DISCLAIMER
I would like to thank Linsoul for providing this review unit.
The Tin HIFI P1 Max II can be gotten here:
https://www.linsoul.com/products/tinhifi-p1-max-ii (no affiliate links).
SPECIFICATIONS
Driver configuration: 14.2 mm planar driver
Frequency response: 10 Hz - 20 kHz
Impedance: 16 Ω
Sensitivity: 98 dB/mW
Cable: 2-pin, 0.78 mm; 4 stranded oxygen-free copper silver-plated mixed cable; 3.5 mm termination
Tested at: $139 USD
ACCESSORIES
Other than the IEM, these are included:
- 3 pairs of wide-bore silicone eartips (S/M/L)
- 3 pairs of narrow-bore silicone eartips (S/M/L)
- 1 pair of foam tips
- Cable
While the eartip spread is decent - we even have foamies here - it is disappointing to note that there is no carrying case, or even a pouch. Gear at this pricing usually also comes with additional goodies such as a modular cable for example. If this were a sub-$30 USD set, the provisions would be acceptable, but in this case (no pun intended), for a $100ish set to lack a case is not acceptable.
The foam tips tame treble the most, and furnish the best isolation. Of the 2 types of silicone tips, the wide-bore ones boost treble and improve soundstage, whereas the narrow-bore ones increase bass but with some compression in the staging.
Thankfully, the oxygen-free copper silver-plated mixed cable is quite good. It is well braided and supple, with minimal tangling. Microphonics are also dampened, with a chin cinch for added grip. However, it only comes in a 3.5 mm termination, with no modular option.
The rest of this review was done with the stock cable and stock narrow-bore silicone tips. No aftermarket accessories were used, so as not to add any confounders to the sound.
BUILD/COMFORT
The shells are fashioned from Heygears' 3D-printed resin. The faceplates have an eye-catching whorled appearance, and only weigh 3.8 g apiece. Coupled with no awkward protrusions along the internal aspects, this set is very comfortable to use in the ears.
This IEM is heavily vented, and this results in below average isolation. The vents however, assist with acoustic airflow, and there is no driver flex noted.
INTERNALS
The P1 Max II houses a 14.2 mm planar driver, which has an ultra-thin 2-micron diaphragm. This is paired with dual N52 magnets within a dual-chamber design.
DRIVABILITY
I tested the P1 Max II with the following sources:
- Apple dongle
- Cayin RU7
- Chord Mojo 2
- Fiio KA11 dongle
- Fiio KA17 dongle
- Khadas Tone Board -> Schiit Asgard 3 amp
- Questyle M15 DAC/AMP dongle
- Sony Walkman NW A-55 DAP (Walkman One WM1Z Plus v2 Mod)
- Sony Walkman NW A-55 DAP (Walkman One Neutral Mod)
- Sony Walkman NW WM1A DAP (Walkman One WM1Z Plus v2 Mod)
- Smartphone
With a sensitivity of 98 dB/mW, this planar is not the easiest to drive. While one can get adequate headroom from a weak smartphone, this IEM will scale in soundstage, dynamics and bass tightness when adequately amped.
SOUND & TECHNICALITIES
Graph of the Tin HIFI P1 Max II via IEC711 coupler. 8 kHz is a coupler artefact peak.
Tonally, the P1 Max II has a bright V-shaped profile.
This IEM is sub-
bass focused. There is a healthy rumble and descent to the lowest registers. Bass quality is the star of the show, with a clean, textured and fast bass heard. There is no mid-bass bleed even on tracks with complex bass movements.
As per the V-shaped signature, the lower
midrange has some recession. This won't be an IEM for mid-lovers as such. While there is no bass encroachment to muddy this frequency band, this area does lack heft and some note weight. Ear gain hits around 9 dB in the upper mids, and there are instances of shoutiness for female vocals especially at louder volumes (Fletcher Munson curve).
The P1 Max II is a
treble-head's dream, with good air and sparkle on tap. Sibilance is however present, and high hats and cymbals may be a tinge hot. The included foam tips or a warmer source pairing may mitigate this area to some extent.
As per most planar IEMs,
timbre is not a strong suit. There is a metallic tinge for acoustic instruments, with nasal vocals noted. Timbral freaks best keep to single DD types in general, if timbre is a priority.
Technicalities are where the P1 Max II redeems itself. Soundstage width is good, lying just beyond the ears with amplification, though depth and height are average. There's great clarity and micro-details heard. Imaging is quite accurate too, with clarity in abundance.
COMPARISONS
The P1 Max II will be compared against other $100ish planar IEMs. Single DD, hybrids and pure BA setups are omitted as the different transducer types have their individual pros and cons.
Letshuoer S12 Pro
Graph of the Tin HIFI P1 Max II versus S12 Pro via IEC711 coupler. 8 kHz is a coupler artefact peak.
The S12 Pro is more V-shaped, with greater bass and treble emphasis. The S12 Pro has a more sedate upper mids pinna gain rise.
The S12 Pro is bassier, but the bass isn't as tight with bleeding noted. The lower midrange is more recessed in the S12 Pro, and it is also more sibilant in the treble region.
The S12 Pro has a weaker soundstage and poorer micro-detailing.
Hidizs MP145
Graph of the Tin HIFI P1 Max II versus MP145 via IEC711 coupler. 8 kHz is a coupler artefact peak.
The MP145 has 3 tuning nozzles to spice up - and give variety - to the frequency response. Across all nozzles, the MP145 is bassier, with less upper mids glare.
In technical aspects, the MP145 has a larger soundstage, with better layering, though micro-detailing goes to the P1 Max II.
The MP145 has a thicker note weight and sounds more natural in timbre, though it has a bigger shell, which may cause potential fitting issues.
CONCLUSIONS
The Tin HIFI P1 Max II has solid technicalities, with bass quality a highlight. Those liking a transparent and detail-oriented signature will appreciate Tin HIFI's latest creation. Ergonomics and build are well-done too.
However, some tonal flaws hold it back from greatness - the upper midrange and treble may be divisive, especially for our treble-sensitive brethren. The omission of a case - or even a pouch - at its > $100ish asking price is also not acceptable in this day and age. The below average isolation and relatively power-hungry requirements are also possible blemishes.
In the big scheme of things, amongst the ultra cut-throat planar IEM market, the P1 Max II doesn't exactly sink, but it isn't class-leading in any department to stand out from the tough competition. In such a hot market, being average is actually similar to being forgettable, as next week promises a new IEM release to capture the hearts, ears and wallets of audiophiles.