Welcome to written review of the product. We are going to talk about the Raptgo Hook in its original version.
Before talking about this product, I remember that inother reviews another headset with planar technology was reviewed, the Hifiman Edition Xs. If you want to see the video it´s on my channel.
Time does not usually play in favor of iems since many models are launched every month. An increasingly saturated market seems to be what Chi-fi is looking for. In the case of the Raptgo Hook Today it is still an excellent option below the €300 range.
Raptgo Hook It is not an easy task. Raptgo is a fairly recent brand that has more models, although I think the best performance is found in the Hook X. This iem has a retail price of around €200. There is now a slightly different version called Hook HBB which is blue.

When we open the box and see the contents of the product we already appreciate that it is very well presented. It would not be the first IEm that sells for over €200 that we notice is lacking in accessories or useless accessories. This is not the case with this headset.



Raptgo offers us quite a few white tips in small, medium and large sizes, all very similar, but at least we have spares. The differences are the color of the base of the tips, some come in black, others in white and others in cyan.
The carrying case feels rigid and roomy. One of the best cases I have had for its protection, feel, and portability. It's not too big, heavy or too flashy. It's what a carrying case should be.
The cable is wonderful. Raptgo opts for a greenish design of standard length fabric that is very pleasant to the touch. A flexible cable, but at the same time it feels resistant. Of course, don't expect it to not get tangled...it won't be like that.
They want more? Well, we have 2.5mm – 3.5mm – 4.4mm connectors included. Will they say a 4.4mm connector is necessary for an iem? In planar technology iems it is necessary. Later I will tell you why.
The design of the Hook X seems peculiar to me. I wouldn't be able to tell from a first impression if it seems pretty or ugly. Its green and black external contour matches the cable, also of the same colors. The exterior part is perceived with a different touch and, of course, open. It has small and multiple perforations that make this iem semi-open, which will give special characteristics to its sound.

I consider the Raptgo Hook to be a very versatile iem capable of practically everything. He is quite fun to listen to with various genres, although with electronics he is very enjoyable. It can be used to edit audio and video because it has enough detail, for monitoring I do not recommend it because perhaps its timbre is not 100% accurate although for its price it is the best... Basically it has no weak points if we compare it with sub300€ options.
Isolation
The insulation is good. Despite its semi-open design, it is nothing dramatic. It is true that you will not notice the isolation like that of deeper inserted iems like a Mangird Tea but I honestly consider that its isolation is comparable to that of, for example, an Ikko Oh5. Its leaks will not be anything out of this world either and are less than expected. At higher volumes, as is evident, you will hear a little more of what you hear compared to completely closed IEMs.



The sound signature is quite fun, but it feels technical. It is not the classic sub200€ iem with good bass, but that's it. I would say that Raptgo wanted the music to come first, giving importance to a tonality with a U-shaped signature, but quite natural...although with nuances. It has a strong low range, sub-bass presence, somewhat thinner and more neutral mids and highs on the limit of what I consider harsh. I will delve deeper into each section later.
Will a powerful amplifier be needed?
Will an amplifier be needed? Yes. We have an iem with 105 decibels of sensitivity and 15 ohms. Typical values for planar type headphones. Low sensitivity and low impedance. Sensitivity tells us that it will require energy to function. In fact, the sonata hd pro, a dac dongle capable of 120 mw at 32 ohms does not get 100% out of this iem.
Therefore, we are faced with an iem that a mobile phone can move but that will remain scarce and will not allow the full performance of the iem to be extracted.

SOUND SECTION – TECHS
To analyze the headphone I used an IFI hip dac. A portable amplifier capable of generating more than 250 mw at 32 ohms through the normal output. Taking advantage of the modular cable, I tested it through the 4.4 mm connection and the testing was done from this connection. 400mw of energy so that the iem can give its 100%. It should be noted that I have hardly noticed any difference between the balanced output and the normal 3.5mm output.
As in all reviews, only music in Flac quality at least is used in testing and analysis.
Aural purposes (mastering, music, editing…)
Before starting the sound analysis, it must be made clear that this headset is intended for enjoying music. As I said before, we are going to have a sound with enough detail to also use it for editing, although I believe that listening to and enjoying music is its fundamental purpose.
In terms of soundstage, open-back IEMs should offer something special to the soundstage, helping it achieve a level of extension closer to that of open-back headphones.
This is so? Half. Its sound feels quite expansive but is nothing spectacular. Iems like Olina, with a closed design, I consider to have a more surprising scene since they are capable of removing sounds in a very curious way.
In general, the sound field is wide and expansive, but perhaps the best thing is its stratification, which reaches levels that I don't think I have experienced with an IEM until now below €300…or €400.
In terms of image and instrumental separation, the Hook-X favors a spacious image so that its sound elements show everything they have to give, separating instruments, effects and voices with tons of air. That extension in the treble gives that air to the sound.
You always have a spacious feeling inside the Hook-X, offering your stage a huge amount of free space. Its layers give the image an enveloping depth in which it is easy to get lost. I recommend ambient type tracks to experience these spatial qualities.
All its incredible dimensions and location are perceived too naturally without being exaggerated.



SOUND SECTION – BASS
The bass is boosted slightly above normal, but this is not an IEM for bassheads. Hook-X's bass adapts to the music, so if a recording has meaty bass, Hook-X will respond in kind. As you'd expect from a planar transducer, bass is fast and tight, but if low notes have decay in the recording, you'll hear it on the Hook-X.
The presence of the subwoofer is more than evident. It appears when it has to appear and it shows... boy does it show.
For me the bass is the best thing about the headphone. I consider them to be on par with the OH5 although that extension of the subwoofer makes me prefer these.

SOUND SECTION – MIDS
While the mids have enough detail with excellent spacing, they are warm enough to be engaging as well. For me, the ultimate test is the connection I feel with the music. Everything sounds balanced.
Vocal lovers will appreciate Hook-X's vocal presentation. The male voices are full-bodied and powerful. Female vocals also benefit from the slight bump in the upper midrange; They are sonorous without being shouty and well articulated.
The negative point is that the midrange feels somewhat thinner. It seems that it lacks body in this part. It should be noted that on congested tracks with several voices or instruments the iem suffers and is not as crystal clear as on calmer tracks. Obviously this is noticeable if we compare it with more expensive equipment. A lot more.

SOUND SECTION – TREBLE
In the treble I find that the Raptgo is more difficult to describe. On the one hand, it should be noted that I don't find them soft and in certain songs, I find that they play very close to the limit of sibilance.
It's basically detailed with that extra shine. On the other hand, from time to time I hear a strange ringing or resonance. It reminds me a lot of the BQEYZ Spring 2 IEMs which also contain a piezo driver. I'm not sure if it's the piezo or just the 8 kHz peak, but luckily it doesn't appear frequently enough to be a problem.

Raptgo Hook X is an iem that can last for years and years. It has no weak points except the most crystalline and fine midrange... something that will surely please more than one person equally.



Its bass and subbass are a delight. Its treble gives a spark to the music that makes everything sound more alive and airy. Its stage is wide and attractive enough to enjoy the music and its layers are felt in ambient music.
For €200 or more, that product is even a recommendation for me.

Welcome to written review of Sivga SV023. Today we will see an over-ear type headset that seems to me to be an excellent option under €500...but I recommend that you read the full review since it may not be for you. For iems lovers, I ask for your patience, more products of this type will be coming soon.
For now, in this review we have a very complete product in all aspects. Sivga is a chifi audio brand that has several models, some of them we already saw on the channel... and we will end up seeing others. The Sivga Sv021...was renewed in the Oriole, the Sivga Phoenix in the Sv023...although then the Luan came out...you could almost say that it was a Phoenix 2.0...a headphone that sounds excellent by the way. I sincerely believe that we will not see a renewal of the Sivga P2 in the near future.
What attracts me to this Sivga sv023? Well, basically it has no weak points and I do believe that this one can compete, for example, head-to-head with a Focal Clear.
Headphone that a long time ago cost more than €1000. In fact I will make comparisons against that headset during the video. That's how good this sounds...and the best thing...it's worth half.
First I want to remember that my reviews and what I say about the products is my opinion... I don't have to speak good or bad about any product since you could say that I am practically free.



The sivga is presented in a very premium and realistic way. We have a box where everything is stored in an orderly manner. On the one hand, there is the carrying case. I'm a big fan of carrying cases, you know. I think that, based on a certain audio quality, that is, financial expenditure... they are necessary. They are not only useful for moving the product from one place to another. They are also worth storing, as is obvious. Furthermore, in cases like this one that have an optimal size, a small DAC dongle, for example, can be efficiently stored.
The carrying bag of the sivga sv023 is light brown. It has a soft touch and can also be placed vertically due to the supports it has. It is very rigid so it will protect the product more than well. We also have a fabric cover with the brand logo whose usefulness is quite questionable. It is not rigid, it does not protect...but hey, it can be stored to avoid dust. Better that than nothing...Hifiman doesn't look at anyone...I say it for models like the Sundara.
On the other hand, we have a good quality braided cable and adapters to make this set even more versatile. We have a 4.4mm to 3.5mm adapter and another 3.5mm to 6.35mm adapter.
I would say, from a critical point of view, that it is the best product in terms of accessories that I have tried under €1000. The adapters and a better and prettier cable make me opt for this sivga rather than the focal clear, which would have benefited from a 4.4mm adapter for example.



