MP4Nation Brainwavz M2

MP4Nation Brainwavz M2

Average User Rating:
3.875/5,
  • Bass oriented fun IEM with all metal housing, high quality braided cable, hybrid and foam ear tips, clip, and semi hard round carrying case. This IEM has strong but pleasant sounding bass, a detailed warm midrange, and nice treble with no sibilance. The sound stage on this IEM is also decently wide and deep. A very solid entrant in the $50-70 price range.

Recent User Reviews

  1. JamesXP
    4.0/5,
    "Brainwavz M2 "
    Pros - Nice build, excellent included tips, great sound
    Cons - small selection of tips, included case is a bit fiddly to get the headphones into
    I've had the Brainwavz M2 for a few days now, I haven't stopped listening to them, for me the sound is very pleasing before I ordered I worried that they might not suit me, but after many hours of listening I decided that they suit me very well and I like the sound they produce.
     
    Before I carry on my main music genres are; heavy metal, indie/electro pop, punk, trance, house
     
    The bass on these headphones is great, I like the amount of bass there is, there isn't LOTS of bass but i'd say the bass that is there is prominent and of good quality, it can extend quite low, lower than the SoundMagic PL21, in my opinion.
     
    The midrage is very smooth, there's not much to say about the midrange it works very well, isn't hidden or too pronounced just right.
     
    The highs are good, i'd say they're definately more prominent than my SoundMagic PL21; the PL21 has a very dark tone and the highs aren't that clear incomparison to the M2 which leave me with enough and they please me well..
     
    Included Accessories:  pretty barebone, 3 sets of tips, small medium large the tips seem to be of good quality, they fit really well for me and i can wear them for a long amount of time without them annoying me, the case thats included has a logo on top of it, this is just stuck on and it has already partially come off for me, so if the case is a reason you're buying this, don't bother as it's not the best I dont think, it doesn't affect the sound ofcourse.
     
    These so far are my favorite IEMs and I like them alot, i'll probably get the upgrade bug when I find more money though, there's always something else round the corner.
     
     
    (sources are a PC and a HTC Wildfire, most music 320k mp3 or some VBR, all sources we're adequate for me, I also listened with my Clip+ some, the sound was great and using the rockbox bass increase a few decibels made the bass much more prominent without any noticeable distortion maybe a plus if you're looking for more bass)
  2. kingpage
    3.5/5,
    "Good value warm IEM"
    Pros - Relatively cheap, good bass
    Cons - Veiled, soundstage a bit lacking
    Miscellaneous:
    Brainwavz M2 is the repackaged version of ViSang R03 with identical IEM component. These are quite comfortable, but they are not light per se. I also decided to (carefully) cut off one-fifth of the length of the long strain-reliefs. The accessories include three sizes of hybrid tips and three sizes or foam tips (they are similar to olive tips). I am happy with the medium size for both; however, the small foam tips are so small that I can’t think of any adult would find them fit. It would have been better with a spare pair of either the medium or big. I never found plastic tips to be comfortable compared to foam ones, but this time I actually prefer the hybrid tips than the foams. Unlike the cords of PL-30 which tangle quit easily such that I had to separate them almost every time, the cords of the M2 has memory of its own which retains the shape for a long time. I didn’t think it would annoy me this time. Although they are strong and similar to those of full-size headphones, I much prefer the cords of the Meelectronics products.  The plug looks better than the usual 45-degree ones, and don’t stick out as much. The overall build is sturdy as heck. Isolation is along the lines of PL-30, but with wind noise susceptibility due to the holes on the phones.
     
