I'm tube-rolling the loaner Aegis today. I have an unused, matched pair of Siemens EL-34s that have to be 45 years old. After letting them burn-in 5 or 6 hours, I'm listening right now.
They sound different from the stock EL-34s, but it's pretty subtle. The Siemens are a bit sharper on transients, slightly tipped up.: drums & percussion are borderline spectacular. But on less than ideally recorded material, these EL-34s let me know it. On the other hand, vocals stand out a little more and the treble goes right up to the sky. Bass is very clear and controlled. It's pretty much what I expect from Siemens tubes in general. These are small differences, audible, but not the kind that hit me over the head (ears?).
Keenan says he thinks the unique circuit design of the Aegis predominates in determining the amp's sonics. Based on this one limited tube rolling experiment, he's right ... which doesn't stop me from wishing I had a pair of late '50s Mullard Blackburn EL-34s on hand to try.
Tube rolling aside, the sound of this amp continues to startle & amaze. It's the best tube amp I ever heard; maybe the best amp, period.