is ready for evaluation using my sources. Ibasso DX300Max, Fiio M15, Shanling M6 pro, M5s, M3s, DX160, Sony ZX300, Fiio K3 2021, IFI black label for amping. Instead of forking out the money to take your girlfriend or boyfriend out for some cheap street tacos. Get yourself a DB1 sold here.
So why would you be interested in the $16 DB1? I mean they look simple, dare I say lives up to the price point. Because they will blow your mind just how good sounding they are. It wouldn't surprise me if they sound better than a lot of your earphones. The notion of just because it is cheap does not mean it has to have a cheap sound most definitely applies here. Pound for pound, sound for sound what you're getting with your hard-earned cash is something substantial in the price range. As a reviewer, if I can point to a nicer sounding earphone at this price, I will lower the score I am about to give these things. But in all honesty, I can’t. NiceHCKs own X49 single BA earphone is one with good value but the DB1 actually sets the bar. I have no issues saying the SQ of these things' rival earphones from $50-$100 in cost. I am sure you read such declarations from impressions of earphones on the threads, but I have yet to come across anything that comes close to these at the price NiceHCK is selling a set for. That my friends is reason alone to give these a higher rating.
Basically, until I actually hear one better at the $16. These are it. Obviously, the value statement is why these exist. You don’t have to pay a lump sum of your income to have a complete sound experience. You don’t have to take out a 2nd mortgage to enjoy your music, that is a crazy notion. Sure, you can’t expect mid fi level technicalities or refinements from a $16 earphone. But refinements be damned, these things sound nice. Please do spend on an upgraded cable when buying you a set, or use something that came with your other earphones, you can use anything cable wise actually and it will be an upgrade. The one that is included probably costs less than $1 to make. That goes without saying. Your best tips and cables most definitely apply to how nice you want your DB1 to sound.
Build
It looks and feels like a cheap earphone. The all-plastic toy aesthetic is full on with this one, but it is using a very strong plastic housing. The housing is made of what is called a Bayer PC material. AKA strong plastic. Supposedly won't discolor and should hold the test of time. It certainly looks and feels like strong plastic, but its transparent looks are once again a bit on the cheap looking. Though I do have experience with this particular type of plastic on other earphones. I have never had one break or crack on me. In fact, I own a $1000 earphone that is made with a resin material that has cracks in it. Never had this type of hard hollow plastic shell crack and I don’t expect that to be an issue on the DB1. The build is as good as it will get at the price point. This being said, it is always a good idea to treat your earphones with kid gloves regardless of price. Unless you're ok with waiting another month to get yourself another set.
Sound
Basic tuning is well balanced. An offshoot of the harmon tuning with a mild upper mid pinna gain and a moderate bass emphasis. The tuning is interesting and if I was to go by the graph provided by NiceHCK. The tuning here is actually arguably better than their flagship dynamic the Top Guy. I can already tell you I prefer this tuning to their sub flagship the Loftys. The driver being used is not your average dynamic. A 10mm PU bio fiber composite diaphragm using a strong magnetic circuit in an N50. This driver and strong magnet combo is quite the surprise as you're not going to get a sound anywhere close to what you think even a decent sounding $16 earphones should sound like.
So why put in all this effort for a $16 level earphone? Why not? To me if you're going to make an earphone it should represent what your company should be about at any level of sound. To say these are a trojan horse of an earphone would be an understatement. Forget about just getting an earphone for the first-time enthusiasts. Just get one and find out for yourself how good a $16 earphone can sound. I am actually very certain. This level of sonics in the capable hands of most other manufacturers will charge much much more. Actually, comparable to the NF audio brand of dynamic earphones in the $100 range in both build and gets fairly close to their sound quality.
Technicals
Emitting an organic slightly warmer natural tonality. The DB1s strengths are in its moderately large display of sound, something that is not too common among the extreme budget fi level earphones. While not the widest sounding earphone, it makes up for it with some excellent deep and taller than average sound for earphones. Showing some surprising layering with a good level of sound separation, the tuning here actually has some meat to its foundation. The DB1 is a mild v harmon signature and while the timbre, its attack and micro details are a touch on the soft/smooth side of sound, there is a certain romanticism of its presentation that makes up for these average technical aspects with a heavier note weight and a thicker than average body of sound. The wow factor is the DB1 presents with a dynamism that you would not expect at all in this price range. The tuning is basically a budget level Topguy but believe it or not I actually like the tuning on these DB1s a bit better. In fact, if NiceHCK reads this, I wish they are able to bring out a new Topguy 2 with this tuning using their titanium alloy dynamic driver.
Trebles
The DB1 has a moderate amount of treble emphasis with the most emphasis being lower treble but slowly tapers off into the higher treble realm. Its trebles for the most part is clean but not particularly airy nor does it convey the best articulation, at the same time you're not gonna wonder where the treble is. Its balancing of the trebles is done well meaning I don’t find it lacking too much or is it too rolled off. It has a good solid footprint for the trebles and the only area it is really lacking in is its’ attack with average extension and definition. Treble is not as finely detailed, and its transients are only average and plays more of a supporting role in the whole picture.
Treble can sound slightly dull at times especially for the upper treble region which shows that lack of upper treble air that would cap these earphones into a different realm of sound but hey for the bucks I am not gonna complain too much. You can’t expect world class treble refinement and or treble ability here and for the bucks it is a non-fatiguing balanced treble which leans more on its macro ability more so than showing nuanced micro detail for treble. But again, for what it is it is more complete than you would imagine at the price range.
Mids.
NiceHCKs house tunings are all about the mids and bass presentations. DB1 shows a moderate pinna gain/ upper mids emphasis; It has a slight early rise toward bass meaning it will have some lower mid emphasis to go with that 10dbs of upper mid emphasis. What you get is a forward vocal presentation for both male and female vocals. A lot of harmonish tunings convey more upper mids than lower mids but the DB1 shows a clear affinity for the vocal performance as both male and female vocals are forward and due to that tall and deep sound presentation.
You get a full bored rangy vocal performance when tracks call for it. Here is where the DB1 really shines and shows how good a $16 earphone sounds with your favorite vocal tracks. If you have an affinity for vocal performances to be forward and emotive. Check out a $16 DB1 and be amazed.
And it is due to the tall and deep sound, the mids layering has a dimensional projection that you would never associate with an ultra-budget level earphone. Dimensional sound from a $16 earphone? I know that sounds absolutely bonkers but believe it or not on the DB1 sound presentation you can make out clearly where in the sound field each of the instruments, vocals, percussion are playing from. It is quite shocking to hear that from these earphones. It is not exactly at the level of something like NiceHCKs own Topguy but it does a damn good job at it nonetheless.
Much like the attack being slightly soft on the treble end. This is also apparent on the mids as well. DB1 here is not a chiseled sounding earphone, let me put it that way. But for casual listening, the full-bodied organic sound signature here more than makes up for its lack of attack with just how rangy and vigorous the sound can be. I have reviewed earphones that cost substantially more that don’t have the dynamism of the DB1.
Experienced enthusiasts only look into something like the DB1 thinking something this ultra-cheap will be a good work out phone or the AKA the beater phone. Ya they will beat your other earphones alright. You have been warned. Go into the purchase with an open mind, throw on a good resolving cable, your best tips and be prepared to look at your other earphones differently afterwards. The DB1 now puts an entirely new value proposal for the enthusiast at the extreme budget level. If only mid fi and higher end stuff scaled like the DB1. One can only wish. But it will take earphones like the DB1 for others to realize even at the budget fi level. People are stepping up their game.
Bass.
