@Admiral Kolchak, here are some quick notes on the VC and VO on the recordings you requested. In a free thought manner.
Bach, Brandenburg Concertos; Karajan, Berliner Philharmoniker:
VC: Immediate, big soundstage (doesn’t sound like a closed headphone), row 2 perspective, lively
VO: relaxed, row 15, slightly deeper and wider stage, a bit more rich and thick
If I came home from work stressed and frazzled, I’d reach for the VO, if I needed a “pick me up,” the VC.
Bach, Orchestra No.3 in D Major, BWV 1068: II. Air; Joshua Bell, Academy of St. Martin in the Fields
VO: Ahhh, again a bit more relaxed, with the greater space comes a bit less pinpoint imaging, slightly richer, lower midrange focus
VC: upfront, soundstage is equal, just more forward, pinpoint imaging for the entire Ensamble
Vivaldi, Four Seasons, Itzhak Perlman, London Philharmonic Orchestra; Violín Concertó in E Major, Spring
VC: immediate, wide and deep stage, beautiful tone, Perlman shines, greater decay-notes hold and fade away beautifully
VO: beautiful, rich, the pizzicato and Harpsichord on “Autumn” are quite clear, but if possible even cleaner with the VO, need to do more listening to sort this out.
Okay, a quick and dirty comparison, hopes this helps.