I’ve been looking for a summit-fi headphone to end my spending into this hobby for the time being, and the Verite happened to be one that came into my interest. A couple weeks ago I auditioned it along with several others, ZMF and not, and it stood out to me as the best of the bunch. But I ended up not getting it.
The Verite had a really sharp attack with bass and mids which sounds really good with drums. The other standout thing as well was the tactility of the whole setup, not just with sharp hits but with sustained notes. Tremolo picked guitars have a physical feeling to them like the real deal. I coined the term “presence” to describe this, and I honestly can’t think of much else that can match it.
However, I didn’t walk out of the store with a Verite for a reason. The less dealbreaking issue was the treble tonality being too warm and not having enough stick impact with cymbals. The major issue that I had with the Verite lies with the general upper midrange recession on the thing, and how it affects the technical ability of the Verite. I tried quite a few tracks with the Verite, starting out as always with Talk Talk’s After the Flood, Charles Mingus’ Solo Dancer, Yes’ Close to the Edge, Stravinsky’s Le Sacre du Printemps, and it actually did alright on them. The breaking point was Wretched Wisdom by Krallice, a track I don’t actually use very often for demoing. I originally wanted to use it to test the bass slam and tactility of the Verite (which it passed with flying colors, unsurprisingly) but the second the center panned guitar solo came in the rhythm guitars immediately faded out of focus, almost like a camera refocusing. In that instant the Verite shat the proverbial bed and fell flat on its face. I strongly suspect this to be an inverse of the IER-Z1R’s (my daily driver IEM) midrange clarity trick, with the upper midrange on the Z1R being boosted rather than recessed to provide the opposite effect of the Verite.
Now, here comes the little idea I’ve been toying with. I think it’s apparent that the Verite was impressive to me, but not quite impressive enough. The attack speed and “presence” stuck out to me as very good. It’s clear that the driver obviously has a tuning in mind and you can’t change that too much. However, it might be possible to tweak it slightly with a wood choice that aids the upper midrange a bit and a good cable. I don’t know to what extent it will work, but if has a considerable enough effect and my theory about the Verite’s technical ability being hampered by the tuning is true, it might be possible to actually “fix” the Verite and put it back in the running as a genuine consideration.
There’s also the Verite Closed variant to consider as well, which I haven’t personally heard but have seen impressions from “hollow and boxy” to “identical to if not better than the Verite Open”. Curious how the midrange will be like on that and if it might rectify my general gripe with the Verite. Any thoughts?