Ok the bass end here is not the most defined bass. You can’t expect world class bass for the change you find in your old sofa.. But! And I say But! These do have an impactful extended deep hitting bass. Bass once again here is a touch on the soft and not as tight or defined as I am used to but I would rather have bass that is actually represented vs having no bass or bass domination. Bass is a few dbs over moderate levels in emphasis for both mid to sub bass infusing some soul into your music. Bass ability here adds versatility to the DB1 sound formula. NiceHCK has always tuned their monitors with bass emphasis, so these follow suit. Don’t know if it is due to this particular driver but the one area, I feel it is lacking in consistency is that attack.
Music sounds fantastic nonetheless and much more dynamic than you would ever think can sound from these but somehow a touch slower in attack and not exactly tight in all parts of the sound. Bass speed I can’t say is fast but more just average for dynamics but bass tonality and impact has some chops. Digs deep when called for, it's surprising how well the DB1 rumbles for the subs. Here is where you can let the bass loose a bit or tighten it up a bit by using some aftermarket cables. As mentioned above, just about anything you use on the DB1 for a cable will be an upgrade to the included cable. But for what it is the bass end here caps off a very surprising full bored dynamic sound signature of the DB1. Forward sounding mids and an actual impactful bass that is well represented caps off NiceHCKs version of the harmon tuning.
Overall
I would say the DB1 is a smashing success, and it seems NiceHCK has made these more for fan service than anything cus they can’t possibly be making much money from these. I am just saying, not to mention being a clear statement piece. Here is what we can do with your $16 price point. Is what they are saying. I have to admit on the heels of their flagship dynamic Topguy and their former flagship Loftys, the DB1s value is much greater than both combined. I can honestly say these are comparable to similar designed earphones up to the $100 range for sound and that is not something I can say about extreme budget earphones I have heard in the past. These are a clear example of how to do budget right and one that everyone can afford and even better enjoy. They don’t have a weird shape, have a very likable versatile dynamic tuning and its full range sound is something you would never expect from them. Every time I listen to these things they surprise, and you will never guess they cost $16 upon hearing them. Add an extra zero on the price tag and these would be more like a 3 star earphone but at the $16 level? They are not perfect, but damn do they sound nice. Thanks for taking the time to read.
NiceHCK needs no introduction. One of the premiere vendors on aliexpress has made some excellent sounding earphones in the past and today we see an earphone from the group that cost a staggering $16! The DB1 is a tried-and-true single dynamic design with a solid plastic medium sized shell in 2 pin configurations. Ergonomic in shape, size and comfort. The DB1 comes to the masses with a promising tuning, using a nicer dynamic driver and what the group says is a balanced sound signature.
How good can a $16 earphone be right? I mean $16? That doesn't amount to taxes for most mid fi IEMs or even for DHL shipping for most earphones. But I digress, I have seen NiceHCK do some surprising earphones in the past for peanuts so I wouldn't put it past them to come up with a surprising earphone. And surprisingly it is.
The DB1 comes to you in their newly designed waifu infused box which has some basic accessories. A sets of silicone tips, and a very basic OFC cable. You can’t expect a world class unboxing experience for your $16, heck even with the very minor duty and or taxes on the item they will ship it to you for roughly that price plus a dollar when bought from NiceHCK site. Please do expect snail mail as free shipping for a $16 item means you will not get it for at least 4 weeks to a month. However, snail mail means you buy it and forget about it and it will be like finding a $20 bill inside your jeans pocket a month later.
Standardly disclaimers: the NiceHCK DB1 was sent via snail mail to my house halfway around the world almost free of charge for the purpose of a review. It has been burned in for a weeks' time and is ready for evaluation using my sources. Ibasso DX300Max, Fiio M15, Shanling M6 pro, M5s, M3s, DX160, Sony ZX300, Fiio K3 2021, IFI black label for amping. Instead of forking out the money to take your girlfriend or boyfriend out for some cheap street tacos. Get yourself a DB1 sold here.
So why would you be interested in the $16 DB1? I mean they look simple, dare I say lives up to the price point. Because they will blow your mind just how good sounding they are. It wouldn't surprise me if they sound better than a lot of your earphones. The notion of just because it is cheap does not mean it has to have a cheap sound most definitely applies here. Pound for pound, sound for sound what you're getting with your hard-earned cash is something substantial in the price range. As a reviewer, if I can point to a nicer sounding earphone at this price, I will lower the score I am about to give these things. But in all honesty, I can’t. NiceHCKs own X49 single BA earphone is one with good value but the DB1 actually sets the bar. I have no issues saying the SQ of these things' rival earphones from $50-$100 in cost. I am sure you read such declarations from impressions of earphones on the threads, but I have yet to come across anything that comes close to these at the price NiceHCK is selling a set for. That my friends is reason alone to give these a higher rating.
Basically, until I actually hear one better at the $16. These are it. Obviously, the value statement is why these exist. You don’t have to pay a lump sum of your income to have a complete sound experience. You don’t have to take out a 2nd mortgage to enjoy your music, that is a crazy notion. Sure, you can’t expect mid fi level technicalities or refinements from a $16 earphone. But refinements be damned, these things sound nice. Please do spend on an upgraded cable when buying you a set, or use something that came with your other earphones, you can use anything cable wise actually and it will be an upgrade. The one that is included probably costs less than $1 to make. That goes without saying. Your best tips and cables most definitely apply to how nice you want your DB1 to sound.
Build
It looks and feels like a cheap earphone. The all-plastic toy aesthetic is full on with this one, but it is using a very strong plastic housing. The housing is made of what is called a Bayer PC material. AKA strong plastic. Supposedly won't discolor and should hold the test of time. It certainly looks and feels like strong plastic, but its transparent looks are once again a bit on the cheap looking. Though I do have experience with this particular type of plastic on other earphones. I have never had one break or crack on me. In fact, I own a $1000 earphone that is made with a resin material that has cracks in it. Never had this type of hard hollow plastic shell crack and I don’t expect that to be an issue on the DB1. The build is as good as it will get at the price point. This being said, it is always a good idea to treat your earphones with kid gloves regardless of price. Unless you're ok with waiting another month to get yourself another set.
Sound
Basic tuning is well balanced. An offshoot of the harmon tuning with a mild upper mid pinna gain and a moderate bass emphasis. The tuning is interesting and if I was to go by the graph provided by NiceHCK. The tuning here is actually arguably better than their flagship dynamic the Top Guy. I can already tell you I prefer this tuning to their sub flagship the Loftys. The driver being used is not your average dynamic. A 10mm PU bio fiber composite diaphragm using a strong magnetic circuit in an N50. This driver and strong magnet combo is quite the surprise as you're not going to get a sound anywhere close to what you think even a decent sounding $16 earphones should sound like.
So why put in all this effort for a $16 level earphone? Why not? To me if you're going to make an earphone it should represent what your company should be about at any level of sound. To say these are a trojan horse of an earphone would be an understatement. Forget about just getting an earphone for the first-time enthusiasts. Just get one and find out for yourself how good a $16 earphone can sound. I am actually very certain. This level of sonics in the capable hands of most other manufacturers will charge much much more. Actually, comparable to the NF audio brand of dynamic earphones in the $100 range in both build and gets fairly close to their sound quality.
Technicals
Emitting an organic slightly warmer natural tonality. The DB1s strengths are in its moderately large display of sound, something that is not too common among the extreme budget fi level earphones. While not the widest sounding earphone, it makes up for it with some excellent deep and taller than average sound for earphones. Showing some surprising layering with a good level of sound separation, the tuning here actually has some meat to its foundation. The DB1 is a mild v harmon signature and while the timbre, its attack and micro details are a touch on the soft/smooth side of sound, there is a certain romanticism of its presentation that makes up for these average technical aspects with a heavier note weight and a thicker than average body of sound. The wow factor is the DB1 presents with a dynamism that you would not expect at all in this price range. The tuning is basically a budget level Topguy but believe it or not I actually like the tuning on these DB1s a bit better. In fact, if NiceHCK reads this, I wish they are able to bring out a new Topguy 2 with this tuning using their titanium alloy dynamic driver.