The design of this product is very interesting. We have a very obvious wood finish that places it in my top of the most elegant headphones. But there will be those who like it more or less so I'm not going to go into more detail here.
In comfort it is a success. Its large perforated memory foam pads and that wide, padded headband make the weight distribution very...very good. I'll tell you clearly, possibly the most comfortable headset I've tested.

This headphone uses a 50mmm dynamic driver which has a beryllium-coated diaphragm. Hearing beryllium and dynamic drivers is usually synonymous with, at least, curiosity on my part.
The isolation part is nothing strange and what is expected. Open earphone, non-isolated earphone. In the leakage I expected it to be worse but the truth is that it emits little sound. A little more than the Dt1990 pro and very similar to the Focal Clear.



In technical data we have 105 decibels and 300 impedance. Its sensitivity offsets the energy needs of the headset, making it possible to operate it with mobile phones or laptops, although with a loss of performance. However, I don't think their sound varies much. With the laptop with the best DAC that I have or the sonata I could practically hear it the same as with the gryphoon. Despite the numbers, I consider it more efficient than focal clear. This headphone is very, very recommended to try it on a vulvo amplifier.

SOUND SECTION – TECHS
We must start from the basis that sivga makes a very, very musical and natural tuning…some more than others. This headphone, despite sounding good musically, also has some analytical sound. Therefore, I consider this headset to be suitable for almost everything. Listen to music, play games, edit... and even work with audio... since it does not have a very marked profile in bass or emphasized treble and it does offer sufficient resolution.
In soundstage, Sivga's open models have been a big hit for me. After listening to the SV023 for quite some time, the response is wonderful. When the SV023's soundstage first comes into focus, it has all the realism of being in the studio with the performers. Some of the lightness that open backs can give you is replaced by well-articulated layers. In some cases it can also appear floaty, especially with acoustic guitars that come across just above the left and right channels.
If I compare it with an Edition Xs I could say that the Sivga offers a better scene on the x axis. In depth they are quite even, but sometimes it seems that the sivga sv023 does it better even with low amplification. In height or size of the sound I opt for the hifiman...but just barely.
Dimensionality expands with spatial tricks on the x axis, this being one of its virtues. Its good extension in the treble allows it an airy sound.
We therefore have a wide stage, but I would have liked it to be more enveloping, just as the focal clear does... which, although it does not have such a laterally expansive scene, is more rounded and immersive.
In the image it does better than, for example, the hifiman edition xs. Giving a more evident precision of the level of the dt1990 pro.
Is there anything better in general in terms of spatiality for less than €600? I don't think so.

SOUND SECTION – BASS
Parts of the bass region are most noticeably divided into mid-bass and sub-bass sections, rather than coming together to form a complete tone.
The bass for me was the most disappointing part. I think it lacks gain and a little extension. That's why I recommend, if you can, a tube amplifier. Still, they sound pretty clean and fast. It creates an interesting dynamic in the bass that consistently maintains its timbre attractive to the listener, no matter what genre of music is being played. The mid-bass hits hard and the sub-bass resonates smoothly. I don't think it's powerful enough to shake you, but it complements the texture of the bass and synths with its depth and clarity. In this area I think the focal clear is even more complete.

SOUND SECTION – MIDS
The midrange of the SV023 is very very good. Imagine an improved HD600. It sounds very natural and offers… not only a lot of space but also great energy. It has a dynamic range response similar to bass, but faster and more transparent. Details within its timbre are easy to find, as the mids excel in sound signature with plenty of individualized elements such as orchestral strings and piano notes. Vocals are also clear and offer micro details. The mid-range, to put it a defect, lacks a little body... which, for example, if I had the dt1990 pro.

SOUND SECTION – TREBLE
While treble reproduction can be incredibly responsive, it can also show considerable extension and for some people perhaps a little more enhanced. For the most part, everything stays clean and tidy in the treble, but on tracks where the sounds start to get more aggressive, the treble comes out to show its most character. There's a fun midrange-like snap, but with a more flavorful sparkle to the tonality of the frequencies. A shine or sparkle that is similar to what ananda nano can give but somewhat more controlled. This is especially evident in piano performances, as soloists or singers, where the highest notes seem to end with an extra bright accent in their attack. For longer listening sessions they can be a bit tiring due to their revealing nature. I personally didn't have any problems.

As you have heard, the SV023 is a very complete headset. It's very good at almost everything, but maybe it doesn't really stand out at all...Although maybe we're being too unfair if we compare it to more expensive headphones all the time. If we compare it with any open headphones under €500 and €600, I think this Sivga is superior.
It has very good comfort, it is quite energy efficient, it sounds natural, it has good dynamics, it has a good scene, it sounds musical but it also has an analytical touch...the only defects are a bass that is somewhat scarcer than I would like and a midrange. who perhaps could have used a little more body.
Do I recommend the purchase? Yes, definitely.

How are you? How are they? In this current written review we talk about a brand that surely sounds familiar to you. KZ. Specifically, we will talk about the KZ As24, more precisely its purest version... the one that does not have switches. An iem full of balanced armor that is sold, according to the brand, as its flagship to date, being the most expensive kz iem so far. Even so, this product represents one of the best price qualities that I have been able to test in a product, offering certain sonic characteristics well above its price, especially at a spatial level.
KZ is entering a new era of maturity in developing and fine-tuning its products to appeal to audio's most discerning audience...those who regularly add new IEMs to their collections like you and me.
Why review the standard version?
I understand that for hobbyists, tuning switches will provide countless hours of fun. Flipping switches on and off is engaging, entertaining and satisfying.
But for others, like me this would be an irritating task that could be accomplished more quickly using a software-based equalizer. That's why I prefer to review the standard version and test, as always, with different amps, tips and songs.



The in ear is presented very fairly in the box. Kz does not usually offer as many accessories as other brands. We only have the pairs of small, medium and large size tips, the cable, the iem and a pair of memory tips which are the ones that come stock with the product.
So we have a simple little black box that is basically functional and efficient. There is no more or less. A small, simple and efficient unboxing.
Perhaps what is missing beyond more sets of tips or a more premium presentation is the typical carrying case, which is conspicuous by its absence. Considering the price of this product I think it is something that could have been taken into account.
Regarding the included cable, we have a 1.2 m high-purity silver-plated OFC. Quite attractive, lightweight. The 2-pin connection fits perfectly and is secure. However, and as you can see in the video when testing this iem I noticed very interesting sonic peculiarities so I decided to give it a cable with more of a premium feel. A cable that they had saved with 8 cores from the tripowin brand.



As for the design and construction, what can I say... it feels well made and the fit and finish are excellent. There is no discomfort despite its large size. I think the ergonomic shape helps compensate for the size. If it seems too big or if you don't like this, think about it...there are 12 balanced armors inside...12...and their weight is quite standard.
The look of the AS24 is attractive. At least I love it. It's like jewelry or precious stones. One of the nicest iems I've tried regardless of the price. The body of the AS24 is composed of several main parts: a lightweight, DLP-printed resin body, a high-precision integrated acoustic filtering nozzle, a diamond-cut bright stand, and a lightweight metal front cover.



This product has 12 balanced armature drivers inside. 2 for the mid frequencies, 8 only for the highest frequencies, 1 for the high frequencies and one for the bass...in other words, we have a configuration of 1 bass, 2 mids and 1 treble...the other 8 are used only filler for air which, as we will see, is a hallmark of the product.
The sound signature is mature and balanced. The sound of the AS24 offers lean detail with quite interesting clarity... a detail superior to any product under €100 in both hybrid and dynamic driver iems. Of course there are higher value iems which have less noticeable detail, such as, for example, the Ikko Oh5 although the latter offers more texture.
The transitions remain fluid and basically the resulting general coherence is really good, giving a very natural sound, but at the same time attractive...and not precisely because it has a shocking bass but because of its excellent dynamics with nuances. In addition, the soundstage is spacious and the images are precise for me its strongest point; making an ideal set for classical music sessions.

In terms of amplification, this product does not stand out for needing a huge amount of energy but we will always find a small improvement if it is amplified. In this case the improvement goes to the low and low midrange giving a slightly better impact. Its values are a sensitivity of 109 decibels for the customizable version and 112 for the one you see on the screen and just 20 ohms of impedance. Values that allow my laptop to extract practically 100% and with the Sonata HD Pro at half power (60mw at 32 ohms) it already sounds really good.
Therefore, it is an efficient iem that allows it to be used in a more portable way...a compelling reason why they would have included the carrying case.



SOUND SECTION – BASS
For a BA driver, bass reproduction is authoritative and rich, while remaining clean and well defined. The resolution and texture are good for natural instruments such as cello, double bass... I still consider the weight of the notes to be slightly thin if you are looking for warm, thick sound signatures with intense bass. It is not a bass comparable to other dynamic drivers but it delivers.
The bass delivery is satisfactory and appropriate for almost all genres except electronic or for sessions where you just want to enjoy and move your head.
Basically the bass extension is deep and without attenuation. I didn't hear any distortion when listening, to test, at moderate to high volumes.