    Sound:
    Before burn-in, these are really relaxed and the bass was quit strange. After enough burn-in, they opened up somehow and the sound signature stabilised. I have done more than 80 hours of burn-in now, I am very satisfied with their strong suits – bass and midrange. The bass is sufficient in quantity, and the decay is perfect for Hip Hop and R&B music. The bass is there when needed, and since the signature of this IEM is towards warmth, a veil is inevitable, which is not a problem at all for me. A friend of mine tried them out, and thought they are not as good for classical as the ones he’s got (not sure what IEMs, but I assume brighter than M2).  The vocals are very sexy and enjoyable. On the other hand, treble may be tamed and may lack a sense of sparkle, yet it is decent nonetheless to my liking. I personally hate fatiguing phones, so I’m a bit biased. The roll-off of treble is later than I expected at around 14-15 kHz, so the M2 is extended both ways with deep bass and high frequency harmonics.
    Apart from the veil that I talked about, there is however room for improvement on the soundstage. Although the soundstage is better than average, I still crave for some full-size cans’ or speakers’ experience in IEMs which I will probably never get. I will address these in my next upgrade. The distance is about first couple rows, yet not as distant as the PL-30.
     
    Verdict:
    Most people would agree that M2 is one of the best sub-$100 IEMs you can get. For the price I paid, I am more than satisfied with these bad boys. I only got it on Tuesday last week due to the problems with the Australian postal service where they got sent back to mp4nation without any reasons from AusPost, and I’m glad to receive them eventually. Mp4nation is good enough not to ask me to pay extra for the postage for the second shipping.  For the low price tag, and given the right sound signature for you, M2 is what I recommend to someone who is very conscious of value like me.
  3. HeadphoneAddict
    4.5/5,
    "Brainwavz M2 Review - fun budget phones that surprise"
    Pros - warm, fun and spacious sounding
    Cons - slightly boosted bass that could use more control
    I've had the Brainwavz M2 here for several weeks, and I'm sorry that I haven't had the time to post my thoughts on them sooner, but I'm doing so now after enjoying them the whole time.  My Star rating is against other IEM in the $100 and under range.  I received these as a free review sample, but they did not buy any special favors.
     
    The build quality is not bad for a budget IEM. The cable feels nice and is fairly tangle free, as well as having only a small amount of microphonics. I did have an issue where the strain relief on the right earphone came loose and would slide up and down the cable, and for a while I left it that way as it helped me identify the right and left by feel in the dark. Eventually I glued the strain relief back in place. While doing that I discovered that the metal rod that the cable runs through could be unscrewed too easily from the earpiece.
     
    Isolation with single flange silicone tips is decent like my Nuforce IEM with Shure tips, and more than my RE252, but less than my W1 with triple flange tips. They isolate enough to enjoy the music while sitting 3 feet way from a window air conditioner unit. They also came with a variety of tips and a nice case, but the medium silicone tips worked right away for me and I didn't bother with the rest.
     
    GEAR USED: MAcbook Pro lossless music > Pico DAC > ALO Amphora, Macbook Pro > uDAC, uDAC-2 or DACport, iPhone 3GS and iPhone 4.
     
    EARPHONES COMPARED: Brainwavz M2 vs Brainwavz Beta, HiFiMan RE-2, Nuforce NE-6/7M, Maximo iMetal iP-HS-5, Denon C700, Westone 1, Westone 2, Westone 3, Monster Turbine Pro Gold, UE11Pro.
     
    MUSIC USED: (24/96 only where noted, otherwise 16/44 lossless):

    * Diana Krall - Live in Paris
    * Peter Asplund - As Knights Concur
    * John H. Clarke - Acoustic Guitar (bought off CDBaby.com)
    * Nils Lofgren - Acoustic Live
    * Tord Gustavsen Trio - "Restored, Returned"
    * Esbjorn Svensen Trio - From Gagarin's Point of View
    * Jimmy Cobb Quartet - Jazz in the Key of Blues 24/96
    * Shelby Lynn - Just a Little Lovin
    * Nancy Bryan - Neon Angel 24/96
    * Wendy Sutter - Songs & Poems For Solo Cello
    * Eva Cassidy - Live at Blues Alley
    * Ottmar Liebert & Luna Negra - Up Close 24/96
    * Bill Evans - Waltz for Debby
    * Carla Lother - 100 Lovers 24/96
    * Infected Mushroom - B.P. Empire
    * Bella Sonus - Enamoured
    * Jack Johnson - In Between Dreams, On and On, and Sleep Through the Static
    * Pink Floyd - Animals
    * Orianthi - Violet Journey
    * Black Eyed peas - The E.N.D.
    * Katy Perry - One of the Boys
    * Sade - Soldier of Love
    * A variety of low bit-rate rock music downloads for my kids to look for issues
     
    SOUND: I felt that they sound pretty nice right out of the box. They seem to have raised the bar for what I consider to be budget earphones. After just an hour of listening I was ready to say that these could easily sell for twice the asking price, and are a lot of fun to listen to. They made small improvements in refinement and bass control over the first 100 hours, but one could start enjoying them right away.
     