Trebles
The DB1 has a moderate amount of treble emphasis with the most emphasis being lower treble but slowly tapers off into the higher treble realm. Its trebles for the most part is clean but not particularly airy nor does it convey the best articulation, at the same time you're not gonna wonder where the treble is. Its balancing of the trebles is done well meaning I don’t find it lacking too much or is it too rolled off. It has a good solid footprint for the trebles and the only area it is really lacking in is its’ attack with average extension and definition. Treble is not as finely detailed, and its transients are only average and plays more of a supporting role in the whole picture.
Treble can sound slightly dull at times especially for the upper treble region which shows that lack of upper treble air that would cap these earphones into a different realm of sound but hey for the bucks I am not gonna complain too much. You can’t expect world class treble refinement and or treble ability here and for the bucks it is a non-fatiguing balanced treble which leans more on its macro ability more so than showing nuanced micro detail for treble. But again, for what it is it is more complete than you would imagine at the price range.
Mids.
NiceHCKs house tunings are all about the mids and bass presentations. DB1 shows a moderate pinna gain/ upper mids emphasis; It has a slight early rise toward bass meaning it will have some lower mid emphasis to go with that 10dbs of upper mid emphasis. What you get is a forward vocal presentation for both male and female vocals. A lot of harmonish tunings convey more upper mids than lower mids but the DB1 shows a clear affinity for the vocal performance as both male and female vocals are forward and due to that tall and deep sound presentation.
You get a full bored rangy vocal performance when tracks call for it. Here is where the DB1 really shines and shows how good a $16 earphone sounds with your favorite vocal tracks. If you have an affinity for vocal performances to be forward and emotive. Check out a $16 DB1 and be amazed.
And it is due to the tall and deep sound, the mids layering has a dimensional projection that you would never associate with an ultra-budget level earphone. Dimensional sound from a $16 earphone? I know that sounds absolutely bonkers but believe it or not on the DB1 sound presentation you can make out clearly where in the sound field each of the instruments, vocals, percussion are playing from. It is quite shocking to hear that from these earphones. It is not exactly at the level of something like NiceHCKs own Topguy but it does a damn good job at it nonetheless.
Much like the attack being slightly soft on the treble end. This is also apparent on the mids as well. DB1 here is not a chiseled sounding earphone, let me put it that way. But for casual listening, the full-bodied organic sound signature here more than makes up for its lack of attack with just how rangy and vigorous the sound can be. I have reviewed earphones that cost substantially more that don’t have the dynamism of the DB1.
Experienced enthusiasts only look into something like the DB1 thinking something this ultra-cheap will be a good work out phone or the AKA the beater phone. Ya they will beat your other earphones alright. You have been warned. Go into the purchase with an open mind, throw on a good resolving cable, your best tips and be prepared to look at your other earphones differently afterwards. The DB1 now puts an entirely new value proposal for the enthusiast at the extreme budget level. If only mid fi and higher end stuff scaled like the DB1. One can only wish. But it will take earphones like the DB1 for others to realize even at the budget fi level. People are stepping up their game.
Bass.
Ok the bass end here is not the most defined bass. You can’t expect world class bass for the change you find in your old sofa.. But! And I say But! These do have an impactful extended deep hitting bass. Bass once again here is a touch on the soft and not as tight or defined as I am used to but I would rather have bass that is actually represented vs having no bass or bass domination. Bass is a few dbs over moderate levels in emphasis for both mid to sub bass infusing some soul into your music. Bass ability here adds versatility to the DB1 sound formula. NiceHCK has always tuned their monitors with bass emphasis, so these follow suit. Don’t know if it is due to this particular driver but the one area, I feel it is lacking in consistency is that attack.
Music sounds fantastic nonetheless and much more dynamic than you would ever think can sound from these but somehow a touch slower in attack and not exactly tight in all parts of the sound. Bass speed I can’t say is fast but more just average for dynamics but bass tonality and impact has some chops. Digs deep when called for, it's surprising how well the DB1 rumbles for the subs. Here is where you can let the bass loose a bit or tighten it up a bit by using some aftermarket cables. As mentioned above, just about anything you use on the DB1 for a cable will be an upgrade to the included cable. But for what it is the bass end here caps off a very surprising full bored dynamic sound signature of the DB1. Forward sounding mids and an actual impactful bass that is well represented caps off NiceHCKs version of the harmon tuning.
Overall
I would say the DB1 is a smashing success, and it seems NiceHCK has made these more for fan service than anything cus they can’t possibly be making much money from these. I am just saying, not to mention being a clear statement piece. Here is what we can do with your $16 price point. Is what they are saying. I have to admit on the heels of their flagship dynamic Topguy and their former flagship Loftys, the DB1s value is much greater than both combined. I can honestly say these are comparable to similar designed earphones up to the $100 range for sound and that is not something I can say about extreme budget earphones I have heard in the past. These are a clear example of how to do budget right and one that everyone can afford and even better enjoy. They don’t have a weird shape, have a very likable versatile dynamic tuning and its full range sound is something you would never expect from them. Every time I listen to these things they surprise, and you will never guess they cost $16 upon hearing them. Add an extra zero on the price tag and these would be more like a 3 star earphone but at the $16 level? They are not perfect, but damn do they sound nice. Thanks for taking the time to read.
Lebot
Would you recommend these over the Cca cra?
Dsnuts
They cost $16. I have never heard the CRA but I own 100s of earphones. These are the best I have heard for the price.
Okay, I have to put a disclaimer here that I am a fan of bright sound. Treble excites me more than bass. So when this I found out that this NiceHCK DB1 is on the brighter side of IEMs I bought it right away. it doesn't help that it is very cheap. What I'm trying to say here is that my preference towards bright sound may create a bias to those who are sensitive to treble. So take everything I said with a grain of salt, especially if you are dark sound lover.
This IEM came in a 'Waifu' printed box which seems to be the trend for Asian made IEMs nowadays. Now, I'm no anime or manga fans nor I am a hater of that culture, so I didn't care too much about that. It came with barebones accessories, just extra tips, the usual. But it is on the cheaper side of IEMs, so I wouldn't hold it against them for that. By the way, the DB1 will run you about 15$, maybe even cheaper. What makes it even more exciting for me is that right now my fav IEM is the CCA CRA, which falls in the same price bracket as the DB1. So, I am curious how the two would fare against each other.
DESIGN, BUILD and FIT
Nothing to note here, just a simple transparent plastic housing with a rather cool design on it. It feels light and hollow, the plastic seems to be on the thinner side. Comparing it to the CRA, the CRA feels more dense and heavier. Now the driver inside the DB1 is rather small and it only took up a little space within the shell. I guess thats why it is so hollow feeling. Though I wish they could've used thicker plastic or a smaller housing it wouldn't have any effects on the sound or the comfort. Since it is pretty comfortable to wear already. The cable could be a bit thicker but with that being said, the provided cable does feel quite flexible and easy to manage. and it comes with a velcro cable ties.
SOUND
BASS, this is not a bassy IEM by any means, but it does provide you with enough low end to give the sound a little bit of a body. It may not be sufficient for bassheads, but for those who likes a more neutral tuning, it is more than enough. Its punchy and rather quick as well. Very controlled and never sounds boomy or muddy for me. It does bleed a little bit to the lower mid though and give a slight body to lower male vocals.
MID. Overall the midrange sounds clean and of good resolution. It is not recessed, nor it is forward. It is a little on the brighter side of midrange, so it does cuts through the mix quite well giving it a clear sound despite being not too forward. The upper midrange sounds airy and sparkly without being over emphasized. Acoustic guitar and distortion sounds very well textured and crisp. Rock and metal sounds great on these in my opinion.