SOUND SECTION – MIDS
The midrange section sounds natural to me, clear and full-bodied throughout the music. It doesn't feel like the body of the ikko oh5 but I do consider that it offers a very interesting body and doesn't feel thin at all. Let's say they are not too thin nor too thick. Its tonality is on par with the midranges of more expensive products because it exhibits an attractive, natural but well-layered sound.
You will be delighted with the AS24 if you mainly listen to vocal-focused music because female vocals in particular sound very attractive and present to me. Despite what the chart may suggest, the media never shy away from the back end. They are soft and do not give the impression of screaming.
So, like the technical-spatial part, the voices seem to me to be another great strong point of this product.

SOUND SECTION – TREBLE
I'm happy with the tuning and treble capability. Notice that they are not the cleanest and purest but they are sharp, revealing and detailed without causing great fatigue. I have not yet noticed a sibilance that bothers me but I have been able to find that strange sensation with some songs with a timbre that is somewhat characteristic of BA armature.
What is clear is that the treble provides a perfect balance to the rich and musical bass.
Basically the AS24 has a clean and clear sound. It has good extension up to the higher treble registers and the air or spacious sound feeling is evident as it has 8 key signatures for this purpose.

SOUND SECTION – TECHNIQUES
For me, the biggest strength of the KZ AS24 is the depth of the stage and the layers. He manages to display all the instruments very carefully, placing them with good distinction. The As24's soundstage may not be the widest or loudest, but in depth, it's one of the best so far I've tested regardless of price. On the x-axis of the soundstage I consider it to be not too far from the fiio fh9.
The new flagship therefore has a great sense of space and separates the instruments very well. Taking this into account, it might work better in terms of contrast between the instruments and the background.



The AS24s are really excellent. If you like genres more focused on classical music, soundtracks and even playing video games, they are an easy recommendation, especially as I said with such a favorable price-performance ratio that it is difficult for me not to recommend this product. For the price of the aforementioned fiio fh9 you can buy 4 Kz AS24…
Looking for a large, highly three-dimensional soundstage? I recommend you try it because it may satisfy you.
Are you looking for a natural and attractive sound? This is your iem.

Do you want the highest resolution for less than €150? This is your iem. I would say a greater range...to the point that it is not very far from the Quintet...but recently I was able to test an iem that is really interesting and that we will see soon, the mp145, which gives a neater sound.
I can only find those bassheads who are not very satisfied with this product because of its somewhat more reserved sound...or those with a smaller ear. This iem is really big although its fit is very good.
One thing must be made clear, it is a great iem but don't expect superior performance compared to iems well above its price. We have to be realist. It is very competitive, but up to the range of €300-€400 maximum. Still, it seems amazing to me.
The AS24 are mature, balanced and very flexible if you have the version with switches with which you will need time and patience to experiment with countless possibilities the subtle differences in sound.
If you liked it, give it a like, share the video and subscribe to support the channel and bring more and more products. See you in future written reviews and videos.

All the best.

Welcome to the review of the Hifiman R9. In the previous reviews of youtube we saw the headphone tank, the Dt1990 pro. In this video we are going to look at an overlooked Hifiman model, the Hifiman R9. A closed overe ear model with a dynamic driver. Yes. You have heard well about dynamic driver and the company Hifiman... I say this because Hifiman is a brand that focuses on magnetic planar driver headphones. This Hifiman R9 joins some iconic dynamic drive models from the company. Their first dynamic headphone was the HE-300, a model launched in 2011. Although it was undoubtedly a good product, it was not destined to turn the audio world upside down, mainly because of the market it was aimed at.
So after many years Hifiman announced the R-10D and R-10P, and it was one of the most controversial announcements. Based largely on the legendary Sony MDR-R10 with its huge, asymmetrical earcups, Hifiman sure caught a lot of attention. Some time has passed, and Hifiman has released another model in this line, the HE-R9, which we are going to review today. It should be noted that it is a headset that can also be used with the bluemini R2R device to make it wireless. Obviously this analysis has been done using a cable. In fact, I don't have that accessory since my pack was so-called wired.
The Hifiman R9 has a current price of no more than €250, although it can be found on the website itself for less. I want to highlight that the launch price was about €600 and in recent months it has been progressively reduced until it is below €300. The inclusion or not of the receiving device can increase the price.



he packaging is very simple. A subtle cardboard box where the headset comes. We have a hard foam for the headphones, which is used as padding during transportation. This is a very nice touch, as it can be used as a stand for headphones.
On the other hand, and almost to finish we have a rubbery cable that complies along with the classic 6.3mm adapter. The cable is not bad but I don't think it is anything out of this world either. Don't expect a case or carrying bag for the headset.
In short, we have a very similar package in terms of accessories compared to the Edition xs, for example.



The design of the headset is certainly peculiar. As mentioned at the beginning of this review, the headphones are heavily influenced by the legendary Sony MDR-R10, widely considered to be one of the best headphones ever made. I do not recommend the headset for use outdoors as they are too conspicuous and large. However, they are very light at 328 grams…or rather; They feel very light. The slightly padded headband is not too tight and distributes the weight better than the Edition xs, a headset that used the same headband and the pads, being so large, fit very well. In general, I classify them on par with the Dt1990 pro or the Sivga Sv021/Sv023 in terms of comfort since I don't notice any fatigue with them on and I could go two hours straight without noticing any discomfort.
The construction seems quite solid to me. It is true that they are not all metal, in fact the cups feel somewhat plastic but the whole thing feels more than solid and well built. The mix of materials such as the hybrid synthetic leather and nylon pads, CNC aluminum for the gimbals and plastic pivot blocks together with those pronounced red cups give a feeling, quite subjective, of better construction for example than planar models like the Edition Xs or original Ananda which feel somewhat more delicate.

The Hifiman R9 is classified as an innovation using some of the technology that was already innovative.
We have what Hifiman calls Topology Diaphragm." A diaphragm that was used in the R10-D. It's basically a special diaphragm with a nanoparticle coating applied to its surface. The result is a more natural and detailed sound.
The depth of the cups is to ensure that the sound waves from the transducer do not collide as much with the typical space problems that flatter closed headphones suffer from. Smaller closed cups tend to create unnatural echoes.
All this must be added to the Bluemini R2R module. It's built around an R2R DAC, which for the size and price of this little accessory is simply mind-blowing. Hifiman is releasing more and more headphones that can be used with the Bluemini R2R, and it's a fantastic way to increase the functionality and value of their products...but how does it sound?
The R9 is a big, bold, warm-sounding headphone that deviates greatly from what Hifiman usually offers. But before talking about the sound, clarify that...
Isolation
We have pretty standard passive isolation inside closed-back type headphones. In fact, despite being closed, we did not notice that it insulated much, possibly due to the strength of the headband, which is not very high. The leakage or sound that leaks is not very loud and it behaves like a closed headphone. It will barely be heard outside unless you have a very loud volume...I do not recommend listening to music at high volume.
The signature
Will a powerful amplifier be needed?
There is nothing dramatic about amplification. The drivers are 32Ω and 100dB, so the R9 is easy to drive. Just grab whatever DAC and amp you have and use the R9s. With the Ifi hip dac through the normal 3.5mm output, which gives more than 250mw at those 32 ohms, 100% of the headphone is used.

SOUND SECTION – TECHS
In the sound scene we have one of its key points. I will be brief, it is perceived as an open earphone. We have a wide…very wide soundstage. Above all, I highlight it on the Y axis, that is, in height. On the kind of sounds like classical.
The instrumental separation is not far behind... it is another of its strong points, as is the soundstage. It has a large separation between the instruments, resulting in a very precise image and a very convincing 3D effect.
Definitely; Most of the open-back headphones I've reviewed in recent years reached good soundstage levels, but seeing a closed-back do things like this is impressive. If you are looking for closed headphones with a wider range than an open one, look no further.

SOUND SECTION – BASS
Let's start with the bass. The R9 has a closed back and uses a dynamic controller, so you should expect a fun and enjoyable type of experience…and it is. The HE-R9 is a king of fun when it comes to low frequencies, resulting in a very different sound signature than what I'm used to with the rest of their line.
The R9 shines the most with electronic, metal, rock and hip-hop music. The R9's bass feels big and makes the headphones vibrate when listening to some bass-heavy tracks at a moderately high volume. However, do not think that it is exaggerated or that it lacks control, as that would have been far from the truth. The R9 has a great understanding of low frequencies, delivering an exceptional amount of dynamics and texture. It doesn't extend as low as the best planars, mainly due to the limitations of the driver technology...

SOUND SECTION – MIDS
The midrange is quite warm, especially considering that we are talking about Hifiman headphones. The entire midrange is smooth and very pleasant to listen to, so it continues that fantastic fun factor that the bass offers, giving you great mids when it comes to long listening sessions.
Vocals on the R9 end up sounding melodic, rich and yet natural, with added body. Everything sounds big and bold on the R9. It has the ability to put you directly into the music and make you dance, offering a very rich, smooth and colorful presentation.

SOUND SECTION – TREBLE
While it will never sound harsh or unpleasant, you can get quite different results depending on the system you are going to use the R9 with.
The overall treble presentation is again smooth and romantic, with good detail. It has enough power to make your electronic or metal tracks sound prominent and very dynamic, but at the same time, it won't bother you with peaks or unnecessary false sharpness.
All in all, the treble doesn't sound too forward, so you'll have fun even while listening to poorly mastered albums. It's just a different flavor, a more "classic" approach to the treble, that has that sweet timbre and great body to the sound. What's also worth noting is that the treble extends quite high.


