I'm looking over that and I want to take another look in a while to be sure that I'm seeing what I think I'm seeing. Right now, though, what I think I'm seeing is small noise level changes that are 60-75 dB below the signal. Noise 60 dB below the music is usually inaudible unless you're listening for that noise and you know what to listen for. Most humans wouldn't notice a 1.5 dB change outside of an A/B test. And as Tyll points out on the next page: The one thing I think I have proved, however, is that if break-in does exist, it is not a large effect. When people talk about night and day changes in headphones with break-in, they are exaggerating. This data clearly shows that the AKG Q701 --- a headphone widely believed to change markedly with break-in --- does not change much much over time.
My hiking boots break-in; my sneakers break-in, too. But my hiking boots aren't going to turn into sneakers over time. This idea that you simply must let headphones break-in before you know what they are going to sound like is a myth. And this data busts it.
So... do you need to break in your M-100? No, you don't. Put them on and enjoy them out of the box. And if you don't like them then turn the volume down a bit and give them a week or two to grow on you. And if you still don't like them then maybe they're not the cans for you.
I'm going to make a statement and say that 1.5 dB can be easily audible if it's wide enough of a range that it covers (and in the right place, increase the 1-2k range by 1.5 dB, it'll make a difference depending on headphone). Technically speaking, you don't need to break in any headphone, they'll break in with use. But you did contradict yourself in your last paragraph, you stated that break in is not needed, but if you don't like them, break in might help (it can be needed).
If you setup an EQ like this (each EQ was specifically designed for the M-100, one will boost the bass a bit, the other will flatten it a little bit). This EQ will boost bass and treble, it looks like a 1.5 dB with a reverse-hump at the 1 kHz region:
- 32 Hz - 400 Hz: 1.5 dB
- 1 kHz: 0
- 4 kHz - 16 kHz: 1.5 dB
You'll notice that if you EQ like this, the bass gets just that much more slam to it with a 1.5 dB gain. It also gains a bit more body and weight to each note in general. Although the treble increase isn't as audible it does have the slightest bit of gain in air (you wouldn't notice it over a burn in though). Midrange instrumentals also gain presence too. This is within the 1.5 dB bound again:
- 32 Hz - 256 Hz: -1.5
- 500 Hz: 0
- 1 kHz - 3 kHz: -1.5
- 4 kHz - 8 kHz: 0
- 16 kHz: -1.5
The change makes the M-100's bass tighten up quite a bit and becomes more controlled (even though it's already controlled IMO, partly because of that hump at the 1 kHz)... If you can't tell, both EQs use the M-100's measurements (by Tyll) to figure out what areas to EQ
![Wink :wink: :wink:](https://cdn.head-fi.org/e/people/wink.svg)
Both of these also have minute changes when it comes to timbre as well, if you switch off the first EQ, you'll notice that the instruments don't sound as dark.
If you flip the EQs, turn the 1.5 to 0 and 0 to 1.5 (or -1.5), you'll notice that the change is much smaller, when theoretically it is the same EQ, just at a different volume level. I made a statement above that the width makes a difference here, as does intensity... Width and intensity, think integral
Actually, if you reverse the first EQ, like stated above, you'll find out why the M-100 doesn't lose out on details even though it's not bass-heavy. Without that little hump at the 1 kHz the midrange, the headphones become much smoother and less aggressive.
Also, if you want to explore further, you can adjust those above EQs to flatten the sound (or boost the bass for my basshead friends) just a tad bit more. It'll make the M-100 sound a lot more fun, or a lot more hollow depending on which direction you go. I actually like that little bass boost that it adds, sometimes it's that little
tiny difference that makes
all the difference.