TREBLE. Now this is my favorite part of the sound. It is bright and crispy, yet non fatiguing. very good extension without being too bright, and it gives a sense of openness and airiness to the sound. It sounds very natural and pleasing. Sounds feel like its coming from outside of my ears. Combined with the upper mid range, it gives a very good amount of clarity and texture.
STAGE and IMAGE. Soundstage is pretty wide on these. It is not the widest but it is pretty good. The imaging is also good, accuracy is pretty well excecuted. There are times where it feels like some sounds are coming out from outside my room in real life when it is actually coming from the music.
TECH. Detail retrieval is very good, especially in the treble area. on the midrange and the bass, not so much, especially when the music gets too busy. Separation is average, again when the music is busy with a lot of instruments it gets a bit hazy and the bass loses a bit of definition.
VERDICT
It is a very pleasing sounding IEM with a great wow factor (the bright and airiness). For the price it is solid and performs in my opinion, above its price range, not by much though. The very relaxingly bright sound is a breath of fresh air in a market saturated with heavy v shaped tuning IEMs. Now, for those who are actually into a more fun sound, this might not satisfy you. Comparing it with the CCA CRA, it is calmer and less exciting, so pick one that suits your music and preference. To me, both the CRA and DB1 now are two of my faves in a budget category.
Thanks for reading guys. Visit my youtube channel for more reviews and videos, as well as some wallpapers for free.
My Youtube Video Review
This IEM came in a 'Waifu' printed box which seems to be the trend for Asian made IEMs nowadays. Now, I'm no anime or manga fans nor I am a hater of that culture, so I didn't care too much about that. It came with barebones accessories, just extra tips, the usual. But it is on the cheaper side of IEMs, so I wouldn't hold it against them for that. By the way, the DB1 will run you about 15$, maybe even cheaper. What makes it even more exciting for me is that right now my fav IEM is the CCA CRA, which falls in the same price bracket as the DB1. So, I am curious how the two would fare against each other.
DESIGN, BUILD and FIT
Nothing to note here, just a simple transparent plastic housing with a rather cool design on it. It feels light and hollow, the plastic seems to be on the thinner side. Comparing it to the CRA, the CRA feels more dense and heavier. Now the driver inside the DB1 is rather small and it only took up a little space within the shell. I guess thats why it is so hollow feeling. Though I wish they could've used thicker plastic or a smaller housing it wouldn't have any effects on the sound or the comfort. Since it is pretty comfortable to wear already. The cable could be a bit thicker but with that being said, the provided cable does feel quite flexible and easy to manage. and it comes with a velcro cable ties.
SOUND
BASS, this is not a bassy IEM by any means, but it does provide you with enough low end to give the sound a little bit of a body. It may not be sufficient for bassheads, but for those who likes a more neutral tuning, it is more than enough. Its punchy and rather quick as well. Very controlled and never sounds boomy or muddy for me. It does bleed a little bit to the lower mid though and give a slight body to lower male vocals.
MID. Overall the midrange sounds clean and of good resolution. It is not recessed, nor it is forward. It is a little on the brighter side of midrange, so it does cuts through the mix quite well giving it a clear sound despite being not too forward. The upper midrange sounds airy and sparkly without being over emphasized. Acoustic guitar and distortion sounds very well textured and crisp. Rock and metal sounds great on these in my opinion.
TREBLE. Now this is my favorite part of the sound. It is bright and crispy, yet non fatiguing. very good extension without being too bright, and it gives a sense of openness and airiness to the sound. It sounds very natural and pleasing. Sounds feel like its coming from outside of my ears. Combined with the upper mid range, it gives a very good amount of clarity and texture.
STAGE and IMAGE. Soundstage is pretty wide on these. It is not the widest but it is pretty good. The imaging is also good, accuracy is pretty well excecuted. There are times where it feels like some sounds are coming out from outside my room in real life when it is actually coming from the music.
TECH. Detail retrieval is very good, especially in the treble area. on the midrange and the bass, not so much, especially when the music gets too busy. Separation is average, again when the music is busy with a lot of instruments it gets a bit hazy and the bass loses a bit of definition.
VERDICT
It is a very pleasing sounding IEM with a great wow factor (the bright and airiness). For the price it is solid and performs in my opinion, above its price range, not by much though. The very relaxingly bright sound is a breath of fresh air in a market saturated with heavy v shaped tuning IEMs. Now, for those who are actually into a more fun sound, this might not satisfy you. Comparing it with the CCA CRA, it is calmer and less exciting, so pick one that suits your music and preference. To me, both the CRA and DB1 now are two of my faves in a budget category.
Thanks for reading guys. Visit my youtube channel for more reviews and videos, as well as some wallpapers for free.
My Youtube Video Review
Attachments
NiceHCK DB1 Review!
Good day! After three days of casual and critical listening, here’s my thoughts and observations about the NiceHCK DB1. I must say, these are good!
Good day! After three days of casual and critical listening, here’s my thoughts and observations about the NiceHCK DB1. I must say, these are good!
Disclaimer:
- I purchased this with my own money from Shopee. Rest assured that this review will be free from any bias/es as much as possible.
- The following remarks and observations shall be made and owned only by me.
- No monetary compensation is/was involved before, during, and after the period of creation of this review.
- Your mileage may (and always, will) vary.
Source/s used:
- Hidizs AP80
- Not-By-VE Avani Realtek Dongle
- Samsung Galaxy S3 (WM1811 DAC)
- Non-HiFi smartphone (realme 5i)
- Local Files via Foobar and Roon, YouTube Music, Deezer, and Qobuz with UAPP.
Sound signature:
- Mild V/U-shaped sound signature, this IEM leans to being bright. On some sources, this may sound neutral-bright. Tight, controlled bass, slightly recessed mids, elevated, bright highs. Above-average detail retrieval for its price under 20 USD.
Lows:
- Lows are present with sufficient elevation when needed. Midbass is slightly dominant by a small margin compared to subbass. Bass leans to the faster side of decay. Bass may lack texture or detail at times. It can be sufficient for most tracks and EDM, but might be lacking for bass-heads. Overall, the lows are tight, controlled and exhibits fast decay.
Mids:
- The mids are slightly recessed but does not get drowned by the bass despite of having a minimal midbass bleed to keep the lower vocals have a little bit of warmth. The upper mids are raised and have above-average clarity. This is where the DB1 differs from other IEMs in this price range (around $20): it is bright and sparkly, but never sibilant or peaky as long as the user is listening at regular level. Overall, the mids are slightly recessed in the lower mids but have a lot of air and presence in the upper mids. It never sounded muffled or boxy. This is by far the IEM with the "best" representation of mids under $20 that I've bought and auditioned.
Highs:
- The highs are brilliant and extended. There are no peaks or pierces. Average detail retrieval; you can easily pick up on minor nuances on recordings. Overall, the treble is bright and resolving to keep the sound "open" and appealing.
Soundstage, Imaging, and separation:
- The soundstage is average, broader than deep, and has a little amount of appropriate depth. Separation is also average, and it can handle busy music with moderate congestion, especially on metal and JPop tracks with a lot of instruments playing in the background. Imaging is above average for the price, and I was able to easily pick up on the position of the instruments and voices.
Pros:
- Very good, all-rounder sound for 12USD
- Controlled, tight bass
- Clear mids
- Fatigue-free yet engaging sound
- Airy highs
- One of the best vocal reproduction from an IEM under 20usd (subjective)
- Lightweight fit and isolation (subjective)
- Eye-candy box for most people
Cons:
- Definitely not for bassheads (subjective)
- Bass may lack texture
- Accessories could be better (like include a pouch at least, but hey, this is 12USD with very good sound quality. Manage your expectations.)
