The Jester
1000+ Head-Fier
Sadly the backlog in vinyl pressings are making it less attractive for artists with new releases to include a good vinyl version, selling back catalogue “remasters” is a great money spinner for recording companies to sell their “classic albums” for the third or fourth time, Vinyl original, original CD, remastered CD and now remastered Vinyl, while being a testament to some of those albums being attractive across generations what’s next ?
Those discovering new vinyl may want a better version of albums released in the last 20 years of the enduring “loudness war” after hearing what music can sound like without excessive compression and manipulation, again a nice source of revenue as opposed to nurturing emerging talent which has never been inexpensive, and going with “the next big thing” of ready packaged “talent” from various TV competitions accompanied by the obligatory “music” video, pushing those with the desired market appeal over actual musical talent, luckily there are a few with actual talent that manage to survive the hysteria and realise a successful long term career with enduring support,
So where does that leave the “audiophile” long term ?
Continue to search for better and better remasters of past classic favourites or try to encourage those new artists with real talent to be at their best with the best recording modern technology has to offer, who knows, if vinyl sales continue to increase we may see the end of the “loudness war” and maybe even hear what digital audio can really sound like …
Not holding my breath on that one …
Those discovering new vinyl may want a better version of albums released in the last 20 years of the enduring “loudness war” after hearing what music can sound like without excessive compression and manipulation, again a nice source of revenue as opposed to nurturing emerging talent which has never been inexpensive, and going with “the next big thing” of ready packaged “talent” from various TV competitions accompanied by the obligatory “music” video, pushing those with the desired market appeal over actual musical talent, luckily there are a few with actual talent that manage to survive the hysteria and realise a successful long term career with enduring support,
So where does that leave the “audiophile” long term ?
Continue to search for better and better remasters of past classic favourites or try to encourage those new artists with real talent to be at their best with the best recording modern technology has to offer, who knows, if vinyl sales continue to increase we may see the end of the “loudness war” and maybe even hear what digital audio can really sound like …
Not holding my breath on that one …