    If I'm trying to describe the sound, it helps to compare them other earphones or headphones. I might call them the Denon D2000 or D5000 of the IEM world, but that may not be a perfect match as I'm working from memory of the Denon. The M2 frequency response was almost a perfect match for my UE11pro customs, minus the UE11pro's superior detail, air and extension in the highs, refinement and speed. But even the soundstage size seems to be of similar proportions. I actually went back and forth between my UE11Pro and M2 out of several amps after I heard this, and the biggest difference in the frequency response of the two is that the M2 are slightly darker or recessed in the highs than the UE11Pro. No, I'm not saying the M2 are as good as an over $1100 custom IEM, but if someone wanted to have an idea of the UE11Pro "flavor" I would tell them to try the M2 to hear the tone and balance.
     
    In comparison to my Denon AH-C700 which I paid $199 for in 2007, the Denon sound thin and hollow in the mids with a brighter or even "tizzy-sounding" treble, only redeemed by their nice bass presence which isn't as well controlled as the M2. The Denon lack the rich vibrant mids and refinement of the M2, and are also not as efficient. However, comparing the M2 vs the Denon or Nuforce earphones does seem to make the M2 sound a little dark in the highs; maybe more from the sudden contrast, and having acclimated to the other IEM than a fault of the M2. But if I listen to the M2 first, then switching earphones makes the Denon and Nuforce sound bright and the M2 more normal instead. The Denon improve noticeably with Complys T400 foam tips, but not enough. The M2 are more fun and enjoyable with better bass control, cleaner richer mids, and smoother more refined treble than the Denon. Impressive for the low price.
     
    In previous comparisons my Nuforce NE-6 and NE-7M also topped the Denon C700, so I also compared those to the M2. The NE-6/7M are a little more neutral and forward sounding than the M2. Although they may be slightly more accurate in frequency balance than the M2, they are not as much fun and don't disappear behind the music as well as the M2 do. The M2 seems to be more transparent in the sense of not calling too much attention to the mids or highs, although the bass is certainly tipped up in a fun kinda way and the overall sound is warmer (like the UE11Pro). The more forward upper-mids of the NE-6 and NE-7M bring some of the details of the background instruments out, but not necessarily in a way that allows the earphones to disappear when listening. This improved in the Nuforce earphones by switching from the stock tips to some Shure E2c tips, but not enough to overcome this.
     
    Similarly, the Maximo iMetal iP-HS-5 (aka i590 for iPhone) and HiFiMan RE-2 were a bit colored in comparison, with a tilt toward the highs and details rather than the warm mids and bass of the M2. Although I have rated the Maximo on par with the Nuforce or HiFiMan RE2 (just with a different sound), and above the JVC Marshmallows and Aircushions or Brainwavz beta, they still fall below the new M2 for me when it comes to enjoying the music instead of listening to the earphones' sound. The area where the good budget IEM like Maximo or Nuforce surpass the M2 is in their bass detail and speed, but I prefer the additional impact of the M2 and less attention to detail when I want to have some fun with them. This was especially appreciated with low bit-rate downloaded music that my kids listen to.
     
    I decided to compare the M2 to my Westone 1, since I hadn't listened to them in a while. They cost several times more than the M2, but I was running out of budget IEM to compare them to. I found the W1 to be better in neutrality, transparency and speed, but they were not as extended in the deep bass or treble as the M2. The M2's bass quantity is a bit higher and more impactful than the bass of the W1, but the W1 bass speed and definition is still noticeably better. Despite less bass presence than the M2, the W1 are a fairly warm sounding IEM and not out of character when comparing them to the M2. Their mids and highs were somewhat similar in volume, up to the limits of the W1's balanced armature. But the M2 have a little more sparkle/air/extension and a larger more spacious soundstage, while the W1 are more forward/intimate sounding and slightly muted in the ambience department.
     