Verdict:
The NiceHCK DB1 is a relatively new IEM that outperforms other IEMs in its pricing range in terms of higher frequency presentation. This is currently my #1 suggestion for individuals who are new to this hobby, looking for a daily beater IEM, or searching for a gift for someone who needs a fantastic set of cheap earbuds.
The NiceHCK DB1 is a relatively new IEM that outperforms other IEMs in its pricing range in terms of higher frequency presentation. This is currently my #1 suggestion for individuals who are new to this hobby, looking for a daily beater IEM, or searching for a gift for someone who needs a fantastic set of cheap earbuds.
Thank you for reading!
Additional Photos:
Introduction
NiceHCK continues to expand its catalogue. After a year full of top-of-the-range products, such as the EBX21 earbuds, the IEMS Lofty and Topguy, they expanded their repertoire with the HB2 Bluetooth receiver. But this time, to end the year, it's time to return to more affordable products, a field in which the Chinese brand is very good at. After the DB3, NiceHCK has brought out the DB1. It is a model with a single 10mm dynamic driver, consisting of a strong N50 magnetic circuit, a 0.03mm Daikoku coil and a diaphragm made of PU biofibre. For the outer casing a classic semi-custom shape has been used, made of transparent Bayer PC. Two colours are available, blue and dark grey. As usual, a detachable cable with 2Pin 0.78mm connection is used and the cable can be chosen with or without microphone. The most important of all, though, is usually the sound. And, as usual, the brand does not disappoint. None of the aforementioned models are lacking in sound or build quality, there's no denying that. For this occasion, the tuning chosen is once again a good choice, as it avoids the typical V-curves offered by many of the products in this range. It is more refined and balanced, with a linear low end and a moderate emphasis on the upper mids and upper treble.
In the following review, we'll take a closer look at this and other aspects of this surprisingly affordable NiceHCK model.
Disclaimer
NiceHCK Official Store, offered me this model, in exchange for writing an honest review. I want to make it clear that all my opinions written in this review have not been conditioned by this fact, nor will I ever write anything that I do not really think or feel here. I will only write about my personal opinion in relation to the revised product.
Specifications
Packaging
The NiceHCK DB1s come in a small white box, with an Anime girl in the centre. The inclusion of this kind of drawing is starting to become too much of a stretch and seems to emphasise that audio products are preferably for men. As cute as these drawings look, and as cheap as they are likely to be than using real models, I think that choosing only girls can be limiting in many ways and is not egalitarian. Personally, I would stop using these drawings and focus on the product. If we want to see drawings like these, we'd be better off reading anime or comics, which are available in great quality and variety, fortunately.
Well, back to the subject, my intention was not to attack this brand in particular, but all those that use this type of image.
Apart from the image, the box has a size of 126x89x30mm. On the top left corner is the brand logo, in black letters, and on the right corner is the model name, in red letters. The back is simple, the model name in the same shape, approximately in the centre left of the box, below it the description and specifications, in Chinese and English. Below that you can see a grey and a blue capsule, together with squares with the chosen model. In my case it is the blue one without microphone. At the bottom of the box, there is the logo of the brand and their contact details.
After removing the outer cardboard, you can see the capsules in a rigid white foam mould. At the bottom is a box with the brand logo in the centre. Once all the packaging has been removed, the complete contents are as follows:
The contents are minimal, the typical NiceHCK pouch is missing. It has gone from a zipped pouch to a pouch and now there is none of this. It is true that the model is very economical, but I would pay 1 or 2 € to include this type of accessory, otherwise I will have to buy it separately. It doesn't make much sense.
Construction and Design
The capsules are made of BAYER PC, a material that looks like a kind of transparent plastic. PC could also stand for polycarbonate. They have a classic semi-custom shape, which reminds me of TFZ products, although the inner side is more ergonomically shaped. The outer face has the classic African continent shape, with a golden metallic dot at the bottom corner. The body is transparent and there is a repeating hexagonal pattern on the face. In the centre of the face is the brand logo, in yellow. The size is medium and relatively thick. On the edge, near the metal dot, is the model name, along with a mole indicating the side of the channel, all in white ink. Continuing along this edge, towards the top, is a transparent, protruding plate, which is rectangular in shape with rounded corners. This is the 2Pin 0.78mm connection plate.
The inner face is rounded, with a protrusion at the end, to improve the anchoring of the capsule in our ears. There is a small hole in the centre of the driver, close to the base of the mouthpiece. It is metallic and grey, 4mm long and has three diameter levels, the initial one is 6mm, the central one is 4.8mm and the outer one is 5.9mm. The nozzle is protected by a dotted grid, also metallic.
The cable is the classic 4-strand black coiled cable, with a stretched triangular plastic splitter, small pin of the same colour and material, rectangular in shape. The plug is angled, the connector is 3.5mm gold plated. It has a protective sleeve. The 2Pin connectors have a classic NX7 shape, typical of the brand itself. But any bare 2Pin cable may be compatible.
The capsule is extremely light, the inside is clear and practically empty except for the driver in the middle. I like the metal nozzles and the 2Pin connector. The design is becoming universal for many IEMS, but in affordable elements, I prefer to ensure a concrete and ergonomic shape, rather than weird shapes that are difficult to fit. Nothing negative to object to, I think the fact that it is transparent gives it a particular appeal. Despite the lightness, the capsules feel well built and durable.
There is little to say about the cable, a simple, fairly common accessory, which does its job without more, but which invites to be replaced by a superior one, even if it is cheap too. There are many cables for up to €10 that are better.
Adjustment and Ergonomics
The ergonomics of this classic shape are also classic. The shape of the capsules is of a medium size, although at the limit of the shape of my ears. The fit is good, but the protrusions at the inner end of the capsules may not be to everyone's taste or ergonomics. They are very light and in that respect there is nothing to say. The nozzles are relatively wide and short, so the fit will be shallow or medium at best if you have a wide canal. Despite the shallow fit, the capsules do not protrude very far and rotation is minimal. Although some minor adjustment may be necessary to get the best sound and orientation of the nozzles to the channel.
Sound
Profile
The NiceHCK's profile is balanced to its elevation in the upper mids and early treble. Its bass is quite linear and despite its boost between 2kHz and 6kHz, you don't feel a loss of control in that range. The result is a very clear, bright, sparkling sound, but with a relative punch in the lows.
Bass
Quality bass is becoming increasingly easy to find in dynamic drivers, but not so easy to find in such an inexpensive product. The best virtue of the DB1's bass is its speed. It's clear that it doesn't have a high low end, but that doesn't detract from its quality. In the same way that other much more expensive IEMS, which have similar tunings, have controlled, dry, punchy, low decay bass, the DB1 also goes that way. It is undeniable how good a job the driver does with the bass and the tuning goes a long way in this respect. We all know the preference of sub-bass fans and the DB1s stand the test of time at that lower end. Colouring in that initial part is minimal and only noticeable in the tones below 40Hz, from there and above, the sound is quite natural, both in timbre and behaviour. The punch is compact and the decay is fast, there is no aftertaste and the bass is picked up in a breath. They have a light and smooth texture, there is no excessive roughness and the definition is palpable, distinguishable, high for its range. Flat recreation is good and bass lines develop with a certain fluidity and naturalness, without losing control or realism. Actually, I am judging the low end of the DB1s as if they were IEMS of a much higher range, and that is because the technical quality of the DB1s makes me think so. It's clear that the level of resolution, the texture, the descriptive power, the recreation of planes and layering is not extraordinary, but rather on a simpler level, although really very worthy and surprising for their price. Excellent.
Finally, just to clarify that this is not a bass-head bass, as it is not even predominant. Its level is HiFi grade, with great fidelity, above neutrality, but with great control and packaging with the rest of the tuning.