Before recommending or not recommending this headset, I would tell you to try it first. It's something I recommend doing with all headphones, but with this one more so. I find many opposing opinions which make me think of some batch in poor condition, defective unit, bad amplification... My opinion about this R9 is that it is simply the most complete closed headphone that I have tried ahead of the Sivga sv021 or the Focal Elegia itself.
A fun headphone to listen to, with a very large stage, excellent instrumental separation, natural timbre and on top of that, comfortable. For me, his discovery was more than positive.
Yes, the bass has a tendency to bleed the lower midrange slightly, but I think that's a good thing in this case, providing vocals that add richness and natural warmth.
I would call the R9 a rich sounding headphone that is fun, yet relaxed overall. It's also not intense in any specific area, which may sound ironic, but I don't know how else to explain it. This model is aimed at people who simply like to have fun and enjoy their music, especially the more dynamic genres. Hifiman already has many headphones that are perfect for everything, very universal and with an excellently technical sound, the R9 is something different...yes, I recommend it.
¡See you in next videos & reviews!

Welcome to the written review of the Focal Elegia.
In previous reviews we have analyzed in-ears. Today it's time to talk about an over-ear headphone, from the Focal brand. The Elegia.
Focal is a high-end French brand that, in addition to headphones, also makes speakers for the home and cars, the so-called car audio.
This brand has headphones considered to be the best in different price ranges. The Focal utopia, considered the best headphones in the world (leaving electrostatic aside) and the Focal clear considered one of the best for less than €1,500. We will see the latter on the channel later.
This time we are going to talk about the Focal Elegia. A closed over-ear headphone with a spectacular design, at least it reminds me of a Buggati...
This headset is officially discontinued, but can be purchased in different stores at a price of about €500. It must be noted that, when it came out at the end of 2018, its official price was €899, even selling more expensively in certain stores.

The packaging of the headset is relatively basic considering the price. But the reality is that we don't need more either. We have a medium-sized cardboard box where the headset comes. Inside we have a carrying case, very rigid and of a quite adequate size in relation to the size of the Elegia. This cover is the one we also see in other models of the brand.
The headset comes inside along with a renewed cable. This headset has received criticism for practically everything and one of them was for including a rigid cable, perhaps too rigid, but personally I prefer that type of cable to a weaker one. The one he brings is similar to the Hifiman one. It rolls up easily but can be considered semi-rigid.
The connection is 3.5mm Jack to 3.5mm cup as well. Although we have a 6.3 to 3.5 mm adapter.
We also have some Focal papers and guarantees…
As you can see, the content is relatively scarce, but the reality is that much more is not needed. The most important thing apart from the headset is the carrying case or bag and I find this very practical because it is resistant, beautiful, has a good touch, weighs little and is manageable.

Before entering into purely sound aspects, something must be highlighted. The comfort of the Elegia is outstanding. Although 430 grams may be a lot, it feels comfortable due to the pads that adapt more than well to the shape of your skull. In addition, the wide headband manages to distribute the weight distribution well.
It is very important that an over-ear type headset be very comfortable for us. Personally, it is something that is more important than the construction, type of cable or design...aspects that tend to be easily criticized.
The Elegia focal has a sensitivity of 105 decibels and 35 ohms. I recommend a dac dongle to take advantage of the headset. Although I have tried it with a mobile phone, a red magic 5g and at half power the volume was more than enough. Still, high volume and driver efficiency are not the same. It may sound at a good volume but the driver may not be working correctly if it is not given the necessary power.
The frequency response ranges from 5 Hz to 23 kHz.
The Elegia is made up of two 40mm aluminum/magnesium capsules typical of Focal. The general result after the first listen is a dynamic and relaxed sound…but certainly peculiar.
The world of high fidelity audio is a very particular niche. Each person has musical tastes and preferences. I add to this that we are not always in the same mood and that can drastically affect the sound signature we want. That is why it is very difficult to have a single headset that we are always passionate about. I do not consider that you have to bet only because the correct thing is a neutral firm. You must also evaluate signatures in V, W, brilliant, basshead... each one has positive and negative aspects.
That said, the Elegia presents itself as a headphone with a somewhat forward midrange sound, very lively and clean. Maybe it is not the tonality you are looking for if you want something neutral and correct, but after 10-15 minutes of listening to get used to it I find Focal Elegia very attractive for vocal, jazz, classical music sessions... although honestly with more popular genres it does not disappoint.

SOUND SECTION – TECHS-
In the technical section, the Focal elegia stands out for presenting good audio dynamics. This is a feature of the brand that I sincerely appreciate very much.
Everything sounds very lively giving you a more than good perceived dynamic range superior to many other headphones. It is no wonder if we take into account that it is a headset that was sold for €900.
Its soundstage is not excessively large, but it is more than convincing if we treat it as the closed headphone that it is. Something to highlight is the ability it has to put sounds in front of you and not inside your head or on the sides of it.
This, together with a precise image, gives the sensation of a, misnamed, holographic sound that is quite well achieved. Basically sometimes it sounds like your music is coming from speakers and not a headphone. The soundstage may lack a little depth, but that is compared to other options on the market such as the R9. Comparison that we will see in another video.
As I said, the image is accurate. It is possibly, along with dynamics, its best virtue. In classical music, the instruments are positioned very easily and in other vocal genres the voices tend to be placed on one side to make way for the rest of the instruments that will be heard on the other. The sensation of air is more than evident.
I repeat, I didn't expect anything less from a headset at this price.
Not everything is positive, I consider the instrumental separation to be not good on more congested tracks. Although it separates L/R well when there are few sounds or they are well differentiated, in denser songs it costs a little more.
In short, do I consider you technical? Yeah. Perhaps it is the most technical closed option in general, although I think that due to its price the market is making it really difficult for Elegia if it wants to be in the top positions.

SOUND SECTION – BASS-
The bottom end of the Elegia features a decent level of detail. It is a bass that seeks control in the face of a rumble. If the track requires it, it will have good punch, although it is not comparable with most current options that inflate these frequencies more.
In short, The Elegia offers precise and competent bass, which arrives with impact if necessary. It doesn't have much gain, but it's still enjoyable. In sub-bass regions I would have liked it to have a few more decibels.
The overall sound, despite being very detailed, is still more emotional thanks to that intoxicating bass.

SOUND SECTION – MIDS-
In the media the elegy almost makes something perfect for me.
Focal decided to advance the mids so that they stand out slightly and have more prominence. A success from my point of view. Additionally, this range feels quite open, avoiding vocal congestion. On vocal tracks the mids can vary by placing themselves in front of you and not in a more central position. There will be songs where the voice is perceived in front and to the side or in front in a surgical way.
It's one of the best midranges I've heard. I feel he has enough body, dynamics, cleanliness... I would have liked more naturalness but that would be too much to ask for.

SOUND SECTION – TREBLE-
The female vocals sound velvety, but the strings and other instruments never lose their edge. The resulting sound is both rich and uncompromising, but also tempered and controlled. That is to say, without all the talk, if you are looking for that kind of treble that walks the fine line between tons of detail and excess detail, your long search is over.
If we go to higher regions it is not as bright as I expected, the top end of the Elegia seems slightly softened, leading to a relaxed but detailed sound, something, as I said, difficult to achieve.

What was mentioned above. Every person is a world. Musical preferences vary drastically, but personally it is a headphone that I like and it is worth it...if you equalize it, you may correct the few defects it may have, but I understand that this stock headphone can be an ideal complement when you feel like listening something like classical music on your couch on a Sunday afternoon.
It has received a lot of criticism for having an unorganic sound, sounding distant, and even poor technical performance...however I think that is not entirely the case.
It is a peculiar headset. It is not the typical V-shaped one that enhances the bass nor is it a completely neutral headphone. I consider that the original sale price was somewhat exaggerated but at the current price of about €500 it is a more than decent option.
It has a forward midrange sound, controlled bass, and smooth but detailed treble...something difficult to achieve. If this is accompanied by good dynamics, a competent scene and a fairly enveloping sound, the result is one of the best closed headphones available for less than €1000.
I recommend it, definitely yes.

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Welcome to the written review of the IKKO OH5 of Critica Actual.
In this review we are going to talk about the Ikko OH5. An iem from the Chinese brand Ikko, a company that, as I said in the previous video, I have the feeling is little recognized on YouTube. It has various products such as dongle dacs, bluethoot headphones, iem type headphones...
In the previous videos and reviews we talked about the Ikko Oh10. A good and beautiful iem to enjoy various genres of music. Did you want what is "commercially called" an upgrade? You will like that product.

The ikko oh5 for me is a renewal and improvement over the OH10. Of course, keep in mind that we are already talking about more than double the price. It has a retail price of just under €500, you can find it on the web for a little less. It should be noted that Ikko usually launches offers and it is easy to get it for €430. Still it is a considerable price.
I'm going to give you a spoiler, is this iem worth it? Yeah. Since I tried it, it has become one of my favorite iem and one of the best listening experiences I have ever heard under 600€..but I recommend that you read the full review.