    The W1 are pretty good for single BA IEM, and they disappear better than the M2 or others when I listen to jazz and acoustic or string music, but the M2 were more fun for rock music or for listening loudly. For critical listening the W1 are a better choice, and more accurate most of the time. I wouldn't call the W1 a "fun" phone like the M2, and some listeners have described them as flat or boring at times. But the W1 also sound best when amped, while the M2 are less picky about that, and with a good amp the W1 shine better. Certainly the M2 can be more exciting and dynamic to listen to than the W1, especially unamped, but a similar thing could be said about the D2000/5000 vs the HD600/650. Being more fun with less power doesn't always make it a better choice for critical listening.
     
    When bringing out the Westone 2 and 3, or even the Monster Turbine Pro Gold, the M2 began to sound more like a budget IEM. The M2 bass is more like the W3 or MTPG in quantity, but not in quality. And they just don't have the speed, detail or realism of the more costly IEMs that I tried.
     
    SUMMARY: The Brainwavz M2 (aka Visang R03) are a nice sounding budget IEM which have a pleasing tone, fun bass impact, and good soundstage/image. They are a very clear upgrade to the wwww.MP4nation.com Brainwavz Beta that I reviewed previously, as well as more enjoyable than several other $40-$150 earphones that I own. They are not as accurate, fast or detailed as my balanced armature IEM or some of my dynamic IEM, but I also would not call them slow or veiled. Their biggest problem is with the slightly boosted bass that is somewhat less well controlled than I would like. They're not a giant killer and the sound is not perfect, but they don't do many things wrong - there are no big irritating peaks or troughs that would bother even the more discerning listeners. For those on a budget it would be well worth giving these consideration.  

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dweaver
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MP4Nation Brainwavz M2, 4 votes
Author:
dweaver
Category:
Universal Fit
Views:
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Reviews:
4
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Average User Rating:
3.875/5, 4 votes