Mids
The elevated tendency of the upper mids and first treble, so characteristic of many IEMS, has for some time now brought a lot of clarity and transparency, as well as a clear favour and enhancement of the central range. It is clear that following the majority, due to fashion, can have some advantages, but it is also necessary to reflect on the extent to which this trend should be followed and to realise where it can be detrimental. Perhaps it is unrealistic to ask for this kind of work in such low-cost IEMS, when other, much more expensive IEMS have not done it either. This work was well executed in the Topguy, NiceHCK's top of the range IEMS. But I may even be more in favour of the DB1's low end tuning, even more daring in the treble. Because it's easier to be bold in a sub-$20 headphone than in a $250 headphone.
After this long intro, the conclusion is that the mids are as they appear, very clear, bright, somewhat thin, with a light body and more emphasis on detail than mass. The sibilances are at the allowed edge and limit, leaving it up to the source whether this point is crossed or not. With warm sources, this level seems not to be exceeded, though with cooler, more analytical ones, the level of sparkle is felt to be abundant, at that limit of acceptability for many, which may even determine the exposure time of the IEMS in our ears. I can affirm that I would have preferred one more point of control. But then again, I am analysing these IEMS as if they were much more expensive. They are not. These are inexpensive IEMS with present mids, but they know how to keep their distance. Their body has a lean, delicate and fine tendency, without much base. That is why the lines are agile and fast, there is not much mass to move. The result is a low density and a more volatile, transparent, airy and free representation. The timbre does not escape this inclination towards brightness, but it is not wrong, nor does it lose realism. There is good cohesion and fluidity in the mids, bringing musicality to a range favoured by detail and nuance. And this is the strength of the DB1s, because they are IEMS that are not complete analytical, but they do bring a high level of resolution and definition to the midrange. And this characteristic can be felt to be enhanced by the sources used. The level of detail extraction is excellent, it's clear that the DB1s do it their own way, stretching and broadening the treble, but the detail and micro-matic is there. They are perhaps a little metallic at times, but I didn't feel it was too detrimental. As an aid to this point, the use of better cables, good or warmer sources can be beneficial. Those who believe in burning can give it a try, although I am inclined to go for more tangible solutions. Despite all this, I must also say that I am not able to find other IEMS, let alone dynamic ones, with this level of transparency and detail, for less than $20. It is clear that such a level has a price, but IEMS 10 times more expensive also pay it and there they are. Hearing is believing.
Treble
The upper zone is initially elevated. It is very clear how much sparkle it possesses and how good its presence is. I can't say that the treble is controlled, but neither is it saturated. It is clear that the treble comes through with power, sparkle, lift and brilliance, when it's their turn and that they keep little to themselves. The big advantage is that the driver is still very agile and the treble is fast. This way its persistence is very low and the flash dissipates quickly. But I must admit that this level of presence overwhelms me in certain situations. However, this is a matter of personal taste. Those who like sparkling, fast and extended treble will probably enjoy this model very much. For the rest, just be warned: an extended, present, vivid and crisp range. The result is that this level of sparkle appears in the midrange and helps to extract a lot of detail from it, as well as recreating a lot of nuance, both at the micro and macro level. The extension is also noticeable and the treble has a good initial dose of air, which also carries through to the rest of the band.
Soundstage, Separation
The scene is rendered eminently wide, it has some height, but depth is more limited. The sound is very detailed and has a noticeable dose of air, but lacks much three-dimensionality. Elements are rendered in a flat rather than surrounding manner, despite the level of clarity and transparency it possesses. The scenery is frontal, with a good level of laterality and stereo sensation. But the elements don't feel very volatile, or ethereal. Despite the high level of separation, there is not much spherical distance and placement is defined from left to right or the other way around, with depth or height not being very decisive at this point.
Despite all this, for the price range, both the level of transparency, width and air are very good.
Comparisons
Tin HiFi T1 Plus
The T1 Plus are slightly more expensive IEMs, currently available for $29. They have a similar construction, although they are smaller, even the cable is similar. Their weight is also very low and the smaller size makes the fit quicker and more comfortable.
There are small differences in their curves, which end up being quite significant. The DB1s are clearly brighter and more transparent, while the T1 Plus are warmer, less extended and present in the treble, with a more accentuated mid-bass. The T1 Plus are a bit more sensitive and louder at the same volume.
The low end of the DB1s is more reference and more neutral. The T1 Plus is more energetic, but its timbre and loudness is more realistic and natural, which is noticeable in the low end. The sub bass sounds and plays better. In terms of speed they are very even, and there is little damping in both IEMS, as well as noticeable recovery. Admittedly, the greater bass elongation of the T1 Plus may give the impression that it is slower, because its travel and depth is greater. But, in reality, the two are very much on par, despite the difference in energy in favour of the T1 Plus. The higher energy generates a more tangible and pleasant texture, as well as a darker and more sensitive colour. All in all, as a bass-lover, I lean towards the bass presentation of the T1 Plus. But I also recognise that the more neutral grade of the DB1s may be more appealing to many other fans.
In the mid-range the warmer sound of the T1 Plus adds more body to the first half of this range. While the DB1s offer a sense of superior clarity and transparency, there is no hint of darkness. This sense of cleanliness enhances the area, even brings it closer to the listener. Above all, because details feel more defined and perceptible. Where the T1 Plus are smoother, the DB1's more analytical level brings more texture and a descriptive level above the midrange. True, the latter feels thinner, but also more delicate and with a higher resolution. Comparatively speaking, there is a lot of nuance that falls by the wayside in the reproduction of the T1 Plus, whereas the DB1 exposes it with ease, because it has more definition and that more critical character. So it's not just a difference of a few dB in the upper midrange, but also a higher technical level in the NiceHCKs.
The upper range is the most different between the two models. The T1 Plus is a controlled zone, albeit with an initial sparkle and a certain amount of air. But everything is superior in the DB1s - energy, excitement, emphasis and extension. It's clear that the DB1s offer a much crisper and brighter treble. While the treble of the T1 Plus is safe, the DB1s feel dangerous. It's also something fans should be aware of. I would have gone with something in between the two models. Which one feels more natural? Well, actually, neither one nor the other. So our preference and exposure to the high end will have to choose accordingly.
Except in depth, the DB1s sound bigger and louder. The clarity magnifies the scene and the closeness of the elements feels enhanced by the proximity of the details. In this way the image feels frontal, perhaps flatter, but higher and wider. Separation is also perceived as superior, the level of transparency and clarity helping in this regard. And while the sound of the T1 Plus is quite good in this department, the DB1s' good technicalities make them superior in this area.
Conclusion
The reality is that NiceHCK has been brave and daring in such an affordable model and I think the move has worked out very well. I don't know many IEMS in this price range with such an analytical, clean, transparent, clear and highly detailed profile as the DB1. It is obvious that they are not perfect, for my taste the brightness is a bit excessive and the timbre in the high end can be more critical, but technically it is good. The low end is linear, neutral and has a good level of weight and a lot of speed. The mids can be very descriptive and detailed, surprisingly so. The upper zone is more excited and extended, but can also polarise opinions one way or the other. But that's what boldness is all about. And it's clear that its price invites you to make the leap, there's not much to lose when the price is under $20 and its sound has many plus points, even superior to many other IEMS in its price range. I'm glad there is an alternative like the DB1s among so many Chi-Fi Vs.