When we open the box and see the contents of the product we already appreciate that this looks expensive. We have many accessories or sweets as I call them. But this time I consider that there is nothing left over. We have a case as God intended. It is rigid, strong and wide. The headset fits completely without having to tighten it excessively. We have a spectacular assortment of tips of all sizes of two types. Silicone and memory. Pay attention to this part.
There are 3 pairs of memory wide toe, 3 pairs of memory narrow toe, 3 pairs of silicone wide toe and 3 pairs of silicone narrow toe. The tip pairs are small, medium and large in size.

Do you want maximum isolation? Use the memory tips.

Do you want the best sound quality? Use the silicone tips.

This iem is quite sensitive to the tip used. I think the silicone tips give the best possible quality. Specifically, I prefer the ones with a narrow mouth.
On the other hand, we have the cable a "Mr. Cable". Honestly, if this cable were sold it would be for no less than €60. It is rigid, modular and elegant. In addition, it has a considerable thickness which prevents it from getting tangled easily.
They want more? Well, we have 2.5mm – 3.5mm – 4.4mm connectors included in the box. Will they say a 4.4mm connector is necessary for an iem? Well wait and I'll answer you. But I'm telling you yes.
We have a keychain and lastly we have the classic Ikko pin.

-DESIGN-
Ikko usually makes iems with quite nice designs. I consider that this iem is not the prettiest of the brand or the most striking I have had. It's not ugly, I don't want to say that, but I don't think it's as pretty as others.
Its design with marked angles reminds me of a sports car. I don't really like that purple, but that's just a personal opinion. Apparently I wasn't expecting a good fit in my ears because of its shape, but I think it's pretty decent. Maybe not the best, but I think it fits enough to be comfortable and not fall off.


With this Oh5, Ikko aims to take the listening experience it has been offering one step further. His Oh7 was not a sales success, its value of more than €800 and the fact that the brand is not as media-friendly as others did not help. Its quality-price flagship was the ikko Oh10. This Ikko oh5 will give you even better musicality and dynamics.
The signature
I consider his profile quite neutral and conservative. You could say that it is warm across the spectrum although its signature depends on the tips used. I would dare to say that his signature is in a W but not very marked. It will not have reinforced treble, a very forward midrange or exaggerated bass. Everything is tuned so that it sounds very coherent, allowing it to deliver one of the best tones I have ever heard. I will talk about each frequency spectrum later.
Isolation
The insulation is good. Similar to the Ikko Oh10. With memory tips you will improve your insulation. It has no sound leakage because it is a completely closed headphone. Nothing out of the ordinary in this regard.

Will a powerful amplifier be needed?
Yes. On paper we have an impedance of 32 ohms and a sensitivity of 112. A decent mobile phone should be enough. That's how it is. But after several tests I have been able to verify that this Ikko Oh5 scales very well with extra power and its sound improves. With the sonata hd pro, a dac dongle that delivers 120 mw at those 32 ohms moves it very well and you can see an improvement in dynamics, bass forcefulness, stage expansion...I would certainly say that at least a dac dongle is necessary.

SOUND SECTION – TECHS-

To analyze the headphone I used an IFI hip dac. A portable amplifier capable of generating more than 250 mw at 32 ohms through the normal output. I have tested it with the 4.4 mm connection by connecting it to the ikko oh5 with its modular cable and found a few improvements, but it is true that with those 250mw of the normal output it seems that it is enough to move it to 99% of its performance.
As in all reviews, only music in Flac quality at least is used in testing and analysis.
Before starting the sound analysis, it must be made clear that this iemt is intended for enjoying music or audiovisual content. It may not be the best for looking for hidden details, but I still think it could do a more off-road function. For audio editing, I do consider that they can be perfect due to their neutral-warm character but with good resolution.

-SOUNDSTAGE-
The left-to-right auditory rendering on the Asgard OH5 headphones was extremely smooth and crisp, delivering pans that glided naturally from one ear to the other. Sometimes it seems that sound tends to appear rather than sound.
The Asgard OH5 gave me a pretty good sense of depth, especially with amplification. Note that with the silicone tips, in my case I use the narrow mouth ones, their stage expands. And, I repeat, the more amplification the better. Without it most of the three-dimensional qualities seemed to be inside my head and more diffuse.
To sum up its soundstage, image and layering were as entertaining as they were attractive. It is not a massive stage but I find it very balanced and broad on both the x, y, and Z axis.

-THE IMAGE AND INSTRUMENTAL SEPARATION-
The image is a strong point of this headset. I recommend them for well-recorded classical music tracks. You will be able to define where the instrument is easily and you will notice the air. It is a pleasure to listen to classical music with this headphone. It represents two clear leaps from the Ikko Oh10 in that "soundstage construction". I think that the imaging is better overall than OH10.
I also consider it better in this aspect than any planar iem I have tried (Timeless, S12, Raptgo). It offers a more immersive and 3D scenario. It may not be as precise as Hook at times but I honestly think it's still worth it.

SOUND SECTION – BASS-
The Asgard OH5 are characterized by their natural and authentic sound. From my point of view it does not exaggerate but rather shows what the seriousness is. This sounds surprisingly realistic, deep without interfering with the upper transients.
Like the rest of its tonal balance, the bass response of the Asgard OH5 seems to fall in an ideal zone that would deeply satisfy the vast majority of listeners. In the subbass we are not going to notice a presence like that of a Hook, but neither is non-existent.

SOUND SECTION – MIDS-
The Asgard OH5's performance was exceptional no matter what genre of music it was subjected to. A really notable feature of the Asgard OH5 is how it handles vocals, striking a perfect balance between fundamental tones, harmonics and layered spaces. There is a perfect balance between attack and dacay.
The media is one of the star sections. Resolving media, full-bodied, very dynamic, with texture…the best I have ever heard. Its naturalness is comparable to that of an Sv023, open over-ear headset.
Acoustic instruments, especially drums, benefited greatly from this precise and clean balance.

SOUND SECTION – TREBLE-
We now come to the balance feature that sets the iKKO Asgard OH5 headphones apart from almost all other IEMs. Two words that are usually antonyms in this world. Detail and softness. High frequencies are presented with impressive clarity, as if the Asgard could handle them effortlessly. It will give you detail without wheezing. The near-perfect treble representation brings extremely satisfying, crisp realism to hi-hats, cymbals, vocal air, harmonics, and countless transients. This is something you would expect to find in expensive planar drivers and not a sub1000 dynamic set.

We reach the final part of the review. I will be frank with you. I feel bad about recommending expensive iems. I know that it is a significant expense and I don't really like the idea of recommending every headset that is displayed on the channel. Keep in mind that I speak from my opinion. They must know if what the headset offers is what they are looking for or not.
This ikko oh5 is what I have been looking for in an iem for years. Good modular cable, pure sound, good image, full-bodied sound, texture, a certain neutrality with a warm touch present...but it also offers impressive musicality and dynamics.

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Welcome to critica actual written review.
In this review we are going to talk about the Hifiman Ananda Nano. A new headset from the Ananda family that breaks the price-quality ratio... or that's what the brand seems to sell..."a massive improvement." I seem to remember that breaking the quality/price ratio was something that we have seen in models like the Sundara, Ananda Original, Edition XS...it is another matter if they really did it.
Let me be clear, I don't understand Hifiman. I think neither me nor anyone. For just over €600 you are likely to get one of the best headphones for under €1000. I understand that Hifiman wanted to show its strength and capacity with this Hifiman Ananda Nano but I do not understand that it competes with itself and with open models that they have released relatively recently such as a Hifiman Sundara, Ananda Stealh, Edition Xs and even the Arya Original itself .
Who wins by doing this maneuver? Hifiman. He knows that the audiophile will want novelty and in this case, improvement. But what improvement compared to others?
I invite you to continue watching the video.

The packaging is very simple. A subtle cardboard box where the headset comes. The hard foam for Hifiman headphones for example no longer comes. We have a semi-rigid transport bag where the product comes.
On the other hand, and almost to finish we have a long rubbery cable that complies along with the classic 6.3mm adapter. The cable is not bad but I don't think it is anything out of this world either.
In short, we have a very similar package in terms of accessories compared to the R9 but with a carrying case. A case that is not comparable to that of a Focal Clear or a Sivga SV023 but I think it performs very well and is appreciated.


DESIGN, weight and comfort
In terms of comfort, the Ananda Nano feels the same as the previous Ananda models. The earbuds do a great job of encompassing the entire ear regardless of size, and the earpads rest comfortably on the head. The suspension headband hasn't changed much, but still offers good support. For me it is a better headband than the Edition Xs since it distributes the weights better. Its opening is more than enough and unless you have a monstrously large head there will be no problems.
In general I had no comfort problems, in fact, I consider it very comfortable but not as comfortable as a Sivga Sv023, Clear, Elegia...
The design does seem much more beautiful and neater than the original Ananda or the Edition Xs. The new silver aluminum frame gives it a different touch...which reminds me of the He1000. I really like its large and arched supports...in general I would say that it is the most beautiful Hifiman I have ever tried.

