Gurashieruro
500+ Head-Fier
- Joined
- Dec 27, 2014
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I have to disagree about the SE846 being the bass king. I far prefer the UM Pro 50's when it comes to bass.
I recently returned my SE846 to the dealer, after just 5 days of owning them, as I really didn't like them. They are very well built, and there is obvious quality about them, but I just can't say I found them very pleasant to listen to. I could hear that individual aspects of the sound were impressive, but the overall sound was really disappointing. And, to my surprise, the bass presentation was probably the biggest disappointment of all.
On first examination they have loads of sub-bass, but that's about it in terms of the good stuff. The SE846 don't seem to have much mid-bass, which is in my opinion more important than sub-bass, so the overall sound ends up being a bit hollow and unnatural. I also found the bass on my SE846 always seemed to sound a bit out of tune.
Listening to something like The Smiths, which has some great intricate bass lines, but not a great deal of deep sub-bass, is really unrewarding with the SE846. The bass lines disappear so far back behind the (overly) forward mids that it gets all but lost. Maybe the SE846 work for things like EDM or hip-hop, but it didn't impress me.
The UM Pro 50 bass doesn't go quite so deep, but boy does it hit hard when it needs to, and it has a lovely texture and decay. The UM Pro 50 just has a more silky, warm, and frankly enjoyable sound signature than the SE846. The UM Pro 50 also has a much wider sound-stage than the SE846, and better separation. The SE846 was quite congested, and gave me a headache after quite short listening sessions.
Of course, these are just my (honestly held) opinions, and I'm sure there are SE846 owners who would completely disagree with the things I've said.
I don't know anything about the W60 sound signature. I've been tempted to try them but, though they may be technically better, I'm not sure they would be closer to my sound signature preference than the UM Pro 50.
The assumptions and detail about the SE846 is based by collected information from the forums. I personally have not had any reasonable amount of time with them. I find the extension of the UM Pro 50 to be extremely good. One thing that I felt about the Pro 50s was their realism. Some of the guys who listened to the IEM in the UM Pro Series forum didn't like them and had quite a bit of negative to say. Though it was after they heard them and let the brain change to the sound signature did some of them understand the qualities of the Pro 50s.
While Westone IEMs don't have the build quality that Shure uses in their SE846, I can say that Westone's build isn't lacking either. Looking at their W60 (since I have them), it feels almost like it was made of ABS or some extremely rigid and durable plastic. Lightness doesn't mean fragile, low-grade, or weak. If that was the case, then gold would be super strong and we know that isn't the case. Graphene, strongest and most conductive material known to man, is super light but is strong as heck.
So I am eluding to the IEMs made by Westone aren't weak or bad by any means. If finishing is what you are going after, then the SE846 will be the thing to go with. But honestly, I would trade off better sound for slightly less quality in the finish work.
The W60s are awesome and I enjoy it a ton. Are they technically better? It depends on the person and their preferences. The W60 takes an opposite approach and makes everything open and clear. To some it makes it sound laid back and chill, but for me, that isn't the case. I found them to be quite fun and engaging but depends on the track. Instead of the UM Pro 50 that pulls you in forcefully, the W60s surround you and let you fall into its sound. Everything is still realistic but no stone is left unturned and is presented to you. If you like the Pro 50, the W60 will be in the opposite direction in sound presentation. However, it is worth a listen.