Absolutely makes sense if you have an analogue recording that has dynamic range not available in any digital release... and then one can apply digital room correction to this analogue source to EQ room related issues.
This can be spectacular improvement in sound quality... compared to raw analogue without room correction or compared to the different digital mastering that maybe doesn't have the original dynamic range.
It just needs modern thinking, outside the box, not old thinking
If you've never heard state of the art digital room correction, you wouldn't know what I'm talking about. Needs to be experienced.
Of course if you have the perfect room acoustics already, then possibly not required.