The Ananda Nano has the stealth magnet of the ananda stealth or edition xs, Arya… This allows the signal to pass through the magnets with less interference, reproducing cleaner and more accurate representations of its source.
The main reason for this new edition of the Ananda is its new nanometer diaphragm. That is, the new driver. This is a build based largely on HiFiMAN's ultra-high-end Susvara model, which incorporates a similar diaphragm design. What this appears to confer is significantly lower noise, better transient response, and improved dynamic range reproduction and detail recovery. Like all other HiFiMAN headphones reviewed, I will talk about isolation.
Isolation
We have passive isolation quite similar to that of an edition xs, ananda original...that is, null. Forget about using them if you have noises around you like traffic...why do you want a good sound if it will mix with unwanted noises?
As for the leakage or sound that it expels to the outside, I consider that it expels a little less compared to the Edition For me it is not a problem because its use is in quiet places and alone but it may be important for you and it depends on the use you want to give it. Do you intend to take them to work? Your surrounding colleagues will hear everything and possibly your boss will end up firing you...

Will a powerful amplifier be needed?
There is nothing dramatic about amplification. The drivers are 14Ω and 94dB, making it easy to move even with a cell phone. I have tried it with a Red Magic and it moves relatively well. Obviously as soon as we switch to dedicated amplification we notice that its sound improves. It is a headset that scales very very well.
It is true that such a low impedance is good for amplifiers to give their peak power but it can lead to slight hiz... However, it is nothing dramatic.

SOUND SECTION – TECHNIQUES
Before starting the sound analysis, it must be made clear that this headset is intended to enjoy music in the tranquility of your home, play games and see yourself immersed in movies.
I don't consider its timbre to be the most realistic for editing or working with audio. But be careful, just because I don't consider its tone to be the most realistic and coherent does not mean that its tone is bad...not at all...it sounds natural and quite fun since it is quite close to the harman profile...which I like. Savor each earphone and don't always look for the same profile... It is possible that what you don't want one day you want to listen to another day.
HiFiMAN headphones never fail in the soundstage department. I don't remember any Hifiman saying it had a small soundstage. This Ananda nano is very technical and they do it quite well here.
The Ananda has already had some revisions, and the spatial imaging, along with the width of the soundstage has always been modified through these new editions. This latest Nano version is no different. Since HiFiMAN started incorporating stealth magnets into their planar designs, I've always felt that there was more emphasis on precision than stereo imaging. This made the soundstage seem closer but less diffuse. However, I miss that almost ethereal setting in the headphones.
The Ananda Nano are probably the closest to bringing the two worlds together, balancing tight positioning with a spacious soundstage. Its treble gives an airy sound to the entire sound, making it even sound a little wider.
It must be said that the instruments do not reach very great heights and there is a slight elevation throughout the presentation, raising the voices slightly above the ears.
So, while it's not a particularly large stage, the image is impeccably well laid out and the distant instruments retain their rich resolution. Variations in placement along the horizontal axis feel precise and nuanced. In depth, that is, in the Z axis, I consider it to be better than the Edition
In short, the soundstage is quite expansive and extends beyond your head, feeling a good immersion. The experience is holographic and, frankly, it's one that's hard to get for under $1000.

SOUND SECTION – BASS
Although the bass is not the main star or the differentiating element of the Ananda's sound... it has excellent clarity. You don't feel like you're losing much of its frequency response, but it doesn't shower you with excessive noise either.
The bass feels lively, dynamic and powerful, if the track calls for it, the Nano is there to provide it. The entire bass range feels coherent with no audible imbalance. Additionally, the texture and timbre of the bass notes sound accurate to my ears. The transition from the bass range to the midrange is seamless and feels very coherent.
For me the bass range of the Ananda Nano is practically perfect, despite its neutral-slightly bright characteristics, the Nano does a great job of reproducing the bass punchy and fast. With good amplification it is easy to hear and feel the vibration less than half a centimeter from your ears. The length is excellent, neither overstated nor understated. The presence of subwoofer is evident and I don't think much more extension is necessary.

SOUND SECTION – MIDS
The midrange is lively again, but at the same time I consider it to be also neutral and natural. The Ananda Nano does a great job of reproducing both male and female voices. The voices feel articulate, realistic and uncolored. Fundamentally mid-based instruments, like guitars, feel organic and clean. The body of the instruments feels precise, nor is it as thin as on the Edition Xs. The recovery of details is excellent...as for the dynamic range, it is preserved as is...it does not exaggerate giving an extra dynamic range that makes you end up tiring...I don't look at anyone...The midrange feels realistic and coherent and never boring. You can tell that it has another driver because in general I like it more than the Edition Xs.
As if that were not enough...I barely notice that hifiman veil. You can't really say anything bad. It feels like Ananda Nano is doing everything right here. The upper midrange feels spacious with plenty of air. The midrange resolution is quite impressive and leaves you wanting more.

SOUND SECTION – TREBLE
The attack and bite of the treble is defined. The Hifiman Ananda Nano's excellent PRaT also shows its excellence here, as the entire treble range feels extended, airy and open. Resolution is also very very good here, with the treble complementing the upper midrange and the rest of the spectrum. The high range doesn't feel as coherent...but you end up forgiving because after a song to get used to it it seems to work in harmony to create a realistic reproduction of any genre you throw at the Nano.
Admittedly, the treble on most HiFiMAN headphones has a somewhat colorful timbre. In Ananda nano it is never an overtly bright profile, since the highs always feel pleasant...at least for me...but I understand that there are people who may find this too much. Hifiman added some sparkle in this region to almost every track I listened to through the Nano thanks to this high-range expansion. Curiously, it was something I would have liked them to do in the Edition Xs. By the way, I didn't get any fatigue with them on long listens.
Sharp treble artifacts always hover around the outside of the forehead and sometimes even beyond. Some instruments have a slight sizzle to their consistency and are super smooth.

I've always liked the HiFiMAN Ananda, and the new Nano version does everything better.
In a way, it consolidates the Ananda as one of the best planar headphones...this Nano improves the aspects that I criticized about the edition xs...it seems that hifiman has heard me.
It has more treble, more dynamics and a little more resolution...which also translates into a better image.
Recommending this headset is easy...For me it is one of the best headphones to enjoy music since it combines a fairly natural sound, a timbre...which, although not purist, is quite good and fun, spatial capabilities that are more than good for the price...Hifiman this one yes...
Thanks for read the review!

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Welcome to critica actual writen review!
Today it's time to do a special review. One of those reviews that makes me excited because I think it is a really good product. We are going to analyze the Focal Clear in its original version.
This Focal has been on the market for a few years now, a headphone that sold for no less than €1,400-€1,500 and had that price until the end of 2021 when it was reduced to around €1,000. Now it can be found at around €800-900, a price that is still very high but that I think may be justified because one has not yet been made that is equally complete both in terms of tonality and technical level.
This focal is one of the brand's family of headphones, where I would highlight the Focal Radiance, the Celestee as a slight renewal of the one already seen on the channel, the Elegia and of course the Utopia. This Focal Clear is somewhere in the middle and could be the closest to the almighty Utopia.
So, will this Focal Clear be worth it?
The presentation of the product is simply spectacular. Something superior to the Elegia which I consider, along with the Sivga Sv023, to be the most premium presentations I have seen. We have a rigid carrying case, comfortable to the touch and not very large, which allows the possibility of transporting the headset from one place to another without major problems. It is how covers should be...the color seems very successful to me because it is not flashy but elegant.
As for cables, we have an assortment of them. This version of the Focal Clear is the new one that comes with a rubberier and more manageable 3.5mm cable. It is a cable that complies, although I do not highlight it because it seems relatively normal to me. On the other hand, we have a box that is presented as if it were worth... I don't know... €150 where when we open it we have a 3 meter 6.3mm cable and another of the same length of 4 pin XLR. We also have adapters and brand papers with product information.

DESIGN, weight and comfort
The design of the headset since I saw it gives me the impression of an elegant and beautiful headset. It has that luxury component and a more elegant design than that of the Elegia...which opted for an elegant design but that gave the sensation of being sporty.
Focal is a brand that, apart from paying attention to the sound, usually also puts a lot of care into the fit and comfort of its headphones. The weight is about 440 grams and it feels very light and comfortable. It doesn't feel heavy or uncomfortable. We have soft pads, of good thickness, made of foam with micro perforations that allow better perspiration to occur and prevent the foam from being crushed excessively.
The headband is quite flexible and wide. On the upper part we have leather and on the lower part a kind of memory foam pad similar or the same as the material of the pads... it is very white so it will be susceptible to collecting sweat and dirt so I recommend cleaning it or putting it on. the black cotton cloth to cover it.
The clamping force is pretty good...it doesn't tighten or feel loose. It's at the right point.
Both in unboxing experience, accessories, comfort, design... I must give it an outstanding rating. Now let's get to the sound...

During my first listen to the Focal Clear headphones, I decided to try operating them with just my smartphone. The truth is that I was impressed by how well they worked directly with the phone, although in general the dynamics of the music suffered considerably. Although I recommend listening with an amplifier, if you need to listen with a phone, you can get by from a purely technological point of view...
I describe the sound of the Focal Clear as a neutral or slightly bright neutral with extension in the bass area and a little emphasis in the treble area. Mediums rich in nuances and with enough body. We will talk in depth now, before...
Isolation
As for isolation, we have one that, being an open headphone, is not very good...although I do not consider it to be as open as the Hifiman egg-type headphones. Therefore, its use is reduced to a domestic one where there are no noises around you. The sound that comes out or leakage is normal. I don't consider it to be anything dramatic to be honest and I sincerely consider that it ejects less than what could be expected from an open over ear. Consider this as unimportant because if you buy a closed headphone you can or should expect good isolation but if you buy an open one... I think you already know this.