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GRIMES • GROOVEBOSTON • GROOVY7 • GROUPLOVE • GUNS N' ROSES • HALESTORM • HALFORD • HALSEY • HARVEY MARSHALL • HAWKSLEY WORKMAN • HAYDEN MARINGER • HEART • HELL YEAR • HERE COME THE MUMMIES • HILL KOURKOUTIS • HINDER • HOLLYWOOD UNDEAD • HOMBRES G • HOPE • HOW TO DESTROY ANGELS • HOW TO TRAIN YOUR DRAGON TOUR • HYPER CRUSH • I PREVAIL • ICONA POP • IGGY AZALEA • IMAGINATION MOVERS TOUR • IMAGINE DRAGONS • INGRID MICHAELSON • INTERPOL • INXS • IRATION • IRON MAIDEN • JACK JOHNSON • JAKE OWEN • JADE WARSHAW • JAMES TAYLOR • JAMES TORME • JAMIE FOXX • JANET JACKSON • JASON ALDEAN BAND • JASON BENGE • JASON BONHAM • JASON DERULO • JASON ISBELL • JASON WHITMORE • JAY SEAN • JC CHASEZ • JENNA ROBINSON, BIG APPLE CIRCUS • JENNIFER CHASE • JENNIFER HUDSON • JENNIFER STONE, WITH KESHA • JEREMIAH MCCONICO • JESSE MCCARTNEY • JIMMY BUFFET • JIMMY EAT WORLD • JOE.E • JOE JONAS • JOE NICHOLS BAND • JOEY BADA$$ • JOHN GRANT BAND • JOHN HIATT AND THE COMBO • JOHN MAYER • JOHN STAMOS • JOHN TEMPESTA • JOJO • JONATHAN KNIGHT, NKOTB • JORDIN SPARKS • JOSH DAY • JOSH GROBAN • JOSH GROBAN BAND • JOSHUA RADIN • JOSS STONE • JOURNEY • THE JOY FORMIDABLE • JOYWAVE • JUDAS PRIEST • JUDD HOOS • JUICY J • JULE VERA BAND • JULIO IGLESIAS • JULLY BLACK • JUSTIN BIEBER • JUSTIN TIMBERLAKE & BAND • KACEY MUSGRAVES • KAMILAH MARSHALL • KARMA • KARMIN • KAT DELUNA • KATE EARL BAND • KATY PERRY • KEITH SWEAT • KEITH URBAN • KELLIE PICKLER • KENDRICK LAMAR • KENNY CHESNEY & BAND • KENNY LOGGINS • KESHA • KIP MOORE • KISS • KLAYE SANDERS • KOOL & THE GANG • KORN • KROPP CIRCLE • LACUNA COIL • LADY GAGA • LALAH HATHAWAY • LAUREN WILEY, LES MISERABLES US TOUR • LAURYN HILL • LAWSON • LE REVE, WYNN LAS VEGAS • LEA MULLEN • LEE DEWYZE • LENNY KRAVITZ • LEON J • LEONA LEWIS • LIANNE LA HAVAS • LIBIDO • LIDO • LIGHTS OVER PARIS • LIL' KIM • LIL WAYNE • LIMP BIZKIT • LINDSEY STIRLING • LINKIN PARK • LIONEL RICHIE • LITTLE BIG TOWN • THE LIVING END • LOCAL NATIVES • LOU REED • LOVE AND THEFT BAND • LUCINDA WILLIAMS • LUIS MIGUEL •
THE LUMINEERS • M83 BAND • MAC MILLER • MACHINE GUN KELLY • MACHINE HEAD • THE MACCABEES • MAD HATTER STUDIOS • MADEON • MADLIFE • MADONNA • MAGIC! • MAJORS AND MINORS, TV SHOW • MANA • MANDY JIROUX • MARC ANTHONY • MARIAH CAREY • MARIANA'S TRENCH • MARILYN MANSON • MARINA AND THE DIAMONDS • THE MARKER • MAROON 5 • MARY J BLIGE BAND • MASTODON • MATCHBOX 20 • MATT & KIM • MATT MORRISON & BAND • MATT NATHANSON • MATT OCHOA • MAXWELL • THE MCCLAIN SISTERS • MEGADETH • MEGHAN TRAINOR • MEL B • MELANIE MARTINEZ • MELISSA ETHERIDGE • MICAPELLA • MICHAEL ANTHONY • MICHAEL BOLTON • MICHAEL FRANTI & SPEARHEAD • MICHELLE OSBOURNE • MIDNIGHT OIL • MIGUEL • MIKA • MIKE PORTNOY • MILEY CYRUS • MIKE MARLIN • MINDLESS BEHAVIOR • MIRANDA LAMBERT • MISS MAY I • MISSION TRANSMISSION • MODEST MOUSE • MODESTEP • THE MONKEES • MONSTER TRUCK • MONTGOMERY GENTRY • MOODY BLUES • MOTLEY CRUE • MY CHEMICAL ROMANCE • NAS • NEVEREST • NEON TREES • NEW EDITION • THE NEW SHINING • NICK FRADIANI • NICK JONAS • NICKELBACK • NICKI MINAJ • NICO VEGA • NICOLE SCHERZINGER • NINE INCH NAILS • NKOTB • NO DOUBT • NOAH BENARDOUT • NOEL GALLAGHER'S HIGH FLYING BIRDS • NORMAN BROWN • NOSTALGHIA • O.A.R. • OF MICE AND MEN • OLLY MURS • ONE REPUBLIC • OPERATOR PLEASE • OPETH • THE ORANGE EFFECT • OUR LAST NIGHT • OWL CITY • OZZY OSBOURNE • PALOMA FAITH • PANDORA • PAPA ROACH • PAPER TONGUES • PASSION PIT • PATRICK WOLF • PAUL BRANDT • PENNYWISE • PENTATONIX • PETER GABRIEL • PETSHOP BOYS • PHANTOGRAM • PHARRELL WILLIAMS • PHILLIP PHILLIPS • PHOENIX • PIERCE THE VEIL • P!NK • PITBULL • PIXIE LOTT BAND • THE PIXIES • POLARIS AT NOON • POP EVIL • POST MALONE • THE PRETTY RECKLESS • PRINCE BAND • PRINTZ BOARD • PROFESSOR GREEN • PUFF DIDDY • PUNCH BROTHERS • PVRIS • PUSCIFER • QUEENS OF THE STONE AGE • R. KELLY • R5 • RACHEL CROW • RAE SREMMURD • RAMMSTEIN • RANDY HOUSER • RASCALL FLATTS • RED LINE CHEMISTRY • RICI JO • RICKY MARTIN • RICO LOVE • RIHANNA • RISE AGAINST • RITA ORA • ROB THOMAS • ROBBIE WILLIAMS BAND •
ROCK OF AGES ON TOUR • RODNEY HOWARD • ROGER WATERS’ THE WALL TOUR • THE ROLLING STONES • RUMMER WILLIS • RUSH • ST. VINCENT • ST. LUCIA • SALIVA • SAM HUNT • SAM SMITH • SAM WARSHAW • SAN CISCO • SANTIGOLD • THE SATURDAYS • SAVING ABEL • SCISSOR SISTERS • SCORPION • SCOTT STAPP • SEAN ALEXANDER • SEBASTIAN BACH • SEBASTIAN INGROSSO • SEETHER • SEGARRA • SEIGMEN • SELENA GOMEZ • SEVENDUST • "SGT. PEPPER LIVE" FEATURING CHEAP TRICK • SHAKIRA • SHARON AGUILAR • SHANE DUNCAN BAND • SHEILA E. • SHEILA MAJID • SHINEDOWN • SIA • SIGUR ROS • THE SILVER BULLET BAND • SILVERSUN PICKUPS • SIMMONE JONES • SIMONE BATTLE • SKIP DORSEY • SKYLAR GREY • SLASH BAND • SLAYER • SLIPKNOT • SMASHING PUMPKINS • SMOKIE • SOCIAL DISTORTION • SOIL • SOLANGE • SONATA ARCTICA • SONGA LEE • STAIND • STARSHELL • STEEL PANTHER • STEELY DAN • STEREO SHOUT OUT • STEVE AUGERI • STEVE RODRIGUEZ • STEVE VAI • STING • THE STONE ROSES • STONE SOUR • STRATOVARIUS • THE STRUTS • STRYPER • SUBLIME WITH ROME • SUEDE • SULLY ERNA BAND • SUM 41 • SYSTEM OF A DOWN • T.I. • T-PAIN • TALA • TAME IMPALA • TANK • TAYLOR BURRISE • TAYLORED • TEARS FOR FEARS • TEEL MERRICK • TEI SHI • TENACIOUS D • TERRY ILOUS OF GREAT WHITE • TESTAMENT • THEFT • THEOPHILUS LONDON • THE TEMPER TRAP • THREE DAYS GRACE • TIMBALAND • TIM MCGRAW • TIM OWENS • TIMBALAND • TINASHE • TOOL • TONIC • TONY SAVAGE • TOOL • TOTO • TRACE ADKINS • TRAIN • TRAVIS BARKER • TRAVIS TRITT • TREY SONGZ • TRILLIUM VEIN • TRISHA YEARWOOD • TRIVIUM • TWENTY ONE PILOTS • TWO DOOR CINEMA CLUB • TY DOLLA $IGN • U2 • UNION J • THE USED • VAIN • VAMPIRE WEEKEND • VAN HALEN • VANCE JOY • VINCE STAPLES • VIRUS • THE VOICE TV SHOW 2011, 2012 • VOLBEAT • WALT DISNEY WORLD • THE WANTED • THE WAR ON DRUGS • WARRANT • WE ARE THE FALLEN • THE WEEKND • WEEZER • WELL HUNGARIANS • WHITESNAKE • WIZ KHALIFA • THE WHO • WILD BEAST • WINTERSUN • THE WOMBATS • X FACTOR • X-JAPAN • YOUNG GUNS • YOUNG THE GIANT • YOUNGBLOOD HAWKE • YOUTH LAGOON • ZAC BROWN BAND • ZAYN MALIK • ZELLA DAY • ZZ WARD • AND MANY MORE...