Sources Used During the Analysis
Ratings
Purchase Link
https://es.aliexpress.com/item/1005003440632591.html
You can read the full review in Spanish here:
https://hiendportable.com/2021/12/12/nicehck-db1-review/
NiceHCK continues to expand its catalogue. After a year full of top-of-the-range products, such as the EBX21 earbuds, the IEMS Lofty and Topguy, they expanded their repertoire with the HB2 Bluetooth receiver. But this time, to end the year, it's time to return to more affordable products, a field in which the Chinese brand is very good at. After the DB3, NiceHCK has brought out the DB1. It is a model with a single 10mm dynamic driver, consisting of a strong N50 magnetic circuit, a 0.03mm Daikoku coil and a diaphragm made of PU biofibre. For the outer casing a classic semi-custom shape has been used, made of transparent Bayer PC. Two colours are available, blue and dark grey. As usual, a detachable cable with 2Pin 0.78mm connection is used and the cable can be chosen with or without microphone. The most important of all, though, is usually the sound. And, as usual, the brand does not disappoint. None of the aforementioned models are lacking in sound or build quality, there's no denying that. For this occasion, the tuning chosen is once again a good choice, as it avoids the typical V-curves offered by many of the products in this range. It is more refined and balanced, with a linear low end and a moderate emphasis on the upper mids and upper treble.
In the following review, we'll take a closer look at this and other aspects of this surprisingly affordable NiceHCK model.
Disclaimer
NiceHCK Official Store, offered me this model, in exchange for writing an honest review. I want to make it clear that all my opinions written in this review have not been conditioned by this fact, nor will I ever write anything that I do not really think or feel here. I will only write about my personal opinion in relation to the revised product.
Specifications
- Driver Type: 10mm dynamic driver, N50 magnetic circuit, 0.03mm Daikoku coil and PU bio-fibre composite diaphragm.
- Frequency Response: 20-20kHz
- Sensitivity: 106dB/mW
- Impedance: 16Ω
- Cartridge material: BAYER PC
- Jack connector: 3.5mm SE gold-plated.
- Cable length: 1.2m ± 5cm.
- Capsule Connection Type: 2Pin 0.78mm
Packaging
The NiceHCK DB1s come in a small white box, with an Anime girl in the centre. The inclusion of this kind of drawing is starting to become too much of a stretch and seems to emphasise that audio products are preferably for men. As cute as these drawings look, and as cheap as they are likely to be than using real models, I think that choosing only girls can be limiting in many ways and is not egalitarian. Personally, I would stop using these drawings and focus on the product. If we want to see drawings like these, we'd be better off reading anime or comics, which are available in great quality and variety, fortunately.
Well, back to the subject, my intention was not to attack this brand in particular, but all those that use this type of image.
Apart from the image, the box has a size of 126x89x30mm. On the top left corner is the brand logo, in black letters, and on the right corner is the model name, in red letters. The back is simple, the model name in the same shape, approximately in the centre left of the box, below it the description and specifications, in Chinese and English. Below that you can see a grey and a blue capsule, together with squares with the chosen model. In my case it is the blue one without microphone. At the bottom of the box, there is the logo of the brand and their contact details.
After removing the outer cardboard, you can see the capsules in a rigid white foam mould. At the bottom is a box with the brand logo in the centre. Once all the packaging has been removed, the complete contents are as follows:
- The two DB1 capsules.
- One cable, with velcro strap and protective sleeve for the 3.5mm SE plug, gold-plated.
- 3 pairs of translucent grey silicone tips, sizes SxMxL.
- One clothes pin.
The contents are minimal, the typical NiceHCK pouch is missing. It has gone from a zipped pouch to a pouch and now there is none of this. It is true that the model is very economical, but I would pay 1 or 2 € to include this type of accessory, otherwise I will have to buy it separately. It doesn't make much sense.
Construction and Design
The capsules are made of BAYER PC, a material that looks like a kind of transparent plastic. PC could also stand for polycarbonate. They have a classic semi-custom shape, which reminds me of TFZ products, although the inner side is more ergonomically shaped. The outer face has the classic African continent shape, with a golden metallic dot at the bottom corner. The body is transparent and there is a repeating hexagonal pattern on the face. In the centre of the face is the brand logo, in yellow. The size is medium and relatively thick. On the edge, near the metal dot, is the model name, along with a mole indicating the side of the channel, all in white ink. Continuing along this edge, towards the top, is a transparent, protruding plate, which is rectangular in shape with rounded corners. This is the 2Pin 0.78mm connection plate.
The inner face is rounded, with a protrusion at the end, to improve the anchoring of the capsule in our ears. There is a small hole in the centre of the driver, close to the base of the mouthpiece. It is metallic and grey, 4mm long and has three diameter levels, the initial one is 6mm, the central one is 4.8mm and the outer one is 5.9mm. The nozzle is protected by a dotted grid, also metallic.
The cable is the classic 4-strand black coiled cable, with a stretched triangular plastic splitter, small pin of the same colour and material, rectangular in shape. The plug is angled, the connector is 3.5mm gold plated. It has a protective sleeve. The 2Pin connectors have a classic NX7 shape, typical of the brand itself. But any bare 2Pin cable may be compatible.
The capsule is extremely light, the inside is clear and practically empty except for the driver in the middle. I like the metal nozzles and the 2Pin connector. The design is becoming universal for many IEMS, but in affordable elements, I prefer to ensure a concrete and ergonomic shape, rather than weird shapes that are difficult to fit. Nothing negative to object to, I think the fact that it is transparent gives it a particular appeal. Despite the lightness, the capsules feel well built and durable.
There is little to say about the cable, a simple, fairly common accessory, which does its job without more, but which invites to be replaced by a superior one, even if it is cheap too. There are many cables for up to €10 that are better.
Adjustment and Ergonomics
The ergonomics of this classic shape are also classic. The shape of the capsules is of a medium size, although at the limit of the shape of my ears. The fit is good, but the protrusions at the inner end of the capsules may not be to everyone's taste or ergonomics. They are very light and in that respect there is nothing to say. The nozzles are relatively wide and short, so the fit will be shallow or medium at best if you have a wide canal. Despite the shallow fit, the capsules do not protrude very far and rotation is minimal. Although some minor adjustment may be necessary to get the best sound and orientation of the nozzles to the channel.
Sound
Profile
The NiceHCK's profile is balanced to its elevation in the upper mids and early treble. Its bass is quite linear and despite its boost between 2kHz and 6kHz, you don't feel a loss of control in that range. The result is a very clear, bright, sparkling sound, but with a relative punch in the lows.
Bass
Quality bass is becoming increasingly easy to find in dynamic drivers, but not so easy to find in such an inexpensive product. The best virtue of the DB1's bass is its speed. It's clear that it doesn't have a high low end, but that doesn't detract from its quality. In the same way that other much more expensive IEMS, which have similar tunings, have controlled, dry, punchy, low decay bass, the DB1 also goes that way. It is undeniable how good a job the driver does with the bass and the tuning goes a long way in this respect. We all know the preference of sub-bass fans and the DB1s stand the test of time at that lower end. Colouring in that initial part is minimal and only noticeable in the tones below 40Hz, from there and above, the sound is quite natural, both in timbre and behaviour. The punch is compact and the decay is fast, there is no aftertaste and the bass is picked up in a breath. They have a light and smooth texture, there is no excessive roughness and the definition is palpable, distinguishable, high for its range. Flat recreation is good and bass lines develop with a certain fluidity and naturalness, without losing control or realism. Actually, I am judging the low end of the DB1s as if they were IEMS of a much higher range, and that is because the technical quality of the DB1s makes me think so. It's clear that the level of resolution, the texture, the descriptive power, the recreation of planes and layering is not extraordinary, but rather on a simpler level, although really very worthy and surprising for their price. Excellent.
Finally, just to clarify that this is not a bass-head bass, as it is not even predominant. Its level is HiFi grade, with great fidelity, above neutrality, but with great control and packaging with the rest of the tuning.
Mids
The elevated tendency of the upper mids and first treble, so characteristic of many IEMS, has for some time now brought a lot of clarity and transparency, as well as a clear favour and enhancement of the central range. It is clear that following the majority, due to fashion, can have some advantages, but it is also necessary to reflect on the extent to which this trend should be followed and to realise where it can be detrimental. Perhaps it is unrealistic to ask for this kind of work in such low-cost IEMS, when other, much more expensive IEMS have not done it either. This work was well executed in the Topguy, NiceHCK's top of the range IEMS. But I may even be more in favour of the DB1's low end tuning, even more daring in the treble. Because it's easier to be bold in a sub-$20 headphone than in a $250 headphone.