Will a powerful amplifier be needed?
Regarding amplification, we find a headphone that on paper has 55 ohms of impedance and 104 decibels of sensitivity. Very standard values and in principle they indicate that it is an efficient product but I believe that is not entirely the case. Obviously I consider that it is more efficient than a Hifiman Ananda Nano or Edition XS, ARYA, but it is honestly very close. It needs some amplification to get the most out of it. This headphone reveals the source you have connected to very clearly and its scale, i.e. the ability to improve with better and more amplification and dacs, is relatively low. Try to give about 200mw to those 55 ohms of the headphone and you will already be enjoying outstanding quality. For example, you can give the IFI Hip DAC the balanced output or, if you don't have a balanced cable like me. Well, choose a gryphoon or a similar product. With your cell phone or a laptop it already sounds very good, but if you give it more amplification you will not remember the price it is worth so often.

SOUND SECTION – TECHNIQUES
In the sound scene I highlight its ability to envelop you in the music. The Focal Clear has a wide scene. Its height is good, although a greater extension in the high frequencies would have made it even more airy and precise...but I consider that it is fine as is since more extension can make it somewhat more aggressive than it is.
I am aware that there are many reviews where they say that the Focal Clear has a somewhat narrow scene...but I don't think that is the case at all. If I compare it using memory vs a senhesiser hd 660s I consider that the focal length gives a wider scene...if I compare it using memory against the edition xs the difference in scene is reduced to a little more height in the edition xs due to the size of the controller but more immersion in the focal. Regarding the Ananda nano, a video that I will dedicate in its entirety, I think they are quite even but I do believe that in the spatial section the ANANDA NANO with amplification is somewhat more spectacular on a first listen but I still find it less immersive. Therefore, its scene does not feel small at all, but rather very well distributed. It doesn't have a massive width comparable to that of an HD800s or an ARYA but the sound surrounds you giving a good feeling of depth and height if the track desires it. I want to highlight that like the Utopia and the Elear, the Clear does not have extreme depth. Its depth becomes more evident in particularly dynamic recordings, such as orchestral music or well-amplified jazz.
The image and instrumental separation is top class. You will be able to guess...or rather literally see where the sounds in orchestras come from...a sensation that few headphones have given me and that, as is normal, becomes more spectacular the more price they have. With the Focal Clear I don't find songs where it sounds congested...I can maybe feel a sound closer to me but the magic of this product makes everything sound in its place.
Another aspect that I want to highlight is the dynamics and resolution. Aspects also very well achieved in the headset. Everything sounds very...very lively...a little more than in the SV023 which I consider to have very good dynamics and with a resolution that does not sound artificial, although sometimes you may think that you don't need more information. A resolution that is not synonymous with enhanced treble, although that slightly bright signature accentuates everything a little...however I will talk frequency by frequency below.

SOUND SECTION – BASS
With well-recorded bass tracks I notice how quickly the headphones react to low frequencies. The kick drum is detailed and punchy, and has good separation between it and the low-mid frequencies of the bass. I know that many people wonder how the bass response is compared to the more recent models like the edition excellent. At frequencies below 50 Hz they could use a little more energy but for a dynamic driver I consider that few do anything similar...so far only the R9 has the bass of this headphone. Although not everything.
What I need to note is that there seems to be a slight, broad boost around 80 Hz, resulting in a more audible and balanced bass response.

SOUND SECTION – MIDS
The mid frequencies of the Focal headphones are thought-provoking because, although they are clear and detailed, they are not exaggerated at all. I think they are the most beautiful media I have ever heard. They have body, detail, dynamics... basically like those of the elegy...maybe even a little more natural but they feel broader.
There is a mid-bass boost around 200Hz, which adds thickness to the guitars, while maintaining clarity and warmth. I also notice a boost in the mid-highs, around 4 kHz. It's not over the top, but it gives the vocals a little more detail. And although the midrange as a whole is detailed, it is still relaxed…or at least not fatiguing. Its overall sound is more balanced and coherent than one with too much personality, but this fact makes it unique among other headphones in the same price range.

SOUND SECTION – TREBLE
The high frequencies of the Focal Clear are closer to the Focal Elear than the Focal Utopia.
They are well balanced, but have a boost between 10kHz and 12kHz. It's not a very airy sound, but I think it doesn't need an extra spark. Perhaps in some songs and for certain people it may seem aggressive at higher volumes because although it does not have a huge extension there is an enhancement... but I think that its bright neutral character does it more good than harm. Listening with the balanced cable seemed to improve the higher frequencies, and as a result imaging and detail.


Recommending a headset worth more than €200 is already difficult for me. It must be good and stand out from the competition for me to publicly recommend it here. This headset is worth over €900, therefore its recommendation is based solely on one question. What do you expect from him? You are looking for a very clean sound, a natural timbre, an immersive scene, good dynamics, good bass and sub-bass, relatively efficient...this is your headset.
If you are looking for a very good sound without spending such a large amount of money, I recommend that you watch the video and future videos on my channel!!

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INTRO

We are going to analyze the Fiio Fh9. An iem type headset from the Fiio brand. This headset for me has been the Flagship of the brand until the launch of the Fx15, a product that we will also see soon. But what is so special about this Fiio Fh9?

UNBOXING SECTION
Closed box (What do we have?), cable length and quality, connection.
When it comes to unpacking we have a huge amount of accessories. When I say huge, I mean huge. I tend to be one of those who prefer brands to focus on providing good sound and leave accessories aside. Let's be honest, most of us have a spare cable, tips of various types... but in the case of the Fiio Fh9 you won't need it. You have everything and of excellent quality. Perhaps it is one of the strong points of this product...although considering the cost of the headset, this number of accessories should be a norm.
The cover, one of the most important elements, is elegant and strong. The earpiece fits in without too much pressure, although it could have been a little wider. The design of this one seems sober and elegant to me, it doesn't have the most beautiful colors, but it does the job very well.
Special mention to the cable. 1.2 meters, high purity, 8 strands, 19 cores and modular. But the best thing is that it feels premium. It's not rigid, but not too docile either. Possibly the best cable I have seen stock in headphones of this type.
As if that were not enough, we have the possibility of modifying the sound with the tips and filters. Personally I don't notice obvious differences with the latter. I consider the stock filter to be the most complete, although I have read users who liked the green treble filter. I encourage you to play and try. As for tips, we have all types and sizes. SpinFit, silicone, double phalanx, memory foam...in addition, each of them allows the signature to be slightly modified. In my opinion, the vocal and balanced tips are the ones I like the most.

-DESIGN, insulation, weight and comfort

This titanium earpiece has a semi-open design. The latter is, theoretically, to give more spatiality and dimension to the sound scene...but we'll see if this is really the case or if it's more marketing. Its isolation, however, is not the best in its price range. In fact, I would say that items less than €200 can insulate more.
As for the design, we have one with a structure similar to that of the Fh5s. Personally, it has a very futuristic design, it is not one of my favorites, but I would say that I quite like it.
The headset has a higher weight than average, I suppose this is due to the titanium casing and its 7 drivers in each capsule. Even so, the comfort is quite good and it doesn't bother me during long listening sessions.

SOUND SECTION

The purpose of headphones is to listen to music. This Fiio Fh9 is tuned for a musical and domestic experience. Thanks to its tonal response it fits many different genres. Its semi-open design does not make it ideal for use in transportation or in crowded places.
The signature
Overall, the sound signature is balanced for me, especially if using the balanced tips and standard filters.
Fiio, with this headset, wanted to bring together the best of the Fd and fh series. Sonically, I would define the Fh9 as a very balanced iem in all aspects, versatile and without weak points. The bass is impressive and very punchy, the mids are clear and lively. They don't feel hidden or muted. The treble is tuned just right so that it is not sibilant, but has good extension giving enough air and liveliness to percussion, for example.

Will a powerful amplifier be needed?
In terms of amplification, only 18 ohms and 108 decibels of sensitivity make this set ideal to combine with a good DAC dongle. With 120mw at 32 ohms it is enough to move it practically at 100%.
I have not noticed a great sonic loss if connected to a mobile phone as I have seen with other headphones. So if you want to use it from time to time with a laptop or cell phone, it can be done without a problem.


SOUND SECTION – BASS
The texture of the bass is excellent, making it an ideal set for those who want good punch, definition and texture. It sounds gratifying and you won't want more in any song. The presence of the subwoofer is also evident. It doesn't seem to be difficult to go down to those frequencies, as I can see that it is difficult for other products.
It is not a dry and fast bass like the Oh5 but instead opts for a more viscous, pleasant and, ultimately, more musical sensation.

SOUND SECTION – MIDS
After the punchy bass, you'd expect the midrange to drop off noticeably, but that's not what happens on the FH9. Ha
and good clarity and cleanliness in the mids without having that noticeable body in the bass. If it had that body we would already be talking about a higher-end headphone at a tonal level. I perceive the voices only slightly further back, but with enough detail and presence to not appreciate a V shape.
Thus, we have a tone that keeps the sound signature fairly uniform throughout the midrange frequency response, although there is some emphasis on the bottom and top ends. At best, the midrange can highlight some details, but presents a natural overall response, with good dynamism and sufficient detail.