After this long intro, the conclusion is that the mids are as they appear, very clear, bright, somewhat thin, with a light body and more emphasis on detail than mass. The sibilances are at the allowed edge and limit, leaving it up to the source whether this point is crossed or not. With warm sources, this level seems not to be exceeded, though with cooler, more analytical ones, the level of sparkle is felt to be abundant, at that limit of acceptability for many, which may even determine the exposure time of the IEMS in our ears. I can affirm that I would have preferred one more point of control. But then again, I am analysing these IEMS as if they were much more expensive. They are not. These are inexpensive IEMS with present mids, but they know how to keep their distance. Their body has a lean, delicate and fine tendency, without much base. That is why the lines are agile and fast, there is not much mass to move. The result is a low density and a more volatile, transparent, airy and free representation. The timbre does not escape this inclination towards brightness, but it is not wrong, nor does it lose realism. There is good cohesion and fluidity in the mids, bringing musicality to a range favoured by detail and nuance. And this is the strength of the DB1s, because they are IEMS that are not complete analytical, but they do bring a high level of resolution and definition to the midrange. And this characteristic can be felt to be enhanced by the sources used. The level of detail extraction is excellent, it's clear that the DB1s do it their own way, stretching and broadening the treble, but the detail and micro-matic is there. They are perhaps a little metallic at times, but I didn't feel it was too detrimental. As an aid to this point, the use of better cables, good or warmer sources can be beneficial. Those who believe in burning can give it a try, although I am inclined to go for more tangible solutions. Despite all this, I must also say that I am not able to find other IEMS, let alone dynamic ones, with this level of transparency and detail, for less than $20. It is clear that such a level has a price, but IEMS 10 times more expensive also pay it and there they are. Hearing is believing.
Treble
The upper zone is initially elevated. It is very clear how much sparkle it possesses and how good its presence is. I can't say that the treble is controlled, but neither is it saturated. It is clear that the treble comes through with power, sparkle, lift and brilliance, when it's their turn and that they keep little to themselves. The big advantage is that the driver is still very agile and the treble is fast. This way its persistence is very low and the flash dissipates quickly. But I must admit that this level of presence overwhelms me in certain situations. However, this is a matter of personal taste. Those who like sparkling, fast and extended treble will probably enjoy this model very much. For the rest, just be warned: an extended, present, vivid and crisp range. The result is that this level of sparkle appears in the midrange and helps to extract a lot of detail from it, as well as recreating a lot of nuance, both at the micro and macro level. The extension is also noticeable and the treble has a good initial dose of air, which also carries through to the rest of the band.
Soundstage, Separation
The scene is rendered eminently wide, it has some height, but depth is more limited. The sound is very detailed and has a noticeable dose of air, but lacks much three-dimensionality. Elements are rendered in a flat rather than surrounding manner, despite the level of clarity and transparency it possesses. The scenery is frontal, with a good level of laterality and stereo sensation. But the elements don't feel very volatile, or ethereal. Despite the high level of separation, there is not much spherical distance and placement is defined from left to right or the other way around, with depth or height not being very decisive at this point.
Despite all this, for the price range, both the level of transparency, width and air are very good.
Comparisons
Tin HiFi T1 Plus
The T1 Plus are slightly more expensive IEMs, currently available for $29. They have a similar construction, although they are smaller, even the cable is similar. Their weight is also very low and the smaller size makes the fit quicker and more comfortable.
There are small differences in their curves, which end up being quite significant. The DB1s are clearly brighter and more transparent, while the T1 Plus are warmer, less extended and present in the treble, with a more accentuated mid-bass. The T1 Plus are a bit more sensitive and louder at the same volume.
The low end of the DB1s is more reference and more neutral. The T1 Plus is more energetic, but its timbre and loudness is more realistic and natural, which is noticeable in the low end. The sub bass sounds and plays better. In terms of speed they are very even, and there is little damping in both IEMS, as well as noticeable recovery. Admittedly, the greater bass elongation of the T1 Plus may give the impression that it is slower, because its travel and depth is greater. But, in reality, the two are very much on par, despite the difference in energy in favour of the T1 Plus. The higher energy generates a more tangible and pleasant texture, as well as a darker and more sensitive colour. All in all, as a bass-lover, I lean towards the bass presentation of the T1 Plus. But I also recognise that the more neutral grade of the DB1s may be more appealing to many other fans.
In the mid-range the warmer sound of the T1 Plus adds more body to the first half of this range. While the DB1s offer a sense of superior clarity and transparency, there is no hint of darkness. This sense of cleanliness enhances the area, even brings it closer to the listener. Above all, because details feel more defined and perceptible. Where the T1 Plus are smoother, the DB1's more analytical level brings more texture and a descriptive level above the midrange. True, the latter feels thinner, but also more delicate and with a higher resolution. Comparatively speaking, there is a lot of nuance that falls by the wayside in the reproduction of the T1 Plus, whereas the DB1 exposes it with ease, because it has more definition and that more critical character. So it's not just a difference of a few dB in the upper midrange, but also a higher technical level in the NiceHCKs.
The upper range is the most different between the two models. The T1 Plus is a controlled zone, albeit with an initial sparkle and a certain amount of air. But everything is superior in the DB1s - energy, excitement, emphasis and extension. It's clear that the DB1s offer a much crisper and brighter treble. While the treble of the T1 Plus is safe, the DB1s feel dangerous. It's also something fans should be aware of. I would have gone with something in between the two models. Which one feels more natural? Well, actually, neither one nor the other. So our preference and exposure to the high end will have to choose accordingly.
Except in depth, the DB1s sound bigger and louder. The clarity magnifies the scene and the closeness of the elements feels enhanced by the proximity of the details. In this way the image feels frontal, perhaps flatter, but higher and wider. Separation is also perceived as superior, the level of transparency and clarity helping in this regard. And while the sound of the T1 Plus is quite good in this department, the DB1s' good technicalities make them superior in this area.
Conclusion
The reality is that NiceHCK has been brave and daring in such an affordable model and I think the move has worked out very well. I don't know many IEMS in this price range with such an analytical, clean, transparent, clear and highly detailed profile as the DB1. It is obvious that they are not perfect, for my taste the brightness is a bit excessive and the timbre in the high end can be more critical, but technically it is good. The low end is linear, neutral and has a good level of weight and a lot of speed. The mids can be very descriptive and detailed, surprisingly so. The upper zone is more excited and extended, but can also polarise opinions one way or the other. But that's what boldness is all about. And it's clear that its price invites you to make the leap, there's not much to lose when the price is under $20 and its sound has many plus points, even superior to many other IEMS in its price range. I'm glad there is an alternative like the DB1s among so many Chi-Fi Vs.
Sources Used During the Analysis
- HiBy R3 PRO.
- Tempotec Sonata E35.
- Earmen Sparrow.
- Earmen TR-Amp.
- Hidizs DH80S.
- Hidizs S9 Pro.
- E1DA #9038D.
- Qudelix-5K.
- Burson Audio Playmate.
- S.M.S.L Sanskrit 10th MKII + iFi ZEN CAN.
Ratings
- Construction and Design: 80
- Adjustment/Ergonomics: 82
- Accessories: 50
- Bass: 80
- Mids: 89
- Treble: 83
- Separation: 87
- Soundstage: 85
- Quality/Price: 94
Purchase Link
https://es.aliexpress.com/item/1005003440632591.html
You can read the full review in Spanish here:
https://hiendportable.com/2021/12/12/nicehck-db1-review/