SOUND SECTION – TREBLE
The highs of the Fh9 are controlled and not sibilant. You can perceive a slight brightness that, to my taste, gives added liveliness to the sound. With the green filter this is enhanced even more, but it makes it not as versatile in genres.
It is not a referential acute, but it is musical. Let's say they occupy a dominant place in the sound signature without culminating in a distracting tone of penetrating harshness. This done so as not to bother anyone. The texture is quite good and, the body, yes the body of the treble... (I know that sometimes we associate this with the midrange)... well it is a little step below the oh5 but the FH9 gives more extension and clarity which benefits the listen for classical music for example.

SOUND SECTION – TECHS
From experience it seems that semi-open designs allow iems to give more depth than extension in the X axis of the soundstage. Did I expect more? Yeah. Above all, because we are looking at a €600 product. I honestly consider that its technical performance is not of this value considering that there are hybrid headphones for a lower price such as the DuNu Sa6 mk2, Mangird Top, Hype 4, which give more in this section...whether in resolution, separation or another area .
In fact, I consider that a good planar magnetic headphone can give equivalent technical performance. Now, I'm not saying it's not technical. No. It has good capacity, but I expected more.
Taking into account the Fh5s, this Fh9 provides a more three-dimensional and spherical scenario. This is not an IEM that deals with a linear stereo field, where the left and right positions extend beyond the earphone housing. The FH9 maintains a space that represents the spatial image, while providing air and good soundstage separation. The layers overlap well and it is able to place the sound elements in a realistic way although not as well or precisely as other sets.
The soundstage is very natural and focused on making sonic reproduction addictive rather than oriented towards listening to details, positioning and expansion of the soundstage.

SUMMARY SECTION
The Fh9 is one of those headphones that can serve as a flagship for most of us. Even so, I consider that the Quintet, a €250 headset, has a technical performance that is only slightly inferior to this Fh9, a product that is worth more than twice as much. Still, I think what this fiio does really well is playing with that balance between fun and technical ability.
Its pros? Without a doubt, its package full of accessories, the cable, and the construction give an experience that is appreciated and let's say that the economic investment hurts less. On a sonic level, I highlight its dynamism, bass section and natural listening without much color, but tremendously addictive.
Its cons? As I said, its technical capacity for this price does not make much sense today. I was expecting a more massive scenario...(also considering that it is semi-open), better image and a little more resolution... perhaps that is why Fiio has released the Fiio Fx15, a headset that curiously improves these aspects.
Even so, I consider that the Fh9 is tremendously complete.
I say goodbye, see you in the next video or review...

All the best.

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INTRO

Today it's time to talk about Kiwi Ears Quintet. Here is another video I made as a comparison between several headphones and the Quintet. In this video we are going to focus only on this headset...since it seems that the commercial boom of certain YouTube channels has passed and it is the ideal time to not generate more hype or be just another channel.
When I saw that there was a headphone for less than €300 that had a dynamic driver, a planar, 2 balanced armatures and an electric piezo...I said this is just another invention...I don't think it sounds coherent...but boy was I wrong.
I always thought that more drivers don't have to be better. In this case, Kiwi has opted to achieve a purist sound in a very curious way.


UNBOXING

In general we have a somewhat fair unboxing but honestly sufficient. We got the headset with a very good cable for the asking price of this set. A cable with a grayish tone like the IEM that I actually find very pleasant to the touch. Quite rigid and attractive, without being flashy. Don't expect a modular design because there isn't one. Something that would have been good because extra energy is necessary to squeeze out this product. The termination is a 3.5 mm jack and the iem connects with a 2-pin connection.
On the other hand, we have a fairly strong case, somewhat small, with an ugly design. I don't really like the Quintet's carrying case but I can tell you that this will be one of the few things I don't like about this set. Perhaps another design or another color would have made it more attractive. What matters most here is that it protects...and boy does it do.
On the other hand, and to finish we have a set of silicone tips of various sizes. I recommend playing with the tips to experience slight sonic differences.

-DESIGN, insulation, weight and comfort

In terms of design, weight, and comfort, I have to give Kiwi Ears a good mark. The Quintet fits like a glove in my ear. I have always preferred these sets with a slightly deeper insertion, although I do not consider it as deep as, for example, that of a Mangird Tea. It gives a considerable seal without being uncomfortable. I have not tried an iem under €300 that has this good combination of weight, comfort and insulation.
The weight feels very light perhaps because of the construction material. I like its minimalist design. It is not flashy and looks elegant, very elegant...and that is something that usually catches my attention more than colorful or ornate designs. The faceplates feature a soft matte silver finish (with the brand logo), avoiding any glare and contrasting harmoniously with the glossy black and softly contoured casings.

SOUND

As for sound, I don't think you can go wrong if you buy it. It can satisfy anyone since it has a balanced profile in all aspects. It is not bass-heavy or basshead but it has enough impact to make you enjoy the music. It doesn't have very forward midrange, but it has a very complete and present midrange. Its present treble is not fatiguing, but it has that analytical touch, sometimes brilliant, that brings out the best in the iem to experience details in the sound.
Therefore, we are faced with a complete IEM that can satisfy any audience because there are no weak points.
-The signature
We can consider this IEM as a product with a neutral or flat profile but with good dynamics and not boring at all. It has highlights in the lower area and highlights in the upper area. We should not confuse enhancements with extension. It is an iem that is capable of having a good “rumble” in the low zone and good extension beyond 15hhz without major drops.
Will a powerful amplifier be needed?
Regarding amplification, I want to highlight that the IEM has 32 ohms of impedance and 106 decibels of sensitivity. A dongle dac amplifier will be well received and improves the sound in dynamics and some bass impact. Don't expect huge changes either.

SOUND SECTION – BASS
The bass, although they offer a lot of power; more than could be expected; Sometimes they feel a little slow and not as fast and attractive as the Hype 2 which has spectacular meatiness.
Even so, the Quintet presents quite tight bass. But in terms of presence and depth, I certainly got the bass solution I needed. At sub-bass frequencies, the bass descends very well up to 50 Hz. The experience becomes visceral at good volume. In fact, with additional amplification, I had to take a break from heavy sub-bass tracks for a while, because it was similar to hearing/feeling your own heartbeat.
In short, the bears will be delighted
ted.
The strings of this range also seemed heavy and majestic. And although the timbre was slightly dark in color, the high level of texture and transparency was enough to bring a sense of realism to the acoustic elements.

SOUND SECTION – MIDS
Although you will hear some lower-mid presence, these frequencies take a step back, allowing the upper half of the midrange to shine in the mix.
The problem with this product or rather the only problem is that the Quintet lacks noticeable body. Don't prejudge me. It has a body; but if we compare it with an Oh5 we are going to notice that lack of midrange as a result of having a less obvious mid-bass. But in the tests that I carried out, the truth is that I was not too hungry for body, since the extended bass provided enough warmth to complement the tuning of the mids. Still, the more enjoyable low-mids also allow for a tidy space between the intense bass and higher frequencies. And certainly, there was no confusion in the lower mids.
In the rest of the spectrum. The upper midrange is thinned out a bit, giving the sound clarity and precision. The guitars, for example, are very complex, slender and avant-garde with a touch of shine. And this dramatic contrast in relation to the powerful and juicy bass creates a good balance in the overall weight of the sound signature.

SOUND SECTION – TREBLE
It's been a while since I heard this much brightness in the high end. Having the Ikko Oh5 as a reference makes any IEM brilliant for me. And listening to the intro to “Lose Yourself to Dance” by Daft Punk, I felt like they were throwing little diamonds into the air. Don't get me wrong. The Quintet is not a bright IEM, but it has highlights that can make it appear that way. It doesn't have very obvious roll-offs, so if you're used to a more conservative product, it's probably like me and you'll feel brilliant.
Percussion in this range also has a lean crispness, adding energy to modern tracks. At times I expected a little more character in the vocal performances. There's surely some air here, but the note progressions didn't feel distinctly fun or joyous because of the weight.
That said, the Quintet presents a fantastic extension in this range. And the resolution is top-notch, revealing every breath and crunch in the vocal deliveries. The trumpets in the treble, for example, were never piercing or uncomfortable.
The air or the sensation of air is evident in this product giving an even larger scene than it really is. But we'll talk about that later.

SOUND SECTION – TECHS

The Quintet presents a greatness that seems somewhat exaggerated. Above all, in terms of lateral width. The anthemic tracks, as well as those with intricate image arrangements, feel enormous, creating a huge wow factor, especially on first listen.
The most notable thing, as I said, is the great width of the stage. And what's particularly entertaining about the stereo image is that even the most distant elements maintain the same color and definition as those closer to the ear. So while it may not be the most realistic scenario, it's a lot of fun. The Quintet has also mastered depth perception. While most IEMs in this price range can achieve clear forward placement, it's not often that you hear elements truly behind your ear. In fact, there is no angle that the Quintet does not reach. And without a doubt, the Quintet's broadly circular and nuanced soundscape is one of the most notable features of its sonic signature.

SUMMARY SECTION
KiwiEars did something that many brands need to do. Daring to break the price range is something that many other brands should try because I think the public wants different and realistic flavors.
The Quintet is neither a hybrid nor a tribrid IEM. Its 4 types of controllers make it a strange set on the outside because it is coherent, realistic and honestly perhaps the best value for money in 2023. Suitable for any purpose you can think of and the best. Its price is more than fair.
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